Dialogues of the Dead

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author's imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

This edition published 2001 ByBCA By arrangement with HArperCo\msPttl>liyhers

CN19533 t' First published by Collins Crime 2001 Copyright © Reginald Hill 2001

Reginald Hill asserts the moral right to be identified as the author of this work

Set in PostScript Linotype Janson by Rowland Photo typesetting Ltd, Bury St Edmunds, Suffolk Printed and bound in Germany by GGP Media, Possneck

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. paronomania (psronau'meima) [Factitious word derived from a conflation of paronomasia [L. a. Gr. 'n'apovou.acTioi] Word-play + mania (see quot. 1823)] i. A clinical obsession with word games. 1760 George, Lord LYTTELTON Dialogues of the Dead: No XXXV BACON: Is not yon fellow lying there Shakespeare, the scribbler? Why looks he so pate? GALEN: Aye, sir, 'tis he. A very pretty case of paronomania. Since coming here he has resolved a cryptogram in his plays which proves that you wrote them, since when he has not spoken word. 1823 Ld- BYRON Don Juan Canto xviii So paronomastic are his miscellanea. Hood's doctors fear he'll die of paronomania. 1927 HAL D1LLINGER Through the Mind-Mazf. A Casebook So advanced was Mr X's paronomania that he attempted to kill his wife because of a message he claimed to have received via a cryptic clue in the Washington Posf crossword. 2. The proprietary name of a board game for two players using tiles imprinted with letters to form words. Points are scored partly by addition of the numeric values accorded to each letter, but also as a result of certain relationships of sound and meaning between the words. All languages transcribable in Latin script may be used under certain variable rules. 1976 Skulker Magazine, Vol I No. iv Though the aficionados of Paronomania contested the annual Championships with all their customary enthusiasm, ferocity and skill, the complex and esoteric nature of the game makes il unlikely that it will ever be degraded to the status of a national sport.

OED znd Edition)

3)u sagst mr l)eimlicl) ein leises SBort Unb gibst mil ben Strauss oon Cgpressen. 5cl) wac^e auf, unb her Strauss ist fort, Hub's 2Bort I)ab' ici) oergessen.*

Harry Heine (1800--18^6)

I fear there is some maddening secret Hid in your words (and at each turn of thought Comes up a skull,) like an anatomy Found in a weedy hole, 'mongst stones and roots And straggling reptiles, with his tongueless mouth Telling of murder ...

Thomas Lovell Beddoes (18031849)

* A -word in secret you softly say And give me a cypress spray sweetly. I -wake and find that I've lost the spray And the word escapes me completely. Chapter One

THE FIRST DIALOGUE

''aMI

Hi, there. How 're you doing? Me, I'm fine, I think.

That's right. It's hard to tell sometimes, but there seems to be some movement at last. Funny old thing, life, isn 't it?

OK, death too. But life ... Just a short while ago, there 1 was, going nowhere and nowhere to go, stuck on the shelf, so to speak, past oozing through present into future with nothing of colour or action or excitement to quicken the senses. . . Then suddenly one day 1 saw it! Stretching out before me where it had always been, the long and winding path leading me through my Great Adventure, the start so close I felt I could reach out and touch it, the end so distant my mind reeled at the thought of what lay between. But it's a long step from a reeling mind to a mind in reality, and at first that's where it stayed - that long and winding trail, I mean - in the mind, something to pass the long quiet hours with. Yet all the while I could hear my soul telling me, 'Being a mental traveller is fine but it gets you no suntan!' And my feet grew ever more restless. Slowly the questions began to turn in my brain like a screensaver on a computer. Could I possibly ... ? Did I dare ... ? That's the trouble with paths. Once found, they must be followed wherever they may lead, but sometimes the start is - how shall I put it? - so indefinite. I needed a sign. Not necessarily something dramatic. A gentle nudge would do. Or a whispered word. Then one day 1 got it. First the whispered word. Your whisper? I hoped so. I heard it, interpreted it, wanted to believe it. But it was still so vague . . .

