Dreams (6 page)

Read Dreams Online

Authors: Richard A. Lupoff

BOOK: Dreams
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Jerom's voice was harsh. "Get a grip!"
"Nothing personal," Dr. Chen went on.
"I said,
Get a grip!
This is a crisis that could make all the wars in human history look like playground squabbles."
"I'm sorry," Chen said. She was calmer now. Her nerves were jumping. She could feel her heart pounding in her chest. It must be beating close to two hundred beats a minute. Her breath was coming in desperate gasps.
She recognized the phenomena. Some ancestor was reaching down to her, reaching through the genetic matter that carried ancient reflexes. Her body sensed her desperation, prepared itself for combat or for flight. Appropriate reactions for a Cro-Magnon, for
Pithecanthropus erectus,
for an ancestor even more ancient. But hardly apt for
Homo interplanetarius.
She was in control of herself. "What are my instructions, Dr. Jerom?"
"For now, observe and report. What do you see on Yuggoth?"
Chen returned to the telescopes. She activated a third screen, one for an electron image, one for an optical image, one for a superimposed combination.
"It's daytime down there. You know, it's always daytime on Yuggoth. The planet rotates but its light comes from its core so it doesn't really matter. The city that was destroyed by the shock wave—I see Yuggothi arriving from all directions. I suppose they're rescue crews. The devastation is terrible. The casualties—I can't even guess at the number. Some of them are still alive, though. I see Yuggothi crawling through the ruins. Some with dreadful injuries. Some are just—just—it looks as if their body parts, when they were ripped off by the shock wave, some of them didn't die and now they're flopping around, moving like torn starfish. And—and—I can't go on, Harleyann. I can't."
"That's all right, Jing-kuo. You've done what you can. And we're getting feeds from
Beijing 11-11's
instruments."
There was a pause, then Harleyann Jerom resumed. "You're convinced that Kimana Hasani's EEP set off the explosion on Yuggoth?"
Dr. Chen's eyes were still focused on the screens showing conditions on the surface of Yuggoth. "I'm certain, Harleyann. The only explanation—I'm convinced it's the only explanation, the only way that little EEP could cause the devastation—the only explanation is that Yuggoth is composed of antimatter. Once Kimana's EEP hit the atmosphere, that was all it took. The EEP and Kimana himself were cancelled out. Converted to pure energy, along with an equivalent mass of Yuggothi atmosphere. He—"
Her words were cut off by a gasp from Harleyann Jerom. Then the voice of the woman on Luna said, "They're here!"
"Who? What are you saying, Harleyann?"
"The Yuggothi."
"Impossible. I just saw them leave their planet."
"They're here. They're circling overhead. Their ships are unlike anything else I've ever seen. They look like—like cyborgs. They're monsters, something like bats, something like octopuses, something like humans. And machines. They're machines, too."
"But—they can't have traveled that far in a few minutes."
"They can, Jing-kuo. They must have—I don't know—we manage to skip message through wormholes or subspace or however our system works. We don't really understand, do we, we just know that it works. And they've found a way to travel, oh, not through space. Between space. Whatever. And they're heading toward Earth, Jing-kuo. I can see. I can see waves of blackness sweeping across the planet. The atmosphere is burning, the oceans, forests, ice caps. Oh, my God, my God, my God. It's worse than—"
The transmission ended.
Chen Jing-kuo studied the surface of Yuggoth, pulsing red, filling the sky above
Beijing 11-11.
The virus doesn't hate its host, she thought, and the host doesn't really hate the virus. There is nothing personal about it. Nothing personal. If the host doesn't destroy the virus in time, the virus will kill the host. But even if that happens, once the host is dead, the virus also will die.
Chen Jing-kuo turned the telescope toward Earth. The image was magnified until it filled a screen. As she watched, bits of black appeared on the blue-and-white disk. They spread from points to irregular blots. More of them appeared, and more, until they began to run together.
For a moment the planet disappeared against the solid black background of space. Then points appeared again, became blots, multiplied and grew until Earth was a red disk. Like Yuggoth, it began to pulse, to pulse like a malevolent heart. Now Chen Jing-kuo understood what she was seeing. The Yuggothi, she realized, had devised a means to convert the normal matter of Earth, contact with which would have been instantly, disastrously fatal to them, into contraterrene matter. Antimatter.
Now they could live on Earth, and now there remained no other life to compete with them.
