Dollenganger 04 Seeds of Yesterday (38 page)

Jory turned solemn. "Cindy, if I were you, I'd stop deliberately baiting Bart. He's not a little boy anymore."
Unknown to Cindy, Toni had stepped into the room and stood patiently waiting to take Jory's temperature.
"Oh," said Cindy, turning to see Toni. "I thought after that terrible scene Bart made in New York that you'd see him for what he really is and leave this place." The look in Toni's eyes made Cindy glance again at Jory, then back to Toni again, and she laughed. "Well,
now
you've got good sense! I can read your eyes, Toni, Jory. You're in love! Hooray!" She rushed to hug and kiss Toni before she settled down near Jory's chair and stared up at him with adoration. "I met Melodie in New York. She cried a lot when I told her how pretty the twins are . . . but the day after your divorce went through, she married another dancer. Jory, he looks a lot like you, only not nearly as handsome, and he doesn't dance as well, either."
Jory kept his small smile, as if Melodie had been put on the shelf and there she'd stay. He turned his head to grin at Toni. "Well, there goes my alimony payment. At least she could have let me know."
Again Cindy was staring at Toni. "What about Bart?"
"What about me?"
asked a baritone voice from the open doorway.
Only then did we all notice that Bart was in the doorway, lounging insolently against the frame, taking in all we said and did as if we were specimens in his special zoo of family oddities.
"Well,"_ he drawled, "as I live and breathe, our breathless little imitation Marilyn Monroe has come to thrill us all with her stagey presence."
"That's not how I'd describe my feelings on seeing you again," Cindy said with her eyes flashing. "I'm chilled, not thrilled."
Bart looked her over, taking in her skin-tight gold leather pants, her striped cotton knit sweater of white and gold. The horizontal stripes emphasized her breasts, which jiggled freely each time she moved, and knee-high gold boots decorated her feet and legs.
"When are you leaving?" asked Bart while he stared at Toni sitting on Jory's bed and holding his hand. Chris sat next to me on a love seat, trying to catch up on some mail that had been delivered to the house and not to his office.
"Dear brother, say what you will, I don't care. I've come to see my parents and the rest of my family. I'll be leaving soon enough. Chains of steel couldn't keep me here longer than necessary." She laughed and stepped closer and looked up into his face. "You don't have to like me, or approve of me. And even if you open your mouth and say something insulting I'll just laugh again. I've found a man to love me that makes you look like something drug up from the Dismal Swamp!"
"Cindy!" said Chris sharply, putting down his unopened mail. "While you are here, you will dress appropriately, and you will treat Bart with respect, as he will treat you. I'm sick of these childish arguments about nothing."
Cindy looked at him with hurt eyes, making me say apologetically, "Darling, it is Bart's home. And sometimes I would like to see you in clothes that aren't too small."
Her blue eyes changed from those of a woman to those of a child. She wailed, "You're both taking his side--when you know he's nothing but a crazy creep out to make us all unhappy!"
Toni sat uncomfortably until Jory leaned to whisper something in her ear, and then she was smiling. "It doesn't mean anything," I heard him say in an undertone. "I believe Bart and Cindy enjoy tormenting one another."
Unfortunately Bart's attention was drawn from Cindy to take notice of Jory with his arm about Toni's shoulders. He scowled, then beckoned to Toni. "Come with me. I want to show you the inside of the chapel with all its new additions."
"A chapel? Why do we need a chapel?" asked Cindy, who had not been informed of the newest room transformed.
"Cindy, Bart wanted a chapel added to this house." "Well, Mom, if anybody ever needed a chapel close at hand, it's the creep of the hill and the Hall." My second son didn't say a word.
Toni refused to go with him. She gave him the excuse of needing to bathe the twins. Anger lit up Bart's eyes before it died, leaving him standing there, strangely desolate looking. I got up to take his hand. "Darling, I'd love to see what new additions you've made in the chapel."
"Some other time," he said.
