Dissolution (Matthew Shardlake Mysteries) (21 page)

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Authors: C J Sansom

BOOK: Dissolution (Matthew Shardlake Mysteries)
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With reluctant steps he led me through a door in the rood screen, into the choir stalls. I remembered Goodhaps’s remark that the monks seemed more upset by the desecration than by Singleton’s death.
 
The choir held two rows of wooden pews, black with age and richly carved, facing each other across a tiled space. Brother Gabriel pointed to the floor. ‘That’s where the blood was. The trail led in here.’ I followed him through to the presbytery, where the high altar stood, covered with a white cloth, before a beautifully carved altar screen decorated with gold leaf. The air was full of incense. He pointed to two ornate silver candlesticks flanking the centre of the altar table, where the paten and chalice would be laid for Mass.
 
‘It was there.’
 
I believe the Mass should be a simple ceremony in good English, so men can reflect on their relationship with God, rather than be distracted by magnificent surroundings and ornate Latin. Perhaps because of that, or perhaps because of what had happened there, looking at the richly decorated altar in the dim candlelight I had a sudden sense of evil, so strong that I shuddered. Not a sense of some ordinary crime, nor some furtive little sins, but of evil itself in this business. Beside me, the sacrist’s face was bleak with sorrow. ‘I have been a monk for twenty years,’ he said. ‘In the darkest, coldest days of winter I have stood watching the altar at Matins, and whatever weight there has been on my soul it has lifted with the first ray of light coming through the east window. It fills one with the promise of light, the promise of God. But now I will never be able to contemplate the altar without that scene coming into my mind. It was the Devil’s work.’
 
‘Well, Brother,’ I said quietly, ‘there was a human perpetrator, and I must find him.’ I led the way back to the choir, where I took a seat in one of the pews, indicating Brother Gabriel should sit beside me.
 
‘When you saw this outrage, Brother Sacrist, what did you do?’
 
‘I said we must fetch the prior. But just then the door from the night stairs was thrown open and one of the monks ran in to tell us the commissioner had been found murdered. We all left the church together.’
 
‘And saw the relic was gone?’
 
‘No. That was later. Around eleven I passed the shrine and saw it was empty. But it must have been done at the same time, surely.’
 
‘Perhaps. Now you too would have come in from the night stairs linking the monks’ dormitory to the church. Is that door kept locked?’
 
‘Of course. I unlocked it.’
 
‘So whoever desecrated the church would have had to come in by the main door, which is unlocked?’
 
Yes. It is our principle that servants and visitors as well as monks should be able to enter the church when they please.’
 
‘And you arrived just after five. You are sure?’
 
‘I have been performing the routine for the last eight years.’
 
‘So the intruder was working in semi-darkness, spreading the fowl’s blood and - probably - stealing the relic. Both the desecration and Singleton’s murder were carried out between a quarter past four, when Bugge met the commissioner, and five, when you entered the church. Whoever it was worked quickly. That implies they knew the layout of the church.’
 
He gave me a keen look. ‘Yes. It does.’
 
‘And townsfolk do not attend Mass at monastery churches. When outsiders attend special festivals or come to pray to the relics, they are not allowed beyond the rood screen?’
 
‘No. Only monks may come into the choir and before the altar.’
 
‘So, only a monk would know these routines and the layout of the church. Or a servant who worked here - like that man peregrinating the church lighting the candles.’
 
He looked at me seriously. ‘Geoffrey Walters is seventy years old and deaf. The church servants have all been here for years. I know them well and none of them could conceivably have done this.’
 
‘That leaves us with one of the monks, then. Abbot Fabian, and your friend the bursar, would have it that an outsider was responsible. I have to disagree.’
 
‘I think an outsider may be possible,’ he said hesitantly.
 
‘Go on.’
 
‘On rising some mornings this autumn I have seen lights out on the marsh; my chamber in the dormitory overlooks it. I think the smugglers are active again.’
 
‘The abbot talked of smugglers. But I thought that marsh was dangerous.’
 
‘It is. But there are paths known to the smugglers running by the little island of higher ground, where the ruins of the founders’ church stands, out to the river. Boats can be loaded with contraband wool for France. The abbot complains to the town authorities now and again, but they’re not interested. Some of the officials no doubt profit from the trade.’
 
‘So someone who knew those paths could have got in and out of the monastery that night?’
 
‘Possibly. The wall down there is in poor shape.’
 
‘Did you mention seeing lights to the abbot?’
 
‘No. As I said, he has given up complaining. I have been too sore in my mind to think clearly, but now—’ An eager look came into his face. ‘Perhaps that is the answer. Those men are criminals and one sin can lead to another, even to blasphemy—’
 
‘Of course it would suit the community to lay the blame elsewhere. ’
 
He turned to me, his face set. ‘Master Shardlake, it may be you see our prayers, our devotion to the relics of the saints, as foolish ceremonies performed by men who live easily while the world outside groans and suffers.’
 
I inclined my head non-committally.
 
He spoke with a sudden intentness. ‘Our life of prayer and worship is an effort to approach Christ, to come nearer to his light and further from this sinful world. Every prayer, every Mass is an attempt to come closer to him, every statue and ritual and piece of stained glass is a reminder of his glory, a distraction from the world’s wickedness.’
 
‘I see you believe so, Brother.’
 
‘I know we live easier than we should, our comfortable clothes and food are not what St Benedict intended. But our purpose is the same.’
 
‘To seek communion with God?’
 
