Authors: Lucian Randall
16
Melody Maker
, 4 June 1994.
17
Independent
, 28 May 1992.
18
The Listener
, 30 April 1987.
19
Private Eye
, #853, letters, 26 August 1994.
20
Broadcast
, 17 July 1987.
3 N
O
K
NOWN
C
URE
21
Chris Morris in conversation with Paul Lashmar, 6 March 2007, Wessex Media Group, Bournemouth University.
22
Chris Morris in conversation with Paul Lashmar, 6 March 2007, Wessex Media Group, Bournemouth University.
23
Guardian
, 25 July 1994.
24
Chris Morris in conversation with Paul Lashmar, 6 March 2007, Wessex Media Group, Bournemouth University.
4 R
AW
M
EAT
R
ADIO
25
Chris Morris, GLR, 1 April 1991.
26
GLR, 24 April 1993.
27
Independent
, 28 May 1992.
28
The Times
, 21 August 1993.
29
Guardian
, 11 June 1992.
30
Time Out
, 21–28 November 1990.
31
Time Out
, 5–12 December 1990.
32
Guardian
, 21 August 1992.
33
Word
, March 2005.
5 F
ACT X
I
MPORTANCE
= N
EWS
34
Independent
, 19 March 1994.
35
Melody Maker
, 4 June 1994.
36
Time Out
, 20–26 June 2007.
37
Independent
, 18 January 1994.
38
The Times
, 21 August 1993.
39
Time Out
, 12–19 January 1994.
40
Financial Times
, 19 January 1994.
41
Evening Standard
, 31 January 1994.
42
Evening Standard
, 27 January 1994.
43
Evening Standard
, 27 January 1994.
44
Guardian
, 25 August 2007.
45
Guardian
, 10 January 1994.
46
Guardian
, 21 February 2003.
6 P
UTTING A
S
PINE IN A
B
AP
47
The Times
, 20 January 1994.
48
Independent
, 6 February 1995.
49
Independent
, 18 April 1998.
50
Armando Iannucci in interview with Mark Lawson, 2 January 2007, BBC4.
51
Sunday Times
, 6 March 1994.
52
The Times
, 24 December 1993.
53
New Musical Express
, 15 June 1996.
54
Daily Mirror
, 5 July 1996.
55
Daily Mirror
, 5 July 1996.
56
The New Yorker
, 5 November 2007.
57
Sunshine on Putty
, Ben Thompson, p. 50 (Harper Perennial, 2004).
58
Independent
, 6 February 1995.
59
Observer
, 31 December 1995.
7 W
HY
B
OTHER
?
60
Publish and Bedazzled
, No. 13, August 1998.
61
Guardian
, 25 July 1994.
62
Independent
, 18 January 2004.
63
Peter Cook: A Biography
, Harry Thompson, p. 457 (Hodder & Stoughton, 1997).
64
Publish and Bedazzled
, No 13, August 1998.
65
How Very Interesting
, ed. Paul Hamilton, Peter Gordon and Dan Kieran, p. 428 (Snowbooks, 2006).
66
Guardian
, 17 January 1994.
67
Independent
, 18 January 1994.
68
Evening Standard
, 27 April 2000.
69
Publish and Bedazzled
, No. 13, August 1998.
70
Guardian
, 25 July 1994.
71
Time Out
, 1–8 June 1994.
72
Guardian
, 8 July 1994.
73
Guardian
, 25 July 1994.
74
Guardian
, 25 July 1994.
75
Guardian
, 8 July 1994.
76
Guardian
, 25 July 1994.
8 B
LATANTLY
H
IDING THE
G
ROUND
77
Guardian
, 25 July 1994.
78
Guardian
, 25 July 1994, John Dugdale ‘Taped Up for Auntie’
79
Macmillan
, Alistair Horne, vol. ii, p. 371 (Macmillan, 1989).
9 N
OT
S
O
M
UCH THE
N
EINTIES AS THE
J
A
D
ANKETIES
80
Chris Morris in conversation with Paul Lashmar, 6 March 2007, Wessex Media Group, Bournemouth University.
81
Word
, March 2005.
82
Chris Morris in conversation with Paul Lashmar, 6 March 2007, Wessex Media Group, Bournemouth University.
83
Will Self,
Observer
, 9 March 1997.
84
Guardian
, 27 April 1998.
