Die Happy (22 page)

‘It is indeed. And you summarize our major problem. We have to find someone who didn't just dislike the man but who hated or feared him enough to kill him. Who do you think that someone might be, Mrs Charles?'

She tried not to be shocked by the suddenness of the question. It was a query she had expected, after all, so she shouldn't be put out by the manner of its arrival. ‘I've given it some thought, as you no doubt would expect me to, but I haven't solved that conundrum. Everyone on the literature festival committee found Peter irritating, because he so patently wanted to be in charge of things and wasn't. I'm sure all of us rejoiced when his pretensions were exposed and he was put in his place, usually by Marjorie Dooks from the chair. But I can't think that any of us could have killed the man, annoying as he was.'

‘Everyone we've seen so far has said something similar. But as yet we haven't found any recent contacts with people who might have been enemies of his in the past.'

‘I'm sure he made some very serious enemies when he was producing for the BBC and ITV. Rich and powerful people, some of them – people with the money and the contacts to employ a hitman to do their work for them.'

She tried to make the suggestion without a smile. She had used the term occasionally in her books, but she was not sure she had ever produced the word in conversation before. Lambert didn't smile. He said, ‘It's a possibility we have to explore. We are checking on the activities of known professional killers. So far we have not been able to establish the presence of any of them in our area on Tuesday evening. What car do you drive, Mrs Charles?'

Again the question was thrown in suddenly, almost brutally, on the back of a completely different train of thought. It was as if they were trying to catch her out. Sue found it was quite exciting, really, being involved in a real murder enquiry. ‘It's a Fiesta. Two years old.'

‘Colour?'

‘Dark blue.' She watched Hook recording this in his notebook and then reeled off the registration number with a mischievous ease. Her husband had never known the numbers of his cars; she had made a point of learning hers, as a small assertion of female competence.

Lambert stood and said, ‘I accept that your experience of crime is largely or wholly fictional, Mrs Charles. But please do not let that inhibit you from making suggestions. If you think of even the smallest detail which you think might have a bearing on this death, please ring this number.'

Sue Charles looked at the card and nodded. Then she looked up into the long, grave face and smiled. ‘I think you should call me Sue, Chief Superintendent. Particularly as I understand from Marjorie Dooks that I am to share the pleasure of your company on a platform at the literary festival in ten days time.'

Hook contained his merriment until they were safely out of the presence of Sue Charles. He gazed solemnly at the road ahead of him as he said, ‘You've accepted the role of real-life crime authority at the festival, then.'

‘Not accepted. It was somehow conferred upon me. I don't quite understand how it happened,' said Lambert sourly.

Poetry worked well with girls. It gave you an exotic appeal; it offered something outside the normal range of a young man's attractions. It was, let's face it, a powerful aid in getting girls into bed.

Sam Hilton was quite prepared to face it. He was in bed with a girl by nine o'clock in the evening. The last of the daylight still showed beyond the threadbare curtains he had drawn before leaping eagerly between the sheets. He lay comfortably in that post-coital tristesse, which was still quite novel to him, and considered serious issues. The most disturbing and powerful things were the feelings stirring within his breast. Poetry was all very well as a means to an end, but what did you do if the unforeseen happened?

Sam thought he was getting serious about Amy Proctor. But he had no idea how serious she was about him.

They had been at school together, but they had been just mates in the sixth form then, members of a group that went around together. Since then, Amy had spent three years at Cambridge and he had spent three years acquiring experience in the university of life. Time seemed to have altered things; everything between them was more personal and serious now, rather than part of that glorious fun of their last year at school, when everything had been a laugh and the whole world had been there to amuse them and their peers. Sam gazed up at the high ceiling of his bedsit and reflected on the mysteries of love and life. Beside him, Amy Proctor stretched her delightful limbs and yawned luxuriously. She stroked Sam's thigh to show that her yawn was a symptom not of boredom but of delicious content. She said, ‘Have you any readings lined up?'

For once, Sam Hilton did not want to talk about poetry and its important position in the scheme of life. But you couldn't let yourself down when you feared that the only reason this delectable girl was lying beside you was because of your verse. He said, ‘One in Hereford at the end of the month. One in Oxford early in June. And of course, there's the literature festival in Oldford coming up.'

