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Authors: Philip K. Dick

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BOOK: Dr. Bloodmoney
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The man, a little taken aback, said, “You mean his illness? He recorded this a long time ago, before he was sick.”

“Sick,” Bruno echoed. “I see.” He had made the man in the satellite sick, and that was something, but not enough. It was a beginning. Be dead, he thought toward the sky and the satellite above. The voice, however, continued uninterrupted.

Do you have a screen of defense erected against me? Bruno wondered. Have they provided you with it? I will crush it; obviously you have been long prepared to withstand attack, but it will do you no real good.

Let there be a hydrogen instrument, he said to himself. Let it explode near enough to this man’s satellite to demolish his ability to resist. Then have him die in complete awareness of who it is that he is up against. Bruno Bluthgeld concentrated, gripping his hands together, squeezing out the power from deep inside his mind.

And yet the reading continued.

You are very strong, Bruno acknowledged. He had to admire the man. In fact, he smiled a little, thinking about it. Let a whole series of hydrogen instruments explode now, he willed. Let his satellite be bounced around; let him discover the truth.

The voice from the loudspeaker ceased.

Well, it is high time, Bruno said to himself. And he let up on his concentration of powers; he sighed, crossed his legs, smoothed his hair, glanced at the man to his left.

“It’s over,” Bruno observed.

“Yeah,” the man said. “Well, now he’ll give the news—if he feels well enough.”

Astonished, Bruno said, “But he’s dead now.”

The man, startled, protested, “He can’t be dead; I don’t believe it. Go on—you’re nuts.”

“It’s true,” Bruno said. “His satellite has been totally destroyed and there is nothing remaining.” Didn’t the man know that? Hadn’t it penetrated to the world, yet?

“Doggone it,” the man said, “I don’t know who you are or why you say something like that, but you sure are a gloomy gus. Wait a second and you’ll hear him; I’ll even bet you five U.S. Government metal cents.”

The radio was silent. In the room, people stirred, murmured with concern and apprehension.

Yes, it has begun, Bruno said to himself. First, high altitude detonations, as before. And, soon—for all of you here. The world itself wiped out, as before, to halt the steady advance of cruelty and revenge; it must be halted before too late. He glanced in the direction of the Negro and smiled. The Negro pretended not to see him; he pretended to be involved in discussion with the man beside him.

You are aware, Bruno thought. I can tell; you can’t fool me. You, more than anyone else, know what is beginning to happen.

Something is wrong, Doctor Stockstill thought. Why doesn’t Walt Dangerfield go on? Has he suffered an embolism or something on that order?

And then he noticed the crooked grin of triumph on Bruno Bluthgeld’s toothless face. At once Stockstill thought, He’s taking credit for it, in his own mind. Paranoid delusions of omnipotence; everything that takes place is due to him. Repelled, he turned away, moved his chair so that he could no longer see Bluthgeld.

Now he turned his attention on the young Negro. Yes, he thought, that could well be the Negro television salesman who used to open up the TV store across from my office in Berkeley, years ago. I think I’ll go over and ask him.

Rising, he made his way over to Andrew Gill and the Negro. “Pardon me,” he said, bending over them. “Did you ever live in Berkeley and sell TV sets on Shattuck Avenue?”

The Negro said, “Doctor Stockstill.” He held out his hand and they shook. “It’s a small world,” the Negro said.

“What’s happened to Dangerfield?” Andrew Gill said worriedly. Now June Raub appeared by the radio, fiddling with the knobs; other people began to collect around her, offering advice and murmuring with one another in small, grave clusters. “I think this is the end. What do you say, Doctor?”

“I say,” Stockstill said, “that if it is it’s a tragedy.”

In the rear of the room, Bruno Bluthgeld rose to his feet and said in a loud, husky voice, “The demolition of existence has begun. Everyone present will be spared by special consideration long enough to confess sins and repent if it is sincere.”

The room fell silent. The people, one by one, turned in his direction.

“You have a preacher, here?” the Negro said to Stockstill.

To Gill, Stockstill said rapidly, “He’s sick, Andy. We’ve got to get him out of here. Give me a hand.”