I watched him covertly at the dinner table as Cindy taunted Bart in rather ridiculous ways that might have made the rest of us laugh if he could only see the humor she displayed. However, Bart had never been able to laugh at himself, more the pity. He took everything so seriously. Her grin was triumphant. "You see, Bart," she teased, "I can put away my childish foibles, even physical ones. But you can't put away anything that sours your guts and chews away on your brain. You're like a sewer, ready to hold all that's stinking and rotten and never give it up."
Still he said nothing.
"Cindy," spoke up Chris, who'd remained quiet during our evening meal, "apologize to Bart."
"No."
"Then get up and leave the table, and eat in your room until you can learn to speak pleasantly."
Her eyes flashed balefully again, this time at Chris. "ALL RIGHT! I'll go to my room--but tomorrow I'm leaving this house and I'm never coming back! NOT EVER!"
Finally Bart had something to say. "The best news I've heard in years."
Cindy was in tears before she reached the dining room archway. I didn't jump up to follow her this time. I sat on, pretending nothing was amiss. Always in the past I'd shielded Cindy, chastised Bart, but I was seeing him with new eyes. The son I'd never known had facets that weren't all dark and dangerous.
"Why don't you go to Cindy, as you always have in the past, Mother?" asked Bart, as if
challenging me.
"I haven't finished my dinner, Bart. And Cindy has to learn to respect the opinions of others."
He sat staring at me as if completely taken off guard.
Early the next morning, Cindy stormed into our room without knocking, catching me wrapped in a towel, fresh from my bath, and Chris was still shaving. "Mom, Dad, I'm leaving," she said stiffly. "I won't enjoy myself here. I'm wondering why I even bothered to come back. It's clear you've decided to take Bart's side on every issue, and if that's the case, then I'm finished. I'll be twenty next April, and that's old enough not to need a family."
Her eyes smeared with the tears that came unbidden. Her voice turned small and broken. "I want to say thanks to both of you for being wonderful parents when I was little and needed someone like both of you. I'm going to miss you and Daddy, and Jory and Darren and Deirdre, but every time I come here, I leave feeling sick. If ever you decide to live somewhere far from Bart, maybe you'll see me again . ... maybe."
"Oh, Cindy!" I cried, rushing to embrace her. "Don't leave!"
"No, Momma," she said staunchly. "I'm going back to New York. My friends there will throw me a party, the best kind. They do everything better in New York. '
But her tears were coming faster, harder. Chris wiped his face free of shaving lather and came to hug her close. "I can understand how you feel, Cindy. Bart can be irritating, but you did go too far last night. In a way you were very funny, but sadly, he can't see that. You have to judge whom you can tease, and whom you cannot. You've outgrown Bart, Cindy. And we won't object if you want to leave so soon. But, before you go, we want you to know your mother and I are taking Jory and his children, and Toni, too, and moving to Charlottesville. We'll find a large house there and settle down in the midst of people, so when you come again, you won't be lonely, and Bart will still be here, high on this hill and far from you."
Sobbing, she clutched Chris. "I'm sorry, Daddy. I was nasty to him, but he always says such mean things to me, and I have to hit back or feel like a door mat. I don't like for him to wipe his feet on me--and he is like a sewer,
he is."
"Someday I hope you'll see him differently," said Chris softly, tilting up her pretty tear-stained face and kissing her lightly. "So kiss your mother, say goodbye to Jory, Toni, Darren and Deirdre . . . but don't say you won't come back to see us again. That would make us both very unhappy. You give us a great deal of joy, and nothing should spoil that."
I helped Cindy pack the clothes she'd just unpacked. And even as we did this together, I saw that she was undecided and wanted to stay on if only I'd plead. Unfortunately we'd left her door open, and I looked around to see Joel standing in the doorway watching us.
Joel turned pale eyes on Cindy. "Why are you red-eyed, little girl?"
"I'm not a little girl!" she screamed. She turned wrathful eyes on him. "You're in league with him, aren't you? You help make him what he is. You stand there and gloat because I'm packing my bags, don't you? Glad I'm leaving--but before I go, I'm telling you off, too, old man. And I don't care if my parents scold me for not showing respect for old age." She stepped closer, her posture dominating his cringing form. "I hate you, old man! Hate you for preventing my brother from being normal, and he could have been without you! I HATE YOU!"