But Yuggoth itself was also contraterrene. The Yuggothi had erected no shield against a potential plunging space station of terrene matter. For all Chen Jing-kuo could tell, the Yuggothi were as unaware of the station as a human would be of a single fatal bacterium.
Earth was dead. Chen Jing-kuo knew that now. The Yuggothi had wiped it clean. The atmosphere was gone. The oceans, the forests. The ice caps were gone. The planet had been wiped clean. It now had new owners. Octopus-bat-man-machine
things
that even now were walking or slithering or flying across the black, dead surface of the once blue-green, beautiful world. The black surface that was now pulsing with a red, evil beat.
The oblate globe of Yuggoth spun beneath
Beijing 11-11.
Chen Jing-kuo set the controls, activated the verniers, sent
Beijing 11-11
plunging toward Yuggoth. This time, the sequence of events was reversed. The host had killed the virus, but the virus retained enough vitality for one final act. The virus would kill the host.
Tee Shirts
Cynics will tell you that no good deed goes unpunished but of course the opposite is true, at least sometimes.
I was walking down Van Ness Avenue in San Francisco with my ultra-married friends Laura and Gordon Tomkins, when I saw an old woman in a wheelchair trying to cross the thoroughfare. Van Ness, in case you're unfamiliar with this city, is a wide street with a center divider. There are traffic lights, but a lot of drivers seem to think it fun to use Van Ness as a raceway, and scampering across is dangerous even for able-bodied pedestrians to attempt.
And this old woman didn't even have one of those modern electric-powered chairs. She was pumping away with arms no thicker than sticks, and it looked as if she was likely to die of overexertion if some superannuated hot-rodder in a monster SUV didn't first grind her into flinders.
To add to the old woman's peril, it was early evening, just the time when visibility is worst. And it was starting to rain.
I told Laura and Gordon, "I'll be right back." I ran after the old woman and grabbed the handles of her wheelchair. Got her onto the island in the middle of Van Ness. I asked where she was going and she gave an address nearby. As soon as I could get her across the rest of the avenue and to her home, I did.
She looked up at me and her eyes were not at all what I expected. Not the rheumy, faded eyes of a feeble old woman. They looked young and bright and a color that I would call emerald green except that description is totally inadequate.
I asked if she needed help getting into the house and she said No. Then she added, "You will be rewarded." And that was that.
Five minutes later I was back with Laura and Gordon. "You know, you took a serious risk," Gordon said.
"What?"
Laura said, "This is a dangerous neighborhood. We're on the edge of the Tenderloin. That woman could have been a decoy working with muggers."
I said, "Oh, I didn't think of that." Nobody said anything for a minute so I said, "You see somebody needs help, you help her. It's not complicated."
We stopped at the office of
Rock! Rock! Rock!
to see if there were any messages, then on to the Civic Auditorium. Joe Cocker was performing that night. I run the West Coast office of
R!R!R!.
Laura is a freelance photog who works for us now and then. Gordon is a software wizard who actually makes a living out of his job.
Cocker was drunk. He threw up onstage and had to cancel the performance. The management had to refund the money of a couple thousand angry customers.
Laura and Gordon and I paid a brief call to the backstage scene, snagged a couple of sandwiches and beers off the catering table, and worked the room. The usual groupies were milling around, looking more stoned and confused than ever.
I spotted Vampirella. She was wearing her customary black satin outfit with opaque shades and blood-red costume jewelry. I tried to make the same approach I did every time I saw her, and she ignored me the way she did every time I tried. If you're wondering why I bothered, I can't give you an answer that makes much sense. She just had her hooks in me. Maybe it was her glossy, sable hair. Maybe it was her amazing complexion. Or her slim, supple figure. I've never gone for the buxom type, but Vampirella—or whatever her real name was—could just crook her finger and I'd come running.
Next day I opened the
R!R!R!
office and checked the day's mail, messages on the answering machine, LP's for review, and promotional loot. The rock business is brutally competitive and the artists' promoters and the record companies are constantly vying for air-time and ink for their precious darlings. People like me get invited to parties, offered generous doses of illegal candies, backstage passes of course, trips to out-of-town conferences, and an endless array of coffee mugs, dinner trays, ballpoint pens, cheap wrist watches, tee shirts, giant belt buckles, and miscellaneous
tchatchkes.
