Death at the Opera (21 page)

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Authors: Gladys Mitchell

BOOK: Death at the Opera
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“But why should she have committed suicide?” Mrs. Bradley asked. Miss Lincallow shook her head.
“Before the inquest I should have said she had
fallen
and couldn't face the future,” she observed, “but
since
the inquest—well, what can you think? It seems she was as virtuous as you or me.”
Mrs. Bradley, who had never regarded herself as particularly virtuous in either a moral or a physical sense, nodded solemnly and assumed the sombre expression of countenance which she imagined might pass for the outward, visible sign of deep intelligence.
“Of course, one never knows,” she said. To Miss Lincallow this apparently meaningless phrase must have conveyed something at once serious and profound, for she nodded in her turn, sighed loudly—almost groaned, in fact—while her greenish eyes turned slowly ceilingwards.
“Poor Calma,” she said. “She had her suspicions of that man at once. She sat opposite him at table the first day of her holiday here, Mrs. Bradley, and at the end of the meal—lunch, I believe it was, but I'm not quite sure—she came to me and said: ‘Auntie, you must please move me away from that sinister middle-aged man.'
“‘What sinister middle-aged man, dear?' I said, all middle-aged men looking alike to me as far as sinister is concerned—you know what I mean: all of them with wives they've got tired of—especially when they come and stay in a nice town like Bognor all alone, or any other high-class watering-place, for that matter— ‘what sinister middle-aged man, dear?' I said.
“When she pointed him out I quite understood. A commercial, Mrs. Bradley, if ever I saw one, and you know what
they're
like when they're away from home! Worse than
sailors
, I always say, because, after all, sailors are subject to some sort of discipline on board ship if not actually while they are ashore, and also, of course, they do have a chaplain to read the prayers at sea and teach them to be God-fearing on the water, if nowhere else; but
commercials
! Why, their whole living depends on them telling more lies than anyone else can think of, doesn't it, now?”
Mrs. Bradley, to whom this aspect of a commercial traveller's means of livelihood had not previously presented itself, assented meekly, but, without waiting for her hearer's comment, Miss Lincallow continued:
“And then, that night! Oh, dear! That night! Never shall I forget it! Mind you, I could hardly believe it at the time, and looking back now it all seems a dream. But, burglars or not—although, if I were on my dying oath, nothing whatever was missing from the house or in any of the visitors' rooms or anywhere—but, burglars or not, as I say, they
were
in Calma's room, both poor Calma and that man together. Nefarious, I call it, don't you?”
Mrs. Bradley, who had never used the word in her life, again assented.
“I didn't say a word to Calma, mind you,” Calma's aunt continued. “It wouldn't have done. There she was, paying almost as much for her room as anyone, and
quite
old enough to take care of herself, and with her father's independent character, for all that she seemed somehow so mild. She had a strong nature, Calma had, and if she was set on doing a thing, do it she certainly would. Not headstrong, just determined in a quiet way. Behaved as though you weren't there, if you know what I mean. You couldn't domineer over her at all. So I said nothing, and he stayed a good while, longer than a commercial ought to, I should have thought, and I couldn't find out what he travelled in. And
then
we heard why. And
when
we heard why, I asked my lord to leave, quick, sharp!”
She sank her voice to a blood-curdling whisper.
“Murder, Mrs. Bradley. But acquitted. You remember the George Bryan Cutler case last year?”
Mrs. Bradley recollected a murder trial, at the termination of which a man known as George Bryan Cutler had been found Not Guilty of drowning his wife for her insurance money. She nodded.
“Ah, I thought you would,” said Miss Lincallow. “Well, this Helm is that Cutler, and when I heard that my Miss Sooley here had given that monster the school address where Calma was teaching, I thought the least I could do was to send the poor girl a warning. That Sooley's a fool. He happened to mention the school, and straight away she tells him that my niece is there.”
“You are referring to the telegram you sent?” said Mrs. Bradley, returning to the warning message.
“That's right. I sent a telegram, and then I wrote a letter. Why, when you come to think of it, if the poor girl hadn't committed suicide she might easily have been murdered by that wretch!”
