âAround 1990, that would be.' Blake's voice was as soft as Peach's had been harsh a few minutes earlier.
âAround that time, yes. Perhaps a little later. How do you know that?' His reeling brain was wondering now quite how much they did know. Perhaps it was everything.
âWe don't reveal our sources, Mr Hayward.' Lucy Blake was quietly insistent, the voice of quiet reason. Peach was suddenly taken with the thought of how delighted Billy Bedford would be to be described as something as lofty as âa source', to know that for the first time in his life his confidences were to be respected and protected.
âNo. No, I suppose you wouldn't. I thought this might be a girl I lived with. Early in 1991, that would be.'
âYou were partners?'
âNo.' He shook his head vigorously, as if trying to clear it. âThere were several of us lived there. Five or six of us. After those streets had been cleared. When the real residents were gone.' He was suddenly impatient, anxious to have this over with and these two out of his life.
âYou were squatters.' This was Peach again, switching back from questions to assertions.
Matthew nodded his head as if a string had been pulled in his neck. âI suppose you'd call it that. Sebastopol Terrace, it was.'
âNumber?'
âTwenty-six.' The number came up from his subconscious as promptly as if it had been yesterday, surprising him as much as his hearers. He would have said before tonight that he no longer knew it.
Peach nodded, pursing his lips, wanting to encourage a man who was now being honest. It tallied. He'd spent an hour with an old street plan at the site today, trying to decide exactly which street and which house had been the ones where the body was found. It was on the right hand side of the street, somewhere in the three houses 26, 28 and 30.
Until now, there had been the possibility that the body had been killed somewhere else and merely dumped there by someone who knew it was a good hiding place. Now, it seemed likely that this girl had actually lived there, been killed on site, by a fellow squatter or a visitor to the place.
That made it more likely that they would catch the killer. His spirits rose as his hunter's instinct kicked in. He said, âHow old would you say this young woman was at the time of her death?'
Matthew was suddenly cautious. He thought he had given up attempts at concealment, but now he could suddenly see the danger of admitting too much. He said, âI don't know when she died, do I? I don't know anything about her death. When I knew her, she was about twenty.'
Peach nodded. âThis girl was about that age, when she died. Did you kill her, Mr Hayward?'
Even Lucy Blake was startled by the brutal abruptness of the question. Matthew Hayward's brain reeled for a moment. Then he mustered all the outrage he could put into the words as he said, âNo! Of course I didn't kill her!'
Peach grinned over his shoulder into the mirror, totally unabashed. âJust thought it would save us a lot of time, if you were prepared to admit it now. Difficult case wrapped up with a confession, inside two days, you see: lovely, that would be, if you look at it from our point of view. Doesn't work like that very often, more's the pity. So tell us about this squat.'
Matthew noticed that the man hadn't accepted his assurance that he wasn't a killer. âThere were five or six of us, as I said. Including Sunita.'
They had a name. It was far more than he could have expected at this stage, two days after she had been found, with the scents long gone cold. âTell us about these people in the squat.'
âI can't. Genuinely I can't.' It was suddenly very important to Matthew to convince them of that. âPeople came and went, disappeared as suddenly as they'd arrived. We didn't tell each other much about ourselves. I suppose most of us had something to hide.' He looked down wonderingly at the black trousers of his evening dress, as if he could not comprehend how different his life was now from those almost forgotten days. âIt seems like another world, now. It seems more than thirteen years ago. Another world entirely.'
As he repeated himself, they saw just how exhausted he was. They were going to have to come back to him, to press him hard for every detail they could get. They weren't going to get much more from him tonight. Peach said softly, âSunita, you said. What was the girl's second name?'
Matthew shook his head wearily. âI don't know. I don't think I ever knew. We didn't give away much about ourselves. I was just Matt. She was just Sunita.'
âThat doesn't sound English.'
âShe was Asian-English. Brought up here from birth, I think, but her parents were immigrants. Pakistanis, I think. Well, I'm sure they were.'
