Expedition to the Mountains of the Moon (Burton & Swinburne)

Published 2011 by Pyr®, an imprint of Prometheus Books

Expedition to the Mountains of the Moon.
Copyright © 2011 by Mark Hodder. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, digital, electronic, mechanical, photocopying, recording, or otherwise, or conveyed via the Internet or a website without prior written permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews.

Cover illustration copyright © Jon Sullivan
Cover design by Nicole Sommer-Lecht

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Library of Congress Cataloging-in-Publication Data

Hodder, Mark, 1962–
    Expedition to the mountains of the moon / by Mark Hodder.
        p.  cm.
    ISBN 978–1–61614–535–4 (pbk.)
    ISBN 978–1–61614–536–1 (ebook)
    1. Burton, Richard Francis, Sir, 1821–1890—Fiction. 2. Swinburne, Algernon Charles, 1837–1909—Fiction. 3. Time travel—Fiction. 4. Africa, Central—Discovery and exploration—Fiction. 5. Great Britain—History—19th century—Fiction. 6. Steampunk fiction. I≥ Title. II. Title: Burton & Swinburne in expedition to the Mountains of the Moon. III. Title: Burton and Swinburne in expedition to the Mountains of the Moon.

PR6108.O28E94  2012
823'.92—dc23

2011037544

Printed in the United States of America

W
hen I began writing these tales of Burton & Swinburne, I couldn't help but worry that I might be insulting the memory of men and women who, by virtue of their hard work and astonishing talents, had made their mark on history.

My concerns were assuaged when enthusiastic readers told me that, while reading my novels, they repeatedly consulted
Wikipedia
and other sources to learn more about the real lives of the people I had “hijacked.”

This delights me. It means, for example, that PC53 William Trounce might now be recognised by a few more as the hero who stepped up to the mark when John Francis tried to assassinate Queen Victoria in 1842 (and yes, I meddled with that historical fact). It means a greater awareness of Richard Spruce, who, despite being treated as a villain in these works, was in truth a quiet and unassuming man possessed of sheer genius in the subject of botany. It means more people turning to Swinburne's astonishing poetry, more people marvelling at Lord Palmerston's political astuteness, more people wondering whether Samuel Gooch really existed, then finding out that he did, and that he was amazing.

This, I hope, will be considered by any descendants of the characters herein who might feel offended by my treatment of them. Please note that these novels are
very obviously
flights of utter fancy and very definitely
not
biography. My alternative histories are places where individuals have encountered different challenges and opportunities to those met in real life, and have thus developed into very, very different people. They should not be in any way regarded as accurate depictions of those who actually lived.

In this volume, my account of Africa circa 1863 follows closely the descriptions left to us by Sir Richard Francis Burton himself. His
The Lake Regions of Central Africa
(1860) is, in my opinion, by far the most fascinating journal of any of the Victorian explorers. Burton tended to adopt his own spelling for villages, towns, and regions, and throughout the African chapters I've retained his version of place-names.

Finally, my thanks and deepest appreciation to Lou Anders, Emma Barnes, and Jon Sullivan.

“One of the gladdest moments in human life, methinks, is the departure upon a distant journey to unknown lands. Shaking off with one mighty effort the fetters of Habit, the leaden weight of Routine, the cloak of many Cares and the Slavery of Home, man feels once more happy. The blood flows with the fast circulation of childhood…afresh dawns the morn of life….”

–S
IR
R
ICHARD
F
RANCIS
B
URTON'S JOURNAL
, 2
ND
D
ECEMBER
, 1856.

“The future influences the present just as much as the past.”

–F
RIEDRICH
N
IETZSCHE

S
ir Richard Francis Burton wriggled beneath a bush at the edge of a thicket in the top western corner of Green Park, London, and cursed himself for a fool. He should have realised that he'd lose consciousness. He should have arrived earlier to compensate. Now the whole mission was in jeopardy.

He lay flat for a moment, until the pain in his side abated, then hefted his rifle and propped himself up on his elbows, aiming the weapon at the crowd below. He glanced at the inscription on its stock. It read:
Lee—Enfield Mk III. Manufactured in Tabora, Africa, 1918.

Squinting through the telescopic sight, he examined the faces of the people gathering around the path at the bottom of the slope.

Where was his target?

His eyes blurred. He shook his head slightly, trying to dispel an odd sense of dislocation, the horrible feeling that he was divided into two separate identities. He'd first experienced this illusion during fevered bouts of malaria in Africa back in '57, then again four years later, when he was made the king's agent. He thought he'd conquered it. Perhaps he had. After all, this time there really were two of him.

