Eureka (11 page)

“Mr. Riker's still talking to you,” he growled. Brodie grabbed the finger, bent it back almost to the wrist, heard it crack. The gunsel bellowed. Brodie twisted the bodyguard's arm up and backward, grabbed the back of his hair, and slammed his face into one of the stools. Blood squirted from both sides of his face. He made a gurgling noise, and Brodie lifted his head and slammed his face onto the stool again.

Riker, eyes bulging, was riveted to the spot. Brodie threw the limp hoodlum on the floor, reached under the gangster's arm, and pulled a .32 from his shoulder holster. He turned and aimed the pistol at Riker.

“I ain't heeled,” Riker screamed, holding his hands high.

Brodie jammed the hoodlum's .32 under Riker's chin and frisked him anyway, then grabbed a handful of his shirt.

“Where's that bunch of yours going?” he demanded.

“I don't know what you're . . .” Riker stammered.

Lars groaned, raised himself up. Culhane kicked him in the jaw and he fell on his back.

“If that bastard ever touches me again, I'll kill him on the spot,” he whispered in Riker's face, and shoved him into a chair, which flipped backward. Sprawled on the floor, the gang leader trembled with fear as Brodie aimed the .32 at him.

“What if I just put you out of everybody's misery,” Culhane said. Then he pointed the gun toward the ceiling and emptied the bullets on the floor. He turned and dashed out the door.

Wisps of fog drifted past the sprawling Grand View mansion, leaving damp streaks on its ghostly white facade and dampening the hedges that led to the front door. The full moon was a hazy aura in the mist.

The black Chevrolet cabriolet pulled up to the tall iron gates, and a hard-looking man got out and walked to the postern, where a security guard stepped out on the other side of the gate.

“Do you have a card, sir,” he said in a flat, no-nonsense voice. The hard-looking man took a .38-caliber pistol from under his arm and pointed it straight at the guard's forehead.

“Will this do?” he hissed with a nasty smile.

The guard studied the gun and the face behind it, then walked over to the gate, unlocked it, and pulled one side open. The armed man stepped inside, stuck the gun in the guard's back, led him back to the postern, and shoved him inside the small guardhouse.

“Sorry, pal,” he growled, and slashed the guard viciously across the jaw with his gun. The guard grunted and collapsed on the floor. The gunman pulled the telephone lines from the wall, walked back outside, and jumped on the running board of the Chevrolet.

“Okay,” he said, and the car inched down the long drive through the fog to the house. The gunman jumped off the running board and three other men piled out of the car behind him. The leader was Charly McGurk, a slick-looking little weasel wearing a gray fedora. There was a purple wine-stain birthmark on his right cheek. He put the gun back under his arm and they went to the giant double doors and he rang the bell. Inside, he could hear chimes gently stirring. A minute later, a burly chocolate-colored man with temples beginning to show a little gray opened the door. Noah's eyes widened as the gunman put a hand on his chest and eased him backward. His cohorts followed him into the mansion.

They entered the wide, two-story foyer. McGurk looked up the winding staircase that faced them, then turned his attention to Andy Sloan, who sat at a table sipping coffee. Sloan jumped to his feet as the four men entered, and his hand fell on the butt of a holstered .38.

“Don't do nothin' stupid,” said McGurk. “Sit down.”

Culhane decided to take the old horse trail up the cliff to Grand View. It had been widened and there was a wall separating it from the drop to the rocks below. He started up the road, downshifted into low, and hugged the steep rise on his left.

Halfway up he ran into fog and slowed to a crawl, the transmission groaning as the Ford climbed toward the top.

At Grand View, three hooligans stood behind McGurk, their hands resting inside their suit jackets.

“We're here to have a chat with the lady of the house.” He turned to Noah. “You—dinge—go get her.”

Noah's jaws tightened. He looked at the deputy, who thought a moment before nodding. Noah went up the stairs, knocked on a door at the head of the steps. A moment later it opened and Delilah, handsome in a pale yellow evening gown, stepped out and glared down at the four men. She said something to Noah, who disappeared down one of the halls leading from the balcony.