âFrom Brunton?'
âNo. Not far away, though. Lancashire, somewhere, I'm sure. I think it might have been around Bolton.'
It tallied. They were getting nearer to an identification. Peach gave no hint of his excitement as he asked calmly, âYou're sure you don't recall a second name?'
Matthew shook his head exhaustedly. âNo, and I won't get one, however long you give me to think. I don't think I ever knew her second name. I told you, we kept our own secrets. And what people didn't tell you, you didn't ask too much about. It's one of the rules, in a squat.'
He could hear the final movement of the seventh symphony thundering out triumphantly now, even through the walls and the closed doors. That showed how silent it was in here. âThe apotheosis of the dance', Wagner had called this symphony; a fanciful idea which seemed a long way from his examination by these two watchful adversaries in this private cell of interrogation.
Peach looked at his man, wondering how much more he could take, deciding that he had probably got beyond the stage where he was capable of any elaborate deceit. But there was still one highly important area to be explored. âMr Hayward, you've admitted you were driving around the area because you thought the corpse which had been discovered might have been this girl Sunita. Why did you think that? Why, when you heard that the body of a woman had been found during excavations, did you immediately think that it might be this particular girl?'
They'd come back to that, when Matthew thought they'd left it and moved on. He wanted to construct some elaborate and convincing reason for his journey to the site, but he was beyond it now and he knew it. He said dully, âShe disappeared. One day she was with us, the next day she was gone. No one knew where.'
âYou asked the others about it, at the time?'
âYes, I asked. No one knew.'
âDo you think that someone did know, but was concealing the information from you?'
âNo.' He shook his head hopelessly in his fatigue. âI don't know, do I? It's a long time ago. I think I decided eventually that Sunita had just gone away. People did that, all the time.'
âBut in all probability she didn't, did she? If we assume for a moment that this body is that of Sunita, she died at twenty-six Sebastopol Terrace or very near to it. That is where the corpse was unearthed on Monday.'
Matthew stared unseeingly at his casual clothes on the hanger on the wall. âHow did she die?'
âHow long were you there after she disappeared, Mr Hayward?'
âI don't know. A month, maybe two months. I can't be accurate about the detail, all these years later.'
âWe'll need the fullest possible details of the people who were in that house with you.'
âI can't recall much about them. People came and went, and it's a long time ago. Is it important?'
It was Lucy Blake who answered him, her lighter voice perfectly clear as the symphony in the concert hall reached its climax. âI think you know it is, Matthew. Have a good night's sleep, and then give the matter your fullest possible attention, please. Anything you can recall about the people who shared that house with you may be quite vital.'
He looked at her, trying to follow her thoughts, but weighed down now by a great fatigue. He repeated doggedly, âHow did she die?'
âIt seems that she was murdered, Matthew. By person or persons as yet unknown.'
They watched his face closely as it crumpled into silent, wracking tears.
Each of them had the feeling that Matthew Hayward had known all along that the woman would have died like this.
âStill no identification of this demolition site corpse? I hope you aren't slacking on this one, Peach.' Superintendent Tucker jutted his jaw aggressively towards the industrial world outside the long window of his penthouse office. To his mind, a bright Thursday morning at the end of February was the ideal time to be letting his staff know who was in charge.
The silly old sod's trying to bollock me. Must have another day on his hands with not enough to do, thought Percy Peach. He tried not to sound aggrieved as he said, âWe were over in Manchester until ten o'clock last night, sir, DS Blake and I. Didn't get to bed until nearly midnight.' We made up for it then, though, didn't we, Lucy and I? Percy tried hard to control the smile which forced its way on to his lips with the recollection.
Tommy Bloody Tucker did not consider the notion that his bête noir and the delectable Lucy Blake might have been in the sack together; it was yet another feature of Brunton police life with which he was out of touch. He said grumpily, âNo doubt the overtime budget is taking a bashing again.' He sighed. âI don't know how my DCI expects me to keep the finances in balance, when he goes racing off to Manchester at the drop of a hat.'