He turned, looking at me intently. ‘It is not easy. People who say it is are wrong. Sinful mankind is full of wicked impulses, planted by the Devil. Do not think monks are immune, sir. Sometimes I believe the more we aspire to approach God, the more the Devil stirs himself to tempt our minds to wickedness. And the more we have to strive against him.’
 
‘And can you think of anyone who might have had his mind tempted to murder?’ I asked quietly. ‘Remember I speak with the authority of the vicar general, and through him the Supreme Head of the Church, the king.’
 
He looked me directly in the eye. ‘I can think of no one in our community who might do such a thing. If I could, I would have informed the abbot. I told you, I believe an outsider was responsible.’
 
I nodded. ‘But there has been talk of other grave sins here, has there not? The scandal under the last prior. And small sins may lead to larger ones.’
 
His face reddened. ‘It is a large step from - those things - to what was done last week. And those acts were in the past.’ He stood abruptly and moved to stand a few paces off.
 
I got up and stood beside him. His face was set and his brow had a sheen of sweat despite the cold.
 
‘Not all in the past, Brother. The abbot tells me Simon Whelplay’s penance was in part because of certain feelings he nurtured towards another monk. Yourself.’
 
He turned, suddenly animated. ‘He is a child! I was not responsible for the sins he contemplated in his poor mind. I did not even know till he confessed to Prior Mortimus, or I would have put a stop to it. And yes, I have lain with other men, but I have confessed and repented and sinned no more in that way. There, Commissioner, you have plumbed my history. I know the vicar general’s office loves such tales.’
 
‘I seek only the truth. I would not trouble your soul merely for a pastime.’
 
He seemed about to say something more, then paused and took a deep breath. ‘Do you wish to see the library now?’
 
‘Yes, please.’
 
We returned down the nave. ‘By the way,’ I said after we had walked some distance in silence, ‘I saw the great crack in the side of the church. That is indeed a large job. The prior will not approve the expenditure?’
 
‘No. Brother Edwig says any programme of repairs must be limited to the revenues available each year. That will barely suffice to prevent the damage from spreading.’
 
‘I see.’ In that case, I thought, why were Brother Edwig and the abbot talking of needing capital from land sales?
 
‘These men of accounts always believe that what is cheapest is best,’ I continued philosophically, ‘and prink and save till all falls about them.’
 
‘Brother Edwig thinks saving money is a holy duty,’ he said bitterly.
 
‘Neither he nor the prior appears much given to charity.’
 
He gave me a sharp look, but said nothing more as he led me from the church.
 
 
OUTSIDE, my eyes watered in the cold white light. The sun was high now and gave brightness if not warmth. More paths had been cleared through the snow and people were going about their business again, black habits criss-crossing the white expanse.
 
The library building, next to the church, was surprisingly large. Light streamed in from high windows, illuminating shelves crammed with books. The desks were empty, save for a novice scratching his head over a heavy tome, and an old monk in a corner laboriously copying a manuscript.
 
‘Not many at study,’ I observed.
 
‘The library is often empty,’ Brother Gabriel said regretfully. ‘If someone has to consult a book, he usually takes it to his cell.’ He went over to the old monk. ‘How are you progressing, Stephen?’
 
The old man squinted up at us. ‘Slowly, Brother Gabriel.’ I glanced at his work; he was copying an early bible, the letters and the painted figures beside the text worked in intricate detail, the colours standing out brightly on the thick parchment, only slightly faded after centuries. The monk’s copy, though, was a poor affair, the letters scratchy and uneven, the colours gaudy. Brother Gabriel patted him on the shoulder. ‘
Nec aspera terrent
, Brother,’ he said, before turning to me. ‘I will show you the illustration of Barabbas’s hand.’
 
The sacrist led me up winding stairs to the upper floor. Here were more books, innumerable shelves stacked with ancient volumes. Thick dust lay everywhere.
 
‘Our collection. Some of our books are copies of Greek and Roman works made in the days when copying was an art. Even fifty years ago those desks downstairs would have been filled with brothers copying books. But since printing came in no one wants illustrated works, they are happy with these cheap books with their ugly, square letters all squashed together.’
 
‘Printed books may be less beautiful, but now God’s word can be brought to all.’
 
‘But can it be understood by all?’ he replied with animation. ‘And without illustration and art to stimulate our awe and reverence?’ He took an old volume from the shelves and opened it, coughing amidst the dust it raised. Little painted creatures danced impishly among lines of Greek text.
 
‘Reputedly a copy of Aristotle’s lost work
On Comedy
,’ he said. ‘A fake, of course, thirteenth-century Italian, but beautiful nonetheless. ’ He closed it, turning to an enormous volume that shared a shelf with a number of rolled-up plans. He pulled them out and I took one to assist him. I was surprised when he grabbed it back.
 
‘No! Don’t take it!’
 
I raised my eyebrows. His face reddened.
 
‘I am sorry - I - I would not have you get dust on your clothes, sir.’
 
‘What are those?’
 
‘Old plans of the monastery. The mason consults them sometimes. ’ He withdrew the volume beneath. It was so large he had difficulty in heaving it over to a desk. He turned the pages carefully.
 
‘This is an illustrated history of the monastery’s treasures, set down two hundred years ago.’ I saw coloured pictures of the statues I had seen in the church, and other items like the lectern in the refectory, each drawing annotated with measurements and a Latin commentary. The centre pages were taken up with a coloured illustration of a large square casket set with jewels. Inside a glass panel, on a purple cushion, lay a piece of dark wood. A human hand was fixed there by a broad-headed nail driven through the palm; withered and ancient, every sinew and tendon visible. From the measurements the box was two feet square and a foot deep.

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