Everybody Was So Young (71 page)

Ansermet, Ernest, [>], [>]

Antheil, George, [>], [>]

Antibes, [>]; La Garoupe beach at, [>], [>], [>], [>], [>], [>], [>]; Villa America, [>], [>]–[>], [>]–[>] (see also Murphys
LIVING
AT
VILLA
AMERICA; Villa America, Antibes); first visit to, [>]; second summer in, [>], [>], [>], [>]–[>]; Hôtel du Cap in, [>]; 1924 visit to, [>]–[>]; mass discovery of, [>]–[>], [>]; new crowd in, [>], [>]

Anti-Communist hysteria, [>]–[>]

Antigua, Murphys visiting MacLeishes in, [>]

Apollinaire, Guillaume, [>]

Aragon, Louis, [>]

Armory Show, [>], [>]

Arthur, Chester Alan
III
, [>], [>]

Asparagus (Murphy dog), [>]

Astor, Mrs. Waldorf, [>]

Atkinson, Brooks, [>]

Atterbury, Grosvenor, [>]

Ault, Levi Addison, [>]

Auric, Georges, [>], [>]

“Babylon Revisited” (Fitzgerald), [>]

Bach, Johann Sebastian, GCM’s interest in, [>], [>]

Baker, George Pierce, [>]

Baker, Josephine, [>]

Balanchine, George, [>], [>], [>]

Ballet Russe de Monte Carlo, [>]

Ballets Russes, [>], [>], [>], [>], [>], [>], [>], [>], [>]; films of, [>]. See also Diaghilev, Serge

Ballets Suédois, [>]–[>], [>] n

Bankhead, Tallulah, [>]–[>]

Barnes, Djuna, [>]

Barney, Natalie, [>], [>]

Barr, Alfred, [>]

Barry, Ellen, [>]; on SWM’s appearance, [>]; on SWM’s attitudes toward extramarital sex, [>], [>], [>]; on
SWM
as Picasso model, [>]; on Hemingway and
SWM
, [>];
GCM
takes shopping, [>], [>]; on SWM’s dress shopping, [>]; on SWM’s high heels, [>];
GCM
to on New York, [>]; Murphys visit, [>]; at
GCM
funeral, [>]

Barry, Philip, [>]–[>]; at Antibes, [>], [>]; play of as parallel to SWM-Picasso, [>]–[>]; on
GCM
preparing cocktail, [>];
GCM
letter to, [>]; Holiday, [>]; off-color stories of, [>]; Bright Star, [>]; death of, [>]

Barrys (Ellen and Philip as couple): meet Murphys in Paris, [>]–[>]; at Antibes (Villa America), [>], [>], [>]; at dinner with Fitzgerald, [>]; at Stewart party, [>]; valedictory visit from, [>]; cottage of, [>]; and barge party, [>]; with Murphys in New York, [>], [>]; Murphys see on Florida trip, [>]; lend house for Honoria’s wedding reception, [>]

Barrymore, John, [>]

Basil, Vassily de, [>]

Baudoin, Edouard, [>]

Beach, Sylvia, [>], [>], [>]

Beatles, GCM’s recognition of, [>]

Beats, and New York culture, [>]

Beaumont, Comte Étienne de, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

Beaumont, Comtesse Étienne de (Édith), [>], [>], [>], [>], [>], [>], [>]

Beckett, Samuel, [>]

Bedford, Sybille, [>]

Benchley, Gertrude, [>], [>]–[>]

Benchley, Nathaniel (“Nat”), [>]

Benchley, Robert, [>]; at Antibes, [>], [>], [>], [>]–[>], [>], [>]; at New York party, [>]; in California, [>]; and Parker’s decision to help Murphys, [>]; Parker letter to, [>]; financial help profferred by, [>]–[>]; in Switzerland, [>]; and GCM’s trip to New York, [>]; to Paris, [>]; in New York, [>]; Parker’s alienation from, [>]; on “Noah” bag, [>]; and Campbell’s enlistment, [>]; death of, [>]

Benchley, Robert, Jr. (“Bub”), [>]–[>]

Benét, Stephen Vincent, [>], [>]

Benjamin, Walter, [>]

Benrimo, Tom, [>]

Berlin, Irving, [>], [>]