Hearing this, Chris, who'd been seated near the window, became furious. "Cindy, why? You could have gone and said nothing." Joel had disappeared by this time, leaving Cindy staring at Chris, bleak-eyed. "Cindy," Chris said softly, reaching out to caress her hair. "Joel is an old man dying of cancer. He won't be around much longer."
"What do you mean?" she asked. "He looks healthier than when he came."
"Perhaps he's had a remission. He refuses to see a doctor and won't let me check him over. He says he's resigned to dying soon. So, I take him at his word."
"I expect now you want me to apologize to him-- well, I won't! I meant every word! That time in New York, when Bart was so happy with Toni, and they seemed so much in love, we were at a party, when suddenly an old man appeared that looked like Joel-- and instantly Bart changed. He turned mean, hateful, like a spell had been cast, he began to criticize my clothes, Toni's pretty dress that he said was shameless . . . and only a few minutes before, he'd complimented the way she looked in that very same dress. So don't tell me that Joel doesn't have a great deal to do with Bart's nutty behavior."
Instantly I was with Cindy. "You see, Chris. Cindy believes just as I do. If Joel weren't here using his influence, Bart would straighten out. Drive Joel out, Chris, before it's too late."
"Yes, Daddy, make that old man leave. Pay him off, get rid of him."
"And what do I say to Bart?" asked Chris, looking from one to the other of us. "Don't you realize he has to be the one who sees Joel for what he is? We can't tell him Joel's not a healthy influence. Bart has to discover that for himself."
Soon after this we drove to Richmond to see that Cindy caught a plane back to New York. In another week she was moving to Hollywood to try and begin a film career. "I won't be coming to Foxworth Hall again; Momma," she repeated. "I love you, and I love Dad, even if he is angry with me for speaking my mind. Tell Jory again that I love him and his children. But hate and ugly thoughts come into my mind the minute I step inside that house. Leave there, Momma. Daddy. Leave before it's too late."
Numbly I nodded.
"Momma, remember the night when Bart beat up Victor Wade? He carried me home naked--and he took me up to Joel's room. He held me so Joel could look me over, and that old man spat on me, cursed me. I couldn't tell you then. The two of them scare me when they get together. Alone, Bart might straighten out. With Joel there to influence him, he could be dangerous."
She was soon on the plane and we were on the ground watching her fly away again.
She flew toward morning. We drove home toward night.
This couldn't go on any longer. To save Jory, Chris, the twins and myself, we had to leave, even if it meant we'd never see Bart again.

Poor Cindy, I was thinking, how would she fare in Hollywood? I sighed, then began to look around for the twins. They sat solemnly in their sandbox with the rainbowed canopy overhead, although in early September the weather was steadily cooling off. They sat without shoveling sand into pretty buckets, not building sand castles. Not doing anything. "Just listening to the wind blow," said Deirdre.

Before I could speak. Chris was striding toward us, and soon I was telling him, "Cindy just called from Hollywood. She says she has lots of friends there already. I don't know if she does or not. But she does have plenty of money. Already I've called one of my friends who will check on her.

"It's better so," he said with a troubled sigh. "It seems nothing can work out for Cindy here. She can't get along with Bart, and now she's started on Joel as well. In fact, she seems to think Joel is worse than Bart."

I had him convinced. "You're prejudiced because he is Malcolm's son, and that's all it is. For a while when Cindy was berating him, too, the two of you almost convinced me, but Joel is not doing one thing to influence Bart. Bart, from all I hear, is a full-blooded young stud, having the time of his life, only you don't know that. And Joel can't have much longer to live. That cancer is devouring him day by day, even if he does maintain his weight. He can't possibly hold on more than a month or two more."

I wasn't distressed. I didn't even feel guilty or ashamed at that moment, I told myself with sincerity, that Joel was getting out of life exactly what he deserved. "How do you know he's ill with cancer?" I asked.

"He told me that's why he came back to die on home ground, so to speak. He wants to be buried in the family cemetery. "

"Chris, like Cindy said, he does look better now than when he came."
