Delphi Complete Works of the Brontes Charlotte, Emily, Anne Brontë (Illustrated) (241 page)

What English guests Hunsden invites, are all either men of Birmingham or Manchester — hard men, seemingly knit up in one thought, whose talk is of free trade. The foreign visitors, too, are politicians; they take a wider theme — European progress — the spread of liberal sentiments over the Continent; on their mental tablets, the names of Russia, Austria, and the Pope, are inscribed in red ink. I have heard some of them talk vigorous sense — yea, I have been present at polyglot discussions in the old, oak-lined dining-room at Hunsden Wood, where a singular insight was given of the sentiments entertained by resolute minds respecting old northern despotisms, and old southern superstitions: also, I have heard much twaddle, enounced chiefly in French and Deutsch, but let that pass. Hunsden himself tolerated the drivelling theorists; with the practical men he seemed leagued hand and heart.

When Hunsden is staying alone at the Wood (which seldom happens) he generally finds his way two or three times a week to Daisy Lane. He has a philanthropic motive for coming to smoke his cigar in our porch on summer evenings; he says he does it to kill the earwigs amongst the roses, with which insects, but for his benevolent fumigations, he intimates we should certainly be overrun. On wet days, too, we are almost sure to see him; according to him, it gets on time to work me into lunacy by treading on my mental corns, or to force from Mrs. Crimsworth revelations of the dragon within her, by insulting the memory of Hofer and Tell.

We also go frequently to Hunsden Wood, and both I and Frances relish a visit there highly. If there are other guests, their characters are an interesting study; their conversation is exciting and strange; the absence of all local narrowness both in the host and his chosen society gives a metropolitan, almost a cosmopolitan freedom and largeness to the talk. Hunsden himself is a polite man in his own house: he has, when he chooses to employ it, an inexhaustible power of entertaining guests; his very mansion too is interesting, the rooms look storied, the passages legendary, the low-ceiled chambers, with their long rows of diamond-paned lattices, have an old-world, haunted air: in his travels he has collected stores of articles of VERTU, which are well and tastefully disposed in his panelled or tapestried rooms: I have seen there one or two pictures, and one or two pieces of statuary which many an aristocratic connoisseur might have envied.

When I and Frances have dined and spent an evening with Hunsden, he often walks home with us. His wood is large, and some of the timber is old and of huge growth. There are winding ways in it which, pursued through glade and brake, make the walk back to Daisy Lane a somewhat long one. Many a time, when we have had the benefit of a full moon, and when the night has been mild and balmy, when, moreover, a certain nightingale has been singing, and a certain stream, hid in alders, has lent the song a soft accompaniment, the remote church-bell of the one hamlet in a district of ten miles, has tolled midnight ere the lord of the wood left us at our porch. Free-flowing was his talk at such hours, and far more quiet and gentle than in the day-time and before numbers. He would then forget politics and discussion, and would dwell on the past times of his house, on his family history, on himself and his own feelings — subjects each and all invested with a peculiar zest, for they were each and all unique. One glorious night in June, after I had been taunting him about his ideal bride and asking him when she would come and graft her foreign beauty on the old Hunsden oak, he answered suddenly —

“You call her ideal; but see, here is her shadow; and there cannot be a shadow without a substance.”

He had led us from the depth of the “winding way” into a glade from whence the beeches withdrew, leaving it open to the sky; an unclouded moon poured her light into this glade, and Hunsden held out under her beam an ivory miniature.

Frances, with eagerness, examined it first; then she gave it to me — still, however, pushing her little face close to mine, and seeking in my eyes what I thought of the portrait. I thought it represented a very handsome and very individual-looking female face, with, as he had once said, “straight and harmonious features.” It was dark; the hair, raven-black, swept not only from the brow, but from the temples — seemed thrust away carelessly, as if such beauty dispensed with, nay, despised arrangement. The Italian eye looked straight into you, and an independent, determined eye it was; the mouth was as firm as fine; the chin ditto. On the back of the miniature was gilded “Lucia.”

“That is a real head,” was my conclusion.

Hunsden smiled.

“I think so,” he replied. “All was real in Lucia.”

“And she was somebody you would have liked to marry — but could not?”

“I should certainly have liked to marry her, and that I HAVE not done so is a proof that I COULD not.”

He repossessed himself of the miniature, now again in Frances’ hand, and put it away.

“What do YOU think of it?” he asked of my wife, as he buttoned his coat over it.

“I am sure Lucia once wore chains and broke them,” was the strange answer. “I do not mean matrimonial chains,” she added, correcting herself, as if she feared mis-interpretation, “but social chains of some sort. The face is that of one who has made an effort, and a successful and triumphant effort, to wrest some vigorous and valued faculty from insupportable constraint; and when Lucia’s faculty got free, I am certain it spread wide pinions and carried her higher than — “ she hesitated.

“Than what?” demanded Hunsden.

“Than ‘les convenances’ permitted you to follow.”

“I think you grow spiteful — impertinent.”

“Lucia has trodden the stage,” continued Frances. “You never seriously thought of marrying her; you admired her originality, her fearlessness, her energy of body and mind; you delighted in her talent, whatever that was, whether song, dance, or dramatic representation; you worshipped her beauty, which was of the sort after your own heart: but I am sure she filled a sphere from whence you would never have thought of taking a wife.”

“Ingenious,” remarked Hunsden; “whether true or not is another question. Meantime, don’t you feel your little lamp of a spirit wax very pale, beside such a girandole as Lucia’s?”

“Yes.”

“Candid, at least; and the Professor will soon be dissatisfied with the dim light you give?”

“Will you, monsieur?”

“My sight was always too weak to endure a blaze, Frances,” and we had now reached the wicket.

