Die Happy (5 page)

She asked him about his day and he talked to her a little about it, as he would never have done twenty years ago. When he asked her about her own day, she knew that this was the moment she had been waiting for. ‘I've been tying up a few things concerned with the literary festival. I like Marjorie Dooks. She says what she thinks and doesn't say other things behind your back. She treads on a few toes, but she gets things done. And she's not afraid of work herself. She doesn't ask you to do things just because she doesn't fancy them herself. She makes you feel as if you're definitely the best person for the job.'

‘That's good. I've had mixed reports about her, but nothing to contradict what you've just said.' John Lambert contemplated the big globe of his brandy glass, rolled its contents pensively around inside it, and took an appreciative sip.

She marvelled anew at his policeman's capacity for gathering information she did not think he would have. He took no obvious interest in local affairs, yet whenever anything came up, he invariably seemed to know far more than she would have expected. A CID trait, he said apologetically, whenever she remarked upon it. You kept your ears open to everything, including gossip and rumour, and filed it away for future reference. There was nothing sinister or complex about it; you just trained your memory to do these things.

Christine said as casually as she could, ‘It looks as though David Knight will be coming. Sue Charles has been using her influence.'

John Lambert gazed at his brandy and said, carefully neutral, ‘That's good. He's a big name in the crime-writing field. You're doing well to get him here.'

‘Marjorie still wants to get you on the platform with him.'

He took an unhurried sip of the brandy, allowing himself a moment to savour its warmth in his throat and his chest. He tried not to sound sententious as he said, ‘I should have thought Sue Charles was the one to introduce him, as she's done all the work to get him here. She might feel quite hurt if you brought in someone who doesn't even know the man.'

‘I agree.' Nervousness had made her agreement too prompt, too eager. ‘But Marjorie had a good idea. Maybe even a brilliant one. She thought if you were on the platform for the question and answer section, you'd be able to speak from the point of view of someone fighting real crime. Illustrate the differences between fact and fiction you're always so anxious to point out when you catch me watching detective series on television.'

There was a long pause, during which she began to entertain the hope that he was giving the suggestion serious consideration. He rolled what was left of the generous helping of brandy round his glass and finally allowed himself a smile. ‘I wondered why we were having steak and new potatoes and cheesecake and our best Merlot. And all in midweek, too!'

‘You bastard!' But there was more reluctant admiration than annoyance in the epithet. She grinned at him. ‘You knew all the time, didn't you? And you just strung me along for all you could get.'

‘I thought it was you who was doing the stringing along,' he protested mildly. ‘But I should be grateful to you really, for reviving skills that might have atrophied in me. It's the way you lead a snout along, getting everything he has to give out of him before you fix on a price. I haven't had to do that much since I reached the exalted heights of chief superintendent.'

She wasn't sure she liked to be classed alongside police informers. ‘Was it so obvious?'

‘When the cheesecake followed the steak and the wine, it became so. When the brandy came in with the coffee, I thought I might as well see how far it went. I thought if I played my cards right and had a bit of luck, you might end up seducing me on the rug.'

‘Remember your age and don't push your luck and your back, John Lambert. Just finish your brandy and then tell me you'll join in that session on crime writing.'

‘No can do, I'm afraid. Not my scene, literary festivals.'

‘Why not? You're surprisingly well read, for a copper. Probably more so than most of your audience will be.'

‘Shouldn't that be “would be”? I've already said I'm not doing it.' He hugged his brandy glass to his chest, like a child who feared that his treat might be removed.

She played her last card. ‘You can tell Marjorie Dooks then.'

‘No go again. It's your committee. You can report back to it that you asked me to undertake the task as you said you would and I refused.'

‘Marjorie doesn't accept no for an answer very easily. Everyone else on that committee seems to be achieving whatever is asked of them.'

