For the Sake of Elena (4 page)

Barbara rushed from the house, leaving Mrs. Gustafson wringing her hands and wailing “It was just the fish” as if that could somehow excuse her negligence. She gunned her Mini and roared in the direction of the Uxbridge Road. She tore down streets and crisscrossed alleys. She stopped people. She ran into local stores. And she finally found her on the grounds of the local primary school where both Barbara and her long-dead younger brother had once been pupils.

The Headmaster had already phoned the police. Two uniformed constables—one male and one female—were talking with her mother when Barbara arrived. Against the windows of the school building itself, Barbara could see curious faces pressed. And why not, she thought. Her mother certainly presented a spectacle, wearing a thin summer house dress and slippers and nothing else at all save her spectacles, which were not on her nose but for some reason perched on the top of her head. Her hair was uncombed, her body smelled unwashed. She babbled, protested, and argued like a madwoman. When the female constable reached out for her, she dodged away adroitly and began running towards the school, calling for her children.

That had been just two days ago, yet another indication that Mrs. Gustafson was not the answer.

In the eight months since her father’s death, Barbara had tried a variety of solutions to the problem of her mother. At first, she’d taken her to an adult day care centre, the very latest thing in dealing with the aged. But the centre couldn’t keep their “clients” after seven at night, and the calls of policework made her hours irregular. Had he known of her need to fetch her mother by seven, Barbara’s superior officer would have insisted that she take the time to do so. But that would have placed an unfair burden upon his shoulders, and Barbara valued her job and her partnership with Thomas Lynley too highly to jeopardise either by giving her personal problems priority.

She’d tried a variety of paid companions after that, four in succession who lasted a total of twelve weeks. She’d worked with a church group. She’d employed a series of visiting social workers. She’d contacted Social Services and arranged for home help. And at the last, she’d fallen back upon Mrs. Gustafson, their neighbour. Against the monitory recommendation of her own daughter, Mrs. Gustafson had stepped in as a temporary measure. But the fuse on Mrs. Gustafson’s ability to deal with Mrs. Havers was a short one. And the fuse on Barbara’s willingness to put up with Mrs. Gustafson’s lapses was even shorter. It was only a matter of days before something blew.

Barbara knew the answer was an institution. But she couldn’t live with the thought of placing her mother in a public hospital rife with inadequacies associated with the National Health. At the same time, she couldn’t afford a private hospital, unless she won the football pools like a female Freddie Clegg.

She felt in her jacket pocket for the business card she’d placed there this morning. Hawthorn Lodge, it said. Uneeda Drive, Greenford. A single call to Florence Magentry and her problems would be solved.

“Mrs. Flo,” Mrs. Magentry had said when she answered the door to Barbara’s knock at half past nine that morning. “That’s what my dears call me. Mrs. Flo.”

She lived in a two-storey semi-detached piece of uninspired postwar housing which she optimistically called Hawthorn Lodge. Grey stucco relieved by a brick facade on the ground floor, the house featured woodwork the colour of oxblood and a five-paned bow window looking out on a front garden filled with trolls. The front door opened directly into a stairway. To the right of this a door revealed a sitting room into which Mrs. Flo led Barbara, chatting continually about the “amenables” which the house offered the dears who came to visit.

“I call it a visit,” Mrs. Flo said, patting Barbara’s arm with a hand that was soft and white and surprisingly warm. “Seems less permanent that way, doesn’t it? Let me show you round.”

Barbara knew she was looking for features that she could proclaim ideal. She ticked the items off in her mind. Comfortable furniture in the sitting room—worn but well-made—along with a television, a stereo, two shelves of books, and a collection of large and colourful magazines; fresh paint and wallpaper and gay prints on the walls; tidy kitchen and a dinette whose windows overlooked the back garden; four bedrooms upstairs, one for Mrs. Flo and the other three for the dears. Two loos, one up and one down, both glistening white with fixtures shining like silver. And Mrs. Flo herself, with her large-framed spectacles and her modern wedge-cut hair and her neat shirtwaister with a pansy brooch pinned at its throat. She looked like a smart matron, and she smelled of lemons.

“You’ve phoned up at just the right time,” Mrs. Flo said. “We lost our dear Mrs. Tilbird last week. Ninety-three she was. Sharp as a pin. Went off in her sleep, bless her. Just as peaceful as ever you’d want someone’s passing to be. She’d been with me a month short of ten years.” Mrs. Flo’s eyes became misty in her plump-cheeked face. “Well, no one lives forever, and that’s a fact, isn’t it? Would you like to meet the dears?”

