Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (293 page)

BOOK: Delphi Complete Works of Nathaniel Hawthorne (Illustrated)
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The rain pattered upon the roof and the sky gloomed through the dusty garret-windows while I burrowed among these venerable books in search of any living thought which should burn like a coal of fire or glow like an inextinguishable gem beneath the dead trumpery that had long hidden it. But I found no such treasure; all was dead alike; and I could not but muse deeply and wonderingly upon the humiliating fact that the works of man's intellect decay like those of his hands. Thought grows mouldy. What was good and nourishing food for the spirits of one generation affords no sustenance for the next. Books of religion, however, cannot be considered a fair test of the enduring and vivacious properties of human thought, because such books so seldom really touch upon their ostensible subject, and have, therefore, so little business to be written at all. So long as an unlettered soul can attain to saving grace there would seem to be no deadly error in holding theological libraries to be accumulations of, for the most part, stupendous impertinence.

Many of the books had accrued in the latter years of the last clergyman's lifetime. These threatened to be of even less interest than the elder works a century hence to any curious inquirer who should then rummage then as I was doing now. Volumes of the Liberal Preacher and Christian Examiner, occasional sermons, controversial pamphlets, tracts, and other productions of a like fugitive nature, took the place of the thick and heavy volumes of past time. In a physical point of view, there was much the same difference as between a feather and a lump of lead; but, intellectually regarded, the specific gravity of old and new was about upon a par. Both also were alike frigid. The elder books nevertheless seemed to have been earnestly written, and might be conceived to have possessed warmth at some former period; although, with the lapse of time, the heated masses had cooled down even to the freezing-point. The frigidity of the modern productions, on the other hand, was characteristic and inherent, and evidently had little to do with the writer's qualities of mind and heart. In fine, of this whole dusty heap of literature I tossed aside all the sacred part, and felt myself none the less a Christian for eschewing it. There appeared no hope of either mounting to the better world on a Gothic staircase of ancient folios or of flying thither on the wings of a modern tract.

Nothing, strange to say, retained any sap except what had been written for the passing day and year, without the remotest pretension or idea of permanence. There were a few old newspapers, and still older almanacs, which reproduced to my mental eye the epochs when they had issued from the press with a distinctness that was altogether unaccountable. It was as if I had found bits of magic looking-glass among the books with the images of a vanished century in them. I turned my eyes towards the tattered picture above mentioned, and asked of the austere divine wherefore it was that he and his brethren, after the most painful rummaging and groping into their minds, had been able to produce nothing half so real as these newspaper scribblers and almanac-makers had thrown off in the effervescence of a moment. The portrait responded not; so I sought an answer for myself. It is the age itself that writes newspapers and almanacs, which therefore have a distinct purpose and meaning at the time, and a kind of intelligible truth for all times; whereas most other works — being written by men who, in the very act, set themselves apart from their age — are likely to possess little significance when new, and none at all when old. Genius, indeed, melts many ages into one, and thus effects something permanent, yet still with a similarity of office to that of the more ephemeral writer. A work of genius is but the newspaper of a century, or perchance of a hundred centuries.

Lightly as I have spoken of these old books, there yet lingers with me a superstitious reverence for literature of all kinds. A bound volume has a charm in my eyes similar to what scraps of manuscript possess for the good Mussulman. He imagines that those wind-wafted records are perhaps hallowed by some sacred verse; and I, that every new book or antique one may contain the “open sesame,” — the spell to disclose treasures hidden in some unsuspected cave of Truth. Thus it was not without sadness that I turned away from the library of the Old Manse.

Blessed was the sunshine when it came again at the close of another stormy day, beaming from the edge of the western horizon; while the massive firmament of clouds threw down all the gloom it could, but served only to kindle the golden light into a more brilliant glow by the strongly contrasted shadows. Heaven smiled at the earth, so long unseen, from beneath its heavy eyelid. To-morrow for the hill-tops and the woodpaths.