Yes, I was always a fearful child. I needed something clearer. And finally it came. More of a shoulder charge than a gentle nudge. A shout rather than a whisper. You might say it leapt out at me! I could almost hear you laughing. I couldn 't sleep that night for thinking about it. But the more I thought, the less clear it became. By three o'clock in the morning, I'd convinced myself it was mere accident and my Great Adventure must remain empty fantasy, a video to play behind the attentive eyes and sympathetic smile as I went about my daily business. But an hour or so later as dawn's rosy fingers began to massage the black skin of night, and a little bird began to pipe outside my 'window, I started to see things differently. It could be simply my sense of unuorthiness that -was making me so hesitant. And in any case it ivasn 't me who was doing the choosing, was it? The sign, to be a true sign, should be followed by a chance which I could not refuse. Because it wouldn't be mere chance, of course, though by its very nature it was likely to be indefinite. Indeed, that was how I would recognize it. To start with at least I would be a passive actor in this Adventure, but once begun, then I would know without doubt that it was written for me. All I had to do was be ready. I rose and laved and robed myself with unusual care, like a knight readying himself for a quest, or a priestess preparing to administer her holiest mystery. Though the face may be hidden by visor or veil, yet those with skill to read will know how to interpret the blazon or the chasuble. When I was ready I went out to the car. It was still very early. The birds were carolling in full chorus and the eastern sky was mother-ofpearl flushing to pink, like a maiden's cheek in a Disney movie. It was far too early to go into town and on impulse 1 headed out to the countryside. This, I felt, was not a day to ignore impulse. Half an hour later I was wondering if I hadn't been just plain silly. The car had been giving me trouble for some time now with the engine coughing and losing power on hills. Each time it happened I promised myself I'd take it into the garage. Then it would seem all right for a while and I'd forget. This time 1 knew it was really serious when it starttd hiccoughing on a gentle down-slope, and sure enough on the next climb, which was only the tiny hump of a tiny humpback bridge, it wheezed to a halt. I got out and kicked the door shut. No we to look under the bonnet. Engines, though Latin, were Greek to me. 1 sat on the shallow parapet of the bridge and tried to recall how far back it was to a house or telephone. All I could remember was a signpost saying it was five miles to the little village of Little Bruton. It seemed peculiarly unjust somehow that a car that spent most of its time in town should break down in what was probably the least populated stretch of countryside within ten miles of the city boundary. Sod's Law, isn't that what they call it? And that's what I called it, till gradually to the noise of chirruping birdsong and bubbling water was added a new sound and along that narrow country road I saw approaching a bright yellow Automobile Association van. Now I began to wonder whether it might not after all be God's Law. I flagged him down. He was on his way to a Home Start call in Little Bruton where some poor wage-slave newly woken and with miles to go before he slept had found his motor even more reluctant to start than he was. 'Engines like a lie-in too,' said my rescuer merrily. He was a very merry fellow altogether, full of jest, a marvellous advert for the AA. When he asked if I were a member and 1 told him I'd lapsed, he grinned and said, 'Never mind. I'm a lapsed Catholic but I can always join again if things get desperate, can't I? Same for you. You are thinking of joining again, aren't you?' 'Oh yes,' I said fervently. 'You get this car started, and I might join the Church too!' And I meant it. Not about the Church maybe, but certainly the AA. Yet already, indeed from the moment I set eyes on his van, I'd been wondering if this might not be my chance to get more than just my car started. But how to be certain? I felt my agitation growing till I stilled it with the comforting thought that, though indefinite to me, the author of my Great Adventure would never let its opening page be anything but clear. The AA man was a great talker. We exchanged names. When I heard his, I repeated it slowly and he laughed and told me not to make the jokes, he'd heard them all before. But of course 1 wasn't thinking of jokes. He told me all about himself -- his collection of tropical fish -the talk he'd given about them on local radio - his work for children's charities - his plan to make money for them by doing a sponsored run in the London marathon - the marvellous holiday he'd just had in Greece - his love of the warm evenings and Mediterranean cuisine his delight in discovering a new Greek restaurant had just opened in town on his return. 'Sometimes you think there's someone up there looking after you special, don't you?' he jested. 'Or maybe in my case, down there!' I laughed and said I knew exactly what he meant. And I meant it, in both ways, the conventional idle conversational sort of way, and the deeper, life-shapingly significant sort of way. In fact I felt very strongly that I was existing on two levels. There was a surface level on which 1 was standing enjoying the morning sunshine as 1 watched his oily fingers making the expert adjustments which I hoped would get me moving again. And there was another level where I was in touch with the force behind the light, the force which burnt away all fear - a level on which time had ceased to exist, where what was happening has always happened and will always be happening, where like an author I can pause, reflect, adjust, refine, till my words say precisely what I want them to say and show no trace of my passage...

