Far from the Madding Crowd (22 page)

Read Far from the Madding Crowd Online

Authors: Pan Zador

Tags: #romance, #wild and wanton

BOOK: Far from the Madding Crowd
4.04Mb size Format: txt, pdf, ePub

“Oh, what shall I do — what shall I do!” she again exclaimed, wringing her hands. “I won't send for him. No, I won't!”

The most vigorous expression of a resolution does not always coincide with the greatest vigour of the resolution itself. It is often flung out as a sort of prop to support a decaying conviction which, whilst strong, required no enunciation to prove it so. The “No, I won't” of Bathsheba meant virtually, “I think I must.”

She followed her assistants through the gate, and lifted her hand to one of them. Laban answered to her signal.

“Where is Oak staying?”

“Across the valley at Nest Cottage!”

“Jump on the bay mare, and ride across, and say he must return instantly — that I say so.”

Tall scrambled off to the field, and in two minutes was on Poll, the bay, bare-backed, and with only a halter by way of rein. He diminished down the hill.

Bathsheba watched. So did all the rest. Tall cantered along the bridle-path through Sixteen Acres, Sheeplands, Middle Field, The Flats, Cappel's Piece, shrank almost to a point, crossed the bridge, and ascended from the valley through Springmead and Whitepits on the other side. The cottage to which Gabriel had retired before taking his final departure from the locality was visible as a white spot on the opposite hill, backed by blue firs. Bathsheba walked up and down. The men entered the field and endeavoured to ease the anguish of the dumb creatures by rubbing them. Nothing availed.

Bathsheba continued walking. The horse was seen descending the hill, and the wearisome series had to be repeated in reverse order: Whitepits, Springmead, Cappel's Piece, The Flats, Middle Field, Sheeplands, Sixteen Acres. She hoped Tall had had presence of mind enough to give the mare up to Gabriel, and return himself on foot. The rider neared them. It was Tall.

“Oh, what folly!” said Bathsheba.

Gabriel was not visible anywhere.

“Perhaps he is already gone!” she said.

Tall came into the inclosure, and leapt off, his face tragic as Morton's after the battle of Shrewsbury.

“Well?” said Bathsheba, unwilling to believe that her verbal
lettre-de-cachet
could possibly have miscarried.

“He says
beggars mustn't be choosers
,” replied Laban.

“What!” said the young farmer, opening her eyes and drawing in her breath for an outburst. Joseph Poorgrass retired a few steps behind a hurdle.

“He says he shall not come onless you request him to come civilly and in a proper manner, as becomes any ‘ooman begging a favour.”

“Oh, oh, that's his answer! Where does he get his airs? Who am I, then, to be treated like that? Shall I beg to a man who has begged to me?”

Another of the flock sprang into the air, and fell dead.

The men looked grave, as if they suppressed opinion.

Bathsheba turned aside, her eyes full of tears. The strait she was in through pride and shrewishness could not be disguised longer: she burst out crying bitterly; they all saw it; and she attempted no further concealment.

“I wouldn't cry about it, miss,” said William Smallbury, compassionately. “Why not ask him softer like? I'm sure he'd come then. Gable is a true man in that way.”

Bathsheba checked her grief and wiped her eyes. “Oh, it is a wicked cruelty to me — it is — it is!” she murmured. “And he drives me to do what I wouldn't; yes, he does! — Tall, come indoors.”

After this collapse, not very dignified for the head of an establishment, she went into the house, Tall at her heels. Here she sat down and hastily scribbled a note between the small convulsive sobs of convalescence which follow a fit of crying as a ground-swell follows a storm. The note was none the less polite for being written in a hurry. She held it at a distance, was about to fold it, then added these words at the bottom:

“Do not desert me, Gabriel!”

She looked a little redder in refolding it, and closed her lips, as if thereby to suspend till too late the action of conscience in examining whether such strategy were justifiable. The note was dispatched as the message had been, and Bathsheba waited indoors for the result.

It was an anxious quarter of an hour that intervened between the messenger's departure and the sound of the horse's tramp again outside. She could not watch this time, but, leaning over the old bureau at which she had written the letter, closed her eyes, as if to keep out both hope and fear.