She looked very downcast. She gazed at her feet and her head fell a little to one side. He was suddenly reminded of her as a nineteen-year-old, when some small disappointment had seemed for a moment like the end of her world. Before he knew the thought had formed itself in his head, he found himself saying, ‘I'll ask Bert Hook about it. It might appeal to him, now that he's an Open University B.A.'

Sometimes the instinctive reaction worked better than all the elaborate planning, Christine Lambert decided. Showing your disappointment always had more effect on men than women. Her daughters had always been able to sway this iron man of crime when they were cast down by some teenage setback. Perhaps men, even experienced men like John Lambert, were suckers after all.

Ros Barker looked at her subject critically, her head a little on one side, her eyes narrowing a little as she gazed intently at the naked woman who half-sat and half-lay on the chaise longue she had set up in her studio for this painting. ‘You need to look more relaxed. The last thing I want is someone who looks as if she's struggling to hold a pose.'

‘Perhaps that's because I'm struggling so hard to hold this pose,' said Kate Merrick testily. ‘And if you don't allow us to have a coffee soon the struggle might fail.'

For a few seconds, Ros appeared to ignore her completely, whilst she applied a few key brush strokes. It was the artist's supreme moment of concentration, the instant of utter selfishness when nothing and no one else matters save the need to secure some effect that might otherwise escape forever. Then, with a relaxation of tension that she felt even in herself, she glanced at the little clock on the table to her right and said, ‘Is it really eleven o'clock? High time we had a coffee, I'd say.'

Kate eased herself gingerly into a sitting position, then stretched her legs gratefully. She stood up and moved with exaggerated stiffness to the kettle in the corner of the studio and extracted two beakers from the battered little cupboard on which it stood. She heard a delighted giggle at her robotic movements from behind her and was immediately pleased, despite her supposed resentment.

‘It's getting warm in here now the sun's climbing,' said Ros, standing and looking at the world outside through the long window on the south wall of her studio.

‘Not if you're a poor exploited model required to keep still for hours without a stitch on, it isn't! Don't you dream of putting that electric fire off, Madam Scrooge.'

Kate brought the two beakers of instant coffee across to the old sofa on the opposite side of the room from the chaise longue. Ros, after studying her painting keenly with her head tilted elaborately for a last moment, came and sat beside Kate, who had thrown her usual blanket around herself before she sat. Though they had moved only to the other side of the studio, work had been switched off for the moment, just as effectively as if they had moved from factory floor to works canteen.

‘Sometimes I think we should splash out on a professional model for you,' Kate said presently. ‘You could then move her around as much as you liked, and I might escape pneumonia in the present and rheumatoid arthritis in later life.'

‘It's the fate of the partner throughout the centuries. And the blessing too, of course. Rembrandt's wife was immortalized because he couldn't afford a professional model.' Ros's voice softened a little. ‘Or perhaps because he could convey his tenderness towards her in a way he could never have achieved with a professional model.' She ran her hand lightly and affectionately down the slim thigh beneath the shabby blanket.

‘They weren't called partners then, though. Wives or mistresses. I don't know which ones were the luckier. Or the more exploited.' Kate nibbled her ginger biscuit and took an appreciative sip of the hot coffee.

‘Yes. Exciting prospect for you, that. When I'm famous all over the planet, you could be one of the first partners to be immortalized in oils.'

‘I can hardly wait.' A pause, during which Ros thought fondly of the curves beneath the blanket and the natural, unthinking grace with which Kate normally moved. Ros was long-limbed, and angular, with short-cut dark hair and a lean, strong-boned face. Attraction of opposites perhaps. Or simply coincidence: it didn't do to analyse these things too thoroughly, when they were working so well.

Kate finished her coffee and gazed at the bottom of her beaker reflectively. ‘Do you want me to go away when Arthur Jackson comes here?'

‘Certainly not. I don't go round proclaiming that we're living together, because it's no one's business but our own. That doesn't mean that I'm ashamed of it.'