"Because he's well fed and well housed. He lived in poverty at that monastery. You see him in one way, I see him in another. He confides in me, Catherine, and tells me how hard he's tried to win you to his side. Tears come into his eyes. 'And she's so much like her dear mother, my dear sister' he'll
^,
say over and over again."
Not for one minute, after witnessing Joel in that chapel, would I ever believe in that evil old man Even when I told Chris about the chapel incident in great detail, he didn't think it so terrible until I mentioned what had been taught to the twins.
"You heard that? Actually heard those babies say they were Devil's issue?" Disbelief was clear in his blue eyes.
"Does it ring a familiar bell? Do you see Cory and Carrie on their knees by their beds, praying for God to forgive them for being born Devil's spawn? Even when they didn't know what that meant? Does anyone know more than you and I what harm can be done from ideas like that planted in such young minds? Chris, we have to leave soon! Not after Joel dies, but soon as possible!"
He said exactly what I'd feared he would. We had to think of Jory, who needed special quarters, special equipment. "He'll have to have an elevator. Doors will have to be enlarged. The halls must be wide. And there is another consideration--Jory may marry Toni. He asked me what I thought about it, wanting to know if I believed he had a chance of making Toni happy. I said yes, of course he could. I can see the love between them growing day by day. I like the way she treats him, as if she doesn't see the wheelchair, or what he can't do--only what he can.
"And Cathy, it wasn't love between Toni and Bart. It was infatuation, glands calling to glands--or call it whatever you will, but it wasn't love. Not our kind of everlasting love."
"No . ." I breathed, "not the kind that lasts forever . . ."
Two days later Chris called from
Charlottesville, telling me he'd found a house.
"Exactly how many rooms?"
"Eleven. It's going to seem small after Foxworth Hall. But the rooms are large, airy, cheerful. It has four baths and a powder room, five bedrooms, a guest room and another bath over the garage, and also on the second floor is a huge room we can convert into a studio for Jory, and one of the extra bedrooms can be my home office. You're going to love this house."
I doubted that, he'd found it too quickly, even though that's what I'd asked him to do. He sounded so happy, and that gave me happy expectations. He laughed, then explained more. `It's beautiful, Cathy, really just the kind of house I've always heard you say you wanted. Not too big, not too small, with plenty of privacy. Three acres with flowerbeds everywhere."
It was settled.
As soon as we could pack our bags and many personal possessions accumulated over the years we'd lived in Foxworth Hall, we would move out.
I felt sad in some ways as I sauntered through the grand rooms that I'd gradually made cozy with my own decorating ideas. Bart had complained more than once that I was changing what should never change. But even he, once he'd seen the improvements that made this a home rather than a museum, had finally agreed to let me have my way.
Chris came to me Friday evening, looking at me with soft eyes. "So, my beautiful, hold on for just a few more days and let me drive back to
Charlottesville and check out that house more thoroughly before we sign the contract bid. I've found a nice apartment we can rent until we can close on the house. Also, I have a few things to clear up at the lab, so I can take off several days and help get us settled. As I was telling you on the phone, I think two weeks of work, after the closing, and our new home will be ready for all of us--ramps, elevator and all."
He graciously didn't mention all the years he'd lived with Bart, knowing it was like living with an explosive hidden somewhere, bound to go off sooner or later. Never a word to reproach me for giving him a defiant, disrespectful son who refused to care how much love was given him.
Oh, how much agony he'd suffered because of Bart, and still he didn't say a word to condemn me for going with deliberate intentions after my mother's second husband. I put my hands to my head, feeling that deep ache beginning again.
My Christopher drove away in the early morning, leaving me to fret through yet another anxiety-ridden day. Over the years I'd grown more and more dependent on him, when once I'd prided myself for being independent, able to go my own way and not need anyone nearly as badly as they needed me. How selfishly I'd looked at life when I was younger. My needs had come first. Now it was the needs of others that came first.
Restlessly I roamed about, checking on all those I loved, staring at Bart when he came home, dying to throw all kinds of accusations his way, yet somehow feeling so much pity for him. He sat behind his desk, looking absolutely the perfect young executive. No guilt. No shame as he bargained, manipulated, negotiated, making more and more money just by talking over the telephone, or communicating with his computer. He looked up at me and smiled. A genuine smile of welcome.
