Death in Dublin - Peter McGarr 16 (5 page)
And none of what they came up with would have to be entered into Garda fi?les and shared with the likes of Sheard.
“Call round at six”—when McGarr held his evening squad meeting. “And, thanks, Rut’ie.” He rang off.
McKeon was waiting for him in what had been Sloane’s offi?ce in the Trinity security headquarters, a small room with a gas fi?re in the grate and a tall, paned window that looked out on a playing fi?eld.
“Listen to this.” McKeon hit a button on what looked like a recording machine. “Hello, Tom,” a man’s voice said. “What can I do for you?”
Another somewhat muffl?ed voice replied, “Jesus, Ray—get here fast. I don’t know who these yokes are, but—”
“One, I guess, is Sloane, the other the guard at the gate, the one who got thumped. Problem is”—McKeon again worked the answering machine, spooling back— “this is the prerecorded message for incoming calls.”
McGarr again heard Sloane say, “Hello, Tom—what can I do for you?” Thereby establishing an alibi about where he was when the vehicle was let through the gate.
“Later, he’d come back, erase it, and put in a regular ‘You’ve reached security headquarters at Trinity Co
l
lege. Please leave a message’... and so forth.
“As well, there’s this.” Moving toward another m
a
chine, McKeon punched two other buttons. “It’s the voice recorder in the Old Library. It’s switched on whenever sensors detect movement in the gift shop and book Treasury rooms after hours. When I walked in, it was the fi?rst thing I noticed. This light?” His fi?nger swung to a red light the size of a 50P coin. “It was blinking.”
“You don’t know what you’re doing,” said the same voice. Sloane’s voice. “If you take away what’s in this room, the police will hound you into your graves.”
“Use your hand,” said a deep, gravelly, and obv
i
ously scrambled voice. “Kill the alarms and open it up.”
There was a pause and then “Do it!”
McKeon stopped the tape. “Scramblers like that are used on the teley for interviews with informants on news shows. You know, for anonymity.”
McGarr nodded as McKeon began to fast-forward the tape.
“I thought you said you were only going to take—”
Again, McKeon stopped the tape. “There he’s so frightened he’s forgot they’re being taped.”
“Open your fi?st!” the curious voice continued. “Open your bloody fi?st or I’ll stomp it to bits.”
“You said you—”
“I never said a thing.”
“And me,” another scrambled but much higher voice put in, “I lied.”
There followed noises of something or somebody falling, a groan, grunts, scraping.
Then, a scrambled: “Give me a hand with him. Right enough—up he goes.”
“No!” Sloane wailed.
They heard a clump, then another and another, then: “Blood enough for you?” Even through the scra
m
bling, a kind of evil joy could be heard. “Enough to be taken seriously. Pity is—there’s not enough. A man like that deserves all this and more.”
“Too-da-loo.”
“Ta.”
What they then heard, McGarr assumed, was a rus
h
ing of air, as the atmosphere within the case was eva
c
uated. And footsteps as the two left with their booty—the books of Kells, Armagh, and Durrow.
“Any word on the guard, Tom Healey?”
“Still unconscious.”
“We’d best speak to Sloane’s family directly.”
RAYMOND SLOANE HAD LIVED IN A SECTION OF THE
Liberties that had been gentrifi?ed, the former comme
r
cial buildings rehabbed into lofts.
Others had been torn down with “Georgian-inspired condominiums,” McGarr had read, erected in their stead. Randomly, it seemed, unpaned arched windows studded the facades, and every doorway carried an e
x
aggerated fanlight.
The Sloane residence was far different and the ge
n
uine article altogether, McGarr could see as the car rounded a narrow corner in the warren of ancient laneways that marked the area.
It was a low two-storied affair with a sharply gabled slate roof and narrow windows. The front door opened directly on the footpath, where a uniformed Guard was standing, keeping the Fourth Estate at bay.
“Would you look at this cock-up.”
A clutch of television vans had gathered before a dusty attached row house.
“All because of Sheard, who is a piece of work. He had to know how quickly the press would suss out who
got whacked, once he said it was murder. There were only four guards’ families to ring up.
“But him—he didn’t give a shit, not being the one having to deal with it.”
McGarr raised a fi?nger to the windscreen. “Go down the block to the second alley. We’ll go in the back.” As a child, he had roamed the area with his mates; the buildings may have changed, but the ancient streets and laneways had not.
But a large BMW with tinted windows blocked the laneway, and they had to walk.