The residents of Hawthorn Lodge were taking a bit of morning sun in the back garden. There were only two of them, one an eighty-four-year-old blind woman who smiled and nodded at Barbara’s greeting after which she immediately fell asleep and the other a frightened-looking woman somewhere in her fifties, who clutched Mrs. Flo’s hands and cowered back in her chair. Barbara recognised the symptoms.

“Can you cope with two?” she asked frankly.

Mrs. Flo smoothed down the hair of the hand clutcher. “They’re no trouble to me, dear. God gives everyone a burden, doesn’t He? But no one’s burden is more than he can bear.”

Barbara thought of that now with her fingers still touching the card in her jacket pocket. Is that what she was trying to do, to slough off a burden that, from laziness or perverse selfishness, she didn’t want to bear?

She avoided the question by evaluating everything that made the placement of her mother at Hawthorn Lodge right. She enumerated the positives: the proximity to Greenford Station and the fact that she would only have to change trains once—at Tottenham Court Road—if she placed her mother in this situation and herself took the small studio she’d managed to find in Chalk Farm; the greengrocer’s stand right inside Greenford Station where she could buy her mother fresh fruit on the way to a visit; the common just a street away with its central walk lined with hawthorns which led to a play area of swings, see-saw, round-about, and benches where they could sit and watch the neighbourhood children romp; the string of businesses nearby—a chemist, a supermarket, a wine shop, a bakery, and even a Chinese take-away, her mother’s favourite food.

Yet even as she listed every feature that encouraged her to phone Mrs. Flo while she still had a vacancy, Barbara knew she was deliberately avoiding a few of the qualities of Hawthorn Lodge which she hadn’t been able to ignore. She told herself that nothing could be done about the unremitting noise from the A40, or about the fact that Greenford itself was a sandwich of a community squeezed between the railway and a motorway. Then there were the three broken trolls in the front garden. Why on earth should she even think of them, except that there was something so pathetic about the chipped nose on one, the broken hat on another, the armlessness of a third. And there was something chilling about the shiny patches on the sofa where oily, old heads had pressed against its back for too long. And the crumbs in the corner of the blind woman’s mouth..

Minor things, she told herself, little hooks digging into the skin of her guilt. One couldn’t expect perfection anywhere. Besides, all of these minor points of discomfiture were inconsequential when one compared them with the circumstances of their lives in Acton and the condition of the house in which they now lived.

The reality, however, was that this decision went far beyond Acton versus Greenford and far beyond keeping her mother at home or sending her away. The entire decision went right to the core of what Barbara herself wanted, which was simple enough: a life away from Acton, away from her mother, away from the burdens which, unlike Mrs. Flo, she did not believe she was equipped to bear.

Selling the house in Acton would give her the money to support her mother in Mrs. Flo’s house. She would have the funds to set herself up in Chalk Farm as well. No matter that the Chalk Farm studio was little more than twenty-five feet long and twelve feet wide, little more than a converted potting shed with a terra cotta chimney and missing slates on the roof. It had possibilities. And that’s all Barbara asked of life any longer, just the promise of possibility.

Behind her, the door opened as someone slipped an identification card through its locking device. She glanced over her shoulder as Lynley entered, looking quite rested despite their late night with the Maida Vale killer.

“Any luck?” he asked her.

“Next time I offer to do a bloke a favour, punch my lights, will you? This screen makes me blind.”

“Nothing then, I take it?”

“Nothing. But I haven’t exactly been giving it my all.” She sighed, made a note of the last entry she’d read, and exited the programme. She rubbed her neck.

“How was Hawthorn Lodge?” Lynley asked her. He swung a chair over and joined her at the terminal.

She did her best to avoid his eyes. “Nice enough, I suppose. But Greenford’s a bit out on the central line. I don’t know how Mum would make the adjustment. She’s used to Acton. The house. You know what I mean. She likes having her things about her.”

She felt him watching her, but knew that he would not offer advice. Their positions in life were far too different for him to presume to make a suggestion. Still, Barbara knew he was only too aware of her mother’s condition and the decisions she herself now faced because of it.

“I feel like a criminal,” she said hollowly. “Why?”

“She gave you life.”

