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Authors: Mandy Hager

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MIDNIGHT FINDS ME WIDE
awake, imagining myself in Johannes’ arms. To drive away the gnawing want, I tiptoe into the sun porch and squeeze fresh oils onto my palette. The sharpness of their smell excites me. It’s been far too long.

I’m going to reinterpret Vincent’s
Wheatfield with Crows.
This painting will be the last. I’m moving on to something new, probably Klimt. After I’ve under-painted the canvas I rough in Vincent’s three divergent paths to form a crossroads. I stand there now: can travel back to where I’ve been, sideways to nowhere in particular, or take the risk and chase his flock of crows to far-flung worlds. Except, of course, I’m not painting his crows, oh
no. They’re butterflies for Van.
Did you really think I’d forget you so quickly?
But, though they fly my chosen route, I needn’t follow them if I don’t want to. It is enough to know they’re there, to travel with me when I feel alone.

Dear Vincent,

 

So here we are, about to say goodbye. Like you, I tried on black for size but colour just kept breaking through.

Your words have kept me company; your paintings brought me warmth. You’ve proved to me that any uniqueness we create lives on — so long as someone chooses to sustain it in their hearts. I’ll always love you, just as I’ll always love Van. You two are my yin and yang. My Vin and Van. You’ve saved my life. Helped me to find the path among the weeds.

As my work is, so am I.
I won’t forget.

Forever yours

Miss T

I ONCE LOST SOMEONE
I
loved very much to suicide. And have friends who've suffered this totally devastating loss as well. It causes a hurt in people's lives that never fully goes away. Suicide doesn't just destroy one life; it's a tidal wave that sweeps up everyone in its path.

There's nothing remotely glamorous, mysterious, logical or inevitable about killing oneself. It's a brutal and cruel end for everyone — and the damage permeates for years and years. No one wins from it. Why cut a life short when circumstances can change from one instant to the next? We never know what's round the corner — that's part of the great possibility of life.

I understand the suicidal desire to escape problems; to take the pain away. I've been to that dark place. But I'm so incredibly grateful now that, at the last minute, I asked for help. The pain I so desperately wanted to escape from eventually eased — not overnight, but in tiny forward-moving steps. It's possible. It's not the easy choice. But it's the right one.

By the time that doomed thinking was gone for good, I'd grown and changed, and life has continued to get better and better ever since. If I'd given in to suicide's call, I never would've seen my children grow
to wonderful adults, my name on a book cover, or the Van Gogh paintings in the Musée d'Orsay! I never would've married a good, kind man, or felt the joy as my son got married beneath an arch of trees down in our garden just last year.

Life is so precious, even if it doesn't seem so at the time. And help can come in the most surprising forms: people you don't expect; someone you might not even know.

If such thoughts are in your head, take a big deep breath and ask for help RIGHT NOW. And, if necessary, ask again, until you find someone who hears and offers a helping hand. Don't be seduced by death — those thoughts are skewed. And do the same if you have grave concerns for a family member or a friend: sound the alarm and find someone to help them right away. Even if they make you promise not to tell, it's better that they're angry with you for a short time than dead forever.

Your life is precious. Even if it doesn't feel like it right now, there is always hope.

If you don't have someone who you trust to act quickly and effectively, telephone your national emergency number, talk to your school counsellor, go to your doctor or the nearest hospital, or contact one of the many support agencies. For both New Zealand and overseas, try checking out the agencies at the front of your local telephone book or look online.

In New Zealand, for instance, you can call: Emergency services (111); Healthline (0800 611 116); Depression Helpline (0800 111 757); Suicide Prevention Helpline (0508 828 865 or 0508 TAUTOKO); Lifeline (0800 543 354); Youthline (0800 376 633 or free text 234).

Choose life. Kia kaha.

Quotes from the letters of Vincent Van Gogh are courtesy of:

 

Chapter One: Vincent Van Gogh to Theo Van Gogh, Etten, c. 21 December 1881,
Van Gogh’s Letters
, WebExhibits,
http://www.webexhibits.org/vangogh/letter/10/164.htm?qp=art.material.
Most translations into English by Van Gogh’s sister Johanna Van Gogh- Bonger. Additional translations by Robert Harrison and others. Made available under Creative Commons.