I sat down to write as charitable a report as I could of last night's debacle. Laura would be in with some photos. I had no idea what she could have got that we could use, but she's a solid pro and I knew she'd give me something good. I wrote the article and started through the day's loot, looking for something I could either use or hock for a few shekels.
Mostly it was junk. I mean—
Andy Kim? Up With People
? What were the A&R geniuses smoking this month? There was a nice tee shirt, though. Black cotton with a nifty logo on the chest in white and the words
Lone Star Beer
in bright yellow lettering. I checked the label and it was my size. Winner!
There was no promotional material with it. I couldn't think of anybody who'd put out an album called
Lone Star Beer.
But what the heck, it was a great shirt and it was a freebie.
There was a show over in Berkeley that night that I wanted to catch. Merl Saunders was playing at the New Monk, and based on past history Jerry Garcia was likely to drop in and jam. I decided to inaugurate the Lone Star Beer shirt. Of course it was chilly and wet, par for the course this time of year, so I bundled up.
Merl was great, Nine Finger Jerry showed up and was amazing, and I wound up in the green room with them between sets. There was good wine and whiskey on the table along with guacamole and chips. There were very few groupies, the bruiser at the door had seen to that, but I did spot Vampirella there.
We made eye contact and for the first time in recorded history she smiled at me. I walked over, half expecting her to cut me dead, but instead she offered me a tortilla chip slathered in green slime. Yow!
Why the change? I was too happy to worry about that, I was just bathing in the divine presence. Jesus, she even smelled good! She said, "That's a great shirt. You from Texas? What's your name, cowboy?"
I told her, "Del Marston and I'm from Chicago."
"Why the shirt?"
"Just a nice shirt."
We made small talk, told each other about trying to earn a living in San Francisco, drank some of the management's booze (excellent!) and headed out along with Merl and Jerry for the second set.
When it was over Vampie invited me up to her apartment for a nightcap. Believe that? Like a character in some old movie. Of course I said yes, and when we got there she opened a bottle of Chardonnay and put on an LP. I wondered what her choice in music was going to be, hoping it wouldn't be too hard or loud, and she astonished me.
Haydn!
***
Next time I saw her was at the Sweetwater in Mill Valley. Maria Muldaur was singing. I'd put on a spiffy new shirt and jeans just in case. And, all right, I spotted Vampirella. I didn't think Muldaur was her kind of music, but what the hell boss what the hell, I walked over and said, "Hi, remember me, Del Marston from Chicago?"
She looked through me.
"We met at the New Monk? Merl Saunders and Jerry Garcia?"
She said, "I'm waiting for a friend," and turned away.
What the heck?
Muldaur was sweet but I watched Vampirella all night and her friend never showed up. And once the show ended she disappeared before I could offer her a ride home.
Jeez.
Incidentally, I don't want you to think that my job is all hanging out at music venues, cadging catered meals in green rooms, drinking wine and smoking dope with hippies. I have to do interviews and write concert and record reviews and keep this little office going. And I don't want you to think that I actually run
Rock! Rock! Rock!
I'm just the so-called West Coast Editor. All my copy and all of Laura's photos wind up in New York where the bigwigs put the magazine together. And I have to keep them happy to keep the checks flowing westward.
Next show I wanted to cover was at the Pierce Street Annex back in the city. Really talented folkie named Paul Siebel, straight from Woodstock. It was a warm night for San Francisco, and I'd come home from the Laundromat with some clean duds just in time to get dressed for Siebel's show. I put on my best safari boots, clean jeans, and my Lone Star Beer tee shirt. The shirt was plenty comfortable and I was getting fond of it, although the dye the manufacturer used must have been pretty cheap because the shirt looked a little bit faded after only one washing.
Well, the price was right, anyhow.
Siebel was even better in person than he was on his self-titled LP. A modest, sweet-natured guy. I introduced myself and told him I wanted to do a piece on him for
R!R!R!
and he acted as if I was some kind of celebrity.
Coming out of the club after Siebel's show, who should I run into on Pierce Street but—right!—Vampirella. I had a little tape recorder in one hand and my notebook in the other and I was headed for my faithful bug. After the brush-off I'd got at the Sweetwater I didn't know what to expect of Vampie but she came running at me and jumped into my arms. Wrapped her legs around my waist, almost knocked the tape recorder out of my hands, planted a hot wet one on my ear and demanded, "Where have you been? Are you mad at me?"