“I didn’t ask for it.”

“No. But one always feels a responsibility to the giver. What’s the best course to take? we ask. And is the best course the right one, or is it just a convenient escape?”

“God doesn’t give burdens we cannot bear,” Barbara heard herself mouth.

“That’s a particularly ridiculous platitude, Havers. It’s worse than saying things always work out for the best. What nonsense. Things work out for the worst more often than not, and God—if He exists—distributes unbearable burdens all the time. You of all people ought to know that.”

“Why?”

“You’re a cop.” He pushed himself to his feet. “We’ve a job out of town. It’ll be a few days. I’ll go on ahead. You come when you can.”

His offer irked her, filled as it was with the implicit understanding of her situation. She knew he wouldn’t take another officer. He’d do his work and her own until she could join him. How utterly like him. She hated his easy generosity. It made her his debtor, and she did not possess—would never possess—the coin with which he might be repaid.

“No,” she said. “I’ll get things set up at home. I’ll be ready in…How much time do I have? An hour? Two?”

“Havers…”

“I’ll
go
.”

“Havers, it’s Cambridge.”

She jerked her head up, saw the undisguised satisfaction in his warm brown eyes. She shook her head darkly. “You’re a real fool, Inspector.”

He nodded, grinned. “But only for love.”

3

Anthony Weaver pulled his Citroën to a halt on the wide gravel drive of his home in Adams Road. He stared through the windscreen at the winter jasmine that grew—neat and restrained—on the trellis to the left of the front door. For the last eight hours he’d been living in the region that lies just between a nightmare and hell, and now he was numb. It was shock, his intellect told him. Certainly, he’d begin feeling something again just as soon as this period of disbelief had passed.

He made no move to get out of the car. Instead, he waited for his former wife to speak. But stolidly sitting next to him in the passenger seat, Glyn Weaver maintained the silence with which she had greeted him at the Cambridge railway station.

She hadn’t allowed him to drive to London to fetch her, to carry her suitcase, or to open a door. Nor had she allowed him to witness her grief. He understood. He’d already accepted the blame for their daughter’s death. He’d taken on that responsibility the moment he’d identified Elena’s body. Glyn had no need to hurl accusations at him. He would have agreed with every one.

He saw her eyes sweep over the front of the house, and he wondered if she would remark upon it. She hadn’t been to Cambridge since helping Elena get settled into St. Stephen’s in her first term, and even then she’d not set foot in Adams Road.

She would, he knew, see the house as indication of the combined elements of remarriage, inheritance, and professional egocentricity, a veritable showpiece of his success. Brick, three storeys, white woodwork, decorative tile cladding from second storey to roofline, a glass-enclosed morning room with a roof terrace atop it. This was a far cry from their claustrophobic newlywed digs, three rooms on Hope Street more than twenty years ago. This house was set alone at the end of a curved drive, not butted up to a neighbour’s dwelling and squatting less than five feet from the street. This was the house of a tenured professor, a respected member of the history faculty. This was no ill-lit tenement of dying dreams.

To the right of the house, a copper beech hedge—brilliant with the sunset colours of autumn—walled off the back garden. Through an opening in the bushes, an Irish setter bounded joyfully towards the car. Seeing the animal, Glyn spoke for the first time, her voice low, without apparent emotion.

“This is her dog?”

“Yes.”

“We couldn’t keep one in London. The flat was too small. She always wanted a dog. She talked about a spaniel. She—”

Breaking off, Glyn got out of the car. The dog took two hesitant steps forward, tongue hanging out in a slap-dash canine grin. Glyn observed the animal but made no overt attempt to greet him. He took another two steps and snuffled round her feet. With a rapid blink, she looked back at the house.

She said, “Justine’s made you a lovely place in the world, Anthony.”

Between brick pilasters, the front door opened, its polished oak panels catching what little of the quickly fading afternoon light managed to seep through the fog. Anthony’s wife, Justine, stood with one hand on the doorknob. She said, “Glyn. Come in. Please. I’ve made tea,” after which she backed once again into the house, wisely offering no condolences where they would not be welcome.

Anthony followed Glyn into the house, carrying her suitcase up to the guestroom, and returning to find her and Justine standing in the sitting room, Glyn at the window overlooking the front lawn with its careful arrangement of white, wrought iron furniture glistening through the fog, and Justine by the sofa with the tips of her fingers pressed together in front of her.