For a moment my AA man stops talking as he makes a final adjustment with the engine running. He listens with the close attention of a piano tuner, smiles, switches off, and says, 'Reckon that'll get you to Monte Carlo and back, if that's your pleasure.' I say, 'That's great. Thank you very much.' He sits down on the parapet of the bridge and starts putting his tools into his tool box. Finished, he looks up into the sun, sighs a sigh of utter contentment and says, 'You ever get those moments when you feel, this is it, this is the one I'd like never to end? Needn 't be special, big occasion or anything like that. Just a morning like this, and you feel, I could stay here for ever.' 'Yes,' I tell him. 7 know exactly what you mean.' Would be nice, eh?' he says wistfully. 'But no rest for the wicked, I'm afraid.' And he closes his box and starts to rise. And now at last beyond all doubt the signal is given. Down in the willows overhanging the stream on the far side of the bridge something barks, a fox I think, followed by a great squawk of what could have been raucous laughter; then out of the trailing greenery rockets a cock pheasant, wings beating desperately to lever its heavy body over the stonework and into the sky. It clears the far parapet by inches and comes straight at us. I step aside. The AA man steps backwards, The shallow parapet behind him catches his calves. The bird passes between us, I feel the furious beat of its wings like a Pentecostal wind. And the AA man flails his arms as if he too is trying to take off. But he is already unbalanced beyond recovery. I stretch out my hand to the teetering figure - to help or to push, who can tell? - and my fingertips brush against his, like God's and Adam's in the Sistine Chapel, or God's and Lucifer's on the battlements of heaven. Then he is gone. / look over the parapet. He has somersaulted in his fall and landed face down in the shallow stream below. It is only a few inches deep, but he isn't moving. I scramble down the steep bank. It's clear what has happened. He has banged his head against a stone on the stream bed and stunned himself. As I watch, he moves and tries to raise his head out of the water. Part of me wants to help him, but it is not a part that has any control over my hands or my feet. I have no choice but to stand and watch. Choice is a creature of time and time is away and somewhere else. Three times his head lifts a little, three times falls back. There is no fourth. For a while bubbles rise. Perhaps he is using these last few exhalations to rejoin the Catholic Church. Certainly for him things are never going to be more desperate. On the other hand, he is at last getting his wish for one of those perfect moments to be extended forever, and wherever he finally lies at rest will, I am sure, he a happy grave. Fast the bubbles come at first, then slower and slower, like the last oozingsfrom a cider press, till up to the surface swims that final languid sac of air which, if the priests are right, ought to contain the soul.

Run well, my marathon messenger!

The bubble bursts. And time too bursts back into my consciousness with all its impedimenta of mind and matter, rule and law. I scrambled back up the bank and got into my car. Its engine sang such a merry song as I drove away that I blessed the skilful hands that had tuned it to this pitch. And I gave thanks too for this new, or rather this renewed life of mine. My journey had begun. No doubt there would be obstacles along my path. But now that path was clearly signed. A journey of a thousand miles must begin with a single step. And just by standing still and trusting in you, my guide, I had taken that step.

