Duke (67 page)

DUKE, VERNON.
Passport to Paris.
Boston: Little, Brown, 1955.

DUNNING, JENNIFER.
Alvin Ailey: A Life in Dance.
Reading, MA: Addison-Wesley, 1996.

EBERLY, PHILIP K.
Music in the Air: America’s Changing Tastes in Popular Music, 1920–1980.
New York: Hastings House, 1982.

ELLINGTON, DUKE.
Music Is My Mistress.
Garden City, NY: Doubleday, 1973.

ELLINGTON, MERCER, WITH STANLEY DANCE.
Duke Ellington in Person: An Intimate Memoir.
New York: Da Capo, 1979.

ELLISON, RALPH.
Living with Music: Ralph Ellison’s Jazz Writings.
Edited and with an introduction by Robert G. O’Meally. New York: Modern Library, 2001.

ENSTICE, WAYNE, AND PAUL RUBIN.
Jazz Spoken Here: Conversations with Twenty-Two Musicians.
Baton Rouge: Louisiana State University Press, 1992.

FAINE, EDWARD ALLEN.
Ellington at the White House 1969
. Takoma Park, MD: IM Press, 2013.

FEATHER, LEONARD.
The Encyclopedia of Jazz.
New York: Horizon, 1955.

———.
From Satchmo to Miles.
With a new introduction by the author. New York: Da Capo, 1984.

———.
The Jazz Years: Earwitness to an Era.
New York: Da Capo, 1987.

FERGUSON, OTIS.
The Otis Ferguson Reader.
Edited by Dorothy Chamberlain and Robert Wilson. Highland Park, IL: December Press, 1982.

FIRESTONE, ROSS.
Swing, Swing, Swing: The Life and Times of Benny Goodman.
New York: Norton, 1993.

FOSTER, POPS.
The Autobiography of Pops Foster, New Orleans Jazzman.
Reissued edition with a new foreword by Ron Carter. As told to Tom Stoddard. Interchapters by Ross Russell. San Francisco: Backbeat, 2005.

FRANCESCHINA, JOHN.
Duke Ellington’s Music for the Theatre.
Jefferson, NC: McFarland, 2001.

FRAZIER, E. FRANKLIN.
Black Bourgeoisie.
New York: Free Press, 1957.

FRIEDWALD, WILL.
Sinatra! The Song Is You: A Singer’s Art.
New York: Scribner, 1995.

GAMMOND, PETER, ED.
Duke Ellington: His Life and Music.
New York: Roy, 1958.

GEORGE, DON.
Sweet Man: The Real Duke Ellington.
New York: G.P. Putnam’s Sons, 1981.

GIDDINS, GARY.
Bing Crosby: A Pocketful of Dreams—The Early Years, 1903–1940.
Boston: Little, Brown, 2001.

———.
Visions of Jazz: The First Century.
New York: Oxford, 1998.

GILLESPIE, DIZZY, WITH AL FRASER.
To Be or Not to Bop.
Garden City, NY: Doubleday, 1979.

GLEASON, RALPH J.
Celebrating the Duke, and Louis, Bessie, Billie, Bird, Carmen, Miles, Dizzy and Other Heroes.
Foreword by Studs Terkel. New introduction by Ira Gitler. New York: Da Capo, 1995.

———, ED.
Jam Session: An Anthology of Jazz.
New York: G.P. Putnam’s Sons, 1958.

GODDARD, CHRIS.
Jazz Away from Home.
New York: Paddington, 1979.

GOLDBERG, ISAAC.
Tin Pan Alley: A Chronicle of the American Popular Music Racket.
Introduction by George Gershwin. New York: John
Day, 1930.

GOLDSBY, JOHN.
The Jazz Bass Book: Technique and Tradition.
San Francisco: Backbeat, 2002.

GORDON, CLAIRE P.
My Unforgettable Jazz Friends: Duke, Benny, Nat, Rex . . .
Arroyo Grande, CA: Phase V, 2004.

GRANATA, CHARLES L.
Sessions with Sinatra: Frank Sinatra and the Art of Recording.
Foreword by Phil Ramone. Chicago: A Cappella, 2004.

GREEN, CONSTANCE MCLAUGHLIN.
The Secret City: A History of Race Relations in the Nation’s Capital.
Princeton, NJ: Princeton University Press, 1967.

HADLOCK, RICHARD.
Jazz Masters of the Twenties.
New York: Collier, 1974.

HAJDU, DAVID.
Lush Life: A Biography of Billy Strayhorn.
New York: Farrar, Straus and Giroux, 1996.

HALL, FRED.
More Dialogues in Swing.
Ventura, CA: Pathfinder, 1991.

HAMMOND, JOHN, WITH IRVING TOWNSEND.
John Hammond on Record: An Autobiography.
New York: Ridge, 1977.

HARRISON, MAX, CHARLES FOX, AND ERIC THACKER.
The Essential Jazz Records.
Vol. 1,
Ragtime to Swing.
London: Mansell, 1984.