“Who the hell are you?” she said sternly.

“You must be the O'Dell lady, all that red hair and all,” McGurk said with a sneer.

“So what.”

“So Mr. Riker wants to have a chat at the hotel. He sent us up to bring you down there.”

“What's the matter, does he have a broken leg?”

McGurk rolled his tongue across yellow teeth.

“He said he wants to see you . . .”

She cut him off. “He wants to see me? Tell him he knows where I am and to come alone. Or maybe try a phone call, unless he's forgotten how to talk, too.”

“Mr. Riker wants you to come along with us,” said McGurk in a harsh voice just above a whisper. “He wants to have a little friendlylike chat
now
.”

Buck Tallman stepped out behind her. His pure white hair flowed down over his shoulders. He was wearing a buckskin vest over a plain white shirt, and dark brown flared pants. A .44 Peacemaker was hanging low on his hip and his badge glittered where it was pinned to the holster. His right hand hung loosely next to the six-gun.

“Well, well, if it ain't Buffalo Bill hisself,” McGurk said, and chuckled. “You ain't invited, old man.”

The tall lawman moved Delilah behind him and came down the stairs, his eyes glittering behind hooded lids. One of the gunmen walked to the middle of the room. The sheriff reached the foot of the staircase, strode resolutely forward, and stopped a foot from him. The other three goons divided up. McGurk near the door, another one next to Andy Sloan. The fourth thug sidled to the lawman's right and lounged near a side door to the foyer. They had the room covered.

“He said . . .” the lead gunman started.

“Shut up,” the lawman said in a deep, gravelly voice. Then: “You oughta brush your teeth sometimes, your breath smells like a dead cat's.”

As Culhane neared the top of Cliffside Road there was a shot, then another, and then Grand View exploded with gunfire.

For an instant, Brodie's mind flashed back to a foxhole near the Somme, to a white horse racing through the fog, to lying in the hospital, where he had made the decision to come back to San Pietro. He flashed back to the fear he felt getting off the train, knowing he was really back in Eureka.

Now he knew that something terrible was waiting at the top of the Hill.

What he didn't know was that the events of the next few minutes would change his life again, would be beyond his most terrifying nightmare, beyond fear of death or the fear of battle that lay behind him.

Another gunshot cleared his mind. He slammed on the gas and skidded around the curve, into the drive to Grand View. More gunfire. Brodie wheeled up the drive and skidded to a stop. An armed and wounded gunman staggered out the front door, reeled sideways along the row of hedges. Brodie saw the wine-stain birthmark on his cheek, jumped out of the Ford, using the open door as a shield.

“You there, McGurk, drop the gun,” Brodie yelled.

McGurk, still lurching along the hedge, turned and fired a shot that hit the windshield of Brodie's car. It exploded, showering the inside of the car with shards of glass.

“I only ask once,” Brodie muttered as he laid his arm on the sill of the door window, aimed an Army .45, and fired a single shot. It hit McGurk just above the left eye. His body arched into the air, the gun spun out of his hand, and he fell into the hedge with his arms spread out like he was singing an aria at the opera. He stayed there.

Brodie ran toward the door of the mansion. He didn't bother to check McGurk, he knew he was dead. When he reached the door, he flattened himself against the wall, then whirled around the corner and dove into the house.

A moment later, a shot rang out. Then another. And another. Quick shots. Bang, bang . . . bang.

A second or two later, a woman's scream split the dense night air like an axe splitting a log. And she kept screaming.

Although he didn't know it then, Thomas Brodie Culhane would hear those screams for the rest of his life.

Book Two

BANNON

1941

CHAPTER 1

It was just another day in Los Angeles. A black Rolls-Royce hearse, glass sides draped with silk and lace, carrying a fifty-two-year-old movie star, has a flat and holds up traffic on Sunset Boulevard for forty-five minutes. As a crowd gathers, his wife rolls down the window of her limo and yells, “He got a heart attack screwing some seventeen-year-old slut,” over and over again.

