Delphi Complete Works of Robert Burns (Illustrated) (Delphi Poets Series) (188 page)

BOOK: Delphi Complete Works of Robert Burns (Illustrated) (Delphi Poets Series)
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There have been many comments on this turning-point in Burns’ life. Some have given him high praise for it, as though he had done a heroic thing in voluntarily sacrificing himself, when it might have been open to him to form a much higher connexion. But all such praise seems entirely thrown away. It was not, as it appears, open to him to form any other marriage legally; certainly it was not open to him morally. The remark of Lockhart is entirely true, that, “had he hesitated to make her his wife, whom he loved, and who was the mother of his children, he must have sunk into the callousness of a ruffian.”
Lockhart need hardly have added, “or into that misery of miseries, the remorse of a poet.”

But even had law and morality allowed him to pass by Jean, — which they did not, — would it have been well for Burns, if he had sought, as one of his biographers regrets that he had not done, a wife among ladies of higher rank and more refined manners? That he could appreciate what these things imply, is evident from his own confession in looking back on his introduction to what is called society: “A refined and accomplished woman was a being altogether new to me, and of which I had formed a very inadequate idea.” It requires but little knowledge of the world and its ways to see the folly of all such regrets. Great disparity of condition in marriage seldom answers. And in the case of a wayward, moody man, with the pride, the poverty, and the irregularities of Burns, and the drudging toil which must needs await his wife, it is easy to see what misery such a marriage would have stored up for both. As it was, the marriage he made was, to put it at the lowest, one of the most prudent acts of his life. Jean proved to be all, and indeed more than all, he anticipates in the letters above given. During the eight years of their married life, according to all testimony, she did her part as a wife and mother with the most patient and placid fidelity, and bore the trials which her husband’s irregular habits entailed on her, with the utmost long-suffering. And after his death, during her long widowhood, she revered his memory, and did her utmost to maintain the honour of his name.

With his marriage to his Ayrshire wife, Burns had bid farewell to Edinburgh, and to whatever high hopes it may have at anytime kindled within him, and had returned to a condition somewhat nearer to that in which he was born. With
what feelings did he pass from this brilliant interlude, and turn the corner which led him back to the dreary road of commonplace drudgery, which he hoped to have escaped? There can be little doubt that his feelings were those of bitter disappointment. There had been, it is said, a marked contrast between the reception he had met with during his first and second winters in Edinburgh. As Allan Cunningham says, “On his first appearance the doors of the nobility opened spontaneously, ‘on golden hinges turning,’ and he ate spiced meats and drank rare wines, interchanging nods and smiles with high dukes and mighty earls. A colder reception awaited his second coming. The doors of lords and ladies opened with a tardy courtesy; he was received with a cold and measured stateliness, was seldom requested to stop, seldomer to repeat his visit; and one of his companions used to relate with what indignant feeling the poet recounted his fruitless calls and his uncordial receptions in the good town of Edinburgh.... He went to Edinburgh strong in the belief that genius such as his would raise him in society; he returned not without a sourness of spirit, and a bitterness of feeling.”

When he did give vent to his bitterness, it was not into man’s, but into woman’s sympathetic ear that he poured his complaint. It is thus he writes, some time after settling at Ellisland, to Mrs. Dunlop, showing how fresh was still the wound within. “When I skulk into a corner lest the rattling equipage of some gaping blockhead should mangle me in the mire, I am tempted to exclaim, ‘What merits has he had, or what demerit have I had, in some previous state of existence, that he is ushered into this state of being with the sceptre of rule, and the keys of riches in his puny fist, and I am kicked into the world, the sport
of folly, or the victim of pride?... Often as I have glided with humble stealth through the pomp of Princes Street, it has suggested itself to me, as an improvement on the present human figure, that a man, in proportion to his own conceit of his own consequence in the world, could have pushed out the longitude of his common size, as a snail pushes out his horns, or as we draw out a prospect-glass.’”

This is a feeling which Burns has uttered in many a form of prose and verse, but which probably never possessed him more bitterly than when he retired from Edinburgh. Many persons in such circumstances may have felt thoughts of this kind pass over them for a moment. But they have felt ashamed of them as they rose, and have at once put them by. Burns no doubt had a severer trial in this way than most, but he never could overcome it, never ceased to chafe at that inequality of conditions which is so strongly fixed in the system in which we find ourselves.

