Dracula's Guest: A Connoisseur's Collection of Victorian Vampire Stories (5 page)

“What is well? What do you mean?”

“No matter, you must bury me here this evening, and exactly where that bird is now perched. You know the rest of my injunctions.”

He then proceeded to give me several directions as to the manner in which his death might be best concealed. After these were finished, he exclaimed, “You perceive that bird?”

“Certainly.”

“And the serpent writhing in her beak?”

“Doubtless: there is nothing uncommon in it; it is her natural prey. But it is odd that she does not devour it.”

He smiled in a ghastly manner, and said faintly, “It is not yet time!” As he spoke, the stork flew away. My eyes followed it for a moment—it could hardly be longer than ten might be counted. I felt Darvell’s weight, as it were, increase upon my shoulder, and, turning to look upon his face, perceived that he was dead!

I was shocked with the sudden certainty which could not be mistaken—his countenance in a few minutes became nearly black. I should have attributed so rapid a change to poison, had I not been aware that he had no opportunity of receiving it unperceived. The day was declining, the body was rapidly altering, and nothing remained but to fulfill his request. With the aid of Suleiman’s yataghan and my own sabre, we scooped a shallow grave upon the spot which Darvell had indicated: the earth easily gave way, having already received some Mahometan tenant. We dug as deeply as the time permitted us, and throwing the dry earth upon all that remained of the singular being so lately departed, we cut a few sods of greener turf from the less withered soil around us, and laid them upon his sepulchre.

Between astonishment and grief, I was tearless.

John Polidori

(1795–1821)

B
YRON’S 1816 FICTION REMAINED
a fragment; he never developed the idea. But its potent imagery inspired John Polidori, Byron’s former physician and acolyte. Polidori had long been drawn to such topics; in true Romantic style, his Edinburgh dissertation concerned nightmares, somnambulism, and mesmerism. He took Byron’s narrative germ and grew it into a full story, expanding the tale and patterning the main character on his own observations of Byron as well as on the dark public persona that Byron had been acquiring through his irreverent writings and scandalous affairs. In case any reader missed the similarity, Polidori even named his vampire after a character in Caroline Lamb’s 1816 Gothic novel
Glenarvon.
One of Byron’s many disgruntled conquests, Lamb published the novel only two years after their affair ended, basing her predatory antihero, Ruthven, on her former lover. Lamb famously described Byron as “mad, bad, and dangerous to know.” Polidori’s notes indicate that he first called his vampire Lord Strongmore, which sounds like something in a Bad Dickens contest, but ultimately he named him Lord Ruthven instead.

Although Polidori said that he did not authorize publication, later claiming that he considered “The Vampyre” unfinished, in April 1819 the story appeared in London’s
New Monthly Magazine.
If Polidori’s account is true, it must have been the editor who shamelessly attributed the piece to Byron himself, apparently knowing that such a move would attract the British public far more than a weird tale by an anonymous nobody. The ploy worked. Readers scooped up thousands of copies and its fame spread to other countries. Soon Goethe—to the bafflement of critics ever since—pronounced “The Vampyre” some of Byron’s best work.

In the magazine’s next issue, Polidori emerged from anonymity to rebut the speculation:

I beg leave to state, that your correspondent has been mistaken in attributing that tale,
in its present form
, to Lord Byron. The fact is, that though
the groundwork
is certainly Lord Byron’s, its development is mine, produced at the request of a lady, who denied the possibility of any thing being drawn from the materials which Lord Byron had said he intended to have employed in the formation of his Ghost story.

In 1819 Polidori also published his only other work of fiction, the novella
Ernestus Berchtold.
Two years later he was dead at the age of twenty-six. But his influence survives in this brief story, the first major prose fiction in English about vampires. Quirky as his writing can be, Polidori nonetheless linked ruthless manipulation and vampiric predation in the public mind. After Ruthven, vampires were no longer peasant folklore; they had become handsome aristocratic metaphors. You will perceive Ruthven’s heritage in other characters throughout this volume, all the way to Dracula and beyond, and certainly in twentieth- and twenty-first-century representations from Anne Rice to the
Twilight
series.