Talk again soon. Chapter Two

'Good lord,' said Dick Dee. 'What?' 'Have you read this one?' Rye Pomona sighed rather more stentoriously than was necessary and said with heavy sarcasm, 'As we decided to split them down the middle, and as this is my pile here, and that is your pile there, and as the script in your hand comes from your pile and I am concentrating very hard on trying to get through my own pile, I don't really think there's much chance I've read it, is there?' One of the good things about Dick Dee was that he took cheek very well, even from the most junior member of his staff. In fact, there were lots of good things about him. He knew his job as custodian of the Mid-Yorkshire County Library's Reference Department inside out and was both happy and able to communicate that knowledge. He did his share of work, and though she sometimes saw him working on the lexicological research for what he called his minusculum opusculum, it was always during his official breaks and never spread further, even when things were very quiet. At the same time he showed no sign of exasperation if her lunch hour overflowed a little. He passed no comment on her style of dress and neither averted his eyes prudishly from nor stared salaciously at the length of slim brown leg which emerged from the shallow haven of her mini dress. He had entertained her in his flat without the slightest hint of a pass (she wasn't altogether sure how she felt about that!) And though on their first encounter, his gaze had taken in her most striking feature, the single lock of silvery grey which shone among the rich brown tresses of her hair, he had been so courteously un-nosey about it that in the end she had got the topic out of the way by introducing it herself. Nor did he use his seniority to offload all the most tedious jobs on to her but did his share, which would have made him a paragon if in the context of the present tedious job he'd been able to read more than a couple of pages at a time without wanting to share a thought with her. As it was, he grinned so broadly at her putdown that she felt immediately guilty and took the sheets of paper from his hand without further protest. At least they were typed. Many weren't and she'd soon made the discovery long known to schoolteachers that even the neatest hand can be as inscrutable as leaves from the Delphic Oracle, with the additional disincentive that when you finally teased some meaning out of it, what you ended up with wasn't a useful divine pointer to future action but a God-awful dollop of prose fiction. The Mid-Yorkshire Short Story Competition had been thought up by the editor of the Mid-Yorkshire Gazette and the Head of Mid-Yorkshire Library Services towards the end of a boozy Round Table dinner. Next morning, exposed to the light of day, the idea should have withered and died. Unfortunately, both Mary Agnew of the Gazette and Percy Follows, the Chief Librarian, had misrecollected that the other had undertaken to do most of the work and bear most of the cost. By the time they realized their common error, preliminary notices of the competition were in the public domain. Agnew, who like most veterans of the provincial press was a past mistress of making the best out of bad jobs, had now taken the initiative. She persuaded her proprietor to put up a small financial prize for the winning entry, which would also be published in the paper. And she obtained the services of a celebrity judge in the person of the Hon. Geoffrey Pyke-Strengler, whose main public qualification was that he was a published writer (a collection of sporting reminiscences from a life spent slaughtering fish, fowl and foxes), and whose main private qualification was that being both chronically hard-up and intermittently the Gazettes rural correspondent, he was in a position of dependency. Follows was congratulating himself on having come rather well out of this when Agnew added that of course the Hon. (whose reading range didn't extend beyond the sporting magazines) couldn't be expected to plough through all the entries, that her team of ace reporters were far too busy writing their own deathless prose to read anyone else's, and that therefore she was looking to the library services with their acknowledged expertise in the field of prose fiction to sort out the entries and produce a short list. Percy Follows knew when he'd been tagged and looked for someone on the library staff to tag in turn. All roads led to Dick Dee who, despite having an excellent degree in English, seemed never to have learned how to say no. The best he could manage by way of demur was, 'Well, we are rather busy .. . How many entries are you anticipating?' 'This sort of thing has a very limited appeal,' said Follows confidently. 'I'd be surprised if we get into double figures. Couple of dozen at the very most. You can run through them in your tea break.' 'That's a hell of a lot of tea,' grumbled Rye when the first sackful of scripts was delivered from the Gazette. But Dick Dee had just smiled as he looked at the mountain of paper and said, 'It's mute inglorious Milton time, Rye. Let's start sorting them out.' The initial sorting out had been fun. The idea of refusing to read anything not typewritten had seemed very attractive, but rapidly they realized this was too Draconian. On the other hand as more sackloads arrived, they knew they had to have some rules of inadmissibility. 