"When Joel told me Cindy had decided to leave, it cheered my whole day, and I still feel that way." Yet what was that oddness behind the darkness of his eyes? Why did he look at me as if soon he'd cry? "Bart, if ever you want to confide in me--"
"I have nothing to confide, Mother."
His voice was soft. Too soft, as if he spoke to someone that would soon be gone--forever gone.
"You may not know this, Bart, but the man you so hate, my brother and your uncle, has done the best he could to be a good father replacement."
Shaking his head, he denied this. "To do his best would have been abandoning his relationship with you, his sister, and he hasn't done that. I could have loved him if he'd only stayed my uncle. You should have known better than to try to deceive me. You should know by now all children grow up to ask questions and remember well scenes you think they'll soon forget, but those children don't forget. They take those memories and bury them deep in their brains, to bring them out later when they can understand. And all that I can remember tells me that the two of you are bound in ways that seem unbreakable, except by death."
My heart quickened. On the roof of Foxworth Hall, under the sun and stars, Chris and I had sworn certain vows to see us through eternity. How young and foolish to create our own traps .. .
Tears could so easily flood my eyes lately. "Bart-- how could
I
live without
him?"
"Oh, Mother, you could! You know you could.
Let him go, Mother.
Give to me the kind of decent, God-fearing mother I've always needed to keep my sanity."
"And if I can't say goodbye to Chris--what then, Bart?"
His dark head bowed. "God help you, Mother. I won't be able to. God help me, too. Even so, I do have to think of my own eternal soul."
I went away.
All through the night I dreamed of fire, of such terrible things I woke up, not clearly remembering anything but the fire, yet there had been something else, some dreadful remembered thing I kept shoving to the back of my mind What? What? Unable to overcome the inexplicable fatigue I felt, I drifted back to sleep and fell again immediately into a continuing nightmare where I saw Jory's twins as Cory and Carrie, carried off to be devoured. For the second time I forced myself awake. Forced myself to get up, although my head ached badly.
I felt woozy-headed, half drunk as I set about my daily chores. At my heels the twins tagged behind, asking a thousand and one questions, in particular Deirdre. She reminded me so much of Carrie with her why? where? and whose is it? And how did it come to be his or hers or its? Jibberty-jabber, chitter-chat, on and on as Darren poked into closets, pulled open drawers, investigated envelopes, leafed through magazines and in the process ruined them for reading, making me say, "Cory, put those down! They belong to your grandfather and he likes to read the writing even if you don't like anything but the pictures. Carrie, would you please be quiet for just five minutes? Just five?" That, of course, drew another question that wanted to know who was Cory and who was Carrie, and why was I always calling them those funny names?
Finally Toni came to relieve me of the too inquisitive children. "Sorry, Cathy, but Jory wanted me to model for him in the garden today before all the roses die . . ."
Before all the roses die?
I stared at her, then shook my head, thinking I was reading too much into ordinary words. The roses would live until a heavy freeze came, and winter was months away.
Around two in the afternoon, the telephone in my room rang. I'd just laid down to rest. It was Chris. "Darling, I can't stop worrying about what might happen. I think your fears are getting to me. Have patience. I'll be seeing you in' an hour. Are you all right?"
"Why wouldn't I be all right?"
"Just checking. I've had a bad feeling. I love you." "I love you, too."
The twins were restless, not wanting to play in the sandbox, not wanting to do one thing I suggested.
"Dee-dee don't like jump rope," said Deirdre, who couldn't pronounce her name correctly and didn't really want to. The more we tried to teach her the correct way, the more she lisped. She had Carrie's stubbornness. Just as Darren was more than willing to follow where she led, and he'd lisp when she did. And what difference did it make if a little boy his age played house?
I put the twins down for their naps. They noisily objected and didn't stop until Toni came in and read to them a story she'd promised she'd read--when I'd just read the same blasted story three times! Soon they were asleep in their pretty room with the draperies drawn. How sweet they looked, turned on their sides to face one another, just as Cory and Carrie had done.