‘Yes. You're on the organising committee for that, aren't you?'

The assignment he had tried hard to be rid off suddenly seemed important. Men of twenty-two lack gravitas, so that anything which seems to offer it must be seized. ‘Yes. They seemed to think I had something to offer, that my views on poetry and literature in general might be worth having. Just as part of a larger whole, of course.' It was difficult to balance gravitas with modesty, but you had to try. In his so far limited experience, girls didn't like blokes who took themselves too seriously.

‘Will you be reading your own poetry?'

‘Not at the festival, no. I'll be chairing one of the sessions. My friend Bob Crompton is coming down from Lancashire. I expect we'll have a bit of fun stirring up the Oldford middle classes.'

‘I mustn't miss that.' Amy put her arms above her head and stretched again, touching the impressionable young man beside her from shoulder to calf, twitching her hip in a movement he was not sure was reflex or invitation.

‘Would you like a cup of tea?' He wasn't quite sure why he had said that. It came from some vague, unformulated compulsion to detach himself, to look at his relationship with Amy Proctor from beyond the limits of her highly desirable flesh.

She shifted her position and looked at him, her very blue eyes no more than six inches from his. ‘Tea was the last thing I had in mind, Sam Hilton. What happened to the view that

Sam smiled back into the pretty, amused face. How red and moist her lips were, how wonderful her mouth was, when it rose at the corners like that. He said, ‘Old Browning knew a thing or two, didn't he?'

She giggled outright now, a movement which made her body tremble against his at all the important points and caused him to forget about tea. Then she said, ‘It's Tennyson, actually.
Locksley Hall
, I think.'

‘Just testing.' Then they both dissolved into brief, helpless laughter and moved seamlessly into a renewal of their passion, which was intense enough to drive out all thoughts save gratification.

They had been lying sated and soundless for perhaps ten minutes and he was thinking that she might have fallen into a doze when she said, ‘Did you know this Peter Preston who's been killed?'

Sam was suddenly wide awake, though he tried to keep his body motionless to disguise it. ‘Yes. He was on the festival committee with me. Annoying man, but I didn't think anyone would want to bump him off.' That curious, dated phrase seemed somehow to detach him from this death.

‘Suspicious death, the police say. That means he was murdered, doesn't it?'

‘Yes, I think so.' He was silent for a long time before he nerved himself to say, ‘You couldn't say you were here with me on Tuesday night, could you?'

He regretted it as soon as he'd said it. The silence that followed his request seemed to him to stretch for a long time. It was broken unexpectedly by the shrilling of his mobile phone on the bedside cabinet beside him. He picked it up and gave his name. A cool, impersonal voice said that Chief Superintendent Lambert, who was conducting the investigation into the death of Peter Preston, would like to speak to him in the morning at Oldford police station.

‘It's good of you to see us as late in the day as this.'

Marjorie Dooks looked at the clock. It was just after eight o'clock. ‘As a former public servant myself, I should say that it's noble of you to be working as late as this.'

Lambert gave her a thin smile, hoping it masked the fatigue he would once never have felt. ‘Murder overrides most of the rules. We try to push our enquiries forward as quickly as possible.'

‘Before the scents get cold? Before the people who were nearest to the victim have time to cover their tracks?'

This time it was DS Hook whose weather-beaten face creased into an understanding smile. ‘We find it best to gather as much of the routine information as quickly as we can. People's memories are usually at their sharpest and most reliable when they are still close to the crime. Once we have assembled that information, we are in a better position to proceed. It is easier then to spot those areas which warrant further investigation.'

Marjorie nodded thoughtfully. ‘Assuming, of course, that everyone is telling you the truth.'