HARWOOD, ROBERT W.
I Went Down to St. James Infirmary: Investigations in the Shadowy World of Early Jazz-Blues in the Company of Blind Willie McTell, Louis Armstrong, Don Redman, Irving Mills, and a Host of Others, and Where Did This Dang Song Come from Anyway?
Kitchener, Ontario: Harland, 2008.

HASKINS, JIM.
The Cotton Club.
New York: Random House, 1977.

HASSE, JOHN EDWARD.
Beyond Category: The Life and Genius of Duke Ellington.
Foreword by Wynton Marsalis. New York: Simon & Schuster, 1993.

HEATH, JIMMY, AND JOSEPH MCLAREN.
I Walked with Giants: The Autobiography of Jimmy Heath.
Philadelphia: Temple University Press, 2010.

HENTOFF, NAT.
Jazz Is.
New York: Limelight Editions, 1976.

———.
The Jazz Life.
New York: Dial, 1961.

HERSHORN, TAD.
Norman Granz: The Man Who Used Jazz for Justice.
Foreword by Oscar Peterson. Berkeley: University of California Press, 2011.

HINTON, MILT, AND DAVID G. BERGER.
Bass Line: The Stories and Photographs of Milt Hinton.
Philadelphia: Temple University Press, 1988.

HOFFMANN, FRANZ.
Jazz Advertised in the Negro Press, 1910–1967.
Vol. 1,
Out of the New England Negro Press, 1910–1934.
Berlin: privately published, 1989. Vol. 4,
Out of the Chicago Defender, 1910–1934.
Berlin: privately published, 1980. Vol. 7,
Out of The New York Times, 1922–1950.
Berlin: privately published, 1989.

HOHENBERG, JOHN.
The Pulitzer Diaries: Inside America’s Greatest Prize.
Syracuse, NY: Syracuse University Press, 1997.

HORAK, JAN-CHRISTOPHER, ED.
Lovers of Cinema: The First American Film Avant-Garde, 1919–1945.
Madison: University of Wisconsin Press, 1996.

HOUSEMAN, JOHN.
Front and Center.
New York: Simon & Schuster, 1979.

———.
Unfinished Business: Memoirs: 1902–1988.
New York: Applause, 1989.

HOWLAND, JOHN.
Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz.
Ann Arbor: University of Michigan Press, 2009.

HUGHES, LANGSTON.
Autobiography: I Wonder as I Wander.
Edited and with an introduction by Joseph McLaren. Columbia: University of Missouri Press, 2003.

———.
The Big Sea: An Autobiography.
Introduction by Arnold Rampersad. New York: Hill and Wang, 1993.

HUGHES, SPIKE.
Second Movement: Continuing the Autobiography of Spike Hughes.
London: Museum Press Limited, 1951.

JABLONSKI, EDWARD.
Harold Arlen: Happy with the Blues.
New York: Da Capo, 1985.

JEWELL, DEREK.
Duke: A Portrait of Duke Ellington.
London: Elm Tree, 1977.

JONES, MAX.
Jazz Talking: Profiles, Interviews, and Other Riffs on Jazz Musicians.
New York: Macmillan, 1987.

KELLEY, ROBIN.
Thelonious Monk: The Life and Times of an American Original.
New York: Free Press, 2009.

KISSELOFF, JEFF.
You Must Remember This: An Oral History of Manhattan from the 1890s to World War II.
New York: Harcourt Brace Jovanovich, 1989.

LAMBERT, CONSTANT.
Music Ho! A Study of Music in Decline.
London: Hogarth, 1933.

LANDIS, KENESAW M.
Segregation in Washington: A Report of the National Committee on Segregation in the Nation’s Capital.
Chicago: National Committee on Segregation in the Nation’s Capital, 1948.

LARKIN, PHILIP.
All What Jazz: A Record Diary, 1961–1971.
Revised ed. New York: Farrar, Straus and Giroux, 1985.

LASKER, STEVEN.
A Cotton Club Miscellany.
Venice, CA: privately published, 2002.

LAVEZZOLI, PETER. The King of All, Sir Duke: Ellington and the Artistic Revolution. London: Continuum, 2001.

LAWRENCE, A.H. Duke Ellington and His World: A Biography. New York: Routledge, 2001.

LEES, GENE. Meet Me at Jim & Andy’s: Jazz Musicians and Their World. New York: Oxford, 1988.

LEVINSON, PETER J. Trumpet Blues: The Life of Harry James. New York: Oxford, 1999.

LEWIS, JOHN. Radio Master: The Life and Times of Sports Broadcasting Great Ted Husing. Minneapolis: Langdon Street, 2010.

MAGEE, JEFFREY. The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz. New York: Oxford, 2005.

MALCOLM X. The Autobiography of Malcolm X. As told to Alex Haley. New York: Ballantine, 1999.

MASON, JEFFREY DANIEL. Stone Tower: The Political Theater of Arthur Miller. Ann Arbor: University of Michigan Press, 2008.

MCLEOD, ELIZABETH. The Original Amos ’n’ Andy: Freeman Gosden, Charles Correll, and the 1928–1943 Radio Serial. Jefferson, NC: McFarland, 2005.

MELLERS, WILFRID. Music in a New Found Land: Themes and Developments in the History of American Music. New York: Knopf, 1965.