'Nothing in green ink,' said Dee. 'Nothing on less than A5,' said Rye. 'Nothing handwritten where the letters aren't joined up.' 'Nothing without meaningful punctuation.' 'Nothing which requires use of a magnifying glass.' 'Nothing that has organic matter adhering to it,' said Rye, picking up a sheet which looked as if it had recently lined a cat tray. Then she'd thought that perhaps the offending stain had come from some baby whose housebound mother was desperately trying to be creative at feeding time, and residual guilt had made her protest strongly when Dick had gone on, 'And nothing sexually explicit or containing four-letter words.' He had listened to her liberal arguments with great patience, showing no resentment of her implied accusation that he was at best a frump, at worst a fascist. When she finished, he said mildly, 'Rye, I agree with you that there is nothing depraved, disgusting or even distasteful about a good fuck. But as I know beyond doubt that there's no way any story containing either a description of the act or a derivative of the word is going to get published in the Gazette, it seems to me a useful filter device. Of course, if you want to read every word of every story ...' The arrival of yet another sackful from the Gazette had been a clincher. A week later, with stories still pouring in and nine days to go before the competition closed, she had become much more dismissive than Dee, spinning scripts across to the dump bin after an opening paragraph, an opening sentence even, or, in some cases, just the tide, while he read through nearly all of his and was building a much higher possibles pile. Now she looked at the script he had interrupted her with and said, 'First Dialogue? That mean there's going to be more?' 'Poetic licence, I expect. Anyway, read it. I'd be interested to hear what you think.' A new voice interrupted them. 'Found the new Maupassant yet, Dick?' Suddenly the light was blocked out as a long lean figure loomed over Rye from behind. She didn't need to look up to know this was Charley Penn, one of the reference library's regulars and the nearest thing MidYorkshire had to a literary lion. He'd written a moderately success ful series of what he called historical romances and the critics bodice-rippers, set against the background of revolutionary Europe in the decades leading-up to 1848, with a hero loosely based on the German poet Heine. These had been made into a popular TV series where the ripping of bodices was certainly rated higher than either history or even romance. His regular attendance in the reference library had nothing to do with the pursuit of verisimilitude in his fictions. In his cups he had been heard to say of his readers, 'You can tell the buggers owt. What do they know?' though in fact he had acquired a wide knowledge of the period in question through the 'real' work he'd been researching now for many years, which was a critical edition with metrical translation of Heine's poems. Rye had been surprised to learn that he was a school contemporary of Dick Dee. The ten years which Dee's equanimity of temperament erased from his forty-something seemed to have been dumped on Penn, whose hollow cheeks, deep-set eyes and unkempt beard gave him the look of an old Viking who'd ravished and pillaged a raid too far. 'Probably not,' said Dee. 'Be glad of your professional opinion though, Charley.' Penn moved round the table so that he was looking down at Rye and showed uneven teeth in what she called his smarl, assuming he intended it as a smile and couldn't help that it came out like a snarl. 'Not unless you've got a sudden budget surplus.' When it came to professional-opinions, or indeed any activity connected with his profession, Charley Penn's insistence that time equalled money made lawyers seem openhanded. 'So how can I help you?' said Dee. 'Those articles you were tracking down for me, any sign yet?' Penn had no difficulty squaring his assertion that the labourer was worthy his hire with using Dee as his unpaid research assistant, but the librarian never complained. 'I'll just check to see if there's anything in today's post,' he said. He rose and went into the office behind the desk. Penn remained, his gaze fixed on Rye. She looked back unblinkingly and said, 'Yes? >From time to time she'd caught the old Viking looking at her like he was once more feeling the call of the sea, though so far he'd stopped short of rapine and pillage. In fact his preferred model seemed to be that guy in the play (what the hell was his name?) who went around the Forest of Arden, pinning poems to trees. From time to time scraps of Penn's Heine translations would be put in her way. She'd open a file or pick up a book and there would be a few lines about a despairing lover staring down at himself staring up at his beloved's window or a lonely northern fir-tree pining for the hand of an unattainably distant palm. Their presence was explained, if explanation were demanded, by inadvertence, accompanied by a knowing version of the smarl which was what she got now as Penn said, 'Enjoy,' and went after Dee. Now Rye gave her full attention to the 'First Dialogue', skimming through it rapidly, then reading it again more slowly. By the time she'd finished, Dee had returned and Penn was back in his usual seat in one of the study alcoves from which he