Or it might be that Ellery Charming came up the avenue to join me in a fishing excursion on the river. Strange and happy times were those when we cast aside all irksome forms and strait-laced habitudes and delivered ourselves up to the free air, to live like the Indians or any less conventional race during one bright semicircle of the sun. Rowing our boat against the current, between wide meadows, we turned aside into the Assabeth. A more lovely stream than this, for a mile above its junction with the Concord, has never flowed on earth, nowhere, indeed, except to lave the interior regions of a poet's imagination. It is sheltered from the breeze by woods and a hillside; so that elsewhere there might be a hurricane, and here scarcely a ripple across the shaded water. The current lingers along so gently that the mere force of the boatman's will seems sufficient to propel his craft against it. It comes flowing softly through the midmost privacy and deepest heart of a wood which whispers it to be quiet; while the stream whispers back again from its sedgy borders, as if river and wood were hushing one another to sleep. Yes; the river sleeps along its course and dreams of the sky and of the clustering foliage, amid which fall showers of broken sunlight, imparting specks of vivid cheerfulness, in contrast with the quiet depth of the prevailing tint. Of all this scene, the slumbering river has a dream-picture in its bosom. Which, after all, was the most real, — the picture, or the original? — the objects palpable to our grosser senses, or their apotheosis in the stream beneath? Surely the disembodied images stand in closer relation to the soul. But both the original and the reflection had here an ideal charm; and, had it been a thought more wild, I could have fancied that this river had strayed forth out of the rich scenery of my companion's inner world; only the vegetation along its banks should then have had an Oriental character.

Gentle and unobtrusive as the river is, yet the tranquil woods seem hardly satisfied to allow it passage. The trees are rooted on the very verge of the water, and dip their pendent branches into it. At one spot there is a lofty bank, on the slope of which grow some hemlocks, declining across the stream with outstretched arms, as if resolute to take the plunge. In other places the banks are almost on a level with the water; so that the quiet congregation of trees set their feet in the flood, and are Fringed with foliage down to the surface. Cardinal-flowers kindle their spiral flames and illuminate the dark nooks among the shrubbery. The pond-lily grows abundantly along the margin, — that delicious flower which, as Thoreau tells me, opens its virgin bosom to the first sunlight and perfects its being through the magic of that genial kiss. He has beheld beds of them unfolding in due succession as the sunrise stole gradually from flower to flower, — a sight not to be hoped for unless when a poet adjusts his inward eye to a proper focus with the outward organ. Grapevines here and there twine themselves around shrub and tree and hang their clusters over the water within reach of the boatman's hand. Oftentimes they unite two trees of alien race in an inextricable twine, marrying the hemlock and the maple against their will and enriching them with a purple offspring of which neither is the parent. One of these ambitious parasites has climbed into the upper branches of a tall white-pine, and is still ascending from bough to bough, unsatisfied till it shall crown the tree's airy summit with a wreath of its broad foliage and a cluster of its grapes.