Out in Los Feliz, a four-year-old girl has gone missing for most of the day before she is discovered next door, floating facedown in the backyard pool.

A twenty-two-year-old unemployed Mexican named Suarez Bailuz kills and robs the forty-two-year-old clerk of a greengrocery on Racine and then, for no apparent reason at all, shoots her dog, a toothless little pup, fourteen years old and blind in one eye. Then he steals her '36 Ford, runs out of gas in Coldwater Canyon, and shoots himself. His nineteen-year-old wife, who does not have a radio, reports him missing when he doesn't come home for dinner.

On the west side, a forty-one-year-old ex-Marine, who had lost a leg in the trenches in 1918, spends most of the day drinking in a bar, staggers out the door, loses his balance, and falls in front of the right front wheel of the Ventura bus. A woman standing nearby faints and somebody steals her purse.

Out in Westwood, the manager of a movie theater smacks his wife for spilling his dinner and she returns the favor by stabbing him in the back of the neck with an eight-inch boning knife. He runs out of the house and drops dead on the front lawn, in front of some kids playing stickball in the street. While they stand around laughing and pointing at the knife that is still sticking in his neck, the investigating officers go in the house and find the new widow sitting at the kitchen table, smoking an Old Gold and reading
Look
magazine. She offers them a beer.

On La Cienega, a forty-six-year-old bartender shaking a martini drops dead of a heart attack.

And in the press room at homicide central, the police reporter of an L.A. gossip sheet is griping because he has nothing to write about.

“Just another day at homicide central,” the desk sergeant, named Conlin, says as he closes out the log at the end of his shift and scribbles the time and date—7:00 p.m., May 26, 1941—at the bottom of the page.

My partner, Ski Agassi, and I were running late getting back to the station house when the call came in. A woman had drowned in the bathtub in a pleasant subdivision called Pacific Meadows.

“Ah hell, let's take it,” I said, “we're only two minutes away.” I U-turned and headed west on Santa Monica.

“Let the new shift catch it, Zeke,” he growled. “We don't get overtime for these jaunts, y'know.”

“It'll take a half hour,” I said, snatching up the radio mike and calling the desk, while Agassi shook his head. Regulations ruled that any unobserved or accidental death should be considered a homicide until the coroner said otherwise. It was a courtesy for two homicide detectives to take the call.

“I'm starving, Zeke,” groaned Agassi, who at forty-two weighed in the neighborhood of two hundred sixty pounds. The boys at Division called us Laurel and Hardy—but not when we were in earshot.

“You're always starving,” I said. I was three inches shorter and a hundred pounds lighter.

Pacific Meadows was a deceiving name. A low slope shielded the tiny community from the ocean so there was no view of the Pacific. And the neighborhood was built on the shoulder of the slope as it rose to form one of the many canyons that separate L.A. from the Valley, so it could hardly be called a meadow. But it lived up to the serene promise of its name. It was a pleasant oasis neighbored by a sprawling rundown section of L.A. that had not yet recovered from the Depression.

The houses of Pacific Meadows, mostly one-story stucco or brick bungalows, were built close together and, although inexpensive, always seemed freshly painted. The lawns were well kept, the streets clean of debris. The neighborhood was a mix of once-affluent families—who had lost everything in the Crash, survived hard times, and had begun to rebuild their lives on the low end of the scale—with civil servants, who had weathered the catastrophe with low-paying but regular jobs. Bus drivers, court clerks, secretaries, office workers, schoolteachers. Salt-of-the-earth types. Pride and perseverance was reflected in the pleasant, well-kept environs, the sounds of kids at play, an occasional dog barking, the clatter of lawn mowers. It was the kind of community where people kept their door keys under the welcome mat.

We passed a house I recognized. I had been here once, about five years earlier, just after I was promoted to the homicide division. A man, whose name I couldn't put my finger on, had taken a leisurely bath, donned his best Sunday blue serge suit, stuffed towels under the cracks of his garage door, and then cranked up his used Studebaker and waited for carbon monoxide to end his misery.