Bernstein, Leonard, [>]

Bethune, Mary McLeod, [>]–[>], [>]

Bibliothèque (
GCM
painting), [>], [>], [>], [>], [>]

Bierstadt, Albert, [>]

Bigelow, Josephine Rotch, [>]

Big Money, The (Dos Passos), [>], [>], [>], [>], [>]

Bird, William, [>]

Bishop, John Peale, [>], [>]–[>], [>]–[>], [>]

Bishop, Margaret, [>]

Black culture. See African American culture

Blacklisting, in postwar U.S., [>]

Blake, William, [>]

Blaue Engel, Der, GCM’s liking for, [>]

Blesh, Rudi, [>]–[>]

Blitzstein, Marc, [>]

Boatdeck (
GCM
painting), [>], [>]–[>], [>], [>], [>]–[>], [>]

Bonnard, Pierre, [>], [>], [>]–[>]

Boote, Rosie. See Headfort, marquess and marchioness of

Börlin, Jean, [>]

Boston, end-of-century stagnation of, [>]–[>]

Bowers, Lloyd, [>]–[>]

Brackett, Charles, [>], [>], [>]

Brancusi, Constantin, [>]

Braque, Georges, [>], [>], [>]

Brecht, Bertholt, [>], [>]

Brennan, Francis (Hank), [>], [>]

Breton, André, [>]

Bricktop, [>]

Browder, Earl, [>]

Brown, Honey, [>]

Buehler, Huber, [>]–[>]

Butler, Dorothy, [>]

Cage, John, [>]

Calder, Alexander, [>]

Callaghan, Morley, [>]

Camoys, Lord, [>]

Camp Adeline, [>]–[>], [>]

Campbell, Alan, [>], [>], [>], [>], [>], [>], [>], [>]

Campbell, Lady Marjorie, [>]

Campbell, Lady Violet, [>]

Campbell, Stella (Mrs. Patrick), [>]–[>], [>], [>], [>], [>], [>], [>]

Cap d’Antibes. See Antibes

Caraman-Chimay, Princesse de, [>]

Carhart, Harold, [>]

Carnavel, L. T., [>]

Carpenter, Ginny, [>], [>]

Carpenter, John Alden, [>], [>], [>]–[>], [>], [>]

Carpenter, Rue, [>], [>], [>]–[>], [>], [>]

Celestine (cook), [>], [>]

Cendrars, Blaise, [>], [>], [>]

Chalêt des Nielles, Murphys purchase, [>]–[>]. See also Villa America, Antibes

Chaliapin, Fyodor, [>]

Chanel, Coco, [>]

Chanler, Hester, [>]. See also Pickmans

Chanler, Mrs. Winthrop, [>]

Chaplin, Charlie, [>]

Chase, William Merritt, [>], [>]

Cheer Hall, [>]–[>], [>], [>], [>], [>], [>]

Cheney, Ward, [>]

Chirico, Giorgio de, [>]

Church, Frederick, [>]

Claire, Ina, [>]

Clancy, Menefee, [>]

Claudius, Agnes, [>]

Clement (chauffeur), [>]

Cocktail (
GCM
painting), [>]–[>], [>], [>], [>]–[>]

Cocteau, Jean, [>], [>], [>]; and Radiguet, [>]; at barge party, [>]; Parade, [>]–[>]; as sexually ambiguous, [>]; and Oedipe Roi, [>]; and GCM’s milieu, [>]

Cohn, Roy, [>]

Colonna, Prince, [>]

Contemporary Historians, [>], [>]

Coonen, Alice, [>]–[>]

Copland, Aaron, [>], [>]

Cornell, Katharine, [>]

Cornwall, Larry, [>]

Côte d’Azur, [>], [>]

Course Croisère de la Méditerranée,
GCM
enters, [>]–[>], [>], [>]

Covert, John, [>]

Cowley, Malcolm, [>], [>]

Crosby, Caresse (formerly Polly Jacob), [>], [>], [>]

Crosby, Harry, [>], [>], [>]–[>], [>], [>]

Crystaux (
GCM
drawing), [>]

Cubism: of Goncharova, [>]; in GCM’s studies of machinery, [>]; and GCM’s Razor and Watch, [>]; and GCM’s work after Boatdeck, [>]

