Everything I Never Told You (23 page)

“Mr. Lee?” It’s Officer Fiske. “I hope it’s not too early to call. How are you this morning?”

“Fine,” James says. Everyone asks this, and by now it is an automatic lie.

“Well, Mr. Lee,” Officer Fiske says, and James knows now it is bad news. No one called you by name so insistently unless they were trying to be kind. “I’m calling to let you know that we’ve decided to close our investigation. We are ruling this case a suicide.”

James has to repeat these words to himself before he understands. “Suicide?”

Officer Fiske pauses. “Nothing in police work is ever
sure,
Mr. Lee. I wish it were. It’s not like the movies—things are hardly ever clear-cut.” He does not like breaking bad news, and he takes refuge in official language. “Circumstances suggest suicide is by far the most likely scenario. No evidence of foul play. A history of loneliness. Her grades were slipping. Going out on the lake when she knew she couldn’t swim.”

James bows his head, and Officer Fiske continues. His tone is gentler now, like a father consoling a young child. “We know this isn’t easy for you and your family, Mr. Lee. We hope this at least helps you move on.”

“Thank you,” James says. He sets the receiver back on its hook. Behind him, Marilyn hovers in the doorway, one hand on the jamb.

“Who was it?” she asks. By the way she clutches her robe, tight over her heart, James knows she’s already heard everything. She flicks the light switch, and in the sudden brightness, he feels exposed and raw.

“They can’t close the case,” Marilyn says. “Whoever did this is still out there.”

“Whoever did this? The police think—” James pauses. “They don’t think there was anyone else involved.”

“They don’t know her. Someone must have taken her out there. Lured her.” Marilyn hesitates, the cigarettes and condoms surfacing in her mind, but anger muscles them aside and turns her voice shrill. “She wouldn’t have gone out there by herself. Do you think I don’t know my own daughter?”

James does not reply. All he can think is:
If we’d never moved here. If she had never seen the lake.
The silence between them thickens, like ice, and Marilyn shivers.

“You believe them, don’t you?” she says. “You think she did this thing.” She cannot bring herself to use the word
suicide;
the mere thought of it sets her aboil again. Lydia would never do such a thing to her family. To her mother. How could James believe it? “They just want to close the case. Easier to stop looking than to do any real work.” Marilyn’s voice quivers, and she clenches her hands, as if stilling them will still the trembling inside her. “If she were a white girl, they’d keep looking.”

A rock plummets into James’s gut. In all their time together, white has been only the color of paper, of snow, of sugar. Chinese—if it is mentioned at all—is a kind of checkers, a kind of fire drill, a kind of takeout, one James doesn’t care for. It did not bear discussion any more than that the sky was up, or that the earth circled the sun. He had naively thought that—unlike with Marilyn’s mother, unlike with everyone else—this thing made no difference to them. Now, when Marilyn says this—
If she were a white girl
—it proves what James has feared all along. That inside, all along, she’d labeled everything.
White
and
not white.
That this thing makes all the difference in the world.

“If she were a white girl,” he says, “none of this would ever have happened.”

Marilyn, still fuming at the police, does not understand, and her confusion makes her angrier. “What do you mean?” Under the kitchen light, her wrists are pale and thin, her lips set, her face cold. James remembers: long ago, when they were young and the worst thing they could imagine was not being together, he had once leaned in to touch her, and his fingertips had left a trail of goose bumps across her shoulder blade. Every tiny hair on his arm had stood up, electrified. That moment, that connection, seems far away and small now, like something that happened in another life.

“You know what I mean. If she’d been a white girl—” The words are ash-bitter on his tongue.
If she’d been a white girl. If I’d been a white man.
“She would have fit in.”

