Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (175 page)

BOOK: Delphi Complete Works of Nathaniel Hawthorne (Illustrated)
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“Are we friends?” asked Septimius, somewhat puzzled by her look.

“We have an intimate relation to one another,” replied Sibyl.

“And what is it?” demanded Septimius.

“That will appear hereafter,” answered Sibyl, again smiling on him.

He knew not what to make of this, nor whether to be exalted or depressed; but, at all events, there seemed to be an accordance, a striking together, a mutual touch of their two natures, as if, somehow or other, they were performing the same part of solemn music; so that he felt his soul thrill, and at the same time shudder. Some sort of sympathy there surely was, but of what nature he could not tell; though often he was impelled to ask himself the same question he asked Sibyl, “Are we friends?” because of a sudden shock and repulsion that came between them, and passed away in a moment; and there would be Sibyl, smiling askance on him.

And then he toiled away again at his chemical pursuits; tried to mingle things harmoniously that apparently were not born to be mingled; discovering a science for himself, and mixing it up with absurdities that other chemists had long ago flung aside; but still there would be that turbid aspect, still that lack of fragrance, still that want of the peculiar temperature, that was announced as the test of the matter. Over and over again he set the crystal vase in the sun, and let it stay there the appointed time, hoping that it would digest in such a manner as to bring about the desired result.

One day, as it happened, his eyes fell upon the silver key which he had taken from the breast of the dead young man, and he thought within himself that this might have something to do with the seemingly unattainable success of his pursuit. He remembered, for the first time, the grim doctor's emphatic injunction to search for the little iron-bound box of which he had spoken, and which had come down with such legends attached to it; as, for instance, that it held the Devil's bond with his great-great-grandfather, now cancelled by the surrender of the latter's soul; that it held the golden key of Paradise; that it was full of old gold, or of the dry leaves of a hundred years ago; that it had a familiar fiend in it, who would be exorcised by the turning of the lock, but would otherwise remain a prisoner till the solid oak of the box mouldered, or the iron rusted away; so that between fear and the loss of the key, this curious old box had remained unopened, till itself was lost.

But now Septimius, putting together what Aunt Keziah had said in her dying moments, and what Doctor Portsoaken had insisted upon, suddenly came to the conclusion that the possession of the old iron box might be of the greatest importance to him. So he set himself at once to think where he had last seen it. Aunt Keziah, of course, had put it away in some safe place or other, either in cellar or garret, no doubt; so Septimius, in the intervals of his other occupations, devoted several days to the search; and not to weary the reader with the particulars of the quest for an old box, suffice it to say that he at last found it, amongst various other antique rubbish, in a corner of the garret.

It was a very rusty old thing, not more than a foot in length, and half as much in height and breadth; but most ponderously iron-bound, with bars, and corners, and all sorts of fortification; looking very much like an ancient alms-box, such as are to be seen in the older rural churches of England, and which seem to intimate great distrust of those to whom the funds are committed. Indeed, there might be a shrewd suspicion that some ancient church beadle among Septimius's forefathers, when emigrating from England, had taken the opportunity of bringing the poor-box along with him. On looking close, too, there were rude embellishments on the lid and sides of the box in long-rusted steel, designs such as the Middle Ages were rich in; a representation of Adam and Eve, or of Satan and a soul, nobody could tell which; but, at any rate, an illustration of great value and interest. Septimius looked at this ugly, rusty, ponderous old box, so worn and battered with time, and recollected with a scornful smile the legends of which it was the object; all of which he despised and discredited, just as much as he did that story in the “Arabian Nights,” where a demon comes out of a copper vase, in a cloud of smoke that covers the sea-shore; for he was singularly invulnerable to all modes of superstition, all nonsense, except his own. But that one mode was ever in full force and operation with him. He felt strongly convinced that inside the old box was something that appertained to his destiny; the key that he had taken from the dead man's breast, had that come down through time, and across the sea, and had a man died to bring and deliver it to him, merely for nothing? It could not be.

He looked at the old, rusty, elaborated lock of the little receptacle. It was much flourished about with what was once polished steel; and certainly, when thus polished, and the steel bright with which it was hooped, defended, and inlaid, it must have been a thing fit to appear in any cabinet; though now the oak was worm-eaten as an old coffin, and the rust of the iron came off red on Septimius's fingers, after he had been fumbling at it. He looked at the curious old silver key, too, and fancied that he discovered in its elaborate handle some likeness to the ornaments about the box; at any rate, this he determined was the key of fate, and he was just applying it to the lock when somebody tapped familiarly at the door, having opened the outer one, and stepped in with a manly stride. Septimius, inwardly blaspheming, as secluded men are apt to do when any interruption comes, and especially when it comes at some critical moment of projection, left the box as yet unbroached, and said, “Come in.”

The door opened, and Robert Hagburn entered; looking so tall and stately, that Septimius hardly knew him for the youth with whom he had grown up familiarly. He had on the Revolutionary dress of buff and blue, with decorations that to the initiated eye denoted him an officer, and certainly there was a kind of authority in his look and manner, indicating that heavy responsibilities, critical moments, had educated him, and turned the ploughboy into a man.

“Is it you?” exclaimed Septimius. “I scarcely knew you. How war has altered you!”

“And I may say, Is it you? for you are much altered likewise, my old friend. Study wears upon you terribly. You will be an old man, at this rate, before you know you are a young one. You will kill yourself, as sure as a gun!”

“Do you think so?” said Septimius, rather startled, for the queer absurdity of the position struck him, if he should so exhaust and wear himself as to die, just at the moment when he should have found out the secret of everlasting life. “But though I look pale, I am very vigorous. Judging from that scar, slanting down from your temple, you have been nearer death than you now think me, though in another way.”