“How ya keeping on?” It was a question McKeon had been asking McGarr now and then since Noreen’s death.
But he only nodded and reached for the handle to the back gate of the Sloane residence. McGarr was not used to divulging his feelings, nor did he do that easily.
The small back garden had been paved with co
n
crete and fi?lled with sheds from which they could hear pigeons cooing. Planters, some still in bloom, lined a sunny wall.
McKeon knocked on the back door with a frosted glass window. From the inside, they heard a deep man’s voice say, “Jesus fookin’ Christ, Ma—didn’t I tell yeh to lock the back gate?”
Then, louder. “Yeah?”
“Police.”
“What police?”
“Murder Squad.”
“And bloody fookin’ late, yiz are.”
They heard a lock turn, and the door was jerked open. In it stood a large young man with a kind of si
l
ver ring through the septum of his nose.
His head was shaved, and over his broad shoulders
he was wearing something like a woolen half-tunic. His trousers were light green and looked more like pajama bottoms. On his feet were sandals.
Apart from the ring, most noticeable were his bulging biceps that were mottled with patterns of ta
t
toos. Yet from his long face and beaklike nose, McGarr could see he was Raymond Sloane’s son. Early twe
n
ties, maybe twenty-fi?ve.
“Yiz fookin’ cunts—nice of yeh to stop round. We thought you’d taken to informing families of murder victims on the teley. What’s next, E-mail?”
“Would your mother be at home?” McGarr asked, noting that the nose ring was shaped rather like a Claddagh with azure studs on either end. He wo
n
dered how it must feel to have something like that there. Always.
“And now sneaking in through the back.” His eyes, which were dark, played over the two smaller older men assessingly. “Two poncey codger cunts. What’s wrong—gone suddenly camera shy? Or did yiz leave your balls back at Trinity?”
McGarr glanced at McKeon before pulling out his Garda ID, which he held toward Sloane with his thumb covering his name. “And you are?”
“Does it fookin’ matter?”
When Sloane’s eyes fell to the card, McKeon’s hands shot out, one thumb digging into the young man’s neck, the second fi?nding another pressure point on the triceps of his right arm.
Sloane actually yelped, as McKeon jerked him out of the doorway and over an outstretched knee—d
e
positing him rather gently on the concrete. Stepping back, he advised, “You. Stay. There.”
McGarr moved into a low hall that led to what had been a scullery in days gone by but was now used as a kind of closet.
A small kitchen with a bedroom off it came next, then more narrow hall.
He found an older woman seated between two ot
h
ers, who were younger, in a small sitting room that was packed with overstuffed furniture, tables, fl?oor lamps, more potted plants, framed photographs, curios, and even a spinet piano.
Eyes on McGarr, none said a word.
“Chief Superintendent McGarr.” He took a step into the room. “I have some questions for you.”
“Took you long enough,” said one of the younger women.
From the back, he could hear McKeon. “And don’t even think about getting up.”
“But it’s me own fookin’ house.”
“Shut your bloody gob. You think your mother needs you giving out like this?”
McGarr took a seat opposite the three women.
With eyes red and swollen, the wife had a fi?stful of photographs in her hand. Her cheeks, which had fallen into loose folds of skin, were streaked with tears. With prominent teeth and a weak chin, she had never been a pretty woman. But somehow she looked older than Sloane himself had in death.
Her eyes fl?ickered up at him. “I know you know what it’s like. But...”
McGarr only nodded, his personal tragedy having been played up by the press. Even now, his name was seldom mentioned without reference to the still-unsolved case.
One of the younger women twitched and opened her
mouth to speak. But her mother’s free hand came down on her thigh. “It’s unfortunate how you came to learn of this tragedy. But my job is different. I’m here to gather information.” He turned to the young woman on the mother’s left. “And you are?”
“Siobhan Sloane.”
“And you?”
“Sally.”
McGarr addressed the wife. “Was there anything u
n
usual in your husband’s life of late?”
Siobhan rolled her eyes.
“What wasn’t?”
“Derek Greene—” Sally began saying.
But her mother cut her off. “Please, let me. There’re things you don’t know.” She drew in a breath and looked at a point over McGarr’s shoulder. “You could say it began with the death of Derek Greene about a fortnight ago. But”—her eyes fell to McGarr’s—“it began much before that. Two years ago, at least.”
“Ah, Ma—he don’t need to know that, now that Da’s dead. That’s family business. Private like,” said Sally.
“You see, Raymond had a drug problem.”
“But he was over it. Why bring it up?”