It was the afternoon of the 10th of June, 1840, and a much younger Richard Burton was currently travelling from Italy through Europe, on his way to enrol at Trinity College, Oxford.

Recalling that wayward, opinionated, and ill-disciplined youngster, he whispered, “Time changed me, thank goodness. The question is, can I return the favour?”

He aimed from face to face, seeking the man he'd come to shoot.

It was a mild day. The gentlemen sported light coats and top hats, and carried canes. The ladies were adorned in bonnets and dainty gloves and held parasols. They were all waiting to see Queen Victoria ride past in her carriage.

He levelled the crosshairs at one person after another. Young Edward Oxford was somewhere among the crowd, an insane eighteen-year-old with two flintlock pistols under his frock coat and murder on his mind. But Burton was not here to gun down the queen's would-be assassin.

“Damnation!” His hands were shaking. Lying stretched out like this would have been uncomfortable for any man his age—he was forty-seven years old—but it was made far worse by the two ribs the prime minister's man, Gregory Hare, had broken. They felt like a knife in his side.

He shifted cautiously, trying not to disturb the bush. It was vital that he remain concealed.

A face caught his attention. It was round, decorated with a large moustache, and possessed a palpable air of arrogance. Burton had never seen the individual before—at least not with this appearance—but he knew him: Henry de La Poer Beresford, 3rd Marquess of Waterford, called by many the “Mad Marquess.” The man was the founder of the Libertines, a politically influential movement that preached freedom from social shackles and which passionately opposed technological progress. Three years from now, Beresford was going to lead a breakaway group of radicals, the Rakes, whose anarchic philosophy would challenge social propriety. The marquess believed that the human species was restricting its own evolution; that each individual had the potential to become a
trans-natural man
, a being entirely free of restraint, with no conscience or self-doubt, a thing that did whatever it wanted, whenever it wanted. It was a dangerous idea—the Great War had proved that to Burton—but not one that concerned him at this particular moment.

“I'll be dealing with you twenty-one years from now,” he murmured.

A distant cheer echoed across the park. The gates of Buckingham Palace had opened and the royal carriage was steering out onto the path.

“Come on!” Burton whispered. “Where are you?”

Where was the man he'd come to kill?

Where was Spring Heeled Jack?

He peered through the 'scope. The scene he saw through its lens was incomprehensible. Shapes, movement, shadows, deep colours; they refused to coalesce into anything of substance. The world had shattered, and he was splintered and scattered among its debris.

Dead. Obviously, he was dead.

No. Stop it. This won't do. Don't submit to it. Not again.

He closed his eyes, dug his fingernails into his palms, and pulled his lips back over his teeth. By sheer force of will, he located the disparate pieces of himself and drew them together, until:

Frank Baker. My name is Frank Baker.

Good. That felt familiar.

He smelled cordite. Noise assaulted his ears. The air was hot.

Frank Baker. Yes. The name had slipped from his mouth in response to a medic's query.

“And what are you, Mr. Baker?”

A strange question.

“An observer.”

An equally strange answer. Like the name, it had come out of nowhere, but the overworked medics were perfectly satisfied with it.

Spells of nothingness had followed. Fevers. Hallucinations. Then recovery. They'd assumed he was with the civilian Observer Corps, and placed him under the charge of the short squeaky-voiced individual currently standing at his side.

What else? What else? What were those things I was looking at?

He opened his eyes. There wasn't much light.

He became aware of something crushed in his fist, opened his hand, looked down at it, and found that he was holding a red poppy. It felt important. He didn't know why. He slipped it into his pocket.

Pushing the brim of his tin helmet back, he wiped sweat from his forehead, then lifted the top of his periscope over the lip of the trench and peered through its viewfinder again. To his left, the crest of a bloated sun was melting into a horizon that quivered in the heat, and ahead, in the gathering gloom, seven towering, long-legged arachnids were picking their way through the red weed that clogged no-man's-land. Steam was billowing from their exhaust funnels, pluming stark white against the darkening purple sky.

Harvestmen
, he thought.
Those things are harvestmen spiders bred to a phenomenal size by the Technologists' Eugenicist faction. No, wait, not Eugenicists—they're the enemy—our lot are called Geneticists. The arachnids are grown and killed and gutted and engineers fit out their carapaces with steam-driven machinery.

He examined the contraptions more closely and noted details that struck him as different—but different from what? There were, for instance, Gatling guns slung beneath their small bodies, where Baker expected to see cargo nets. They swivelled and glinted and flashed as they sent a hail of bullets into the German trenches, and their metallic clattering almost drowned out the chug of the vehicles' engines. The harvestmen were armour-plated, too, and each driver, rather than sitting on a seat fitted inside the hollowed-out body, was mounted on a sort of saddle on top of it, which suggested that the space inside the carapace was filled with bigger, more powerful machinery than—than—

What am I comparing them with?