Cullen, Countee, [>]

cummings, e. e., [>], [>]

Cunard, Lady, [>]

Cunard, Nancy, [>]

Dada, [>]; and typo on Turbines, [>]; and barge party, [>]; and Within the Quota set, [>]

Damrosch, Walter, [>]

Danilova, Alexandra, [>]

Davies, Marion, [>], [>]

Davis, Richard Harding, [>]

Davis, Stuart, [>]

Death of a Salesman,
GCM
riveted by, [>]

Debussy, Claude, [>]

Delaunay, Sonia, [>]

De Lille, Armand, [>]

Dell, Floyd, [>]

de Maré, Rolf, [>]–[>], [>]

de Mille, Agnes, [>]

Denham, Serge, [>]–[>]

Derain, André, [>], [>], [>], [>]

De Wolfe, Elsie, [>], [>], [>]

Diaghilev, Serge, [>]; Le Sacre du printemps produced by, [>], [>]; at Ballets Russes premiere party, [>]; Murphys paint sets for, [>]–[>]; Les Noces produced by, [>]; at barge party, [>]; and de Mare, [>]; death of, [>]; and Ballets Russes reputation, [>]; GCM’s tales of, [>]

Dial, The, [>]

Dickson, Mrs. (friend of Adeline Wiborg), [>]–[>]

Dickson, Roland, [>]–[>]

Dietrich, Marlene, [>], [>]

Dolin, Anton, [>]

Dolly, Rosie, [>]

Dominguín, Luis Miguel, [>]

Donnelly, Honoria (daughter of
SWM
). See Murphy, Honoria Adeline

Donnelly, John Charles Baoth (grandson of Murphys), [>], [>]

Donnelly, Laura Sara (granddaughter of Murphys), [>]

Donnelly, William, [>], [>], [>], [>]

Donnelly, William Sherman (grandson of Murphys), [>], [>], [>]

Dos Passos, Elizabeth (formerly Elizabeth Holdridge), [>]–[>], [>]

Dos Passos, John, [>], [>]; at Antibes, [>], [>], [>], [>], [>]; The Big Money, [>], [>], [>], [>], [>]; in Paris of 1920s, [>]; and Les Noces work, [>]; in ballet audience, [>]; and Fitzgeralds, [>]–[>]; and “Dow-dow” nickname, [>]; as summertime expatriate, [>]; on Murphys’ hors d’oeuvres, [>]; and Hemingway, [>], [>], [>], [>], [>]–[>], [>], [>]; and ski trip, [>], [>], [>], [>]; as sailor, [>];
GCM
letters to, [>], [>], [>], [>], [>], [>]; Hemingway letter to, [>]; marriage of, [>]; financial and health problems of, [>], [>], [>]; plays of, [>]; on
GCM
at Mark Cross, [>]; imprisoned Spanish friend of, [>]; and Hemingway on filming of tuna fishing, [>]; visits Saranac, [>]; and Patrick’s death, [>]; as political activist, [>]; and The Spanish Earth, [>]; offered ballet-librettist job, [>]; on Murphys’ guest room, [>];
GCM
to on people being themselves, [>]; eye lost in accident, [>]; postwar connection to, [>]; remarriage of, [>]–[>]; Hemingway messages through, [>]–[>];
SWM
letter to, [>]; farewell dinner for, [>]; report on
GCM
funeral to, [>]; The Best Times, [>]; visits
SWM
in New York, [>]

AND
KATY
DOS
PASSOS: at Swiss health resort, [>]; as U.S. friends, [>]; at Hook Pond Cottage, [>]; on Mediterranean tour, [>]; in Key West, [>], [>]; financial help to, [>], [>], [>]; and Hemingway’s concern about
SWM
, [>]; with Hemingway in Cuba, [>]; in meeting with
SWM
and Pauline, [>]; on Cape Cod, [>]; visit Patrick at Christmas, [>]; on trip to Europe, [>], [>];
GCM
letter to, [>]; in farewell to MacLeish, [>]; on visit to Pauline Hemingway, [>]; New Year’s 1942 with, [>]