I said, a few pages back, that this is a sweet summer evening; it is — there has been a series of lovely days, and this is the loveliest; the hay is just carried from my fields, its perfume still lingers in the air. Frances proposed to me, an hour or two since, to take tea out on the lawn; I see the round table, loaded with china, placed under a certain beech; Hunsden is expected — nay, I hear he is come — there is his voice, laying down the law on some point with authority; that of Frances replies; she opposes him of course. They are disputing about Victor, of whom Hunsden affirms that his mother is making a milksop. Mrs. Crimsworth retaliates: —

“Better a thousand times he should be a milksop than what he, Hunsden, calls ‘a fine lad;’ and moreover she says that if Hunsden were to become a fixture in the neighbourhood, and were not a mere comet, coming and going, no one knows how, when, where, or why, she should be quite uneasy till she had got Victor away to a school at least a hundred miles off; for that with his mutinous maxims and unpractical dogmas, he would ruin a score of children.”

I have a word to say of Victor ere I shut this manuscript in my desk — but it must be a brief one, for I hear the tinkle of silver on porcelain.

Victor is as little of a pretty child as I am of a handsome man, or his mother of a fine woman; he is pale and spare, with large eyes, as dark as those of Frances, and as deeply set as mine. His shape is symmetrical enough, but slight; his health is good. I never saw a child smile less than he does, nor one who knits such a formidable brow when sitting over a book that interests him, or while listening to tales of adventure, peril, or wonder, narrated by his mother, Hunsden, or myself. But though still, he is not unhappy — though serious, not morose; he has a susceptibility to pleasurable sensations almost too keen, for it amounts to enthusiasm. He learned to read in the old-fashioned way out of a spelling-book at his mother’s knee, and as he got on without driving by that method, she thought it unnecessary to buy him ivory letters, or to try any of the other inducements to learning now deemed indispensable. When he could read, he became a glutton of books, and is so still. His toys have been few, and he has never wanted more. For those he possesses, he seems to have contracted a partiality amounting to affection; this feeling, directed towards one or two living animals of the house, strengthens almost to a passion.

Mr. Hunsden gave him a mastiff cub, which he called Yorke, after the donor; it grew to a superb dog, whose fierceness, however, was much modified by the companionship and caresses of its young master. He would go nowhere, do nothing without Yorke; Yorke lay at his feet while he learned his lessons, played with him in the garden, walked with him in the lane and wood, sat near his chair at meals, was fed always by his own hand, was the first thing he sought in the morning, the last he left at night. Yorke accompanied Mr. Hunsden one day to X —
 
— , and was bitten in the street by a dog in a rabid state. As soon as Hunsden had brought him home, and had informed me of the circumstance, I went into the yard and shot him where he lay licking his wound: he was dead in an instant; he had not seen me level the gun; I stood behind him. I had scarcely been ten minutes in the house, when my ear was struck with sounds of anguish: I repaired to the yard once more, for they proceeded thence. Victor was kneeling beside his dead mastiff, bent over it, embracing its bull-like neck, and lost in a passion of the wildest woe: he saw me.

“Oh, papa, I’ll never forgive you! I’ll never forgive you!” was his exclamation. “You shot Yorke — I saw it from the window. I never believed you could be so cruel — I can love you no more!”

I had much ado to explain to him, with a steady voice, the stern necessity of the deed; he still, with that inconsolable and bitter accent which I cannot render, but which pierced my heart, repeated —

“He might have been cured — you should have tried — you should have burnt the wound with a hot iron, or covered it with caustic. You gave no time; and now it is too late — he is dead!”

He sank fairly down on the senseless carcase; I waited patiently a long while, till his grief had somewhat exhausted him; and then I lifted him in my arms and carried him to his mother, sure that she would comfort him best. She had witnessed the whole scene from a window; she would not come out for fear of increasing my difficulties by her emotion, but she was ready now to receive him. She took him to her kind heart, and on to her gentle lap; consoled him but with her lips, her eyes, her soft embrace, for some time; and then, when his sobs diminished, told him that Yorke had felt no pain in dying, and that if he had been left to expire naturally, his end would have been most horrible; above all, she told him that I was not cruel (for that idea seemed to give exquisite pain to poor Victor), that it was my affection for Yorke and him which had made me act so, and that I was now almost heart-broken to see him weep thus bitterly.

Victor would have been no true son of his father, had these considerations, these reasons, breathed in so low, so sweet a tone — married to caresses so benign, so tender — to looks so inspired with pitying sympathy — produced no effect on him. They did produce an effect: he grew calmer, rested his face on her shoulder, and lay still in her arms. Looking up, shortly, he asked his mother to tell him over again what she had said about Yorke having suffered no pain, and my not being cruel; the balmy words being repeated, he again pillowed his cheek on her breast, and was again tranquil.

Some hours after, he came to me in my library, asked if I forgave him, and desired to be reconciled. I drew the lad to my side, and there I kept him a good while, and had much talk with him, in the course of which he disclosed many points of feeling and thought I approved of in my son. I found, it is true, few elements of the “good fellow” or the “fine fellow” in him; scant sparkles of the spirit which loves to flash over the wine cup, or which kindles the passions to a destroying fire; but I saw in the soil of his heart healthy and swelling germs of compassion, affection, fidelity. I discovered in the garden of his intellect a rich growth of wholesome principles — reason, justice, moral courage, promised, if not blighted, a fertile bearing. So I bestowed on his large forehead, and on his cheek — still pale with tears — a proud and contented kiss, and sent him away comforted. Yet I saw him the next day laid on the mound under which Yorke had been buried, his face covered with his hands; he was melancholy for some weeks, and more than a year elapsed before he would listen to any proposal of having another dog.