It was natural that he should have felt some bitterness at the changed countenance which Edinburgh society turned on him, and it is easy to be sarcastic on the upper ranks of that day for turning it; but were they really so much to blame? There are many cases under the present order of things, in which we are constrained to say, “It must needs be that offences come.” Taking men and things as they are, could it well have been otherwise?

First, the novelty of Burns’s advent had worn off by his second winter in Edinburgh, and, though it may be a weakness, novelty always counts for something in human affairs. Then, again, the quiet decorous men of Blair’s circle knew more of Burns’s ways and doings than at first, and what they came to know was not likely to increase their
desire for intimacy with him. It was, it seems, notorious that Burns kept that formidable memorandum-book already alluded to, in which he was supposed to sketch with unsparing hand, “stern likenesses” of his friends and benefactors. So little of a secret did he make of this, that we are told he sometimes allowed a visitor to have a look at the figures which he had sketched in his portrait-gallery. The knowledge that such a book existed was not likely to make Blair and his friends more desirous of his society.

Again, the festivities at the Crochallan Club and other such haunts, the habits he there indulged in, and the associates with whom he consorted, these were well known. And it was not possible that either the ways, the conversation, or the cronies of the Crochallan Club could be welcomed in quieter and more polished circles. Men of the Ainslie and Nicol stamp would hardly have been quite in place there.

Again — what is much to the honour of Burns — he never in the highest access of his fame, abated a jot of his intimacy and friendship towards the men of his own rank, with whom he had been associated in his days of obscurity. These were tradesmen, farmers, and peasants. The thought of them, their sentiments, their prejudices and habits, if it had been possible, their very persons, he would have taken with him, without disguise or apology, into the highest circles of rank or of literature. But this might not be. It was impossible that Burns could take Mauchline with its belles, its Poosie-Nansies and its Souter Johnnies, bodily into the library of Dr. Blair or the drawing-room of Gordon Castle.

A man, to whom it is open, must make his choice; but he cannot live at once in two different and widely sundered
orders of society. To no one is it given, not even to men of genius great as that of Burns, for himself and his family entirely to overleap the barriers with which custom and the world have hedged us in, and to weld the extremes of society into one. To the speculative as well as to the practically humane man, the great inequality in human conditions presents, no doubt, a perplexing problem. A little less worldly pride, and a little more Christian wisdom and humility, would probably have helped Burns to solve it better than he did. But besides the social grievance, which though impalpable is very real, Burns had another more material and tangible. The great whom he had met in Edinburgh, whose castles he had visited in the country, might have done something to raise him at once above poverty and toil, and they did little or nothing. They had, indeed, subscribed liberally for his Second Edition, and they had got him a gauger’s post, with fifty or sixty pounds a year, that was all. What more could they, ought they to have done? To have obtained him an office in some one of the higher professions was not to be thought of, for a man cannot easily at the age of eight-and-twenty change his whole line and adapt himself to an entirely new employment. The one thing they might have combined to do, was to have compelled Dundas, or some other of the men then in power, to grant Burns a pension from the public purse. That was the day of pensions, and hundreds with no claim to compare with Burns’s were then on the pension list: 300
l.
a year would have sufficed to place him in comfort and independence, and could public money have been better spent? But though the most rigid economist might not have objected, would Burns have accepted such a benefaction, had it been offered? And if he had accepted
it, would he not have chafed under the obligation, more even than he did in the absence of it? Such questions as these cannot but arise, as often as we think over the fate of Burns, and ask ourselves, if nothing could have been done to avert it? Though natural, they are vain. Things hold on their own course to their inevitable issues, and Burns left Edinburgh, and set his face first towards Ayrshire, then to Nithsdale, a saddened and embittered man.

CHAPTER
V. LIFE AT ELLISLAND
.

