Filth

About the Author

Irvine Welsh is the author of nine other works of fiction, most recently
Crime
, published by Jonathan Cape in 2008. He lives in Dublin.

ALSO BY IRVINE WELSH

Fiction

Trainspotting

The Acid House

Marabou Stork Nightmares

Ecstasy

Glue

Porno

The Bedroom Secrets of the Master Chefs

If You Liked School, You’ll Love Work
 . . .

Crime

Drama

You’ll Have Had Your Hole

Screenplay

The Acid House

‘A serious, perceptive and hideously funny study of reactionary temperament . . . As a humourist, a moralist, and a violent horror writer Welsh is firing on all cylinders in this one . . . probably the best thing he has done since
Trainspotting
’

Sunday Times

‘There is an energy and vigour in Welsh’s invention and his handling of prose that reminds that reminds one of the great, coarse, vivid novelists of the 19
^th
century . . . there is no denying that [this novel] has a peculiar kind of brilliance’

Sunday Telegraph

‘
Filth
provides yet more evidence that Irvine Welsh is a uniquely exciting and gifted writer’

Financial Times

‘Better than
Ecstasy
and equal to
Trainspotting
’

GQ

‘As haunting as his psychological masterpiece,
Marabou Stork Nightmares
. . . The lav’d up
Filth
beats the luv’d up

Ecstasy
hands down’

The Face

‘Written in the trademark Welsh vernacular,
Filth
is a wonderfully black and funny novel about sleaze, power, and the abuse of just about everything’

Himself

‘The writing and structure are obscenely stylish, and Welsh’s wrecked way of looking at life is compelling’

Mail on Sunday

‘A masterful piece of comic invention . . . superb’

Yorkshire Post

‘One of the joys of this new novel is that it reminds us of his strengths as a storyteller . . . Detective Bruce Robertson is assigned to the case and it is his monologue that unfolds to reveal a heart of darkness that would make Joseph Conrad blush. His character is driven solely by misanthropic hate, a devil’s brew of every prejudice known to man and a few that are uniquely his own. He is consumed by his fury to the point of implosion, unable to function without a target for his loathing. He is plagued by tapeworms and scabrous rashes, metaphors for a self hell-bent on devouring its own bile . . . It is an exploration into the fragility of conscience, a tale of how memory and imaginings can make madmen of us all’

Express

‘
Filth
marks a return to form for Irvine Welsh . . . In a toxic, chemical generation way, Welsh is our best writer of surreal social satire’

The Big Issue

This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

Epub ISBN: 9781407018485

Version 1.0

www.randomhouse.co.uk

Published by Vintage 1999

15 17 19 20 18 16

Copyright © Irvine Welsh 1998

Irvine Welsh has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work

This book is sold subject to the condition that it shall not,

by way of trade or otherwise, be lent, resold, hired out,

or otherwise circulated without the publisher’s prior

consent in any form of binding or cover other than that

in which it is published and without a similar condition,

including this condition, being imposed on the

subsequent purchaser

First published in Great Britain in 1998 by Jonathan Cape

Vintage

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A CIP catalogue record for this book

is available from the British Library

ISBN 9780099591115

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For Susan, Andrew, Adeline and Jo.

Thanks for keeping me out of trouble.

I started making up a list of people to thank but it got too long – you know who you are. Eternal gratitude to everybody who’s supported the stuff I’ve done (with their hard-earned cash or through shoplifting) and who can see through all the bullshit, both positive and negative, that tends to surround this sort of thing.

Ta
.

Irvine Welsh

‘We shall do best to think of life as a
desengano
, as a process of disillusionment: since this is, clearly enough, what everything that happens to us is calculated to produce.’

– Arthur Schopenhauer
‘When you woke up this morning everything you had was gone. By half past ten your head was going ding-dong. Ringing like a bell from your head down to your toes, like a voice telling you there was something you should know. Last night you were flying but today you’re so low – ain’t it times like these that make you wonder if you’ll ever know the meaning of things as they appear to others; wives, mothers, fathers, sisters and brothers. Don’t you wish you didn’t function, wish you didn’t think beyond the next paycheck and the next little drink? Well you do so make up your mind to go on, ’cos when you woke up this morning everything you had was gone.’

– ‘Love, Love, Love & The Doctor’

(from
Woke Up This Morning
by the Alabama 3)

Contents

Prologue

The Games

The Crimes

Wheels Of Steel

Investigations

Carole

Equal Opportunities

Coarse Briefings

I Get A Little Sentimental Over You

At Home With The Blades

Turning Off The Gas

Carole Again

Infected Areas

The Lie Of The Land

Our Cover Is Blown

Cok City

Still Carole

The Nightwatch

The Rash

Goals

‘. . . the essentially depraved nature of the creature that she married . . .’

Post-Holiday Blues

A Testimonial

Surprise Party

More Carole

Private Lessons

Ladies Night

Carole Remembers Australia

Worms and Promotions

Masonic Outings

Christmas Shopping

Not Crashing

Car Stereo Chews Up Michael Bolton Tape

To Lodge A Complaint

A Society Of Secrets

A Sportsman’s Dinner

Come In Charlie

More Carole?

The Tales Of A Tapeworm

Home Is The Darkness

Prologue

The trouble with people like him is that they think that they can brush off people like me. Like I was nothing. They don’t understand the type of world we’re living in now; all those menaced souls clamouring for attention and recognition. He was a very arrogant young man, so full of himself.

No longer. Now he’s groaning, blood spilling thickly from the wounds in his head and his yellow, unfocused eyes are gandering around, desperately trying to find clarity, some meaning in the bleakness, the darkness around him. It must be lonely.

He’s trying to speak now. What is it that he is trying to say to me?

Help. Police. Hospital.

Or was it help
please
hospital? It doesn’t really matter, that little point of detail because his life is ebbing away: human existence distilled to begging for the emergency services.

You pushed me away mister. You rejected me. You tricked me and spoiled things between me and my true love. I’ve seen you before. Long ago, just lying there as you are now. Black, broken, dying. I was glad then and I’m glad now.

I reach into my bag and I pull out my claw hammer.

Part of me is elsewhere as I’m bringing it down on his head. He can’t resist my blows. They’d done him in good, the others.

After two fruitless strikes I feel a surge of euphoria on my third as his head bursts open. His blood fairly skooshes out, covering his face like an oily waterfall and driving me into a frenzy; I’m smashing at his head and his skull is cracking and opening and I’m digging the claw hammer into the matter of his brain and it smells but that’s only him pissing and shitting and the fumes are sticking fast in the still winter air and I wrench the hammer out, and stagger backwards to watch his twitching death throes, seeing him coming from terror to that graceless state of someone who knows that he is definitely falling and I feel myself losing my balance in those awkward shoes and I correct myself, turning and moving down the old stairway into the street.