“Quite a sight, isn't it?” came a high-pitched voice.

Baker cleared his throat. He wasn't ready to communicate, despite a vague suspicion that he'd already done so—that he and the small man beside him had made small talk not too many minutes ago.

He opened his mouth to speak, but his companion went on: “If I were a poet, I might do it justice, but it's too much of a challenge for a mere journalist. How the devil am I to describe such an unearthly scene? Anyone who hasn't actually witnessed it would think I'm writing a scientific romance. Perhaps they'll call me the new Jules Verne.”

Think! Come on! String together the man's words. Break the back of the language. Glean meaning from it.

He sucked in a breath as a memory flowered. He was on a bed in the field hospital. There was a newspaper in his hands. He was reading a report, and it had been written by this short, plump little fellow.

Yes, that's it. Now speak, Baker. Open your mouth and speak!

“You'll manage,” he said. “I read one of your articles the other day. You have a rare talent. Who's Jules Verne?”

He saw the little man narrow his eyes and examine him through the twilight, trying to make out his features.

“A French novelist. He was killed during the fall of Paris. You haven't heard of him?”

“I may have,” Baker answered, “but I must confess, I remember so little about anything that I'm barely functional.”

“Ah, of course. It's not an uncommon symptom of shell shock, or of fever, for that matter, and you suffered both severely by all accounts. Do you know why you were in the Lake Regions?”

The Lake Regions? They are in—they are in Africa! This is Africa!

“I haven't the foggiest notion. My first recollection is of being borne along on a litter. The next thing I knew, I was here, being poked at by the medical staff.”

The journalist grunted and said, “I did some asking around. The men from the Survey Corps found you near the western shore of the Ukerewe Lake, on the outskirts of the Blood Jungle. A dangerous place to be—always swarming with Germans. You were unarmed, that odd glittering hieroglyph appeared to have been freshly tattooed into your head, and you were ranting like a madman.”

Hieroglyph?

Baker reached up, pushed his hand beneath his helmet, and ran his fingers through his short hair. There were hard ridges in his scalp.

“I don't remember any of that.”

I don't remember. I don't remember. I don't remember.

“The surveyors wanted to take you to Tabora but the route south was crawling with lurchers, so they legged it east until they hooked up with the battalions gathering here. You were in and out of consciousness throughout the hike but never lucid enough to explain yourself.”

The correspondent was suddenly interrupted by the loud “Ulla! Ulla!” of a siren. It was a harvestman spider signalling its distress. He turned his attention back to his periscope and Baker followed suit.

One of the gigantic vehicles had become entangled. Scarlet tendrils were coiling around its stilt-like legs, snaking up toward the driver perched high above the ground. The man was desperately yanking at the control levers in an attempt to shake the writhing plant from his machine. He failed. The harvestman leaned farther and farther to its left, then toppled over, dragged down by the carnivorous weed. The siren gurgled and died. The driver rolled from his saddle, tried to stand, fell, and started to thrash about. He screeched as plant pods burst beneath his weight and sprayed him with acidic sap. His uniform erupted into flames and the flesh bubbled and fizzled from his bones. It took less than a minute for the weed to reduce him to a naked skeleton.

“Poor sod,” the little man muttered. He lowered his surveillance instrument and shook dust from his right hand. “Did you see the weed arrive yesterday? I missed it. I was sleeping.”

“No.”

“Apparently a thin ribbon of cloud, like a snake, blew in from the sea and rained the seeds. The plant sprouted overnight and it's been growing ever since. It appears quite impassable. I tell you, Baker, those blasted Hun sorcerers know their stuff when it comes to weather and plants. It's how they still drum hundreds of thousands more Africans into the military than we do. The tribes are so superstitious, they'll do anything you say if they believe you can summon or prevent rain and grow them a good crop. Colonel Crowley is having a tough time opposing them—the sorcerers, I mean.”

Baker struggled to process all this. Sorcerers? Plants? Weather control?

“Crowley?” he asked.

The shorter man raised his eyebrows. “Good lord! Your brain really is shot through! Colonel Aleister Crowley. Our chief medium. The wizard of wizards!”

Baker said nothing.

The correspondent shrugged in bafflement, pressed up against the side of the trench as a line of troops pushed past, chuckled as a sergeant said, with a grin and a wink, “Keep your heads down, gents, I don't want holes in those expensive helmets,” then turned back to his 'scope. Baker watched this and struggled to overcome his sense of detachment.

I don't belong here. I don't understand any of it.