“Where is Mr. Cutler now?” asked Mrs. Bradley, not attempting to cope with the implications of the last of Miss Lincallow's remarks.
“If you ever heard such boldness, he is in this very town. At least, he's taken one of those railway-carriage bungalows further along the beach, just out of Bognor. I keep wondering whether the Council ought to know. What do you think?”
“Do you know the name of the bungalow?” asked Mrs. Bradley.
“‘Clovelly,'” replied Miss Lincallow without hesitation. “But don't you go anywhere near it. I shouldn't, really. I believe he's dangerous.”
For the only surviving relative of the unfortunate Miss Ferris, Miss Lincallow did not appear to be unduly grief-stricken, Mrs. Bradley decided. She retired to her room after lunch, and made a note of the most enlightening points which had occurred to her as a result of the interview. She dismissed as fantastic a notion that Miss Lincallow was relieved rather than otherwise at the thought that her niece was dead, but it recurred so strongly that she sought further opportunity for enlightenment.
“Tell me,” she said to Miss Sooley, who was what might be called Miss Lincallow's junior partner in the running of the boarding-house, “what do you suppose Miss Lincallow thought when she received the news of her niece's suicide?”
It was the kind of idiotic question which might evoke answer false or true, or it might evoke no answer at all, Mrs. Bradley reflected, as, fixing her sharp black eyes on Miss Sooley's round, red countenance, she waited for some kind of response. Miss Sooley looked startled, twisted the black silk apron she wore into a crumpled mess, shook her head, and said that she was sure she did not know. This was a sufficiently promising beginning, from Mrs. Bradley's point of view, to warrant further research, so, with a basilisk grin intended to be propitiatory but having the result of causing Miss Sooley to retreat two steps and gaze wildly round at the bell-push with the indescribable feeling of one who had stepped on the crocodile in mistake for a log of wood, she continued:
“You mean you weren't there when the Headmaster's telegram arrived?”
“Oh, yes, I was,” returned Miss Sooley, somewhat comforted by Mrs. Bradley's dulcet tones, which issued so unexpectedly from the beaky little mouth. “It was I who held the smelling bottle ready as she went to open the nasty thing.”
“Ah,” said Mrs. Bradley, managing to introduce a sympathetic inflection into the monosyllable.
“Oh, yes,” went on Miss Sooley. “And all she said was to ask me to tell the boy there would be no reply.”
“And then?” prompted Mrs. Bradley, after a pause.
“That's all,” said Miss Sooley. “As sure as I'm standing her, that's all she said. And her having been to see the poor girl only the evening before.”
“She went to see her on the evening of her death, do you mean?” said Mrs. Bradley, who found it difficult to assimilate this amazing piece of information. Miss Sooley nodded impressively.
“Didn't Miss Ferris write and ask her auntie and me to come and see her act in the school concert?” she demanded. “Here, I'll get the letter. It was sent to
me
, as a matter of fact, because Miss Ferris thought I could persuade her auntie to come, me being quite a theatre-goer in my young days. Come upstairs a minute.”
In the pure human joy of having something to impart, she appeared to have forgotten her nervousness, and ran upstairs, followed closely by Mrs. Bradley. For Miss Lincallow actually to have gone to see Miss Ferris act in
The Mikado
on the night of the murder, and then to have betrayed so little emotion upon the receipt of the Headmaster's telegram announcing her death, was sufficiently extraordinary, but even more startling was the question which Mrs. Bradley put to herself as she ran up three flights of stairs. Had they managed to stay to see the whole of the performance and then had they made that maddening cross-country journey back to Bognor by train on the same night? The Headmaster would have sent off his telegram at about half-past nine on the morning after the murder. They had been back in Bognor to receive it.
There was a certain amount of mystery in those statements which Mrs. Bradley wanted to have cleared up as soon as possible. Had Miss Lincallow not asked to see her niece after the performance?
The letter, produced from some hidden store of correspondence by the now thoroughly excited Miss Sooley, was short, but there was no mistaking the genuine desire of the writer for her aunt's company at the school entertainment.