For moving would never have been enough; he sees that now. It would have been the same anywhere.
Children of Mixed Backgrounds Often Struggle to Find Their Place.
The mistake was earlier, deeper, more fundamental: it had happened the morning they’d married, when the justice of the peace had looked at Marilyn and she had said yes. Or earlier, on that first afternoon they’d spent together, when he had stood beside the bed, naked and shy, and she had twined her legs around his waist and pulled him toward her. Earlier yet: on that first day, when she’d leaned across his desk and kissed him, knocking the breath out of him like a swift, sharp punch. A million little chances to change the future. They should never have married. He should never have touched her. She should have turned around, stepped out of his office into the hallway, walked away. He sees with utter clarity: none of this was supposed to happen. A mistake.

“Your mother was right, after all,” he says. “You should have married someone more like you.”

Before Marilyn can say anything—before she knows whether to be angry or sad or hurt, before she really understands what James has said—he is gone.

This time, he does not bother to stop at the college. He drives straight to Louisa’s, speeding through every traffic light, arriving out of breath, as though he’d run there on foot. “Is everything all right?” she says when she opens the door, still smelling of the shower, dressed but wet-haired, hairbrush in hand. “I didn’t expect you so early.” It’s only quarter to nine, and James hears the questions that ripple behind her surprise: Has he come to stay? What about his wife? He does not know the answers. Now that he has finally pushed those words out into the air, he feels strangely light. The room wobbles and spins, and he sinks down onto the sofa.

“You need to eat something,” Louisa says. She steps into the kitchen and returns with a small Tupperware. “Here.” Gently, she pries open the lid and nudges the box toward him. Inside lie three snow-colored buns, tops ruffled like peony heads ready to blossom, revealing a glint of deep tawny red within. The sweet scent of roast pork wafts up to his nose.

“I made them yesterday,” Louisa says. She pauses. “You know what these are?”

His mother had made these, long ago, in their tiny cinder-colored apartment. She had roasted the pork and crimped the dough and arranged the buns in the bamboo steamer she’d brought all the way from China. His father’s favorite.
Char siu bau.

Louisa beams, and only then does James realize he has spoken aloud. He has not said a word in Chinese in forty years, but he is amazed at how his tongue still curls around their familiar shape. He has not had one of these buns since he was a child. His mother had packed them in his lunches until he told her to stop, he’d rather eat what the other kids were eating. “Go on,” Louisa says now. “Taste.”

Slowly he lifts a bun from the box. It is lighter than he remembers, cloudlike, yielding beneath his fingertips. He had forgotten that anything could be so tender. He breaks the bun open, revealing glossy bits of pork and glaze, a secret red heart. When he puts it to his mouth, it is like a kiss: sweet and salty and warm.

He does not wait for her to wrap her arms around him, as if he is a small and hesitant child, or for her to coax him into the bedroom. Instead he pushes her to the floor as he reaches for his fly, tugging her skirt up and pulling her onto him right there in the living room. Louisa moans, arching her back, and James fumbles with the buttons on her blouse, peeling it away and unsnapping her bra and catching her breasts, heavy and round, in his cupped hands. As she grinds herself against him, he focuses on her face, on the dark hair that tumbles down into his mouth, on the deep brown eyes that close as her breath grows faster, her thrusts more urgent. This is the sort of woman, he thinks, he should have fallen in love with. A woman who looked just like this. A woman just like him.

“You’re the kind of girl I should have married,” he whispers afterward. It is the kind of thing every man says to his lover, but to him it feels like a revelation. Louisa, half-asleep in the crook of his arm, does not hear him, but the words snake into her ear, giving her the tangled dreams of every other other woman.
He will leave her—he will marry me—I will make him happy—there will be no other woman.

•   •   •

At home, when Nath and Hannah come downstairs, Marilyn sits motionless at the kitchen table. Though it is past ten o’clock, she is wearing her bathrobe still, hugged so tightly around her that they cannot see her neck, and they know there is bad news even before she chokes out the word
suicide
. “Was it?” Nath asks slowly, and, turning for the stairs without looking at either of them, Marilyn says only, “They say it was.”