“First, it was marijuana when he played in a band, back when we was young. Then it ran on to pills, c
o
caine, and fi?nally heroin, which he kicked three years ago, when Trinity announced it would begin taking urine samples from its security staff.
“So nobody would know, he went away to Holland, he did, on what should have been his holidays. Came back clean.” Her eyes veered off. “For a while.
“All along, you see, he’d been a maintenance user, and clever like that—holding down the job, pleasant even home here, not like the other men hereabouts, a
l
ways down the pub pissing away any extra money. Seldom jonesing in any way noticeable.
“He had the dose down, and it was like other people on Prozac or antianxiety tablets. He’d be alive today if he could have stayed on it.
“But once off, well, he became another man alt
o
gether. Nervous was not the word for it. Frazzled he was, all the time. He seldom slept for the fi?rst year.
“So, he tried drink, which made him sick and was no good for the work. Methadone, which he said was like weak heroin and just made him want to go back to the real stuff. And they might test for it without telling.
“All of which made him miserable until... until he found something new he wouldn’t tell me about, apart from saying his troubles were over.
“And they were, sure. For maybe six or seven months, when I discovered he’d been into our savings for old age. He’d even taken a loan on the house.
“ ‘Not to worry, me love—I’ve got it all worked out. We’ll be in the chips big-time by year’s end. And I’ll be saying
hasta la vista
to effi?ng Trinity and all the bluenose pricks who teach there.’
“It was the way he’d been talking since he’d found whatever he’d found to calm him—wild like.”
“And stupid,” put in Sally.
“Then Derek died, who was Raymond’s assistant, and it was like all hell broke loose for Raymond. Su
d
denly, he was hardly home. ‘Work, work,’ he said. ‘Who’s to say it’s not a good in itself.’ ”
“Even stupider,” said Siobhan.
“And when he was here at home, he was either on the phone or nipping down to the pub for a chat with some barfl?y or other. But the money improved. Last Friday didn’t he show me a deposit slip for all the
money he’d taken from the savings and a receipt for
what he’d screwed out of the house.”
“Then there was the car,” said Sally.
Mrs. Sloane shook her head. “Whatever will we do with it now?”
“Ray-Boy will want it,” replied Sally.
“Out in the alley. A big shhh-tu-pid car,” put in Siobhan.
“Ray-Boy will take it,” said her sister.
“The hell he will. We’ll turn it back in.”
“He’d just signed the hire-purchase agreement,” said the wife.
Asked McGarr, “Do you know the source of the money?”
The wife shook her head.
“What about people? The new people around him recently. On the phone, in the pub. I’m only asking b
e
cause whoever stole from the library had to have stu
d
ied Raymond’s rounds, the layout of the college, and the security protocol for the display cases. One way to do that would be to befriend the security chief.”
“Are you saying our father was a thief?”
The wife shook her head. “Friends—it was one thing Raymond didn’t have.”
“Or had only one of,” said Sally. “It’s a curse.”
“Do you know who was ringing up your husband?”
She shook her head.
“What about down in the pub—who was he going out to see?”
“Myself, I don’t go in there
.
”
“The name?”
“Foyle’s. It’s down the corner and to the right.”
“What about Derek Greene, your husband’s work-mate—how did he meet his death?”
Suddenly, McGarr heard a commotion in the hal
l
way, and the son burst past the archway to the sitting room. “Let’s put some air into this thing,” he roared. “We’ll burst this fookin’ bubble.”
“Ray-Boy!” his mother shouted.
Before McGarr could get up, McKeon also appeared in the archway, blood streaming down his face. “Ba
s
tard has a sap...”He collapsed.
“Come in,” the son could be heard saying obviously to the press gathered outside. “Come in all of yiz. The Guards—two poncey codger cunts—they snuck in the back. Forced entry. They attacked me, Ma.”
On his feet now, McGarr only reached the archway when a television camera swung round the corner, topped by a brace of blinding lights.
McGarr knelt by McKeon, who raised a hand. “Get him, Peter. I’ll be fi?ne.”
Arms out and elbows high like a rugger out of a scrum, McGarr vaulted forward into the journalists, pushing them toward the door. “Out! Get out!”
“But we’re in,” one said.
“We were invited.”
“You’re abrogating the freedom of the press, Mc-Garr,” said a female voice he thought he recognized.
At the door, he raised a foot, kicked out at the ca
m
eraman with the bright lights, then scanned the street. Sloane the younger was nowhere in sight.
Nor was the BMW in the laneway, when, at length, they got there.