“Dear Aunt Sooley,” it began (“she always called me her aunt, the same as Miss Lincallow, but of course I'm no relation really,”) interpolated the recipient of the communication, peering short-sightedly over Mrs. Bradley's shoulder at the even, legible, schoolmistress-careful script.
“I hope you and auntie are well. I am still feeling the great benefit derived from my very delightful holiday with you. Next week, on Friday evening, we are doing Gilbert & Sullivan's
Mikado
. I enclose two tickets. You will see the time of the performance on them. I know it is a very long and tiresome journey, but I do wish you and auntie would come. I have one of the chief parts, that of ‘Katisha,' the daughter-in-law-elect of the Mikado of Japan. It is an extremely humorous part. Do please try and persuade auntie. I could arrange with my landlady for you to stay the night at my lodgings, as it will be too late for you to get back to Bognor when the performance is over, if you would not mind a double bed just for the one night.”
It ended, “With love, Calma Ferris,” and there was a postscript: “Do come.”
“And you went?” said Mrs. Bradley. Miss Sooley nodded, glanced at the two closed doors on the landing, put one finger to her lips and then whispered:
“Miss Lincallow is resting. She'll be in her room an hour at least. Come down to the second sitting-room.”
The second sitting-room contained a settee and two easy-chairs, all of a period sufficiently far back in history for its furniture to be obsolete, but not sufficiently removed from the present day for it to be respectable from a collector's point of view. There was also a book-case crammed with commentaries on the New Testament, the Victorian poets in faded bindings, some light reading, but of an improving character (Sunday School prizes won by Miss Ferris between the ages of seven and thirteen, said Mrs. Bradley to herself); and the Lives of several obscure divines. In addition there was a large deal sideboard stained mahogany-colour and bearing a large, ornate, empty
épergne
, two pictures of rough seas at Hastings, and a depressing oleograph of a whiskered gentleman grasping the back of a chair (“Miss Ferris's father,” thought Mrs. Bradley). A large writing-desk, a small piano, three small chairs with knobby backs and shiny leather seats, an enormous dining-table and a footstool, completed the furnishing, and made a curiously depressing
ensemble
.
Mrs. Bradley selected the smaller easy-chair and seated herself. Miss Sooley occupied a small chair, folded her hands in her lap, and prepared to unfold the tale.
“I didn't have half the job persuading her I thought I should,” she began. “She said, as soon as I showed her the letter, how much she'd like to go and how Calma was coming out since she'd met Mr. Helm in the summer here. Then I said why should we not go? But she said it was too far, and too many changes on the train; and then I had a real brain-wave. I said why should we not, just for once, hire Mr. Willis's car? He would oblige us cheaply, I said, owing to our getting him a lot of custom with the visitors in the summer, what with private hire to the station and trips round and about for those visitors that are afraid to go in motor-coaches and too proud to take the bus to places of interest in the neighbourhood—and, of course, Mrs. Bradley, Bognor is
very
well situated for places of interest—so that if he could not oblige us, who can?”
As the question appeared to be directed at her, Mrs. Bradley said:
“Quite, quite,” in conciliatory tones, and the narrative proceeded.
“Well, we knocked him down to two pounds seventeen and sixpence, no tips, and the driver to be responsible for garaging the car at Mr. Willis's expense, and really, you could hardly grumble at that, especially as we understood from the letter that poor Calma quite expected to pay for our lodgings herself. So at half-past ten that Friday morning we set off.”
She paused.
“Very pleased at the idea of your outing?” Mrs. Bradley suggested. The question had the desired effect. Miss Sooley's round red face clouded and her eyes looked troubled. She shook her head.
“We weren't on speaking terms. Very unfortunate it was. Miss Lincallow thought it would be nice to send Miss Ferris a telegram to say we were coming, and, as luck would have it, that made me say, just careless-like:
‘“Then she'll have all sorts of surprises.' Well, though perhaps it isn't for me to say so, Miss Lincallow is a little bit nosey and suspicious. Well, you have to be if you take in visitors at a seaside resort, even a high-class one, you know, Mrs. Bradley. So she pounced on me directly for saying that, and asked me what I meant.

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