The winding course of the stream continually shut out the scene behind us and revealed as calm and lovely a one before. We glided from depth to depth, and breathed new seclusion at every turn. The shy kingfisher flew from the withered branch close at hand to another at a distance, uttering a shrill cry of anger or alarm. Ducks that had been floating there since the preceding eve were startled at our approach and skimmed along the glassy river, breaking its dark surface with a bright streak. The pickerel leaped from among the lilypads. The turtle, sunning itself upon a rock or at the root of a tree, slid suddenly into the water with a plunge. The painted Indian who paddled his canoe along the Assabeth three hundred years ago could hardly have seen a wilder gentleness displayed upon its banks and reflected in its bosom than we did. Nor could the same Indian have prepared his noontide meal with more simplicity. We drew up our skiff at some point where the overarching shade formed a natural bower, and there kindled a fire with the pine cones and decayed branches that lay strewn plentifully around. Soon the smoke ascended among the trees, impregnated with a savory incense, not heavy, dull, and surfeiting, like the steam of cookery within doors, but sprightly and piquant. The smell of our feast was akin to the woodland odors with which it mingled: there was no sacrilege committed by our intrusion there: the sacred solitude was hospitable, and granted us free leave to cook and eat in the recess that was at once our kitchen and banqueting-hall. It is strange what humble offices may be performed in a beautiful scene without destroying its poetry. Our fire, red gleaming among the trees, and we beside it, busied with culinary rites and spreading out our meal on a mossgrown log, all seemed in unison with the river gliding by and the foliage rustling over us. And, what was strangest, neither did our mirth seem to disturb the propriety of the solemn woods; although the hobgoblins of the old wilderness and the will-of-the-wisps that glimmered in the marshy places might have come trooping to share our table-talk and have added their shrill laughter to our merriment. It was the very spot in which to utter the extremest nonsense or the profoundest wisdom, or that ethereal product of the mind which partakes of both, and may become one or the other, in correspondence with the faith and insight of the auditor.

So, amid sunshine and shadow, rustling leaves and sighing waters, up gushed our talk like the babble of a fountain. The evanescent spray was Ellery's; and his, too, the lumps of golden thought that lay glimmering in the fountain's bed and brightened both our faces by the reflection. Could he have drawn out that virgin gold, and stamped it with the mint-mark that alone gives currency, the world might have had the profit, and he the fame. My mind was the richer merely by the knowledge that it was there. But the chief profit of those wild days, to him and me, lay not in any definite idea, not in any angular or rounded truth, which we dug out of the shapeless mass of problematical stuff, but in the freedom which we thereby won from all custom and conventionalism and fettering influences of man on man. We were so free to-day that it was impossible to be slaves again to-morrow. When we crossed the threshold of the house or trod the thronged pavements of a city, still the leaves of the trees that overhang the Assabeth were whispering to us, “Be free! be free!” Therefore along that shady river-bank there are spots, marked with a heap of ashes and half-consumed brands, only less sacred in my remembrance than the hearth of a household fire.

And yet how sweet, as we floated homeward adown the golden river at sunset, — how sweet was it to return within the system of human society, not as to a dungeon and a chain, but as to a stately edifice, whence we could go forth at will into state — her simplicity! How gently, too, did the sight of the Old Manse, best seen from the river, overshadowed with its willow and all environed about with the foliage of its orchard and avenue, — how gently did its gray, homely aspect rebuke the speculative extravagances of the day! It had grown sacred in connection with the artificial life against which we inveighed; it had been a home for many years, in spite of all; it was my home too; and, with these thoughts, it seemed to me that all the artifice and conventionalism of life was but an impalpable thinness upon its surface, and that the depth below was none the worse for it. Once, as we turned our boat to the bank, there was a cloud, in the shape of an immensely gigantic figure of a hound, couched above the house, as if keeping guard over it. Gazing at this symbol, I prayed that the upper influences might long protect the institutions that had grown out of the heart of mankind.

If ever my readers should decide to give up civilized life, cities, houses, and whatever moral or material enormities in addition to these the perverted ingenuity of our race has contrived, let it be in the early autumn. Then Nature will love him better than at any other season, and will take him to her bosom with a more motherly tenderness. I could scarcely endure the roof of the old house above me in those first autumnal days. How early in the summer, too, the prophecy of autumn comes! Earlier in some years than in others; sometimes even in the first weeks of July. There is no other feeling like what is caused by this faint, doubtful, yet real perception — if it be not rather a foreboding — of the year's decay, so blessedly sweet and sad in the same breath.

Did I say that there was no feeling like it? Ah, but there is a half-acknowledged melancholy like to this when we stand in the perfected vigor of our life and feel that Time has now given us all his flowers, and that the next work of his never-idle fingers must be to steal them one by one away.

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