His first and second wives could not have been more dissimilar. Glyn, at forty-six, was making no attempt to resist the encroachments of middle-age. Her face was worn, with crow’s feet at her eyes, deep lines like trenches from nose to chin, tiny indentations shooting out from her lips, jawline losing definition from the pull of flesh beginning to sag. Grey streaked her hair, which she wore long, drawn back from her face in a severe chignon. Her body was thickening at the waist and hips, and she covered it with tweed and wool and flesh-coloured stockings and flat walking shoes.

In contrast, Justine, at thirty-five, still managed to suggest the fresh bloom of youth. Blessed with the sort of facial structure that would only enhance her looks as she grew older, she was attractive without being beautiful, with smooth skin, blue eyes, knife-edged cheekbones, a firm jaw. She was tall and lanky with a cascade of dusty blonde hair that hung, as it had from adolescence, loosely round her shoulders. Trim and fit, she wore the same clothes now in which she had gone off to work this morning, a tailored grey suit with a wide black belt, grey stockings, black pumps, a silver pin on her lapel. She was perfect, as always.

Anthony looked beyond her to the dining room where she had laid the table for afternoon tea. It served as demonstration of how Justine had spent the hours since he had telephoned her at the University Press to tell her of his daughter’s death. While he had been to the morgue, to the police station, to the college, to his office, to the railway station, while he had identified the body and answered questions and accepted incredulous condolences and contacted his former wife, Justine had made her own preparations for the coming days of their mourning. The result of her efforts was spread across the burl-topped dining table.

On a linen cloth sat the entire tea service from their wedding china, a pattern of gilt-edged roses and curling leaves. Among the plates and cups and silver and crisp white napkins and vases of flowers lay a poppy seed cake, a platter of delicate afternoon sandwiches, another of thinly sliced bread and butter, fresh scones, strawberry jam, and clotted cream.

Anthony looked at his wife. Justine smiled fleetingly, saying again with an airy motion at the table, “I’ve made tea.”

“Thank you, darling,” he said. The words felt unnatural, badly rehearsed.

“Glyn.” Justine waited for the other woman to turn. “May I offer you something?”

Glyn’s eyes slid to the table, from there to Anthony. “Thank you. No. I couldn’t possibly eat.”

Justine turned to her husband. “Anthony?”

He saw the trap. For a moment, he felt suspended in the air, like the rope in an endless tug-of-war. Then he went to the table. He chose a sandwich, a scone, a slice of cake. The food tasted like sand.

Justine came to his side and poured the tea. Its steam rose in the air with the fruity scent of the modern, herbal blend she preferred. The two of them stood there with the food spread out before them, the silver gleaming, and the flowers fresh. Glyn remained by the window in the other room. No one moved towards a chair.

“What did the police tell you?” Glyn asked. “They never phoned me.”

“I told them not to.”

“Why?”

“I thought I should be the one to—”

“
You?
”

Anthony saw Justine set down her teacup. He saw that her eyes remained on its rim.

“What happened to her, Anthony?”

“Glyn, sit down. Please.”

“I want to know what happened.”

Anthony set his plate down next to the cup of tea which he had not tasted. He returned to the sitting room. Justine followed. He sat on the sofa, motioned his wife down next to him, and waited to see if Glyn would move from the window. She did not do so. Next to him, Justine began twisting her wedding band.

Anthony recited the facts for Glyn. Elena was out running, someone killed her. She was beaten and strangled.

“I want to see the body.”

“No. Glyn. You don’t.”

Glyn’s voice wavered for the first time. “She was my daughter. I want to see the body.”

“Not as she is now. Later. When the morticians—”

“I’ll see her, Anthony.”

He could hear the tight elevation in her voice and knew from experience where it would lead. He headed her off with, “One side of her face is bashed in. The bones are showing. She doesn’t have a nose. Is that what you want to see?”

Glyn fumbled in her handbag and brought out a tissue. “Damn you,” she whispered. Then, “How did it happen? You told me—you promised me—she wouldn’t run alone.”

“She phoned Justine last night. She said she wasn’t going to run this morning.”

“She phoned..” Glyn’s glance moved from Anthony to his wife. “You ran with Elena?”

Justine stopped twisting her wedding band, but she kept her fingers on it, as if it were a talisman. “Anthony asked me to. He didn’t like her running along the river when it was dark, so I ran as well. Last night she phoned and said she wouldn’t be running, but evidently, for some reason she changed her mind.”