He had been the vice president of a textile company in New Jersey, with two kids in private school and a small estate on the affluent side of the tracks, when the Crash wiped him out in '29. For six years, he and his family moved from place to place, riding the rails, flopping in Hoovervilles, living off soup kitchens and handouts, struggling to keep the family together. His two children had grown into teenagers with little hope of overcoming the social stigma sudden poverty often carries with it. When they reached the coast and California became the Pacific Ocean, he lucked out and found a job as a stock clerk in a hardware store just off Melrose. Over the next two years, he worked his way up to assistant manager, making enough money to rent a house in the Meadows and buy a used car. Then he was passed over for the manager's position.

It was his final humiliation; hope had betrayed him once too often.

I remembered his wife and kids staring mute and dry-eyed as a couple of cops carried the sheeted stretcher out of the garage, their dreams of a new life wiped out by the turn of an ignition key.

Agassi also was familiar with the place. He had once considered a house in Pacific Meadows before finding one more to his liking on Ogden Avenue in Hollywood. Agassi had the kind of pleasant face that big men often affect to offset their intimidating size, but now he wore a frown, a reaction to what he called my “eager-beaver attitude.”

“He doesn't have a wife waiting dinner on him,” Agassi grumbled at the windshield, mostly under his breath.

“What did you say?” I asked.

“Grab a left here,” Agassi replied.

The house was three blocks from the corner, a pleasant redbrick, one-story with a front porch and a white picket fence surrounding the front yard, split by the walkway to the front door. The left half of the yard was neatly mown and smelled of fresh grass. The other side hadn't been touched. A spotless green '39 DeSoto sat in the driveway.

People were standing in front yards, staring with morbid curiosity at the house and chatting in whispered tones. A cop was interrogating a man and woman in the yard of the house next door and taking notes. His partner was standing by the front gate with his hands clasped behind him, like a sentinel on the bank of the River Styx. He came out to meet us as we parked behind the patrol car. He was Officer Ward King, he told us, and his partner was Howell Garrett.

“What've we got?” I asked after the introductions. King ran the essentials as we headed toward the front door:

“Verna Wilensky. Mid to late forties. Lived alone—her husband was killed in a 126 four years ago. Lived here about sixteen years, owns the house. The woman next door found her. Garrett's talking to her and her husband now.”

“Good enough,” I said. “Keep them on tap, we'll want to talk to them, too. Any idea how long she's been dead?”

“No, sir, but judging from conditions in there, my guess is since last night.” Agassi checked his watch. It was 7:18. He sighed with resignation.

The sickening, sweet smell of death tickled my nose as we entered the house. King took a small jar of Mentholatum from his pocket and handed it to me.

“You may need this,” he said. I dipped a dab from the jar with my index finger and spread it under my nose.

Ski did the same, saying, “Jesus, I hate this.”

“I know you do,” I said gently. After three years together, there wasn't a lot we didn't know about each other.

The house was neat as a Marine barracks, nicely appointed with expensive furniture. There were framed prints by the Masters on the walls. A leather sofa, with two easy chairs facing it, dominated the center of the room. A large étagère that looked like an antique commanded one wall and the floor was covered with a Turkish rug. In one corner was a large, cathedral-style, ebony Magnavox with a Stendhal turntable attached to it. I didn't know much about furniture but I knew record players. The Stendhal was the best turntable made, with a price tag that would scare John Rockefeller.

Two windows were open, their chintz curtains fluttering in the breeze.

“I opened the windows to air the place out,” King explained. “It's back this way.” He clicked on his flashlight and led the two of us through a bedroom with a large canopied bed to the bathroom.

I suddenly said, “Chester Weatherspoon.”

“Huh?” Agassi said.

“I just remembered the name of a guy who killed himself out here a few years ago,” I said.

“Terrific,” Agassi said, and rolled his eyes at King.