“Sure,” Gill said, following him; they walked toward Bluthgeld, who was still on his feet.

“The high-altitude bombs which I set off in 1972,” Bluthgeld was declaring, “find reinforcement in the present act, sanctioned by God Himself in His wisdom for the world. See the Book of Revelations for verification.” He watched Stockstill and Gill approach. “Have you cleansed yourself?” he asked them. “Are you prepared for the judgment which is to come?”

All at once, from the speaker of the radio, came a familiar voice; it was shaky and muted, but they all recognized it. “Sorry for the pause, folks,” Dangerfield said. “But I sure felt giddy there for a while; I had to lie down and I didn’t notice the tape had ended. Anyhow—” He laughed his old, familiar laugh. “I’m back. At least for a while. Now, what was I about to do? Does anybody remember? Wait, I’ve got a red light on; somebody’s calling me from below. Hold on.”

The people in the room buzzed with joy and relief; they turned back to the radio, and Bluthgeld was forgotten. Stockstill himself walked toward the radio, and so did Gill and the Negro TV salesman; they joined the circle of smiling people and stood waiting.

“I’ve got a request for
‘Bei Mir Bist Du Schön
,’ ” Dangerfield said. “Can you beat that? Anybody remember the Andrews Sisters? Well, the good old U.S. Government had the kindness to provide me with, believe it or not, a tape of the Andrews Sisters singing this corny but well-loved number … I guess they figured I was going to be some sort of time capsule on Mars, there.” He chuckled. “So it’s
‘Bei Mir Bist Du Schön
,’ for some old codger in the Great Lakes Area. Here we go.” The music, tinny and archaic, began, and the people in the room gratefully, joyfully, moved one by one back to their seats.

Standing by his chair rigidly, Bruno Bluthgeld listened to the music and thought, I can’t believe it. The man up there is gone; I myself caused him to be destroyed.
This must be a fake of some kind. A deception. I know that it is not real
.

In any case, he realized, I must exert myself more fully; I must begin again and this time with utmost force. No one was paying attention to him—they had all turned their attention back to the radio—so he left his chair and made his way quietly from the Hall, outside into the darkness.

Down the road the tall antenna at Hoppy Harrington’s house glowed and pulsed and hummed; Bruno Bluthgeld, puzzled, noted it as he walked along toward his horse, where he had left the beast tied up. What was the phocomelus doing? Lights blazed behind the windows of the tarpaper house; Hoppy was busy at work.

I must include him, too, Bluthgeld said to himself. He must cease to exist along with the others, for he is as evil as they are. Perhaps more so.

As he passed Hoppy’s house he sent a stray, momentary thought of destruction of Hoppy’s direction. The lights, however, remained on and the antenna mast continued to hum. It will take more mind-force, Bluthgeld realized, and I don’t have the time right now. A little later.

Meditating profoundly, he continued on.

XIII

Bill Keller heard the small animal, the snail or slug, near him and at once he got into it. But he been tricked; it was sightless. He was out but he could not see or hear, he could only move.

“Let me back,” he called to his sister in panic. “Look what you did, you put me into something wrong.” You did it on purpose, he said to himself as he moved. He moved on and on, searching for her.

If I could reach out, he thought. Reach—upward. But he had nothing to reach with, no limbs of any sort. What am I now that I’m finally out? he asked himself as he tried to reach up. What do they call those things up there that shine? Those lights in the sky … can I see them without having eyes? No, he thought, I can’t.

He moved on, raising himself now and then as high as possible and then sinking back, once more to crawl, to do the one thing possible for him in his new life, his born, outside life.

In the sky, Walt Dangerfield moved, in his satellite, although he was resting with his head in his hands. The pain inside him grew, changed, absorbed him until, as before, he could imagine nothing else.

And then he thought he saw something. Beyond the window of the satellite—a flash far off, along the rim of the Earth’s darker edge. What was that? he asked himself. An explosion, like the ones he had seen and cringed from seven years ago—the flares ignited over the surface of the Earth. Were they beginning again?

