Fay Weldon's Wicked Fictions (28 page)

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BOOK: Fay Weldon's Wicked Fictions
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Weldon, Fay.
Remember Me
. New York: Random House, 1976.
.
The Life and Loves of a She-Devil
. New York: Random House, 1983.
Zizek, Slavoj.
Enjoy your Symptom! Jacques Lacan in Hollywood and out
. New York: Routledge, 1992.
 
Page 83
Going to Extremes: The Foreign Legion of Women in Fay Weldon's
The Cloning of Joanna May
Rose Quiello
No man should marry until he has studied anatomy and dissected at least one woman.
Honoré de Balzac
You're a piece of drifting slime in a murky female pool. You're all alike, you women.
Carl May, from
The Cloning of Joanna May
You "skirts" are all alike.
Philip Scarpellino, my grandfather
Recombinant DNA is the process of "unzippering" elements of the DNA molecule and recombining them in different ways. Through recombinant DNA we now have the potential to create organisms that nature never dreamed of, and by doing so, challenge the whole idea of what is natural or normal. New organisms created by genetic intervention can be cloned indefinitely. We simply need to look at the uniformity and the flawlessness of the red delicious apples at the supermarket to realize that we now have the reproductive technology, should we choose to implement that knowledge, to nail down the color, sex, and IQ, as well as a host of other characteristics of our children, in utero. In
The Cloning of Joanna May,
Fay Weldon takes the scientific theories of "parthenogenesis" (that is, the reproduction arising from a fertilized egg that has
not
been fertilized by the male, or what is more commonly known as "unisex" reproduction) and recombinant DNA
1
(which is composed of spiral threads that encode and perpetuate genetic history in every cell), and she plays with them on an
 
Page 84
imaginative level: "Not cloning in the modern sense," says Carl May, the stern-daddy husband of Joanna in Weldon's novel, "but parthenogenesis plus implantation, and a good time had by all" (p. 34). Science never answers the question of "why" we do the things we do; it only answers the question of "how" we do them. But Weldon explains
why
as she explores the problematic subject between the patriarchal power that accompanies scientific knowledge and women's rights.
The Cloning of Joanna May
is unabashedly a book about women's rights and the violation of those rights: particularly, women's reproductive rights. Ultimately, Weldon moves women centrally into the political process as she wrests the power from men and assigns her women the right to determine their own fate.
The Cloning of Joanna May
is not a love story.
Carl May would like us to think that he is entrapped and beguiled in a hellish marriage to Joanna (and perhaps he is)one in which Joanna violates all his expectations of fidelity by committing the ultimate transgression of adultery. After all, Carl
was
willing to give Joanna a home, if she only would agree to stay in it. But Weldon, who is unusually affectionate and never malicious in her treatment of Carl, reminds us that it is Carl's sense of a scarred and troublesome past which now informs his misogynistic view of women. Like the very structure of the DNA that Carl and his colleague Dr. Holly manipulate, threads of Carl May's past get tangled and tighten inside him like a string inside a cat's stomach. As the first few chapters of the book unfold, Carl is stuck in the mud of his own childhood horrors and has nothing left to do now but spin his intellectual wheels.
When Carl no longer gets sexual and emotional satisfaction from unzippering his fly, he (in collaboration with Dr. Holly) decides to "unzip" the DNA molecule and clone his wife, Joanna, in the hope of capitalizing on the multiplier effect: "When he multiplied Joanna, he had not so much tried to multiply perfectionthat was a tale for Hollyhe had done it to multiply her love for him, multiply it fourfold: to make up for what he never had" (p. 241). It is important to note that Joanna's eggs were removed by Carl and Dr. Holly while she was under anesthesia for a "mock abortion," for her "hysterical pregnancy," which was replete with all the symptoms of a visibly swollen belly and morning sickness. Weldon conjoins the nexus of power and sex with the metaphor of Joanna's vacant, pseudo-pregnant womb, the symbolic repudiation of women's subjugation in which legitimate sex is harnessed to its reproductive consequences. Joanna's body speaks boldly as a spontaneous form of women's anger because, for Weldon, female sexuality need not find its sanction in procreation and marriage.
 
Page 85
Weldon attacks the medical profession's tendency to diagnose women's illness as psychosomatic; performing an abortion on a "non-baby," so to speak, was Carl's and Dr. Holly's clever way of promoting the idea that Joanna was "sick" while at once denigrating her. It is because Carl does not have the capacity to provide "Love and Kisses" (p. 33), the alternative treatment that Dr. Holly suggested in lieu of a "mock abortion," that Carl opts for the surgical removal of Joanna's "non-baby'' (p. 33).
2
Carl explains his manhandling of Joanna's body to his new, young lover, Bethany: "So that's what we did. Told her she was to have a termination, anaesthetized her, and whee-e-ee, like a balloon going down, went Joanna's belly. When she woke up she was cured. My lovely wife, slim and fresh and all for me again" (p. 33). While under anesthesia and consequently unconscious of what was happening to her, tentacles of the patriarchy now reached literally into Joanna's womb to remove her eggs as Carl reminisces on his Frankensteinesque omnipotence: "While she was opened up we took away a nice ripe egg; whisked it down to the lab: shook it up and irritated it in amniotic fluid till the nucleus split, and split again, and then there were four.... We kept the embryos in culture for four whole weeks, had four nice healthy wombs waiting at hand and on tap for implantation" (p. 34).
The Cloning of Joanna May
is replete with examples of medical atrocities performed in the interest of male power, in which women's bodies are violated: "'Bloody men,'said Mavis, Dr. Holly's secretary, 'so competitive, always muscling in on women's wombs'" (p. 183). And Annette, the surrogate-mother of one of the clones, underscores the antiwoman bias of the medical community when she says: "They told a friend of mine she had cancer and they'd got the slides mixed. She got the radium treatment and the worry while the other stayed home happy and died. They'll tell you anything that suits them, these doctors" (p. 212). Weldon contextualizes women's vulnerability as the policing of women's bodies becomes more and more intrusive and fundamentally antidemocratic. Annette goes on to say: "No such thing as rights.... A girlfriend of mine was raped under anaesthetic, but would anyone believe her? No" (pp. 21213). One need not delve far into the annals of medical history to locate the inestimable damage done to women's bodies by male doctors. Weldon sees the horror of the medical profession's abuse of women and, in response, we see the horror.
Weldon, however, delights in fouling up male expectations by presenting us with women who are legitimate spoils of power. She constructs a kind of inverted pyramid of unlikeliness, the whole thing balanced precariously on the idea (or
absurdity,
if one is already familiar with Weldon's work) that in cloning Joanna May, his unfaithful wife, Carl "might create

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