“You'll need this, Sergeant,” King said, and handed me the torch. “The fuse is blown but I didn't want to touch anything until you got here.”

“Good procedure,” I said. “How about Bones?”

“On his way.”

It was a large bathroom, about eight by eight. King's torch picked out the details of the room. Facing us: a large old-fashioned tub with legs that looked like the paws of a gryphon, a window behind it with a dark shade pulled down. To our right: the sink, imbedded in a large counter covered with jars of creams, expensive brands, not the kind you find in Woolworth's, a sterling silver comb and brush, a bottle of Chanel No. 5, a pair of clip-on earrings, a tube of toothpaste, a small hand-painted jar filled with bobby pins. Above the sink: the medicine cabinet, with a shelf between sink and chest. The side of the shelf near the tub was wrenched away from the wall and slanted toward the floor. To the left: the toilet, with a bathrobe carefully folded on it and a pair of slippers beside it, a door that I assumed led to a closet, and a full-length mirror. A small stool squatted beside the tub. On the stool: a candlestick holder almost obscured under the melted remains of a taper, a drinking glass with a half inch of clear fluid in the bottom, a pack of Chesterfields, a leather-and-chrome Ronson cigarette lighter, an ashtray. A couple of movie magazines lay on the floor beside the stool.

The stench was much stronger than in the foyer. Ski took out his handkerchief and held it over his nose.

“Why don't you go in the living room, check out the desk,” I said. “Get a line on survivors. We're going to have to notify somebody about this.”

“Thanks,” Agassi said, and hurriedly left the room.

Then to business.

Verna Wilensky looked to be about five-three or five-four and heavy for her size, one-fifty, maybe one-sixty pounds. Her dark hair was cut in a pageboy. Her eyes were open and her face was beginning to bloat. She was lying on her left side, her right arm bent at the elbow and trapped under her body, her left arm floating half submerged like a water-soaked tree branch. Both hands were tight-fisted. Her knees were doubled up as if she were sitting sideways in the tub. Her face was underwater. The radio lay against her left shoulder. There appeared to be scorch marks on her shoulder and a dark bruise on her right temple just above her ear.

“I hate it when they die alone,” King said.

“Everybody dies alone,” I answered. “Get used to it.”

We heard the siren of the meat wagon as we walked back outside, and a moment later it pulled into the driveway behind the DeSoto. The coroner, Jerry Wietz, fondly known as Bones, got out and stepped over the small fence as he walked across the lawn to the porch. He was about six feet tall and skinny as a scarecrow, with short-cropped white hair and jet-black eyebrows over brown eyes.

“Hi, Zeke,” he said, offering me a stick of Juicy Fruit gum. “What've we got?”

“Widow named Verna Wilensky. Mid forties. Dead in the bathtub. Her radio's in the tub with her. Next-door neighbor tagged her about half an hour ago.”

I didn't offer any more information or make any suppositions. I knew Bones liked to work from scratch.

“Well, let's take a peek,” the coroner said. I led him and his photographer to the scene, offering him King's torch.

“The radio's still plugged in,” he said.

Bones turned to King and said, “The fuse box is probably in the kitchen, son. If you don't find a spare thereabouts, use a penny. Got a penny?”

“Yes, sir.”

King left. Bones unplugged the radio and draped the cord over a corner of the sink counter. He turned his chin up an inch or two and sniffed the air, then aimed the light into the tub, slowly swept the length of the body with the light, reached in, and touched her throat.

“Happened last night,” he said.

A minute later, the lights came on. He gave me the flashlight, walked slowly around the entire inner periphery of the room, his eyes checking everything, and said to his cameraman: “Wide-shot from the door, close-up of the shelf where it's pulled out from the wall there, full on the tub, two snaps of the body from feet and head, a full of her, and a tight on her head and shoulder. Also a close-up of the stool.”

He picked up the glass with his index and middle fingers, took a whiff.

“Gin drinker,” he said, and put it back.

“I'm gonna have a chat with the neighbor while you're doing your work,” I said.

I gave King his flashlight and went next door.