85
Hansard
, (House of Commons) written answers part 10, column 169 (23 July 1996).
86
Issued by the Independent Television Commission.
10 B
RASS
E
YE
87
Time Out
, 20–27 November 1996.
88
Guardian
, 27 April 1998.
89
Storm over Four
, Channel 4, 1 January 1998.
90
It Seemed Like a Good Idea at the Time
, Michael Grade, pp. 258–9 (Macmillan, 1999).
91
Guardian
, 25 November 1996.
92
Guardian
, 25 November 1996.
93
NME
, 30 November 1996, p.9.
94
Melody Maker
, 29 November 1997.
95
Sunday Times
, 23 February 1997.
96
The Times
, 14 February 1997.
97
Chris Morris in conversation with Paul Lashmar, 6 March 2007, Wessex Media Group, Bournemouth University.
98
Channel 4 at Twenty-five
, More4, 30 September 2007.
99
It Seemed Like a Good Idea at the Time
, Michael Grade, pp. 258–9 (Macmillan, 1999).
100
Independent
, 15 March 1997.
101
Peter Fincham at Rose d’Or Festival, 2004.
102
Observer
, 9 March 1997.
103
ITC Programme Code 2.8
(1998 edition). The ‘
Brass Eye
clause’: ‘A different kind of set-up situation is one where the subject consents to being recorded for a different purpose from that covertly intended by the programme-makers.
‘The use of such material without the subject’s permission can only be justified if it is necessary in order to make an important point of public interest. Consent to proceed should, where practicable, be given before recording by the licensee’s most senior programme executive or the designated alternative. Such consent is required again before transmission.’
104
Melody Maker
, 29 November 1997.
105
Independent
, 20 April 2000.
106
Guardian
, 27 April 1998.
107
Guardian
, 27 April 1998.
11 N
OW
, W
HAT
S
EEMS TO
B
E THE
P
ROBLEM
?
108
Guardian
, 27 April 1998.
109
Chris Morris in conversation with Paul Lashmar, 6 March 2007, Wessex Media Group, Bournemouth University.
110
Guardian
, 27 April 1998.
111
Guardian
, 27 April 1998.
112
Melody Maker
, 29 November 1997.
113
Independent
, 20 April 2000.
114
Guardian
, 27 April 1998.
115
Mail on Sunday
, 21 December 1997.
116
Radio Times
, 21 March 1998.
117
Independent
, 20 April 2000.
12 I
F THE
P
RINTED
W
ORD
H
AS
A
NY
M
EANING
, T
HEN
I
T
M
UST
C
OME FROM THE
V
ERY
E
DGE OF
F
UCKY
B
UM
B
OO
B
OO
118
Sunday Times
, 27 June 1999.
119
Guardian
, 10 August 1997.
120
Sunday Times
, 27 June 1999.
13 17.8 P
ER
C
ENT
S
AFER
121
http://news.bbc.co.uk/1/hi/uk/309814.stm.
122
Observer
, 5 August 2001.
123
Channel 4 at Twenty-five
, More4, 30 September 2007.
124
News of the World
, 23 July 2000.
125
News of the World
, 23 July 2000.
126
News of the World
, 23 July 2000.
127
Independent
, 5 August 2000.
128
Guardian
Friday Pages, p. 2, 21 February 2003.
129
News of the World
, 13 August 2000.
130
www.tvgohome.com/1905-2000.html
.
131
www.tvgohome.com
, 24 September 2001.
132
Guardian
, 21 February 2003.
133
Guardian
, 30 July 2001.
134
Daily Mirror
, 4 August 2001.
135
Daily Mirror
, 31 July 2001.
136
Daily Mail
, 5 August 2001, Nick Pryer, Gill Martin ‘Why Doon, a mother of two young children, is in tears at appearing in show that shamed TV’.
137
Guardian
, 31 July 2001.
138
Guardian
, 31 July 2001.
139
http://news.bbc.co.uk/2/hi/uk_news/2027864.stm.
140
Guardian
, 27 April 1998.
Chris Morris at Stonyhurst College on 17 December 1980 with friends Simon Armour (on guitar) and Paul O’Carroll
The Exploding Hamsters on Anglia’s
City Sounds
in July 1985. From left: Chris Morris on bass, singers Jane Reck and Mark Sendall, percussionist Jeff Lowrie, Shanti Paul Jayasinha on trumpet and John Telfer on saxophone