Dos Passos, Katy (formerly Katherine Smith), [>]; and Patrick’s illness, [>]; and Baoth’s death, [>]; on Swan Cove, [>]; on Hitler’s success, [>]; on Cape Cod, [>]; death of, [>]; flowers on grave of, [>]; letters from in Cheer Hall, [>]; Chosen Country descriptions from, [>]

Dos Passos, Lucy, [>]

Doves (
GCM
painting), [>], [>], [>]

Dowdney, Louise, [>]

Draper, Muriel, [>], [>]

Draper, Paul, [>]

DuBois, Raoul Pène, [>], [>]

Duchamp, Marcel, [>]

du Maurier, Gerald, [>]

Duncan, Isadora, [>], [>]

Dunes, the (Wiborg mansion), [>]–[>], [>], [>], [>]

Dunne, Finley Peter, [>]

Durey, Louis, [>]

East Hampton, Long Island, [>]–[>], [>]; musical burlesque staged in, [>]–[>]; farmer’s cottage for remodeling in, [>]

Eastman, Chrystal, [>]

Eastman, Max, [>]

Egorova, Lubov, [>]

Einstein, Albert, [>]

Eliot, T. S., [>], [>], [>]

Engine Room (Pression/Pressure;
GCM
painting) [>], [>], [>]

Ernst, Max, [>]

Falla, Manuel de, [>]

Farewell to Arms, A (Hemingway), [>], [>]

Far Side of Paradise, The (Mizener), [>]

Faucigny-Lucinge, prince and princesse Jean-Louis de, [>]

Fels, Florent, [>]

Firouz (prince of Persia), [>]

Fish, Olga. See Wiborg, Olga Marie

Fish, Sidney, [>], [>], [>], [>], [>], [>]

Fish, Stuyvesant, [>]

Fitzgerald, F. Scott, [>], [>]–[>], [>]–[>], [>]–[>]; relationship with Hemingway, [>], [>], [>], [>], [>], [>], [>]–[>], [>]; and Paris, [>], [>]; MacLeish introduced to, [>]; and Zelda’s behavior, [>], [>]–[>]; on Hemingway’s separation from Hadley, [>]; in Delaware, [>], [>]; return to France, [>]; on Murphys entertaining Parker, [>]; in Cannes villa, [>]–[>]; Hemingway letter to, [>]–[>]; in Paris (1930), [>]–[>]; and Zelda’s descent into madness, [>]; MacLeish letter to, [>]; and bathwater scene with Scottie, [>]; in Alabama, [>]; stresses and difficulties of, [>]; on
SWM
and Hemingway, [>]; on second acts, [>]; in Hollywood, [>], [>]–[>]; and Sheilah Graham, [>]–[>], [>]; death of, [>], [>]; refused burial by Catholic Church, [>], [>]; Arthur Mizener on, [>]; on Murphy descendants, [>]; and Edmund Wilson, [>]; and A Moveable Feast, [>]

WORKS
OF: Tender Is the Night, [>]–[>], [>], [>]–[>], [>]–[>] (see also Tender Is the Night); This Side of Paradise, [>]; The Vegetable (play), [>]; The Beautiful and the Damned, [>]; The Great Gatsby, [>], [>]; The Crack-Up, [>], [>]; “Babylon Revisited,” [>]

AND
MURPHYS
, [>]–[>]; in Tender Is the Night, [>]–[>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>], [>]; on SWM’s face, [>]; behavior at parties, [>], [>], [>], [>], [>]–[>]; with Murphys at Antibes, [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>]–[>]; attracted to
SWM
, [>], [>]–[>], [>]; curiosity, [>], [>]–[>]; attitudes toward
GCM
, [>]–[>]; helps
GCM
get movie job, [>]; and Velasquez talisman cross, [>], [>]; as confidant in GCM’s self-analysis, [>], [>]; visit to Ramgut, [>]; SWM’s rebukes, [>]–[>], [>]–[>];
GCM
to on trade as drug, [>]; tribute to
SWM
, [>]–[>]; on
SWM-GCM
relationship, [>], [>];
SWM
invites to Saranac, [>];
GCM
letters to, [>], [>], [>]; and Patrick’s death, [>]; appeal for help and loan, [>]–[>], [>]–[>]; Zelda on, [>]; Hemingway on, [>]; letters in Cheer Hall, [>]. See also under Murphys

Fitzgerald, Frances Scott (“Scottie”), [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]