“Yes,” said Robert Hagburn; “but in hot blood, and for a good cause, who cares for death? And yet I love life; none better, while it lasts, and I love it in all its looks and turns and surprises,–there is so much to be got out of it, in spite of all that people say. Youth is sweet, with its fiery enterprise, and I suppose mature manhood will be just as much so, though in a calmer way, and age, quieter still, will have its own merits,–the thing is only to do with life what we ought, and what is suited to each of its stages; do all, enjoy all,–and I suppose these two rules amount to the same thing. Only catch real earnest hold of life, not play with it, and not defer one part of it for the sake of another, then each part of life will do for us what was intended. People talk of the hardships of military service, of the miseries that we undergo fighting for our country. I have undergone my share, I believe,–hard toil in the wilderness, hunger, extreme weariness, pinching cold, the torture of a wound, peril of death; and really I have been as happy through it as ever I was at my mother's cosey fireside of a winter's evening. If I had died, I doubt not my last moments would have been happy. There is no use of life, but just to find out what is fit for us to do; and, doing it, it seems to be little matter whether we live or die in it. God does not want our work, but only our willingness to work; at least, the last seems to answer all his purposes.”

“This is a comfortable philosophy of yours,” said Septimius, rather contemptuously, and yet enviously. “Where did you get it, Robert?”

“Where? Nowhere; it came to me on the march; and though I can't say that I thought it when the bullets pattered into the snow about me, in those narrow streets of Quebec, yet, I suppose, it was in my mind then; for, as I tell you, I was very cheerful and contented. And you, Septimius? I never saw such a discontented, unhappy-looking fellow as you are. You have had a harder time in peace than I in war. You have not found what you seek, whatever that may be. Take my advice. Give yourself to the next work that comes to hand. The war offers place to all of us; we ought to be thankful,–the most joyous of all the generations before or after us,–since Providence gives us such good work to live for, or such a good opportunity to die. It is worth living for, just to have the chance to die so well as a man may in these days. Come, be a soldier. Be a chaplain, since your education lies that way; and you will find that nobody in peace prays so well as we do, we soldiers; and you shall not be debarred from fighting, too; if war is holy work, a priest may lawfully do it, as well as pray for it. Come with us, my old friend Septimius, be my comrade, and, whether you live or die, you will thank me for getting you out of the yellow forlornness in which you go on, neither living nor dying.”

Septimius looked at Robert Hagburn in surprise; so much was he altered and improved by this brief experience of war, adventure, responsibility, which he had passed through. Not less than the effect produced on his loutish, rustic air and deportment, developing his figure, seeming to make him taller, setting free the manly graces that lurked within his awkward frame,–not less was the effect on his mind and moral nature, giving freedom of ideas, simple perception of great thoughts, a free natural chivalry; so that the knight, the Homeric warrior, the hero, seemed to be here, or possible to be here, in the young New England rustic; and all that history has given, and hearts throbbed and sighed and gloried over, of patriotism and heroic feeling and action, might be repeated, perhaps, in the life and death of this familiar friend and playmate of his, whom he had valued not over highly,–Robert Hagburn. He had merely followed out his natural heart, boldly and singly,–doing the first good thing that came to hand,–and here was a hero.

“You almost make me envy you, Robert,” said he, sighing.

“Then why not come with me?” asked Robert.

“Because I have another destiny,” said Septimius.

“Well, you are mistaken; be sure of that,” said Robert. “This is not a generation for study, and the making of books; that may come by and by. This great fight has need of all men to carry it on, in one way or another; and no man will do well, even for himself, who tries to avoid his share in it. But I have said my say. And now, Septimius, the war takes much of a man, but it does not take him all, and what it leaves is all the more full of life and health thereby. I have something to say to you about this.”

“Say it then, Robert,” said Septimius, who, having got over the first excitement of the interview, and the sort of exhilaration produced by the healthful glow of Robert's spirit, began secretly to wish that it might close, and to be permitted to return to his solitary thoughts again. “What can I do for you?”

“Why, nothing,” said Robert, looking rather confused, “since all is settled. The fact is, my old friend, as perhaps you have seen, I have very long had an eye upon your sister Rose; yes, from the time we went together to the old school-house, where she now teaches children like what we were then. The war took me away, and in good time, for I doubt if Rose would ever have cared enough for me to be my wife, if I had stayed at home, a country lout, as I was getting to be, in shirt-sleeves and bare feet. But now, you see, I have come back, and this whole great war, to her woman's heart, is represented in me, and makes me heroic, so to speak, and strange, and yet her old familiar lover. So I found her heart tenderer for me than it was; and, in short, Rose has consented to be my wife, and we mean to be married in a week; my furlough permits little delay.”

“You surprise me,” said Septimius, who, immersed in his own pursuits, had taken no notice of the growing affection between Robert and his sister. “Do you think it well to snatch this little lull that is allowed you in the wild striving of war to try to make a peaceful home? Shall you like to be summoned from it soon? Shall you be as cheerful among dangers afterwards, when one sword may cut down two happinesses?”

“There is something in what you say, and I have thought of it,” said Robert, sighing. “But I can't tell how it is; but there is something in this uncertainty, this peril, this cloud before us, that makes it sweeter to love and to be loved than amid all seeming quiet and serenity. Really, I think, if there were to be no death, the beauty of life would be all tame. So we take our chance, or our dispensation of Providence, and are going to love, and to be married, just as confidently as if we were sure of living forever.”

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