 

“Mr. Burns, you have made a poet’s not a farmer’s choice.” Such was the remark of Allan Cunningham’s father, land-steward to the laird of Dalswinton, when the poet turned from the low-lying and fertile farm of Foregirth, which Cunningham had recommended to him, and selected for his future home the farm of Ellisland. He was taken by the beautiful situation and fine romantic outlook of the poorest of several farms on the Dalswinton estate which were in his option. Ellisland lies on the western bank of the river Nith, about six miles above Dumfries. Looking from Ellisland eastward across the river, “a pure stream running there over the purest gravel,” you see the rich holms and noble woods of Dalswinton. Dalswinton is an ancient historic place, which has even within recorded memory more than once changed its mansion-house and its proprietor. To the west the eye falls on the hills of Dunscore, and looking northward up the Nith, the view is bounded by the heights that shut in the river towards Drumlanrig, and by the high conical hill of Corsincon, at the base of which the infant stream slips from the shire of Ayr into that of Dumfries. The farmsteading of Ellisland stands but a few yards to the west of the Nith. Immediately underneath there is a red scaur of considerable
height, overhanging the stream, and the rest of the bank is covered with broom, through which winds a greensward path, whither Burns used to retire to meditate his songs. The farm extends to upwards of a hundred acres, part holm, part croft-land, of which the former yielded good wheat, the latter oats and potatoes. The lease was for nineteen years, and the rent fifty pounds for the first three years, seventy for the rest of the tack. The laird of Dalswinton, while Burns leased Ellisland, was Mr. Patrick Millar, not an ordinary laird, but one well known in his day for his scientific discoveries. There was no proper farm-house or offices on the farm — it was part of the bargain that Burns should build these for himself. The want of a house made it impossible for him to settle at once on his farm. His bargain for it had been concluded early in March (1788); but it was not till the 13th of June that he went to reside at Ellisland. In the interval between these two dates he went to Ayrshire, and completed privately, as we have seen, the marriage, the long postponement of which had caused him so much disquiet. With however great disappointment and chagrin he may have left Edinburgh, the sense that he had now done the thing that was right, and had the prospect of a settled life before him, gave him for a time a peace and even gladness of heart, to which he had for long been a stranger. We can, therefore, well believe what he tells us, that, when he had left Edinburgh, he journeyed towards Mauchline with as much gaiety of heart, ‘as a May-frog, leaping across the newly-harrowed ridge, enjoying the fragrance of the refreshed earth after the long-expected shower.’ Of what may be called the poet’s marriage settlement, we have the following details from Allan Cunningham: —

“His
marriage reconciled the poet to his wife’s kindred: there was no wedding portion. Armour was a respectable man, but not opulent. He gave his daughter some small store of plenishing; and, exerting his skill as a mason, wrought his already eminent son-in-law a handsome punch-bowl in Inverary marble, which Burns lived to fill often, to the great pleasure both of himself and his friends.... Mrs. Dunlop bethought herself of Ellisland, and gave a beautiful heifer; another friend contributed a plough. The young couple from love to their native county ordered their furniture from a wright in Mauchline; the farm-servants, male and female, were hired in Ayrshire, a matter of questionable prudence, for the mode of cultivation is different from that of the west, and the cold humid bottom of Mossgiel bears no resemblance to the warm and stony loam of Ellisland.”

When on the 13th June he went to live on his farm, he had, as there was no proper dwelling-house on it, to leave Jean and her one surviving child behind him at Mauchline, and himself to seek shelter in a mere hovel on the skirts of the farm. “I remember the house well,” says Cunningham, “the floor of clay, the rafters japanned with soot, the smoke from a hearth-fire streamed thickly out at door and window, while the sunshine which struggled in at those apertures produced a sort of twilight.” Burns thus writes to Mrs. Dunlop, “A solitary inmate of an old smoky spence, far from every object I love or by whom I am beloved; nor any acquaintance older than yesterday, except Jenny Geddes, the old mare I ride on, while uncouth cares and novel plans hourly insult my awkward ignorance and bashful inexperience.” It takes a more even, better-ordered spirit than Burns’ to stand such solitude. His heart, during those first weeks at
Ellisland, entirely sank within him, and he saw all men and life coloured by his own despondency. This is the entry in his commonplace book on the first Sunday he spent alone at Ellisland:— “I am such a coward in life, so tired of the service, that I would almost at any time, with Milton’s Adam, ‘gladly lay me in my mother’s lap, and be at peace.’ But a wife and children bind me to struggle with the stream, till some sudden squall shall overset the silly vessel, or in the listless return of years its own craziness reduce it to wreck.”

