Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (619 page)

BOOK: Delphi Complete Works of Nathaniel Hawthorne (Illustrated)
9.89Mb size Format: txt, pdf, ePub

 

My nerves recently have not been in an exactly quiet and normal state. I begin to weary of England and need another clime.

 

September 6th. — I think I paid my last visit to the Exhibition, and feel as if I had had enough of it, although I have got but a small part of the profit it might have afforded me. But pictures are certainly quite other things to me now from what they were at my first visit; it seems even as if there were a sort of illumination within them, that makes me see them more distinctly. Speaking of pictures, the miniature of Anne of Cleves is here, on the faith of which Henry VIII. married her; also, the picture of the Infanta of Spain, which Buckingham brought over to Charles I. while Prince of Wales. This has a delicate, rosy prettiness.

 

One rather interesting portion of the Exhibition is the Refreshment-room, or rather rooms; for very much space is allowed both to the first and second classes. I have looked most at the latter, because there John Ball and his wife may be seen in full gulp aid guzzle, swallowing vast quantities of cold boiled beef, thoroughly moistened with porter or bitter ale; and very good meat and drink it is.

 

At my last visit, on Friday, I met Judge Pollock of Liverpool, who introduced me to a gentleman in a gray slouched hat as Mr. Du Val, an artist, resident in Manchester; and Mr. Du Val invited me to dine with him at six o'clock. So I went to Carlton Grove, his residence, and found it a very pretty house, with its own lawn and shrubbery about it. . . . There was a mellow fire in the grate, which made the drawing-room very cosey and pleasant, as the dusk came on before dinner. Mr. Du Val looked like an artist, and like a remarkable man. . . . We had very good talk, chiefly about the Exhibition, and Du Val spoke generously and intelligently of his brother-artists. He says that England might furnish five exhibitions, each one as rich as the present. I find that the most famous picture here is one that I have hardly looked at, “The Three Marys,” by Annibal Caracci. In the drawing-room there were several pictures and sketches by Du Val, one of which I especially liked, — a misty, moonlight picture of the Mersey, near Seacombe. I never saw painted such genuine moonlight. . . .

 

I took my leave at half past ten, and found my cab at the door, and my cabman snugly asleep inside of it; and when Mr. Du Val awoke him, he proved to be quite drunk, insomuch that I hesitated whether to let him clamber upon the box, or to take post myself, and drive the cabman home. However, I propounded two questions to him: first, whether his horse would go of his own accord; and, secondly, whether he himself was invariably drunk at that time of night, because, if it were his normal state, I should be safer with him drunk than sober. Being satisfied on these points, I got in, and was driven home without accident or adventure; except, indeed, that the cabman drew up and opened the door for me to alight at a vacant lot on Stratford Road, just as if there had been a house and home and cheerful lighted windows in that vacancy. On my remonstrance he resumed the whip and reins, and reached Boston Terrace at last; and, thanking me for an extra sixpence as well as he could speak, he begged me to inquire for “Little John” whenever I next wanted a cab. Cabmen are, as a body, the most ill-natured and ungenial men in the world; but this poor little man was excellently good-humored.

 

Speaking of the former rudeness of manners, now gradually refining away, of the Manchester people, Judge —
 

 
— said that, when he first knew Manchester, women, meeting his wife in the street, would take hold of her dress and say, “Ah, three and sixpence a yard!” The men were very rough, after the old Lancashire fashion. They have always, however, been a musical people, and this may have been a germ of refinement in them. They are still much more simple and natural than the Liverpool people, who love the aristocracy, and whom they heartily despise. It is singular that the great Art-Exhibition should have come to pass in the rudest great town in England.

LEAMINGTON.

