Drowned Ammet (3 page)

“I'll teach you to laugh, boy!” he snarled.

He did. Next time he came for the rent, he asked double. When Mitt's father protested, he said, “Nothing to do with me. Earl Hadd needs the money.”

Probably Hadd was short of money. The rents were put up all over the Flate. Rumor said that there were riots in the town of Holand, and the Earl needed to pay more soldiers to deal with the rioting. But only at Dike End was the rent doubled. That was the rent collector's private revenge. And there was nothing Mitt's parents could do about it. Theoretically they could have gone to law and accused the rent collector of extortion. But the rent collector was the Earl's official, and judges always upheld the Earl's employees against ordinary people—unless, of course, you gave the judge a big enough bribe. Mitt's parents had no money for bribes. They needed more than they had to pay the rent collector. They had to sell the bull.

Next quarter they sold the mule. Then some furniture. And by that time they were in a vicious circle: The more things they sold from the farm to pay the rent, the less they had to make money with to pay the next quarter's rent, and the more things they had to sell. Mitt's parents stopped laughing. That winter Mitt's father took to spending most of the week away in the port of Holand, earning what money he could there, while Milda tried to run the farm with what help Mitt could give. It was desperately hard work. Milda's pretty face acquired a seam of worry down one side—a sort of pucker where her dimple had been. Mitt hated that pucker. He did not remember how his father looked at that time. He remembered a curt, bitter voice and his father's square back plodding away from them down the causeway to Holand to find work.

He could not have found much work. He spent longer and longer away in Holand, and brought very little money back, but what he did bring enabled them to drag on at Dike End for the following summer. But Milda on her own was a poor, forgetful manager. Mitt did all he could to help, but they lost money steadily. There were still a few times when Mitt was able to lie on his back by the dike, looking up at the rattling leaves, and think yearningly about his perfect land. As times grew harder, he seemed to want it more and more. He longed to set off again to find it, but of course he was older now and he knew he had to stay and help his mother.

Then quarter day came round again, and there was no money at all. It did no good for Milda to beg the rent collector to wait a day or so. He came back the next day with the bailiff and three of the Earl's soldiers, and Mitt and Milda were turned out of Dike End. A short while before Mitt's sixth birthday, he helped his mother pack their few belongings into a handcart and push it into Holand to join his father.

2

Mitt always hated to remember that first winter in Holand. His father was living in one room in a big tenement block down by the harbor. Mitt and Milda joined him there. The tenement had perhaps once been the house of a wealthy man. Outside, on its greenish, peeling walls, there were the remains of pictures—once fine paintings of garlands of flowers and people out of stories, sheaves of wheat, and bunches of fruit. But they were so old that Mitt could not quite tell what they were, and anyway, the inside of the building was what he saw most. The large rooms had been chopped into as many small ones as possible, so the house was crowded as full as it would hold of people. It was filthy. The buckets on the dark stairs stank. Bedbugs lived in all the walls. They came out at night and bit, viciously. What with that, and the strangeness, and the noise of all the people, Mitt could not sleep very well. He lay awake and listened to his parents quarreling as they had never quarreled before.

Mitt could not understand what the quarrels were about. It seemed as if his father was not pleased to have them with him in Holand. “Hanging round my neck!” he put it. He wanted them to go back to Dike End. When Milda shrieked at him that there was no rent, he cursed her for laziness.

“Why should I work my fingers to the bone to keep you in idleness?” Milda screamed at him. But after a week of quarreling, she found a job in a workroom which made fine embroidered hangings, and she was there, sewing, from early morning until light failed in the evening.

After this the quarrels Mitt's parents had became even harder for Mitt to understand. His mother kept saying to his father, “You and your Free Holanders!
Free
Holanders! There's no such
thing
as freedom in this place!” Mitt had no idea what that meant.

Mitt was shocked and shattered by the town of Holand itself. He hated the dirt and the noise and all the people. His job for the day was to carry their bucket to the waterfront and tip it in the harbor. As Milda said, the one advantage of living in that tenement was that you did not have to go far to get rid of your rubbish. Mitt hated the smell on the greasy waterfront, where fish scales glimmered on the flagstones like sequins on a dirty dress. The crowded harbor appalled him. There were tall ships with many masts and pennants flying, merchant ships, ships of the Earl's fleet, loading and unloading going on most of the time. In between were small boats, packed and bustling, rowing boats, cutters, jollyboats, and a good hundred fishing boats. Mitt was always glad when the fishing fleet sailed out, because the crowded water seemed a little emptier then.

After Mitt had brought the bucket back to the door of their room, he was all on his own once Milda had found work. He had nothing to do but keep out of the way of the other children. He hated them most of all. They were town children, shrewd, nimble, and knowing. They made rings around Mitt. They jeered at him for not understanding town ways. They made him look a fool, then ran away laughing.