Byron possessed many qualities that Polidori lacked, including wit. He disclaimed authorship of “The Vampyre” with these words: “I have a personal dislike to Vampires, and the little acquaintance I have with them would by no means induce me to reveal their secrets.” How apt that in 1995 Tom Holland published a novel,
Vampyre
, in which both Byron and Polidori are literal bloodsucking nightstalkers. Byron would have been pleased to find that, long after he ought to have been moldering in his grave, he still walks among us.

The Vampyre

I
T HAPPENED THAT IN
the midst of the dissipations attendant upon a London winter, there appeared at the various parties of the leaders of the
ton
a nobleman, more remarkable for his singularities, than his rank. He gazed upon the mirth around him, as if he could not participate therein. Apparently, the light laughter of the fair only attracted his attention, that he might by a look quell it, and throw fear into those breasts where thoughtlessness reigned. Those who felt this sensation of awe, could not explain whence it arose: some attributed it to the dead grey eye, which, fixing upon the object’s face, did not seem to penetrate, and at one glance to pierce through to the inward workings of the heart; but fell upon the cheek with a leaden ray that weighed upon the skin it could not pass. His peculiarities caused him to be invited to every house; all wished to see him, and those who had been accustomed to violent excitement, and now felt the weight of
ennui
, were pleased at having something in their presence capable of engaging their attention. In spite of the deadly hue of his face, which never gained a warmer tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection: Lady Mercer, who had been the mockery of every monster shewn in drawing-rooms since her marriage, threw herself in his way, and did all but put on the dress of a mountebank, to attract his notice—though in vain;—when she stood before him, though his eyes were apparently fixed upon hers, still it seemed as if they were unperceived;—even her unappalled impudence was baffled, and she left the field. But though the common adultress could not influence even the guidance of his eyes, it was not that the female sex was indifferent to him: yet such was the apparent caution with which he spoke to the virtuous wife and innocent daughter, that few knew he ever addressed himself to females. He had, however, the reputation of a winning tongue; and whether it was that it even overcame the dread of his singular character, or that they were moved by his apparent hatred of vice, he was as often among those females who form the boast of their sex from their domestic virtues, as among those who sully it by their vices.

About the same time, there came to London a young gentleman of the name of Aubrey: he was an orphan left with an only sister in the possession of great wealth, by parents who died while he was yet in childhood. Left also to himself by guardians, who thought it their duty merely to take care of his fortune, while they relinquished the more important charge of his mind to the care of mercenary subalterns, he cultivated more his imagination than his judgment. He had, hence, that high romantic feeling of honour and candour, which daily ruins so many milliners’ apprentices. He believed all to sympathise with virtue, and thought that vice was thrown in by Providence merely for the picturesque effect of the scene, as we see in romances: he thought that the misery of a cottage merely consisted in the vesting of clothes, which were as warm, but which were better adapted to the painter’s eye by their irregular folds and various coloured patches. He thought, in fine, that the dreams of poets were the realities of life. He was handsome, frank, and rich: for these reasons, upon his entering into the gay circles, many mothers surrounded him, striving which should describe with least truth their languishing or romping favourites: the daughters at the same time, by their brightening countenances when he approached, and by their sparkling eyes, when he opened his lips, soon led him into false notions of his talents and his merit. Attached as he was to the romance of his solitary hours, he was startled at finding, that, except in the tallow and wax candles that flickered, not from the presence of a ghost, but from want of snuffing, there was no foundation in real life for any of that congeries of pleasing pictures and descriptions contained in those volumes, from which he had formed his study. Finding, however, some compensation in his gratified vanity, he was about to relinquish his dreams, when the extraordinary being we have above described, crossed him in his career.