Once she climbed down from my midsection and I got back the breath she'd knocked out of me, I said, "I thought
you
were mad at
me
."
She said, "After that night we saw Jerry and Merl at the New Monk? How could I be mad at you? But then when I ran into you at the Muldaur show, I thought you must be totally pissed. Did I come on too strong at my place, or what?"
Now I was totally baffled. I figured all I could do was pretend the Sweetwater thing never happened. I said, "It's pretty late, do you need a ride or what?"
She said, "I'll tell you what, I'm really famished. You think we could rustle up some food?"
"Mel's should be open."
"That would be okay, but—do you know how to cook? Or I could make something if you have the ingredients."
Well, long story short, for once the bug started without a fuss, I found a parking spot half a block from my modest digs, and we wound up having a bedtime snack of bacon and eggs and English muffins. A bachelor like me learns to cook, at least the simple stuff.
In the morning she woke up first and returned the favor. And before she left she invited me to go to a movie that night. And would you believe, I had a plus-one press invite to exactly that flick. It was
The Last Picture Show,
and I am nuts for anything that Bogdanovich directs.
Amazing. This was starting to look like a match made in heaven.
As planned, I showed up at the theater half an hour before show time. No sign of Vampie, but what the hell, it was early yet and I knew she wanted to see the film. She'd even told me she had a crush on Timothy Bottoms. She wouldn't miss it.
It was one of those chilly nights, a cold mist in the air and glowing nimbuses around street lamps and storefront neon. I wore a sweatshirt under a quilted jacket and still I was freezing ten minutes after I arrived. There was a coffee shop next door to the theater so I headed in to get a hot cup.
She was sitting in a booth with one of the Kerr twins. Oh, jeez.
You don't know the Kerr twins. Frankie and Jimmy. Frank Arthur Kerr and James Otho Kerr. I don't know what their parents were thinking of. Look at the initials. Their names turn into Faker and Joker. They both work for
Scorpion Blues,
my mag's meanest competitor. Every time I try for a plum interview I have to worry about getting to the artist before Faker or Joker. Every time
B!B!B!
loses an important ad, you can guess who got it.
Scorpion Blues.
Right.
And there was Vampie drinking latté and playing footsie with Frankie. Or maybe Jimmy. I stood there, probably looking like a pimply high school nerd who just got dumped in favor of Superjock and knows he's about to become the laughingstock of the junior class.
Vampie displayed a butter-wouldn't-melt-in-her-mouth grin and waved to me and said, "Oh, hi there. Del, isn't it? Del Martin?"
"Marston," I stammered, as if she didn't know.
"You here for
The Last Picture Show?"
Jimmy asked. Or maybe Frankie.
I ignored him. I said, "I thought we were going together, Vampirella. We just talked about it this morning, don't you remember?"
"I'm sorry, Don," the sentence slithered from between her luscious lips like an aerial snake. "I don't know what you're talking about. Maybe you're thinking of somebody else."
Jimmy-Frankie slid his arm around her shoulders and said, "That rag of yours still going, Dan? I don't hear much about it these days."
I couldn't take any more. I went home and turned on Blue Oyster Cult loud and opened a bottle of cheap wine and got stinko. I played "Don't Fear the Reaper" a dozen times and sang along with Roeser and fantasized about Patti Smith.
Next day I enjoyed a hangover that would surely land me in
The
Guinness Book of World Records
if I could figure out how to describe it to them. I excavated my favorite shirt out of the hamper and pulled it on. Either the shirt was getting ripe or I was, but I was in no shape to do anything about that. I peered into the mirror and when I saw what was squinting back at me I scrounged up a Commander Cody baseball cap that I'd got as a reward for a nice little article when the Commander was just getting started. Money would have been nicer.
I managed to crawl down to the office and write a couple of record reviews. I ripped into the material and the performances and the production and the cover art, and for all I know I destroyed a dozen promising careers and sent as many sensitive artistic souls back to grad school for MBAs.
Sorry about that.
I drank a pot of coffee wishing I was a private eye who kept a bottle of bourbon in his desk drawer to spike the java with, but I wasn't and I didn't and by mid-afternoon I was feeling at least slightly human.
There was a free show in Golden Gate Park and the sun was shining. I left the bug in the driveway and struggled over to the park on foot. I heard the band tuning up from three blocks away. By the time I got there Hot Tuna was launched into one of their patented all-day versions of "Keep Your Lamps Trimmed and Burning."

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