MINGUS, CHARLES.
Beneath the Underdog: His World as Composed by Mingus.
Edited by Nel King. New York: Knopf, 1971.

MORGENSTERN, DAN.
Living with Jazz: A Reader.
Edited by Sheldon Meyer. New York: Pantheon, 2004.

MORTON, JOHN FASS.
Backstory in Blue: Ellington at Newport ’56.
Foreword by Jonathan Yardley. New Brunswick, NJ: Rutgers University Press, 2008.

NEWKIRK, PAMELA, ED.
Letters from Black America.
New York: Farrar, Straus and Giroux, 2009.

NICHOLSON, STUART.
Reminiscing in Tempo: A Portrait of Duke Ellington.
Boston: Northeastern University Press, 1999.

NOLAN, TOM.
Three Chords for Beauty’s Sake: The Life of Artie Shaw.
New York: W.W. Norton, 2010.

NOSS, LUTHER.
Paul Hindemith in the United States.
Urbana: University of Illinois Press, 1989.

OKRENT, DANIEL.
Last Call: The Rise and Fall of Prohibition.
New York: Scribner, 2010.

OTTLEY, ROI.
New World A-Coming: Inside Black America.
Boston: Houghton Mifflin, 1943.

PALEY, WILLIAM S.
As It Happened: A Memoir.
Garden City, NY: Doubleday, 1979.

PANASSIÉ, HUGUES.
Hot Jazz: The Guide to Swing Music.
Translated from the French by Lyle and Eleanor Dowling. New York: M. Witmark, 1936.

PARSONAGE, CATHERINE.
The Evolution of Jazz in Britain, 1800–1935.
Burlington, VT: Ashgate, 2005.

PERESS, MAURICE.
Dvoˇrák to Duke Ellington: A Conductor Explores America’s Music and Its African American Roots.
New York: Oxford, 2004.

PRIAL, DUNCAN.
The Producer: John Hammond and the Soul of American Music.
New York: Picador, 2006.

RICHMOND, PETER.
Fever: The Life and Music of Miss Peggy Lee.
New York: Henry Holt, 2006.

ROSE, AL.
I Remember Jazz: Six Decades Among the Great Jazzmen.
Baton Rouge: Louisiana State University Press, 1987.

ROSS, ALEX.
The Rest Is Noise: Listening to the Twentieth Century.
New York: Picador, 2007.

RUBLE, BLAIR A.
Washington’s U Street: A Biography.
Washington, DC: Woodrow Wilson Center, 2010.

RUSSELL, BILL.
New Orleans Style.
New Orleans: Jazzology, 1994.

SCHIFF, DAVID.
The Ellington Century.
Berkeley: University of California Press, 2012.

SCHULLER, GUNTHER.
Early Jazz: Its Roots and Musical Development.
New York: Oxford, 1968.

———.
Gunther Schuller: A Life in Pursuit of Music and Beauty.
Rochester: University of Rochester Press, 2011.

———.
The Swing Era: The Development of Jazz, 1930–1945.
New York: Oxford, 1989.

SERRANO, BASILIO.
Juan Tizol: His Caravan Through American Life and Culture.
Privately published, 2012.

SHAPIRO, NAT, AND NAT HENTOFF.
Hear Me Talkin’ to Ya: The Story of Jazz as Told by the Men Who Made It.
New York: Rinehart, 1955.

SHAW, ARNOLD.
Let’s Dance: Popular Music in the 1930s.
Edited by Bill Willard. New York: Oxford, 1998.

SHIPTON, ALYN.
Hi-De-Ho: The Life of Cab Calloway.
New York: Oxford, 2010.

———.
I Feel a Song Coming On: The Life of Jimmy McHugh.
Champaign: University of Illinois Press, 2009.

———.
A New History of Jazz.
Revised and updated edition. New York: Continuum, 2007.

SIMON, GEORGE T.
Simon Says: The Sights and Sounds of the Swing Era.
New Rochelle, NY: Arlington House, 1971.

SMITH, WILLIE THE LION, WITH GEORGE HOEFER.
Music on My Mind: The Memoirs of an American Pianist.
Foreword by Duke Ellington. New York: Da Capo, 1978.

STEARNS, MARSHALL.
The Story of Jazz.
New York: Oxford, 1956.

———, AND JEAN STEARNS.
Jazz Dance: The Story of American Vernacular Dance.
New York: Macmillan, 1968.

STEINER, KEN.
Wild Throng Dances Madly in Cellar Club: Duke Ellington and the Washingtonians, 1923–27.
Seattle: privately published, 2008.

STEWART, REX.
Boy Meets Horn.
Edited by Claire P. Morgan. Ann Arbor: University of Michigan Press, 1991.

———.
Jazz Masters of the Thirties.
New York: Macmillan, 1972.

STRATEMANN, KLAUS.
Duke Ellington Day by Day and Film by Film.
Copenhagen: JazzMedia ApS, 1992.

SUDHALTER, RICHARD M., AND PHILIP R. EVANS, WITH WILLIAM DEAN-MYATT.
Bix: Man and Legend.
New Rochelle, NY: Arlington, 1974.