Death Comes As the End (19 page)

Authors: Agatha Christie

BOOK: Death Comes As the End

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‘Death–always death.’

‘No, Renisenb. It is not death that faces you today, but life. With whom will you share that life? With Kameni or with me?’

Renisenb stared straight ahead of her, out over the valley below and to the silver streak of the Nile.

Before her, very clearly, there rose up the image of
Kameni’s smiling face as he had sat facing her that day in the boat.

Handsome, strong, gay…She felt again the throb and lilt of her blood. She had loved Kameni in that moment. She loved him now. Kameni could take the place that Khay had held in her life.

She thought: ‘We shall be happy together–yes, we shall be happy. We shall live together and take pleasure in each other and we shall have strong, handsome children. There will be busy days full of work…and days of pleasure when we sail on the River…Life will be again as I knew it with Khay…What could I ask more than that? What do I want more than that?’

And slowly, very slowly indeed, she turned her face towards Hori. It was as though, silently, she asked him a question.

As though he understood her, he answered:

‘When you were a child, I loved you. I loved your grave face and the confidence with which you came to me, asking me to mend your broken toys. And then, after eight years’ absence, you came again and sat here, and brought me the thoughts that were in your mind. And your mind, Renisenb, is not like the minds of the rest of your family. It does not turn in upon itself, seeking to encase itself in narrow walls. Your mind is like my mind, it looks over the River, seeing a world of changes, of new
ideas–seeing a world where all things are possible to those with courage and vision…’

‘I know, Hori, I know. I have felt these things with you. But not all the time. There will be moments when I cannot follow you, when I shall be alone…’

She broke off, unable to find words to frame her struggling thoughts. What life would be with Hori, she did not know. In spite of his gentleness, in spite of his love for her, he would remain in some respects incalculable and incomprehensible. They would share moments of great beauty and richness together–but what of their common daily life?

She stretched out her hands impulsively to him.

‘Oh, Hori, decide for me. Tell me what to do!’

He smiled at her, at the child Renisenb speaking, perhaps, for the last time. But he did not take her hands.

‘
I
cannot tell you what to do with your life, Renisenb–because it is
your
life–and only you can decide.’

She realized then that she was to have no help, no quickening appeal to her senses such as Kameni had made. If Hori would only have touched her–but he did not touch her.

And the choice suddenly presented itself to her in the simplest terms–the easy life or the difficult one. She was strongly tempted then to turn and go down the winding
path, down to the normal, happy life she already knew–that she had experienced before with Khay. There was safety there–the sharing of daily pleasures and griefs with nothing to fear but old age and death…

Death
…From thoughts of life she had come full circle again to death. Khay had died. Kameni, perhaps, would die, and his face, like Khay’s, would slowly fade from her memory…

She looked then at Hori standing quietly beside her. It was odd, she thought, that she had never really known just what Hori looked like…She had never needed to know…

She spoke then, and the tone of her voice was the same as when she had announced, long before, that she would walk down the path at sunset alone.

‘I have made my choice, Hori. I will share my life with you for good or evil, until death comes…’

With his arms round her, with the sudden new sweetness of his face against hers, she was filled with an exultant richness of living.

‘If Hori were to die,’ she thought, ‘I should
not
forget! Hori is a song in my heart for ever…That means–that there is no more death…’

THE END

And Then There Were None
Agatha Christie

THE WORLD’S BEST-SELLING MYSTERY,
OVER 100 MILLION COPIES SOLD

‘
Ten…
’

Ten strangers are lured to an isolated island mansion off the Devon coast by a mysterious ‘U.N. Owen’.

‘
Nine…
’

At dinner a recorded message accuses each of them in turn of having a guilty secret, and by the end of the night one of the guests is dead.

‘
Eight…
’

Stranded by a violent storm, and haunted by an ancient nursery rhyme counting down one by one…as one by one…they begin to die.

‘
Seven
…’

Which amongst them is the killer and will any of them survive?

‘One of the very best, most genuinely bewildering Christies.’

Observer

‘Agatha Christie’s masterpiece.’

Spectator

ISBN-13 978-0-00-713683-4

Endless Night
Agatha Christie

Some are born to sweet delight,

Some are born to endless night

When penniless Michael Rogers discovered the beautiful house at Gypsy’s Acre and then meets the heiress Ellie, it seems that all his dreams have come true at once. But he ignores an old woman warning of an ancient curse, and evil begins to stir in paradise.

As Michael soon learns: Gypsy’s Acre is the place where fatal ‘accidents’ happen…

‘One of the best things Agatha Christie has ever done.’

Sunday Times

ISBN-13 978-0-00-715167-7

About the Author

Agatha Christie is known throughout the world as the Queen of Crime. Her books have sold over a billion copies in English with another billion in 44 foreign languages. She is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. She is the author of 80 crime novels and short story collections, 19 plays, and six novels written under the name of Mary Westmacott.