The discomfort of his dwelling-place made him not only discontented with his lot, but also with the people amongst whom he found himself. “I am here,” he writes, “on my farm, but for all the pleasurable part of life called social communication, I am at the very elbow of existence. The only things to be found in perfection in this country are stupidity and canting.... As for the Muses, they have as much idea of a rhinoceros as a poet.”

When he was not in Ayrshire in bodily presence, he was there in spirit. It was at such a time that looking up to the hills that divide Nithsdale from Ayrshire, he breathed to his wife that most natural and beautiful of all his love-lyrics, —

Of a’ the airts the wind can blaw
I dearly like the west,
For there the bonnie lassie lives,
The lassie I lo’e best.

 

His disparagement of Nithsdale people, Allan Cunningham, himself a Dumfriesshire man, naturally resents, and accounts for it by supposing that the sooty hovel had infected his whole mental atmosphere. “The Maxwells, the Kirkpatricks, and Dalzells,” exclaims honest Allan, “were fit companions for any man in Scotland, and they were
almost his neighbours; Riddell of Friars Carse, an accomplished antiquarian, lived almost next door; and Jean Lindsay and her husband, Patrick Miller, the laird of Dalswinton, were no ordinary people. The former, beautiful, accomplished, a writer of easy and graceful verses, with a natural dignity of manners which became her station; the latter an improver and inventor, the first who applied steam to the purposes of navigation.” But Burns’s hasty judgments of men and things, the result of momentary feeling, are not to be too literally construed.

He soon found that there was enough of sociality among all ranks of Dumfriesshire people, from the laird to the cotter, indeed, more than was good for himself. Yet, however much he may have complained, when writing letters to his correspondents of an evening, he was too manly to go moping about all day long when there was work to be done. He was, moreover, nerved to the task by the thought that he was preparing the home that was to shelter his wife and children. On the laying of the foundation-stone of his future house, he took off his hat and asked a blessing on it. “Did he ever put his own hand to the work?” was asked of one of the men engaged in it. “Ay, that he did, mony a time,” was the answer, “if he saw us like to be beat wi’ a big stane, he would cry, ‘Bide a wee,’ and come rinning. We soon found out when he put to his hand, he beat a’ I ever met for a dour lift.”

During his first harvest, though the weather was unfavourable, and the crop a poor one, we find Burns speaking in his letters of being industriously employed, and binding every day after the reapers. But Allan Cunningham’s father, who had every opportunity of observing, used to allege that Burns seemed to him like a restless and
unsettled man. “He was ever on the move, on foot or on horseback. In the course of a single day he might be seen holding the plough, angling in the river, sauntering, with his hands behind his back, on the banks, looking at the running water, of which he was very fond, walking round his buildings or over his fields; and if you lost sight of him for an hour, perhaps you might see him returning from Friars Carse, or spurring his horse through the hills to spend an evening in some distant place with such friends as chance threw in his way.” Before his new house was ready, he had many a long ride to and fro through the Cumnock hills to Mauchline, to visit Jean, and to return. It was not till the first week of December, 1788, that his lonely bachelor life came to an end, and that he was able to bring his wife and household to Nithsdale. Even then the house at Ellisland was not ready for his reception, and he and his family had to put up for a time in a neighbouring farm-house called the Isle. They brought with them two farm-lads from Ayrshire, and a servant lass called Elizabeth Smith, who was alive in 1851, and gave Chambers many details of the poet’s way of life at Ellisland. Among these she told him that her father was so concerned about her moral welfare that, before allowing her to go, he made Burns promise to keep a strict watch over her behaviour, and to exercise her duly in the Shorter Catechism; and that both of these promises he faithfully fulfilled.

The advent of his wife and his child in the dark days of the year kept dulness aloof, and made him meet the coming of the new year (1789) with more cheerful hopes and calmer spirits than he had known for long. Alas, that these were doomed to be so short-lived!