In my own room, after checking on Jory, who was busy reading a book on how to strengthen certain lower sexual muscles, I turned to my neglected manuscript and brought it up to date. When I grew tired, distracted by the absolute silence in the house, I went to waken the twins.
They were not in their small beds!
Jory and Toni were on the terrace, both lying on their sides on the quilted exercise mat. They were embracing, kissing long and passionately. "Sorry to interrupt," I said, feeling ashamed I had to intrude on their privacy and ruin what had to be a wonderful experience for Jory--and for her. "Where are the twins?'
"We thought they were with you," said Jory, winking at me before he turned back to Toni. "Run find them, Mom . . . I'm busy with today's lesson."
I used the quickest way to reach the chapel. Through all the gardens I hurried, glancing uneasily at the woods that hid the cemetery. Tree shadows on the ground were beginning to stretch out and cross one another as I neared the chapel door. A strange scent was wafted on the warm summer breezes. Incense. I ran on, reaching the chapel quite out of breath, with my heart pounding. An organ had been installed since I was here last. I stole as quietly as possible into the chapel.
Joel was seated at the organ playing beautifully, showing that once he had been truly a professional musician with remarkable ability. Bart stood up to sing. I relaxed when I saw the twins in the front pew, looking content as they stared up at their uncle, who sang so well it almost stole my fear and gave me peace.
The hymn ended. Automatically the twins went down on their knees and placed their small palms beneath their chins. They seemed cherubs--or lambs for the slaughter.
Why was I thinking that? This was a holy place.
"And lo, though we walk through the valley of the shadow of death, we will fear no evil . . ." spoke Bart, now on his knees. "Repeat after me, Darren, Deirdre."
"And lo, though we walk through the valley of the shadow of death, we will fear no evil," obeyed Deirdre, her high-pitched, small voice leading the way for Darren to follow.
"For thou art with me . . ." instructed Bart. "For thou art with me . . ."
"Thy rod and thy staff shall comfort me."
"Thy rod and thy staff shall comfort me."
I stepped forward. "Bart, what the devil are you doing? This is not Sunday, nor has anyone died."
His bowed head raised. His dark eyes met mine and held such sorrow. "Leave, Mother, please."
I ran to the children, who jumped up. I gathered them into my arms. "We don't like it here," whispered Deirdre. "Hate here."
Joel had risen to his feet. He stood tall and lean in the shadows, with colors from the stained glass falling on his long, gaunt face. He said not a word, just looked me up and down--scathingly.
"Go back to your rooms, Mother, please, please."
"You have no right to teach these children fear of God. When you teach religion, Bart, you speak of God's love, not his wrath."
"They
have no fear of God, Mother. You speak of your own fear."
I began to back away, pulling the twins with me. "Someday you are going to understand about love, Bart. You are going to find out it doesn't come because you want it, or need it. It's yours only when you earn it. It comes to you when you least expect it, walks in the door and closes it quietly and when it's right, it stays. You don't plot to find it. Or seduce to try and make it happen. You have to deserve it, or you'll never have anyone who will stay long enough."
His dark eyes looked bleak. He stood, towering up there; then he advanced, taking the three steps down.
"We are all leaving, Bart. That should delight you. None of us will come back to bother you again. Jory and Toni will go with us. You will have
come into your own.
Every room of this mammoth lonely Foxworth Hall will be all yours. If you wish, Chris will turn over the trusteeship to Joel until you are thirty-five."
For a moment, a brief illuminating moment, fear lit up Bart's face, just as jubilance lit up Joel's watery eyes.
"Have Chris turn the trusteeship over to my attorney," Bart said quickly.
"Yes, if that's what you want." I smiled at Joel, whose face then turned. He shot Bart a hard look of disappointment, confirming my suspicions--he was angry because Bart would take what might have been his . . .
"By morning we will be gone, all of us," I whispered
"Yes, Mother. I wish you godspeed and good luck."
I stared at my second son, who stood three feet from me. Where had I heard that said last? Oh, oh . . . so very long ago. The tall conductor on the night train that brought us here as children. He'd stood on the steps of the sleeper train and called that back to us, and the train had sounded a mournful goodbye whistle.