“How long has this been going on?” Glyn asked, her attention going back to her former husband. “You said Elena wouldn’t be running alone, but you never said that Justine—” She abruptly shifted gears. “How could you do that, Anthony? How could you entrust your daughter’s well-being to—”

“Glyn,” Anthony interposed.

“She wouldn’t be concerned. She wouldn’t watch over her. She wouldn’t take care to see that she was safe.”

“Glyn, for God’s sake.”

“It’s true. She’s never had a child, so how could she know what it’s like to watch and wait and worry and wonder. To have dreams. A thousand and one dreams that won’t come to anything because
she
didn’t run with Elena this morning.”

Justine hadn’t moved on the sofa. Her expression was fixed, a glazed mask of good breeding. “Let me take you to your room,” she said and got to her feet. “You must be exhausted. We’ve put you in the yellow room at the back of the house. It’s quiet there. You’ll be able to rest.”

“I want Elena’s room.”

“Well, yes. Of course. That’s no trouble at all. I’ll just see to the sheets..” Her voice drifting off, Justine left the room.

Glyn said at once, “Why did you give her Elena?”

“What are you saying? Justine is my wife.”

“That’s the real point, isn’t it? How much do you care that Elena’s dead? You’ve got someone right here to cook up another.”

Anthony got to his feet. Against her words, he summoned up the image of Elena as he last had seen her from the window of the morning room, offering him a grin and a final wave from her bicycle as she pedalled off to a supervision after their lunch together. It had been just the two of them, eating their sandwiches, chatting about the dog, sharing an hour of love.

He felt anguish swell. Re-create Elena? Fashion another? There was only one. He himself had died with her.

Blindly, he pushed past his ex-wife. He could still hear her low, harsh words continue as he left the house even though he couldn’t distinguish one from another. He stumbled to his car, fumbled the keys into the ignition. He was reversing down the driveway when Justine ran outside.

She called his name. He saw her caught for a moment in the headlamps before he plunged his foot onto the accelerator and, with a sputter of gravel, clattered into Adams Road.

He felt his chest heaving, his throat aching as he drove. He began to weep—dry, hot, tearless sobs for his daughter and his wives and the mess he’d made of every part of his life.

He was on Grange Road and then on Barton Road and then, blessedly, out of Cambridge itself. It had grown quite dark and the fog was thick, especially in this area of fallow, open fields and winter-dying hedges. But he drove without caution, and when the countryside gave way to a village, he parked and threw himself out of the car only to find that the temperature had fallen further, encouraged by the bitter East Anglian wind. He’d left his overcoat at home. All he wore was a suit jacket. But that was of no account. He turned up its collar and began to walk, past a kissing gate, past half a dozen thatched cottages, stopping only when he came to her house. He crossed the street then to get some distance from the building. But even through the fog, he could see in the window.

She was there, moving across the sitting room with a mug in her hand. She was small, so slender. If he held her, she would be practically nothing in his arms, just a fragile heartbeat and a glowing life that consumed him, fired him, and had once made him whole.

He wanted to go to her. He needed to talk to her. He wanted to be held.

He stepped off the kerb. As he did so, a car skidded by, horn honking in warning, a stifled shout from inside. It brought him back to his senses.

He watched her go to the fireplace where she fed wood into the flames as he once had done, turning from the fire to find her eyes on him, her smile a benediction, her hand held out.

“Tonio,” she’d murmur, his name underscored with love.

And he’d answer her even as he did this moment. “
Tigresse
.” Just a whisper. “
Tigresse. La Tigresse
.”

Lynley arrived in Cambridge at half past five and drove directly to Bulstrode Gardens where he parked the Bentley in front of a house that reminded him of Jane Austen’s home in Chawton. Here was the same symmetry of design—two casement windows and a white front door below, three evenly spaced windows in the same positions above. Possessing a pantiled roof and several plain chimneys, the house was a rectangular, solid, uninteresting piece of architecture. Lynley didn’t, however, feel the same disappointment upon seeing it that he had felt in Chawton. One expected Jane Austen to have lived in a snug, whimsically atmospheric thatched cottage surrounded by a garden filled with flowerbeds and trees. One didn’t expect a struggling lecturer from the divinity faculty to maintain a wife and three children in that kind of wattle-and-daub heaven.