Agatha Christie’s first novel,
The Mysterious Affair at Styles
, was written towards the end of the First World War, in which she served as a VAD. In it she created Hercule Poirot, the little Belgian detective who was destined to become the most popular detective in crime fiction since Sherlock Holmes. It was eventually published by The Bodley Head in 1920.

In 1926, after averaging a book a year, Agatha Christie wrote her masterpiece.
The Murder of Roger Ackroyd
was the first of her books to be published by Collins and marked the beginning of an author-publisher relationship which lasted for 50 years and well over 70 books.
The Murder of Roger Ackroyd
was also the first of Agatha Christie’s books to be dramatized–under the name
Alibi
–and to have a successful run in London’s West End.
The Mousetrap
, her most famous play of all, opened in 1952 and is the longest-running play in history.

Agatha Christie was made a Dame in 1971. She died in 1976, since when a number of books have been published posthumously: the bestselling novel
Sleeping Murder
appeared later that year, followed by her autobiography and the short story collections
Miss Marple’s Final Cases, Problem at Pollensa Bay
and
While the Light Lasts
. In 1998
Black Coffee
was the first of her plays to be novelized by another author, Charles Osborne.

As the wife of an eminent archaeologist, Agatha Christie took part in several expeditions to the Middle East. Drawing upon this experience, she gave us, in
Death Comes as the End
, a serial killer mystery laid in ancient Egypt 4000 years ago.

Into the household of Imhotep, the Mortuary Priest, comes the beautiful Nofret. The household, outwardly at peace, has at its core, in the words of the thoughtful scribe Hori, a rottenness that breeds from within. With Nofret comes anger, jealousy, quarrels and finally death.

Human passions were the same in 2000
BC
as they are today. The fussy and pompous Imhotep, the timid Yagamose, the quarrelsome Sobek, and the malicious ‘poor relation’ Henet–all are types to be met with now in 2000
AD
.

Agatha Christie’s experiment is as ingenious and baffling as always, and ends with a climax which few will anticipate.

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

BY THE SAME AUTHOR

The ABC Murders

The Adventure of the Christmas Pudding

After the Funeral

And Then There Were None

Appointment with Death

At Bertram’s Hotel

The Big Four

The Body in the Library

By the Pricking of My Thumbs

Cards on the Table

A Caribbean Mystery

Cat Among the Pigeons

The Clocks

Crooked House

Curtain: Poirot’s Last Case

Dead Man’s Folly

Death Comes as the End

Death in the Clouds

Death on the Nile

Destination Unknown

Dumb Witness

Elephants Can Remember

Endless Night

Evil Under the Sun

Five Little Pigs

4.50 from Paddington

Hallowe’en Party

Hercule Poirot’s Christmas

Hickory Dickory Dock

The Hollow

The Hound of Death

The Labours of Hercules

The Listerdale Mystery

Lord Edgware Dies

The Man in the Brown Suit

The Mirror Crack’d from Side to Side

Miss Marple’s Final Cases

The Moving Finger

Mrs McGinty’s Dead

The Murder at the Vicarage

Murder in Mesopotamia

Murder in the Mews

A Murder is Announced

Murder is Easy

The Murder of Roger Ackroyd

Murder on the Links

Murder on the Orient Express

The Mysterious Affair at Styles

The Mysterious Mr Quin

The Mystery of the Blue Train

Nemesis

N or M?

One, Two, Buckle My Shoe

Ordeal by Innocence

The Pale Horse

Parker Pyne Investigates

Partners in Crime

Passenger to Frankfurt

Peril at End House

A Pocket Full of Rye

Poirot Investigates

Poirot’s Early Cases

Postern of Fate

Problem at Pollensa Bay

Sad Cypress

The Secret Adversary

The Secret of Chimneys

The Seven Dials Mystery

The Sittaford Mystery

Sleeping Murder

Sparkling Cyanide

Taken at the Flood

They Came to Baghdad

They Do It With Mirrors

Third Girl

The Thirteen Problems

Three Act Tragedy

Towards Zero

While the Light Lasts

Why Didn’t They Ask Evans?

Novels under the Nom de Plume of ‘Mary Westmacott’

Absent in the Spring

The Burden

A Daughter’s A Daughter

Giant’s Bread

The Rose and the Yew Tree

Unfinished Portrait

Plays novelised by Charles Osborne

Black Coffee

Spider’s Web

The Unexpected Guest

Memoirs

Agatha Christie: An Autobiography

Come Tell Me How You Live

Copyright

DEATH COMES AS THE END
. Copyright © 1945 Agatha Christie Limited (a Chorion company). All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

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