The case, however, was a promising one. Gabriel was not angry: he was simply neutral, although her first command had been so haughty. Such imperiousness would have damned a little less beauty; and on the other hand, such beauty would have redeemed a little less imperiousness.

She went out when the horse was heard, and looked up. A mounted figure passed between her and the sky, and drew on towards the field of sheep, the rider turning his face in receding. Gabriel looked at her. It was a moment when a woman's eyes and tongue tell distinctly opposite tales. Bathsheba looked full of gratitude, and she said, “Oh, Gabriel, how could you serve me so unkindly!”

Such a tenderly shaped reproach for his previous delay was the one speech in the language that he could pardon for not being commendation of his readiness now.

Gabriel murmured a confused reply, and hastened on. She knew from the look which sentence in her note had brought him. Bathsheba followed to the field.

Gabriel was already among the turgid, prostrate forms. He had flung off his coat, rolled up his shirtsleeves, and taken from his pocket the instrument of salvation. It was a small tube or trochar, with a lance passing down the inside; and Gabriel began to use it with a dexterity that would have graced a hospital surgeon. Passing his hand over the sheep's left flank, and selecting the proper point, he punctured the skin and rumen with the lance as it stood in the tube; then he suddenly withdrew the lance, retaining the tube in its place. A current of air rushed up the tube, forcible enough to have extinguished a candle held at the orifice.

It has been said that mere ease after torment is delight for a time; and the countenances of these poor creatures expressed it now. Forty-nine operations were successfully performed. Owing to the great hurry necessitated by the far-gone state of some of the flock, Gabriel missed his aim in one case, and in one only — striking wide of the mark, and inflicting a mortal blow at once upon the suffering ewe. Four had died; three recovered without an operation. The total number of sheep which had thus strayed and injured themselves so dangerously was fifty-seven. Yes, Oak with his sharp-pointed tool in hand was first among men, and it was his secret joy to know that his mistress thought so too.

When the love-led man had ceased from his labours, Bathsheba came and looked him in the face.

“Gabriel, will you stay on with me?” she said, smiling winningly, and not troubling to bring her lips quite together again at the end, because there was going to be another smile soon.

“I will,” said Gabriel.

And she smiled on him again.

CHAPTER XXII

THE GREAT BARN AND THE SHEEP-SHEARERS

Men thin away to insignificance and oblivion quite as often by not making the most of good spirits when they have them as by lacking good spirits when they are indispensable. Gabriel lately, for the first time since his prostration by misfortune, had been independent in thought and vigorous in action to a marked extent — conditions which, powerless without an opportunity as an opportunity without them is barren, would have given him a sure lift upwards when the favourable conjunction should have occurred. He had lately made acquaintance with a little river near to the farm, and in his immersions in its friendly currents he was able once again to relieve himself of lustful fantasies and feel himself once more a whole and natural man. But this incurable loitering beside Bathsheba Everdene stole his time ruinously. The spring tides were going by without floating him off, and the neap might soon come, which could not.

It was the first day of June, and the sheep-shearing season culminated, the landscape, even to the leanest pasture, being all health and colour. Every green was young, every pore was open, and every stalk was swollen with racing currents of juice. God was palpably present in the country, and the devil had gone with the world to town. Flossy catkins of the later kinds, fern-sprouts like bishops' croziers, the square-headed moschatel, the odd cuckoo-pint, like an apoplectic saint in a niche of malachite — snow-white ladies'-smocks, the toothwort, approximating to human flesh, the enchanter's night-shade, and the black-petaled doleful-bells, were among the quainter objects of the vegetable world in and about Weatherbury at this teeming time; and of the animal, the metamorphosed figures of Mr. Jan Coggan, the master-shearer; the second and third shearers, who travelled in the exercise of their calling, and do not require definition by name; Henery Fray the fourth shearer, Susan Tall's husband the fifth, Joseph Poorgrass the sixth, young Cain Ball as assistant-shearer, and Gabriel Oak as general supervisor. None of these were clothed to any extent worth mentioning, each appearing to have hit in the matter of raiment the decent mean between a high and low caste Hindoo. An angularity of lineament, and a fixity of facial machinery in general, proclaimed that serious work was the order of the day.

