DUST ON MOUNTAIN: COLLECTED STORIES (83 page)

BOOK: DUST ON MOUNTAIN: COLLECTED STORIES
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She was cremated not far from where we found her and we returned to our various homes in gloom and grief, chastened but none the wiser for the experience.

If you happen to be in that area and decide to cross the bridge late in the evening, you might see Gulabi’s ghost or hear the hoofbeats of Wilson’s horse as he canters across the old wooden bridge looking for her. Or you might see the ghost of Mrs Ray and hear her husband’s anguished cry. Or there might be others. Who knows?

On Fairy Hill

 

T
hose little green lights that I used to see twinkling away on Pari Tibba—there had to be a scientific explanation for them. I was sure of that. After dark we see or hear many things that seem mysterious and irrational. And then, by the clear light of day, we find that the magic and the mystery have an explanation after all.

I saw those lights occasionally, late at night, when I walked home from the town to my little cottage at the edge of the forest. They moved too fast to be torches or lanterns carried by people. And as there were no roads on Pari Tibba, they could not have been cycle or cart lamps. Someone told me there was phosphorus in the rocks and that this probably accounted for the luminous glow emanating from the hillside late at night. Possibly, but I was not convinced.

My encounter with the little people happened by the light of day.

One morning early in April, purely on an impulse, I decided to climb to the top of Pari Tibba and look around for myself. It was springtime in the Himalayan foothills. The sap was rising—in the trees, in the grass, in the wild flowers, in my own veins. I took the path through the oak forest, down to the little stream at the foot of the hill, and then up the steep slope of Pari Tibba, Hill of Fairies.

It was quite a scramble to get to the top. The path ended at the stream at the bottom of the slope. I had to clutch at brambles and tufts of grass to make the ascent. Fallen pine needles, slippery underfoot, made it difficult to get a foothold. But finally I made it to the top—a grassy plateau fringed by pines and a few wild medlar trees now clothed in white blossom.

It was a pretty spot. And as I was hot and sweaty, I removed most of my clothing and lay down under a medlar to rest. The climb had been quite tiring. But a fresh breeze soon revived me. It made a soft humming sound in the pines. And the grass, sprinkled with yellow buttercups, buzzed with the sound of crickets and grasshoppers.

After some time, I stood up and surveyed the scene. To the north, Landour with its rusty red-roofed cottages; to the south, the wide valley and a silver stream flowing towards the Ganga. To the west were rolling hills, patches of forest and a small village tucked into a fold of the mountain.

Disturbed by my presence, a barking deer ran across the clearing and down the opposite slope. A band of long-tailed blue magpies rose from the oak trees, glided across the knoll and settled in another copse of oaks.

I was alone, alone with the wind and the sky. It had probably been months, possibly years, since any human had passed that way. The soft lush grass looked most inviting. I lay down again on the sun-warmed sward. Pressed and bruised by my weight, the catmint and clover in the grass gave out a soft fragrance. A ladybird climbed up my leg and began to explore my body. A swarm of white butterflies fluttered around me.

I slept.

I have no idea how long I slept. When I awoke, it was to experience an unusual soothing sensation all over my limbs, as though they were being gently stroked with rose petals.

All lethargy gone, I opened my eyes to find a little girl—or was it a woman?—about two inches tall, sitting cross-legged on my chest and studying me intently. Her hair fell in long black tresses. Her skin was the colour of honey. Her firm little breasts were like tiny acorns. She held a buttercup, which was larger than her hand, and she was stroking my skin with it.

I was tingling all over. A sensation of sensual joy surged through my limbs.

A tiny boy—man?—also naked, now joined the elfin girl, and they held hands and looked into my eyes, smiling. Their teeth were like little pearls, their lips soft petals of apricot blossom. Were these the nature spirits, the flower fairies I had often dreamt of?

I raised my head, and saw that there were scores of little people all over me. The delicate and gentle creatures were exploring my legs, arms and body with caressing gestures. Some of them were laving me with dew or pollen or some other soft essence. I closed my eyes again. Waves of pure physical pleasure swept over me. I had never known anything like it. It was endless, all-embracing. My limbs turned to water. The sky revolved around me, and I must have fainted.