On his feet he stood peering out, hardly breathing. Seconds passed and there were no further explosions. And the one he had seen; it had been peculiarly vague and shadowy, with a diffuseness that had made it seem somehow unreal, as if it was only imagined.

As if, he thought, it was more a recollection of a fact than the fact itself. It must be some sort of sidereal echo, he concluded. A remnant left over from E Day, still reverberating in space somehow … but harmless, now. More so all the time.

And yet it frightened him. Like the pain inside him, it was too odd to be dismissed; it seemed to be dangerous and he could not forget it.

I feel ill, he repeated to himself, resuming his litany based on his great discomfort. Can’t they get me down? Do I have to stay up here, creeping across the sky again and again—forever?

For his own needs he put on a tape of the Bach B Minor Mass; the giant choral sound filled the satellite and made him forget. The pain inside, the dull, elderly explosion briefly outlined beyond the window—both began to leave his mind.

“Kyrie eleison,” he murmured to himself. Greek words, embedded in the Latin text; strange. Remnants of the past … still alive, at least for him. I’ll play the B Minor Mass for the New York area, he decided. I think they’ll like it; a lot of intellectuals, there. Why should I only play what they request anyhow? I ought to be teaching them, not following. And especially, he thought, if I’m not going to be around much longer … I better get going and do an especially bang-up job, here at the end.

All at once his vehicle shuddered. Staggering, he caught hold of the wall nearest him; a concussion, series of shock waves, passing through. Objects fell and collided and burst; he looked around amazed.

Meteor? he wondered.

It seemed to him almost as if someone were attacking him.

He shut off the B Minor Mass and stood, listening and waiting. Far off through the window he saw another dull explosion and he thought, they may get me. But why? It won’t be long anyhow before I’m finished … why not wait? And then the thought came to him, But damn it, I’m alive now, and I better act alive; I’m not utterly dead yet.

He snapped on his transmitter and said into the mike, “Sorry for the pause, folks. But I sure felt giddy there for a while; I had to lie down and I didn’t notice the tape had ended. Anyhow—”

Laughing his laugh, he watched through the window of the satellite for more of the strange explosions. There was one, faint and farther off … he felt a measure of relief. Maybe they wouldn’t get him after all; they seemed to be losing track of the range, as if his location were a mystery to them.

I’ll play the corniest record I can think of, he decided, as an act of defiance. “
Bei Mir Bist Du Schön
”; that ought to do it. Whistling in the dark, as they say, and he laughed again, thinking about it; what an act of defiance it was, by God. It would certainly come as a surprise to whoever was trying to eradicate him—if that was in fact what they wanted to do.

Maybe they’re just plain tired of my corny talk and my corny readings, Dangerfield conjectured. Well, if so—this will fix them.

“I’m back,” he said into his mike. “At least for a while. Now, what was I about to do? Does anybody remember?”

There were no more concussions. He had a feeling that, for the time being, they had ceased.

“Wait,” he said, “I’ve got a red light on; somebody’s calling me from below. Hold on.”

From his tape library he selected the proper tape, carried it to the transport and placed it on the spindle.

“I’ve got a request for
‘Bei Mir Bist Du Schön
,’ ” he said, with grim relish, thinking of their dismay down below. “Can you beat that?” No, you can’t, he said to himself. And—by the Andrews Sisters. Dangerfield is striking back. Grinning, he started the tape into motion.

Edie Keller, with a delicious shiver of exultation, watched the angle worm crawling slowly across the ground and new with certitude that her brother was in it.

For inside her, down in her abdomen, the mentality of the worm now resided; she heard its monotonous voice. “Boom, boom, boom,” it went, in echo of its nondescript biological processes.

“Get out of me, worm,” she said, and giggled. What did the worm think about its new existence? Was it as dumbfounded as Bill probably was? I have to keep my eye on him, she realized, meaning the creature wriggling across the ground. For he might get lost. “Bill,” she said, bending over him, “you look funny. You’re all red and long; did you know that?” And then she thought, What I should have done was put him in the body of another human being. Why didn’t I do that? Then it would be like it ought to be; I would have a real brother, outside of me, who I could play with.

BOOK: Dr. Bloodmoney
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