âIt's not bloody Barbados, sir.' Peach lapsed into a rare moment of open resentment at the injustice of life with Tucker.
âIndeed it isn't, Peach! And I'll thank you not to swear at your superior officers!'
âSorry, sir. It must be the fatigue, sir.' But he knew irony would never work with Tucker. That was what had betrayed him for a moment into something much more blunt.
âWhat on earth were you doing in Manchester, anyway?'
âAttempting to determine the identity of the corpse on the demolition site, sir. The one you were asking about. Trying to establish the framework for a murder investigation.'
Tucker recognized dimly that he might have been a little unjust. It only made him more tetchy. âPity you couldn't do that in Brunton. Pity you had to do it at that hour of the night.'
âYes, sir. Exactly what DS Blake and I said, when we were driving back over the moors beyond Darwen in freezing fog.'
Tucker peered at him suspiciously. âWhat were you doing in Manchester anyway?'
âInterviewing a pianist, sir. Matthew Hayward. At the Bridgewater Hall. He was a soloist with the Hallé. Going to be as good as Alfred Brendel, some people reckon.'
Music was not one of Tucker's enthusiasms; he even wondered if the great Alfred Brendel might be an invention of Peach's. âWhat on earth were you doing swanning off to Manchester to interview a pianist?'
âPossible murder suspect, sir.'
âA soloist with the Hallé orchestra?'
âThat's right, sir. Evening dress and all that. Matthew Hayward. Very good, he seemed, from what little we managed to hear.'
Tucker didn't like the sound of this at all. A high-profile suspect, and Peach wandering round like a loose cannon. It sounded like a recipe for disaster to him. There could be bad publicity from this, and bad publicity was Tommy Bloody Tucker's worst nightmare. âYou'll need to proceed very carefully here, Peach. What possible connection can an eminent musician like this have with a murder in the back streets of Brunton in 1990?'
âRemains to be seen, that, sir. I'm keeping an open mind on it, as you've advised me to do so often. By the way, it now appears we may be looking a little later than 1990, sir.'
âI thought you saidâ'
âResidents moved out to the new council estate in 1989, sir. Place apparently became a squat after that.'
âI don't like the sound of that. I don't like squats.' Tucker looked from his sullen visage as if he hoped to change the facts by the force of his personal preference.
âNo, sir. Fact of life, though. Don't suppose you remember any squats in that area, around late 1990 or 1991?' No harm in reminding the bugger that he was in charge of things then.
âOf course I don't. We were busying ourselves with more important things than squats, I can tell you, when I was in charge!'
âMore important than murder, sir?'
Tucker glared at him, but, as was usual on occasions like this, he found his DCI was staring at the wall above his head. âI note your insolence, Peach. And I remind you that I am your senior officer.'
âQuite, sir.' Peach allowed himself a long sigh at this unhappy state of affairs. âWell, it seems that our eminent pianist was at this time a member of a squat in Sebastopol Terrace.'
âAn eminent soloist living in a squat?' Tucker smiled his most patronising smile. âI really think this must be a case of mistaken identity, you know. You'd better check yourâ'
âAdmitted it to us last night, sir. Living in a squat thirteen years ago. Times change, sir.'
Tucker shook his head reluctantly. He liked his VIPs to come from the right background, but you couldn't be certain of anything, in the modern world. And this Bohemian world of music was a closed book to him; he'd heard that artists were strange people. He said vaguely, âBut a pianist, Peach. He'd need to practise, you know.'
âDon't think he had a grand piano in the squat, sir. They'd likely have broken it up for fuel, wouldn't they? But he says he was there, sir. And he's been able to give us a clue about the victim. It seems she was probably a young woman who was in the squat with him at that time.'
âYou have an identification?'
âNot yet, sir.' I'd have told you if we had, wouldn't I, you silly sod? âIt seems she might have been Asian, sir.'