When I came to, perhaps an hour later, the little people had gone. The fragrance of honeysuckle lingered in the air. A deep rumble overhead made me look up. Dark clouds had gathered, threatening rain. Had the thunder frightened them away to their abode beneath the rocks and roots? Or had they simply tired of sporting with an unknown newcomer? Mischievous they were; for when I looked around for my clothes I could not find them anywhere.

A wave of panic surged through me. I ran here and there, looking behind shrubs and tree trunks, but to no avail. My clothes had disappeared, along with the fairies—if indeed they were fairies!

It began to rain. Large drops cannoned off the dry rocks. Then it hailed, and soon the slope was covered with ice. There was no shelter. Naked, I clambered down as far as the stream. There was no one to see me—except for a wild mountain goat speeding away in the opposite direction. Gusts of wind slashed rain and hail across my face and body. Panting and shivering, I took shelter beneath an overhanging rock until the storm had passed. By then it was almost dusk, and I was able to ascend the path to my cottage without encountering anyone, apart from a band of startled langoors who chattered excitedly on seeing me.

I couldn’t stop shivering, so I went straight to bed. I slept a deep, dreamless sleep through the afternoon, evening and night, and woke up next morning with a high fever.

Mechanically I dressed, made myself some breakfast and tried to get through the morning’s chores. When I took my temperature, I found it was 104. So I swallowed a Brufen and went back to bed.

There I lay till late afternoon, when the postman’s knocking woke me. I left my letters unopened on my desk—breaking a sacrosanct ritual—and returned to my bed.

The fever lasted almost a week and left me weak and feeble. I couldn’t have climbed Pari Tibba again even if I’d wanted to. But I reclined on my window seat and looked at the clouds drifting over that bleak hill. Desolate it seemed, and yet strangely inhabited. When it grew dark, I waited for those little green fairy lights to appear; but these, it seemed, were now to be denied to me.

And so I returned to my desk, my typewriter, my newspaper articles and correspondence. It was a lonely period in my life. My marriage hadn’t worked out: my wife, fond of high society and averse to living with an unsuccessful writer in a remote cottage in the woods, was pursuing her own, more successful career in Mumbai. I had always been rather half-hearted in my approach to making money, whereas she had always wanted more and more of it. She left me—left me with my books and my dreams …

Had it all been a dream, that strange episode on Pari Tibba? Had a too-active imagination conjured up those aerial spirits, those
siddhas
of the upper air? Or were they underground people, living deep within the bowels of the hill? If I was going to preserve my sanity, I knew I had better get on with the more mundane aspects of living—going into town to buy groceries, mending the leaking roof, paying the electricity bill, plodding up to the post office and remembering to deposit the odd cheque that came my way. All the routine things that made life so dull and dreary.

The truth is, what we commonly call life is not really living at all. The regular and settled ways which we accept as the course of life are really the curse of life. They tie us down to the trivial and monotonous, and we will do almost anything to get away, ideally for a more exalted and fulfilling existence, but if that is not possible, for a few hours of forgetfulness in alcohol, drugs, forbidden sex or even golf. So it would give me great joy to go underground with the fairies. Those little people who have sought refuge in Mother Earth from mankind’s killing ways are as vulnerable as butterflies and flowers. All things beautiful are easily destroyed.

I am sitting at my window in the gathering dark, penning these stray thoughts, when I see them coming—hand-in-hand, walking on a swirl of mist, suffused with all the radiant colours of the rainbow. For a rainbow has formed a bridge for them from Pari Tibba to the edge of my window.

I am ready to go with them to their secret lairs or to the upper air—far from the stifling confines of the world in which we toil …

Come, fairies, carry me away, to experience again the perfection I did that summer’s day!

Reunion at the Regal

 

I
f you want to see a ghost, just stand outside New Delhi’s Regal Cinema for twenty minutes or so. The approach to the grand old cinema hall is a great place for them. Sooner or later you’ll see a familiar face in the crowd. Before you have time to recall who it was or who it may be, it will have disappeared and you will be left wondering if it really was so-and-so … because surely so-and-so died several years ago …

The Regal was very posh in the early 1940s when, in the company of my father, I saw my first film there. The Connaught Place cinemas still had a new look about them, and they showed the latest offerings from Hollywood and Britain. To see a Hindi film, you had to travel all the way to Kashmere Gate or Chandni Chowk.