Kate Merrick grinned, showing her sense of security, stretching deliciously beneath the blanket. ‘I didn't say ashamed, stupid. That went out in the last century. I just thought you might not care to proclaim us to your mentor. He seems a very conventional man.'

‘He isn't. It takes a lot of guts and a lot of cussedness to take a stand against the art establishment as he has. Most of the avant-garde still hate him. He won't raise an eyebrow when he finds us together.'

‘Even when he finds his favourite protégé is one of those bloody lesbians?'

That was a private joke between them, a phrase they had heard flung across a pub in their early days, before they'd decided they liked each other enough to live together and sleep together. Ros Barker smiled and said, ‘I'm sure I'm not his favourite protégé. That's probably some heterosexual girl who paints apples beautifully and smiles adoringly at him. He offered me some good advice and a little judicious support at an important stage of my life, that's all. He might at some stage examine my paintings to see what effect a lasting sexual relationship has had upon them, but his interest will be purely aesthetic. That's if he finds my work good enough to justify his interest in the future.'

‘His opinion is important to you, isn't it?'

‘I suppose it is, yes. I wouldn't confess this to anyone else, but I suppose he's the nearest thing I have to a father figure. My own father left us when I was four and I've only the vaguest memory of him. Just a man who shouted a lot – I can't remember what about. Mum's never pretended to have any interest in art, though she's glad to see me scraping a living in it. She's never had any success with her hetero relationships, but she claims not to understand what we feel for each other.'

‘She doesn't like me.'

‘She doesn't dislike you. She just doesn't like to think of us sleeping together, or that's what she says. She'll accept the idea eventually, once she's had time to get used to it. She's a great one for getting used to things, is Mum.'

‘What about those dragons on the literature festival committee?'

‘They're not dragons, most of them. They're not what I expected at all, but I can hardly tell them that.'

‘Not even Mrs Dooks? After what I'd heard about her, I expected you to come home singed with fire and smelling of brimstone.'

‘I fear you probably heard most of it from me. I went to the first meeting in fear and trepidation, but after the third one I'm impressed. She's a formidable lady, but I suspect rather a sweetie underneath, though she'd hate you to say so. She knows how to run a committee. She doesn't stand any nonsense from Peter Preston.'

Kate leant forward, clasping her blanket about her knees. ‘She cut Poncing Peter down to size? I must hear about this.'

Ros glanced at the little clock. ‘I suppose she did, really. He turned up his nose at detective novels and she said they'd already made the decisions about that – gave him chapter and verse about when and how. Then he had a set-to with young Sam Hilton, our local poet. I spoke up for Sam, but I wasn't really needed. Marjorie Dooks sat firmly on Peter Preston again. It was all highly embarrassing and highly enjoyable at the same time.'

‘You do see life, don't you, Ros? Whereas I'm just a humble and anonymous artist's model, condemned to pose forever in a freezing garret.' Kate pouted extravagantly and crossed her arms over her breasts modestly beneath the blanket.

‘In a well-heated modern studio, you mean! With someone who is stretching every nerve to make you immortal.' Ros ran her hand through Kate's hair, feeling the familiar wiry strength beneath the softness that she so relished. She felt the stirrings of desire as she caressed the nape of her partner's neck, then said sternly, ‘Back to work, you idle serf. Get thee to the chaise longue and distribute thyself in the approved manner.'

Kate Merrick fled in her own simulation of abject terror, then without apparent effort set her limbs into the exact pose she had left twenty minutes earlier, with her left arm over the rise of the chaise longue, her back to the artist, and her eyes looking not directly at the easel but at the ceiling above her. Once there, she sighed extravagantly and said thoughtfully, ‘I should think Peter Preston could willingly murder your Mrs Dooks.'

FOUR

S
am Hilton would have been reassured to know that Ros Barker thought so kindly of him. However, the knowledge probably wouldn't have affected the action he was now taking.