 

Lansdowne Cirrus, September 10th. — We have become quite weary of our small, mean, uncomfortable, and unbeautiful lodgings at Chorlton Road, with poor and scanty furniture within doors, and no better prospect from the parlor windows than a mud-puddle, larger than most English lakes, on a vacant building-lot opposite our house. The Exhibition, too, was fast becoming a bore; for you must really love a picture, in order to tolerate the sight of it many times. Moreover, the smoky and sooty air of that abominable Manchester affected my wife's throat disadvantageously; so, on a Tuesday morning, we struck our tent and set forth again, regretting to leave nothing except the kind disposition of Mrs. Honey, our housekeeper. I do not remember meeting with any other lodging-house keeper who did not grow hateful and fearful on short acquaintance; but I attribute this, not so much to the people themselves, as, primarily, to the unfair and ungenerous conduct of some of their English guests, who feel so sure of being cheated that they always behave as if in an enemy's country, and therefore they find it one.

 

The rain poured down upon us as we drove away in two cabs, laden with mountainous luggage to the London Road station; and the whole day was grim with cloud and moist with showers. We went by way of Birmingham, and stayed three hours at the great dreary station there, waiting for the train to Leamington, whither Fanny had gone forward the day before to secure lodgings for us (as she is English, and understands the matter) We all were tired and dull by the time we reached the Leamington station, where a note from Fanny gave us the address of our lodgings. Lansdowne Circus is really delightful after that ugly and grimy suburb of Manchester. Indeed, there could not possibly be a greater contrast than between Leamington and Manchester, — the latter built only for dirty uses, and scarcely intended as a habitation for man; the former so cleanly, so set out with shade trees, so regular in its streets, so neatly paved, its houses so prettily contrived and nicely stuccoed, that it does not look like a portion of the work-a-day world.

KENILWORTH.

 

September 13th. — The weather was very uncertain through the last week, and yesterday morning, too, was misty and sunless; notwithstanding which we took the rail for Kenilworth before eleven. The distance from Leamington is less than five miles, and at the Kenilworth station we found a little bit of an omnibus, into which we packed ourselves, together with two ladies, one of whom, at least, was an American. I begin to agree partly with the English, that we are not a people of elegant manners. At all events there is sometimes a bare, hard, meagre sort of deportment, especially in our women, that has not its parallel elsewhere. But perhaps what sets off this kind of behavior, and brings it into alto relievo, is the fact of such uncultivated persons travelling abroad, and going to see sights that would not be interesting except to people of some education and refinement.

 

We saw but little of the village of Kenilworth, passing through it sidelong fashion, in the omnibus; but I learn that it has between three and four thousand inhabitants, and is of immemorial antiquity. We saw a few old, gabled, and timber-framed houses; but generally the town was of modern aspect, although less so in the immediate vicinity of the castle gate, across the road from which there was an inn, with bowling-greens, and a little bunch of houses and shops. Apart from the high road there is a gate-house, ancient, but in excellent repair, towered, turreted, and battlemented, and looking like a castle in itself. Until Cromwell's time, the entrance to the castle used to be beneath an arch that passed through this structure; but the gate-house being granted to one of the Parliament officers, he converted it into a residence, and apparently added on a couple of gables, which now look quite as venerable as the rest of the edifice. Admission within the outer grounds of the castle is now obtained through a little wicket close beside the gate-house, at which sat one or two old men, who touched their hats to us in humble willingness to accept a fee. One of them had guide-books for sale; and, finding that we were not to be bothered by a cicerone, we bought one of his books.

 