For half an hour, Nath pokes at the dregs of cereal in the bottom of his bowl while Hannah watches him nervously. He has been checking the Wolffs’ house every day, looking for Jack, trying to catch him—though for what, he isn’t quite sure. One time he even climbed the porch steps and peeked in the window, but no one is ever home. Jack’s VW hasn’t puttered down the street in days. At last, Nath pushes the bowl away and reaches for the telephone. “Get out,” he says to Hannah. “I want to make a phone call.” Halfway up the stairs, Hannah pauses, listening to the slow clicks as Nath dials. “Officer Fiske,” he says after a moment, “this is Nathan Lee. I’m calling about my sister.” His voice drops, and only bits and pieces come through:
Ought to reexamine. Tried to talk to him. Acting evasive.
Toward the end, only one word is audible.
Jack. Jack.
As if Nath cannot say the name without spitting.

After Nath puts the phone down, so hard the bells jangle, he shuts himself in his room. They think he’s being hysterical, but he knows there’s something there, that there’s some connection to Jack, some missing piece of the puzzle. If the police don’t believe him, his parents won’t either. His father is hardly home these days anyway, and his mother has locked herself in Lydia’s room again; through the wall he can hear her pacing, like a prowling cat. Hannah raps at his door, and he puts on a record, loud, until he can’t hear the sound of her knuckles, or his mother’s footsteps, anymore. Later, none of them will remember how the day passes, only a numbed blur, overshadowed by all that would happen the next day.

When evening falls, Hannah opens her door and peers through the crack. A razor of light slices under Nath’s door, another under Lydia’s. All afternoon Nath had played his record over and over, but he has finally let it wind to a stop, and now a thick silence, like fog, seeps out onto the landing. Tiptoeing downstairs, she finds the house dark, her father still gone. The kitchen faucet drips:
plink, plink, plink.
She knows she should turn it off, but then the house will be silent, and at the moment this is unbearable. Back in her room, she imagines the faucet dripping to itself in the kitchen. With every
plink,
another bead of water would form on the brushed steel of the sink.

She longs to climb into her sister’s bed and sleep, but with her mother there, she cannot, and to console herself, Hannah circles the room, checking her treasures, pulling each from its hiding place and examining it. Tucked between mattress and box spring: the smallest spoon from her mother’s tea set. Behind the books on the shelf: her father’s old wallet, the leather worn thin as tissue. A pencil of Nath’s, his toothmarks revealing wood grain beneath the yellow paint. These are her failures. The successes are all gone: the ring on which her father kept his office keys; her mother’s best lipstick,
Rose Petal Frost
; the mood ring Lydia used to wear on her thumb. They were wanted and missed and hunted down in Hannah’s hands.
These aren’t a toy,
said her father.
You’re too young for makeup,
said her mother. Lydia had been more blunt:
Stay out of my things.
Hannah had folded her hands behind her back, savoring the lecture, nodding solemnly as she memorized the shape of them standing there beside the bed. When they were gone, she repeated each sentence under her breath, redrawing them in the empty spot where they’d been.

All she has left are things unwanted, things unloved. But she doesn’t put them back. To make up for them being unmissed, she counts them carefully, twice, rubs a spot of tarnish from the spoon, snaps and unsnaps the change pocket of the wallet. She’s had some of them for years. No one has ever noticed they were gone. They slipped away silently, without even the
plink
of a drop of water.

She knows Nath is convinced, no matter what the police say, that Jack brought Lydia to the lake, that he had something to do with it, that it’s his fault. In his mind, Jack dragged her into the boat, Jack pushed her underwater, Jack’s fingerprints are pressed into her neck. But Nath is all wrong about Jack.

This is how she knows. Last summer, she and Nath and Lydia had been down at the lake. It was hot and Nath had gone in for a swim. Lydia sunbathed on a striped towel in her swimsuit on the grass, one hand over her eyes. Hannah had been listing Lydia’s many nicknames in her mind. Lyd. Lyds. Lyddie. Honey. Sweetheart. Angel. No one ever called Hannah anything but Hannah. There were no clouds, and in the sun, the water had looked almost white, like a puddle of milk. Beside her, Lydia let out a little sigh and settled her shoulders deeper into the towel. She smelled like baby oil and her skin gleamed.