He watched him; and the very impossibility of forming an idea of the character of a man entirely absorbed in himself, who gave few other signs of his observation of external objects, than the tacit assent to their existence, implied by the avoidance of their contact: allowing his imagination to picture every thing that flattered its propensity to extravagant ideas, he soon formed this object into the hero of a romance, and determined to observe the offspring of his fancy, rather than the person before him. He became acquainted with him, paid him attentions, and so far advanced upon his notice, that his presence was always recognised. He gradually learnt that Lord Ruthven’s affairs were embarrassed, and soon found, from the notes of preparation in——Street, that he was about to travel. Desirous of gaining some information respecting this singular character, who, till now, had only whetted his curiosity, he hinted to his guardians, that it was time for him to perform the tour, which for many generations has been thought necessary to enable the young to take some rapid steps in the career of vice towards putting themselves upon an equality with the aged, and not allowing them to appear as if fallen from the skies, whenever scandalous intrigues are mentioned as the subjects of pleasantry or of praise, according to the degree of skill shewn in carrying them on. They consented: and Aubrey immediately mentioning his intentions to Lord Ruthven, was surprised to receive from him a proposal to join him. Flattered by such a mark of esteem from him, who, apparently, had nothing in common with other men, he gladly accepted it, and in a few days they had passed the circling waters.

Hitherto, Aubrey had had no opportunity of studying Lord Ruthven’s character, and now he found, that, though many more of his actions were exposed to his view, the results offered different conclusions from the apparent motives to his conduct. His companion was profuse in his liberality;—the idle, the vagabond, and the beggar, received from his hand more than enough to relieve their immediate wants. But Aubrey could not avoid remarking, that it was not upon the virtuous, reduced to indigence by the misfortunes attendant even upon virtue, that he bestowed his alms;—these were sent from the door with hardly suppressed sneers; but when the profligate came to ask something, not to relieve his wants, but to allow him to wallow in his lust, or to sink him still deeper in his iniquity, he was sent away with rich charity. This was, however, attributed by him to the greater importunity of the vicious, which generally prevails over the retiring bashfulness of the virtuous indigent. There was one circumstance about the charity of his Lordship, which was still more impressed upon his mind: all those upon whom it was bestowed, inevitably found that there was a curse upon it, for they were all either led to the scaffold, or sunk to the lowest and the most abject misery. At Brussels and other towns through which they passed, Aubrey was surprized at the apparent eagerness with which his companion sought for the centres of all fashionable vice; there he entered into all the spirit of the faro table: he betted, and always gambled with success, except where the known sharper was his antagonist, and then he lost even more than he gained; but it was always with the same unchanging face, with which he generally watched the society around: it was not, however, so when he encountered the rash youthful novice, or the luckless father of a numerous family; then his very wish seemed fortune’s law—this apparent abstractedness of mind was laid aside, and his eyes sparkled with more fire than that of the cat whilst dallying with the half-dead mouse. In every town, he left the formerly affluent youth, torn from the circle he adorned, cursing, in the solitude of a dungeon, the fate that had drawn him within the reach of this fiend; whilst many a father sat frantic, amidst the speaking looks of mute hungry children, without a single farthing of his late immense wealth, wherewith to buy even sufficient to satisfy their present craving. Yet he took no money from the gambling table; but immediately lost, to the ruiner of many, the last gilder he had just snatched from the convulsive grasp of the innocent: this might but be the result of a certain degree of knowledge, which was not, however, capable of combating the cunning of the more experienced. Aubrey often wished to represent this to his friend, and beg him to resign that charity and pleasure which proved the ruin of all, and did not tend to his own profit; but he delayed it—for each day he hoped his friend would give him some opportunity of speaking frankly and openly to him; however, this never occurred. Lord Ruthven in his carriage, and amidst the various wild and rich scenes of nature, was always the same: his eye spoke less than his lip; and though Aubrey was near the object of his curiosity, he obtained no greater gratification from it than the constant excitement of vainly wishing to break that mystery, which to his exalted imagination began to assume the appearance of something supernatural.