Lambert quickly forgot his tiredness as he studied the demeanour of this composed woman. They were in her sitting room, which exuded a quiet opulence. Nothing here was assertive, but nothing jarred with its surroundings. The green leather of the three-piece suite was echoed in the paler green of the walls, which were almost white but with the faint hint of colour which the seats and carpet demanded. The original painting of the view from the Worcester Beacon in the Malverns was by a respected local artist. The prints of the Alps and the Grampians were in matching expensive frames on the other walls. The Bang & Olufsen hi-fi and the flat-screen television in the corner were as muted as these modern necessities to the civilized life could ever be. They had already refused drinks from the discreet walnut cabinet in the opposite corner of the room.

He said, ‘Assuming that people are telling us the truth, as you say Mrs Dooks. Most people do, and when someone does not, it often becomes clear who that person is when we put everyone's impressions together. That is another reason for seeing everyone who was close to the deceased as quickly as possible.'

‘I wouldn't say I was close to Peter Preston, Mr Lambert. But that may well be why I was not one of your immediate priorities.'

So she'd been checking on whom they'd seen so far. Mere curiosity, or the self-interest of someone involved in this crime? Perhaps just the natural inclination of a woman who had got used to being in control during her professional life in the Civil Service and had since then carried that control into a more local setting. He said, ‘We usually see the widow first in cases like this, for the obvious reason that she should be the person who knew the victim best. She is also usually able to help us compile a list of other people we should see.'

‘So it was Edwina Preston who suggested you should quiz me about Peter.'

‘Your position as chair of the literature festival committee ensured that we would want to hear what you had to say about Mr Preston. In connection with which, I'm happy to be able to tell you that the matter of these threatening letters has now been resolved. There is no reason for you to have any fears on that score.'

‘I'm glad to hear it. I hope you didn't think I was over-reacting when I contacted your wife about the one I received. I had no means of knowing at that time that I wasn't the only recipient.'

He had the impression that she was enjoying this civilized, controlled verbal fencing. The thought irritated him, coming at the end of a day that had already been too long. ‘You didn't over-react. It would have been better, indeed, if you had gone directly to the police at Oldford.'

‘Perhaps. My training induced me to try informal contacts before setting hares running. Have you arrested the culprit?'

‘I can't see any reason why you should not know this: the culprit was Mr Preston himself. It was presumably some sort of tasteless joke on his part.'

‘Or a more malicious attempt to scare people like Sue Charles out of their wits.'

‘Possibly. It seems that now we shall never know. And we have to concern ourselves with the infinitely more serious matter of murder.'

‘Yes. One hears of people who make friends easily – I've even met one or two of them. Peter Preston was a man who made enemies easily. He seemed at times to go out of his way to do just that.'

Lambert smiled. ‘That is the impression DS Hook and I formed in our single twenty-minute meeting with him. Perhaps you could now give us some names from your more prolonged contact.'

‘I didn't see him socially. Peter regarded most people round here as his cultural inferiors.' For an instant, there was a hint of real resentment. Then she recovered herself and went on, ‘My experience of him was almost entirely confined to our exchanges within the literary committee. He did speak to me on the phone fairly frequently, but exclusively on matters that had been raised there. Frankly, he resented the fact that I was in the chair. He'd like to have been directing matters himself, preferably without a committee at all.'

‘Who do you think killed him?'

If he expected her to be shocked by his directness, he was disappointed. She sat back in her chair and took her time. ‘I've thought about that a lot in the last twenty-four hours. No one that I know, is my conclusion. I can't think that anyone on that committee would have done it. He'd been unpardonably rude to most of us, over the last few months, in different ways. I suspect Peter hadn't read Sam Hilton's poems, but he despised him on principle because he was twenty-two and “lacked discipline” in his verse, as Peter put it. Strangely enough, he insulted Ros Barker's art because it wasn't avant-garde and abstract enough for him – I suspect he simply wouldn't entertain her as a serious artist because she was only thirty and had her own ideas. Sue Charles is older than he was and could hardly have been more friendly or cooperative; but he derided her because she was a crime writer rather than what he considered a serious novelist. I doubt whether he'd read her books. I suspect he was just jealous of her because she was a success. He seemed to get more annoyed when she refused to take offence at his barbs. But you can hardly consider Sue as a candidate for murderer. Which leaves me, I suppose. I'd probably crossed swords with Peter more often than anyone.'