They sheared in the great barn, called for the nonce the Shearing-barn, which on ground-plan resembled a church with transepts. It not only emulated the form of the neighbouring church of the parish, but vied with it in antiquity. Whether the barn had ever formed one of a group of conventual buildings nobody seemed to be aware; no trace of such surroundings remained. The vast porches at the sides, lofty enough to admit a waggon laden to its highest with corn in the sheaf, were spanned by heavy-pointed arches of stone, broadly and boldly cut, whose very simplicity was the origin of a grandeur not apparent in erections where more ornament has been attempted. The dusky, filmed, chestnut roof, braced and tied in by huge collars, curves, and diagonals, was far nobler in design, because more wealthy in material, than nine-tenths of those in our modern churches. Along each side wall was a range of striding buttresses, throwing deep shadows on the spaces between them, which were perforated by lancet openings, combining in their proportions the precise requirements both of beauty and ventilation.

One could say about this barn, what could hardly be said of either the church or the castle, akin to it in age and style, that the purpose which had dictated its original erection was the same with that to which it was still applied. Unlike and superior to either of those two typical remnants of mediævalism, the old barn embodied practices which had suffered no mutilation at the hands of time. Here at least the spirit of the ancient builders was at one with the spirit of the modern beholder. Standing before this abraded pile, the eye regarded its present usage, the mind dwelt upon its past history, with a satisfied sense of functional continuity throughout — a feeling almost of gratitude, and quite of pride, at the permanence of the idea which had heaped it up. The fact that four centuries had neither proved it to be founded on a mistake, inspired any hatred of its purpose, nor given rise to any reaction that had battered it down, invested this simple grey effort of old minds with a repose, if not a grandeur, which a too curious reflection was apt to disturb in its ecclesiastical and military compeers. For once mediævalism and modernism had a common stand-point. The slender, spear-shaped windows, the time-eaten archstones and chamfers, the orientation of the axis, the misty chestnut work of the rafters, referred to no exploded fortifying art or worn-out religious creed. The defence and salvation of the body by daily bread is still a study, a religion, and a desire.

To-day the large side doors were thrown open towards the sun to admit a bountiful light to the immediate spot of the shearers' operations, which was the wood threshing-floor in the centre, formed of thick oak, black with age and polished by the beating of flails for many generations, till it had grown as slippery and as rich in hue as the state-room floors of an Elizabethan mansion. Here the shearers knelt, the sun slanting in upon their bleached shirts, tanned arms, and the polished shears they flourished, causing these to bristle with a thousand rays strong enough to blind a weak-eyed man. Beneath them a captive sheep lay panting, quickening its pants as misgiving merged in terror, till it quivered like the hot landscape outside.

This picture of to-day in its frame of four hundred years ago did not produce that marked contrast between ancient and modern which is implied by the contrast of date. In comparison with cities, Weatherbury was immutable. The citizen's
Then
is the rustic's
Now
. In London, twenty or thirty-years ago are old times; in Paris ten years, or five; in Weatherbury three or four score years were included in the mere present, and nothing less than a century set a mark on its face or tone. Five decades hardly modified the cut of a gaiter, the embroidery of a smock-frock, by the breadth of a hair. Ten generations failed to alter the turn of a single phrase. In these Wessex nooks the busy outsider's ancient times are only old; his old times are still new; his present is futurity.

So the barn was natural to the shearers, and the shearers were in harmony with the barn.

The spacious ends of the building, answering ecclesiastically to nave and chancel extremities, were fenced off with hurdles, the sheep being all collected in a crowd within these two enclosures; and in one angle a catching-pen was formed, in which three or four sheep were continuously kept ready for the shearers to seize without loss of time. In the background, mellowed by tawny shade, were the three women, Maryann Money, and Temperance and Soberness Miller, gathering up the fleeces and twisting ropes of wool with a wimble for tying them round. They were indifferently well assisted by the old maltster, who, when the malting season from October to April had passed, made himself useful upon any of the bordering farmsteads.

Other books

Set This House on Fire by William Styron
The Other Half by Sarah Rayner
Corpse de Ballet by Ellen Pall
The Englor Affair by J.L. Langley
Binding Santos by Charlie Richards
Pandora's Succession by Brooks, Russell
The Lazarus Gate by Mark Latham