The ruins are perhaps two hundred yards from the gate-house and the road, and the space between is a pasture for sheep, which also browse in the inner court, and shelter themselves in the dungeons and state apartments of the castle. Goats would be fitter occupants, because they would climb to the tops of the crumbling towers, and nibble the weeds and shrubbery that grow there. The first part of the castle which we reach is called Caesar's Tower, being the oldest portion of the ruins, and still very stalwart and massive, and built of red freestone, like all the rest. Caesar's Tower being on the right, Leicester's Buildings, erected by the Earl of Leicester, Queen Elizabeth's favorite, are on the left; and between these two formerly stood other structures which have now as entirely disappeared as if they had never existed; and through the wide gap, thus opened, appears the grassy inner court, surrounded on three sides by half-fallen towers and shattered walls. Some of these were erected by John of Gaunt; and among these ruins is the Banqueting-Hall, — or rather was, — for it has now neither floor nor roof, but only the broken stone-work of some tall, arched windows, and the beautiful, old ivied arch of the entrance-way, now inaccessible from the ground. The ivy is very abundant about the ruins, and hangs its green curtains quite from top to bottom of some of the windows. There are likewise very large and aged trees within the castle, there being no roof nor pavement anywhere, except in some dungeon-like nooks; so that the trees having soil and air enough, and being sheltered from unfriendly blasts, can grow as if in a nursery. Hawthorn, however, next to ivy, is the great ornament and comforter of these desolate ruins. I have not seen so much nor such thriving hawthorn anywhere else, — in the court, high up on crumbly heights, on the sod that carpets roofless rooms, — everywhere, indeed, and now rejoicing in plentiful crops of red berries. The ivy is even more wonderfully luxuriant; its trunks being, in some places, two or three feet in diameter, and forming real buttresses against the walls, which are actually supported and vastly strengthened by this parasite, that clung to them at first only for its own convenience, and now holds them up, lest it should be ruined by their fall. Thus an abuse has strangely grown into a use, and I think we may sometimes see the same fact, morally, in English matters. There is something very curious in the close, firm grip which the ivy fixes upon the wall, closer and closer for centuries. Neither is it at all nice as to what it clutches, in its necessity for support. I saw in the outer court an old hawthorn-tree, to which a plant of ivy had married itself, and the ivy trunk and the hawthorn trunk were now absolutely incorporated, and in their close embrace you could not tell which was which.

 

At one end of the Banqueting-Hall, there are two large bay-windows, one of which looks into the inner court, and the other affords a view of the surrounding country. The former is called Queen Elizabeth's Dressing-room. Beyond the Banqueting-Hall is what is called the Strong Tower, up to the top of which we climbed principally by the aid of the stones that have tumbled down from it. A lady sat half-way down the crumbly descent, within the castle, on a camp-stool, and before an easel, sketching this tower, on the summit of which we sat. She said it was Amy Robsart's Tower; and within it, open to the day, and quite accessible, we saw a room that we were free to imagine had been occupied by her. I do not find that these associations of real scenes with fictitious events greatly heighten the charm of them.

 

By this time the sun had come out brightly, and with such warmth that we were glad to sit down in the shadow. Several sight-seers were now rambling about, and among them some school-boys, who kept scrambling up to points whither no other animal, except a goat, would have ventured. Their shouts and the sunshine made the old castle cheerful; and what with the ivy and the hawthorn, and the other old trees, it was very beautiful and picturesque. But a castle does not make nearly so interesting and impressive a ruin as an abbey, because the latter was built for beauty, and on a plan in which deep thought and feeling were involved; and having once been a grand and beautiful work, it continues grand and beautiful through all the successive stages of its decay. But a castle is rudely piled together for strength and other material conveniences; and, having served these ends, it has nothing left to fall back upon, but crumbles into shapeless masses, which are often as little picturesque as a pile of bricks. Without the ivy and the shrubbery, this huge Kenilworth would not be a pleasant object, except for one or two window-frames, with broken tracery, in the Banqueting-Hall. . . .

 

We stayed from eleven till two, and identified the various parts of the castle as well as we could by the guide-book. The ruins are very extensive, though less so than I should have imagined, considering that seven acres were included within the castle wall. But a large part of the structures have been taken away to build houses in Kenilworth village and elsewhere, and much, too, to make roads with, and a good deal lies under the green turf in the court-yards, inner and outer. As we returned to the gate, my wife and U —
 
— went into the gate-house to see an old chimney-piece, and other antiquities, and J —
 
— - and I proceeded a little way round the outer wall, and saw the remains of the moat, and Lin's Tower, — a real and shattered fabric of John of Gaunt.

Other books

Transcend by Christine Fonseca
The Good Sister by Drusilla Campbell
Above The Thunder by Renee Manfredi
The New Normal by Ashley Little
Memory of Morning by Sizemore, Susan
Bastard by J L Perry
All the Pretty Horses by Cormac McCarthy
The Great Powers Outage by William Boniface
Treecat Wars by David Weber