Over the years, I was in and out of the Regal quite a few times, and so I became used to meeting old acquaintances or glimpsing familiar faces in the foyer or on the steps outside.

On one occasion I was mistaken for a ghost.

I was about thirty at the time. I was standing on the steps of the arcade, waiting for someone, when a young Indian man came up to me and said something in German or what sounded like German.

‘I’m sorry,’ I said. ‘I don’t understand. You may speak to me in English or Hindi.’

‘Aren’t you Hans? We met in Frankfurt last year.’

‘I’m sorry, I’ve never been to Frankfurt.’

‘You look exactly like Hans.’

‘Maybe I’m his double. Or maybe I’m his ghost!’

My facetious remark did not amuse the young man. He looked confused and stepped back, a look of horror spreading over his face. ‘No, no,’ he stammered. ‘Hans is alive, you can’t be his ghost!’

‘I was only joking.’

But he had turned away, hurrying off through the crowd. He seemed agitated. I shrugged philosophically. So I had a double called Hans, I reflected; perhaps I’d run into him some day.

I mention this incident only to show that most of us have lookalikes, and that sometimes we see what we want to see, or are looking for, even if on looking closer, the resemblance isn’t all that striking.

But there was no mistaking Kishen when he approached me. I hadn’t seen him for five or six years, but he looked much the same. Bushy eyebrows, offset by gentle eyes; a determined chin, offset by a charming smile. The girls had always liked him, and he knew it; and he was content to let them do the pursuing.

We saw a film—I think it was
The Wind Cannot Read
—and then we strolled across to the old Standard Restaurant, ordered dinner and talked about old times, while the small band played sentimental tunes from the 1950s.

Yes, we talked about old times—growing up in Dehra, where we lived next door to each other, exploring our neighbours’ litchi orchards, cycling about the town in the days before the scooter had been invented, kicking a football around on the maidan, or just sitting on the compound wall doing nothing. I had just finished school, and an entire year stretched before me until it was time to go abroad. Kishen’s father, a civil engineer, was under transfer orders, so Kishen, too, temporarily did not have to go to school.

He was an easy-going boy, quite content to be at a loose end in my company—I was to describe a couple of our escapades in my first novel,
The Room on the Roof
. I had literary pretensions; he was apparently without ambition although, as he grew older, he was to surprise me by his wide reading and erudition.

One day, while we were cycling along the bank of the Rajpur canal, he skidded off the path and fell into the canal with his cycle. The water was only waist-deep; but it was quite swift, and I had to jump in to help him. There was no real danger, but we had some difficulty getting the cycle out of the canal.

Later, he learnt to swim.

But that was after I’d gone away …

Convinced that my prospects would be better in England, my mother packed me off to her relatives in Jersey, and it was to be four long years before I could return to the land I truly cared for. In that time, many of my Dehra friends had left the town; it wasn’t a place where you could do much after finishing school. Kishen wrote to me from Calcutta, where he was at an engineering college. Then he was off to ‘study abroad’. I heard from him from time to time. He seemed happy. He had an equable temperament and got on quite well with most people. He had a girlfriend too, he told me.

‘But,’ he wrote, ‘you’re my oldest and best friend. Wherever I go, I’ll always come back to see you.’

And, of course, he did. We met several times while I was living in Delhi, and once we revisited Dehra together and walked down Rajpur Road and ate tikkis and golguppas behind the clock tower. But the old familiar faces were missing. The streets were overbuilt and overcrowded, and the litchi gardens were fast disappearing. After we got back to Delhi, Kishen accepted the offer of a job in Mumbai. We kept in touch in desultory fashion, but our paths and our lives had taken different directions. He was busy nurturing his career with an engineering firm; I had retreated to the hills with radically different goals—to write and be free of the burden of a ten-to-five desk job.

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