Mitt hid from them, usually, in the dark holes and corners of the house or the waterfront. But one day he felt he had had enough of that and ran away instead, up the hill from the harbor, into the better part of the town. Here, to his surprise, the streets were cleaner, and became wider and cleaner still as he went upward. The air smelled almost fresh. There was a tang in it of the sea, and an autumn smell from the Flate. Better still, most of the houses were painted, and unlike the tenement, the paint was fresh and bright, and Mitt could see what the pictures were about. He walked slowly, looking at trees and fruit, red swirls and blue flowers, until he came to a particularly fine tall house, where the painting was in gold as well as other colors. On one gable, a stiff sort of lady in a green dress held out a very purple bunch of grapes to a stiff man on the other gable, whose hair seemed to be solid gold. Mitt much admired them. They reminded him a little of the figureheads on the fronts of the big ships. And perhaps because of the fresh air smell, they made him think of his perfect land.

He was standing lost in admiration and daydream when a servant of the merchant who owned the house came out with a stick and told him to be off. He called Mitt a guttersnipe and said he had no business to be there. Mitt ran away, terrified. As he went, he looked back and upward. And there, on the very top of the hill, was the Earl's palace, larger, whiter, brighter, and with more gold paint than any other house in Holand. Mitt felt it was squashing him. He felt like a pip in a cider press.

That was the last time for many years that Mitt remembered his perfect land. Holand quashed it out of his mind entirely and left him simply bewildered.

When Mitt's birthday came, a few days later, and with it the Sea Festival, that was bewildering, too. Everyone had a holiday, so there were more people about than ever. Mitt watched the Festival procession, hoisted onto the shoulders of a kindly man called Canden, who seemed to be a friend of his father's. Down the street came a boiling and a bubbling of brightly clothed people. There was terrific shouting and yelling, and ribbons, fruit, and flowers on everyone. Some had silly hats. Images went by on sticks—heads of cows and horses, with hats and ribbons on, too. Big boys went tearing in and out of the procession, shouting and swirling wooden rattles. It was noise, noise, noise. Every so often came a group of people playing the traditional tune on traditional instruments. There were pipes called scarnels, which sounded just like their name, and triangular stringed things you played with a horsehair bow. They were cruddles, and they sounded just like their name, too. And the groups of musicians were so far apart from one another that it was only by accident that they played the same part of the tune as the rest. Then,
drub, drub, drub
, came people banging at horsehair drums and drowning out even the scarnels. In the midst of it, Mitt glimpsed a straw dummy, fantastically looped with cherry-colored ribbons, riding along in somebody's arms.

“Look,” said the kindly Canden. “There's Poor Old Ammet. That's Earl Hadd carrying him.”

“What's he going to do with him?” Mitt asked anxiously. He had never heard of Earl Hadd doing anything good with anything.

“Throw him in the harbor, of course. For luck,” explained Canden.

Mitt was horrified. Earl Hadd must be quite heartless. He thought of Poor Old Ammet being tipped into the harbor just like the bucket of muck Mitt tipped in daily, and Poor Old Ammet sinking, soaking, drowning, his ribbons getting spoiled. “Doesn't he float?” he asked tensely.

“Not too often,” Canden said, quite unaware of Mitt's state of mind. “Mostly he falls to pieces and sinks in the harbor or just outside it.”

“He doesn't!” Mitt said frantically.

There was another friend of Mitt's father's standing beside Canden. He was called Dideo, and his face was a mass of tiny lines. Mitt thought Dideo's eyes looked like two shiny fish caught in the net of his skin. Dideo said, “He doesn't always fall to bits—Old Ammet. If the tide's right, he goes out on the tide in one piece. Or they say he does. Floats for miles. And those in a boat that can find him and pick him out have a lucky boat ever after, they say.”

If anything, Mitt found it even more distressing to think of Poor Old Ammet floating, floating, all on his own out to sea. He tried to change the subject. “Who are those boys with rattles?”

Canden glanced at the procession, where boys in red and yellow trousers were having great fun whirling their rattles under the noses of cruddle players. “Boys from the Palace. All them in the procession come from the Palace,” he told Mitt, and turned to Dideo again. “I've never seen Old Ammet float. He goes down almost as quick as Libby Beer.”

“Would they let me run about with a rattle?” Mitt interrupted desperately.

“No. You're born a nobody,” said Dideo. “He does float,” he said to Canden. “You've not been in Holand long enough to know, but he was picked up once, a good ten miles out, by the old
Sevenfold,
and I heard every man on that ship made a fortune afterward. That was the only time I ever knew it happen, though,” he added regretfully. “I was about Mitt's age at the time.” Here he looked up at Mitt and, finding him inexplicably white and tearful, nudged Canden.