On New Year’s morning, 1789, his brother Gilbert thus
affectionately writes to the poet: “Dear Brother, — I have just finished my New Year’s Day breakfast in the usual form, which naturally makes me call to mind the days of former years, and the society in which we used to begin them; and when I look at our family vicissitudes, ‘through the dark postern of time long elapsed,’ I cannot help remarking to you, my dear brother, how good the God of seasons is to us, and that, however some clouds may seem to lower over the portion of time before us, we have great reason to hope that all will turn out well.” On the same New Year’s Day Burns addressed to Mrs. Dunlop a letter, which, though it has been often quoted, is too pleasing to be omitted here. “I own myself so little a Presbyterian, that I approve set times and seasons of more than ordinary acts of devotion for breaking in on that habituated routine of life and thought, which is so apt to reduce our existence to a kind of instinct, or even sometimes, and with some minds, to a state very little superior to mere machinery. This day — the first Sunday of May — a breezy, blue-skied noon some time about the beginning, and a hoary morning and calm sunny day about the end, of autumn — these, time out of mind, have been with me a kind of holiday.... We know nothing, or next to nothing of the substance or structure of our souls, so cannot account for those seeming caprices in them, that we should be particularly pleased with this thing, or struck with that, which on minds of a different cast makes no extraordinary impression. I have some favourite flowers in spring, among which are the mountain-daisy, the harebell, the fox-glove, the wild-brier rose, the budding birch, and the hoary hawthorn, that I view and hang over with particular delight. I never hear the loud, solitary whistle of the curlew in a summer
noon, or the wild mixing cadence of a troop of gray plovers in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing? Are we a piece of machinery, which, like the Æolian harp, passive, takes the impression of the passing accident? Or do these workings argue something within us above the trodden clod? I own myself partial to such proofs of those awful and important realities — a God that made all things — man’s immaterial and immortal nature — and a world of weal or woe beyond death and the grave!”

On reading this beautiful and suggestive letter, an ornithologist remarked that Burns had made a mistake in a fact of natural history. It is not the ‘gray plover,’ but the golden, whose music is heard on the moors in autumn. The gray plover, our accurate observer remarks, is a winter shore bird, found only at that season and in that habitat, in this country.

It was not till about the middle of 1789 that the farm-house of Ellisland was finished, and that he and his family, leaving the Isle, went to live in it. When all was ready, Burns bade his servant, Betty Smith, take a bowl of salt, and place the Family Bible on the top of it, and, bearing these, walk first into the new house and possess it. He himself, with his wife on his arm, followed Betty and the Bible and the salt, and so they entered their new abode. Burns delighted to keep up old-world
freits
or usages like this. It was either on this occasion, or on his bringing Mrs. Burns to the Isle, that he held a house-heating mentioned by Allan Cunningham, to which all the neighbourhood gathered, and drank, “Luck to the roof-tree of the house of Burns!” The farmers and the well-to-do people welcomed him gladly,
and were proud that such a man had come to be a dweller in their vale. Yet the ruder country lads and the lower peasantry, we are told, looked on him not without dread, “lest he should pickle and preserve them in sarcastic song.” “Once at a penny wedding, when one or two wild young lads quarrelled, and were about to fight, Burns rose up and said, ‘Sit down and —— , or else I’ll hang you up like potatoe-bogles in sang to-morrow.’ They ceased, and sat down as if their noses had been bleeding.”

The house which had cost Burns so much toil in building, and which he did not enter till about the middle of the year 1789, was a humble enough abode. Only a large kitchen, in which the whole family, master and servants, took their meals together, a room to hold two beds, a closet to hold one, and a garret, coom-ceiled, for the female servants, this made the whole dwelling-house. “One of the windows looked southward down the holms; another opened on the river; and the house stood so near the lofty bank, that its afternoon shadow fell across the stream, on the opposite fields. The garden or kail-yard was a little way from the house. A pretty footpath led southward along the river side, another ran northward, affording fine views of the Nith, the woods of Friars Carse, and the grounds of Dalswinton. Half-way down the steep declivity, a fine clear cool spring supplied water to the household.” Such was the first home which Burns found for himself and his wife, and the best they were ever destined to find. The months spent in the Isle, and the few that followed the settlement at Ellisland, were among the happiest of his life. Besides trying his best to set himself to farm-industry, he was otherwise bent on well-doing. He had, soon after his arrival in Ellisland, started
a parish library, both for his own use and to spread a love of literature among his neighbours, the portioners and peasants of Dunscore. When he first took up house at Ellisland, he used every evening when he was at home, to gather his household for family worship, and, after the old Scottish custom, himself to offer up prayer in his own words. He was regular, if not constant, in his attendance at the parish church of Dunscore, in which a worthy minister, Mr. Kirkpatrick, officiated, whom he respected for his character, though he sometimes demurred to what seemed to him the too great sternness of his doctrine.

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