Chapter Two: Vincent Van Gogh to Theo Van Gogh, Cuesmes, July 1880,
http://www.webexhibits.org/vangogh/letter/8/133.htm

Chapter Three: Vincent Van Gogh to Theo Van Gogh, Paris, January 1876,
Vincent Van Gogh: The Letters
, Letter 067, Van Gogh Museum/Huygens ING. Rights permitted by Van Gogh Museum Enterprises BV, Amsterdam via
http://vangoghletters.org/vg/letters.html

Chapter Four: Vincent Van Gogh to Theo Van Gogh, Cuesmes, July 1880,
http://www.webexhibits.org/vangogh/letter/8/133.htm

Chapter Five: Vincent Van Gogh to Theo Van Gogh, Cuesmes, June 1880,
Vincent Van Gogh: The Letters
, Letter 155, Van Gogh Museum/Huygens ING. Rights
permitted by Van Gogh Museum Enterprises BV, Amsterdam via
http://vangoghletters.org/vg/letters.html

Chapter Six: Vincent Van Gogh to Theo Van Gogh, Cuesmes, July 1880,
http://www.webexhibits.org/vangogh/letter/8/133.htm

Chapter Seven: Vincent Van Gogh to Theo Van Gogh, Cuesmes, June 1880,
Vincent Van Gogh: The Letters
, Letter 155, Van Gogh Museum/Huygens ING. Rights permitted by Van Gogh Museum Enterprises BV, Amsterdam via
http://vangoghletters.org/vg/letters.html

Chapter Eight: Vincent Van Gogh to Theo Van Gogh, Amsterdam, 30 May 1877,
http://www.webexhibits.org/vangogh/letter/6/098.htm?qp=attitude.death

Chapter Nine: Vincent Van Gogh to Theo Van Gogh, Cuesmes, June 1880,
Vincent Van Gogh: The Letters
, Letter 155, Van Gogh Museum/Huygens ING. Rights permitted by Van Gogh Museum Enterprises BV, Amsterdam via
http://vangoghletters.org/vg/letters.html

Chapter Ten: Vincent Van Gogh to Theo Van Gogh, The Hague, 11 March 1883,
http://www.webexhibits.org/vangogh/letter/12/274.htm?qp=art.material

Chapter Eleven: Vincent Van Gogh to Theo Van Gogh, Saint-Rémy, 19 September 1889,
http://www.webexhibits.org/vangogh/letter/20/607.htm?qp=health. gastrointestinal

Chapter Twelve: Vincent Van Gogh to Theo Van Gogh, Etten, 1881,
Vincent Van Gogh: The Letters
, Letter 186, Van Gogh Museum/Huygens ING. Rights permitted by Van Gogh Museum Enterprises BV, Amsterdam via
http://vangoghletters.org/vg/letters/let186/letter.html
; Vincent Van Gogh to Emile Bernard, Arles, c. 18 June 1888,
http://www.webexhibits.org/vangogh/letter/18/B07.htm?qp=food-and-drink.diet
;
Vincent to Theo, Saint-Rémy, 6 July 1889,
http://www.webexhibits.org/vangogh/letter/20/603.htm

Chapter Thirteen: Vincent Van Gogh to Emile Bernard, Arles, 1888,
http://www.webexhibits.org/vangogh/letter/18/B11.htm?qp=business.co-op

Chapter Fourteen: Vincent Van Gogh to Anthon van Rappard, Nuenen, 1884,
http://www.webexhibits.org/vangogh/letter/14/R41.htm

Chapter Fifteen: Vincent Van Gogh to Theo Van Gogh, Arles, 1888,
http://www.webexhibits.org/vangogh/letter/18/523.htm?qp=business.co-op

Chapter Sixteen: Vincent Van Gogh to Theo Van Gogh, Etten, 1881,
Vincent Van Gogh: The Letters
, Letter 180, Van Gogh Museum/Huygens ING. Rights permitted by Van Gogh Museum Enterprises BV, Amsterdam via
http://vangoghletters.org/vg/letters/let180/letter.html

Chapter Seventeen: Vincent Van Gogh to Theo Van Gogh, The Hague, 1883,
http://www.webexhibits.org/vangogh/letter/12/276.htm?qp=feelings.love;
Vincent to Theo, Arles, c. 17 September 1888,
http://www.webexhibits.org/vangogh/letter/18/538.htm
; Vincent to Theo, The Hague, 1883,
http://www.webexhibits.org/vangogh/letter/12/312.htm?qp=fear.shyness

GRATEFUL THANKS TO
Jenny Hellen and the team at Random House New Zealand; Jane Parkin and Tracey Lowndes for their incredibly expert editing; the Van Gogh Museum; research support from Whitireia; Peter and Dianne Beatson for their generosity in awarding me the 2012 Beatson Fellowship; Helen Los; Julia Wells; Liz Love; Ann Neville; Nicky, Debbie and Belinda Hager; and my wonderful first readers, Rose Lawson and Brian Laird. Your support means the world to me.

The assistance of Creative New Zealand is gratefully acknowledged
by the publisher.

A RANDOM HOUSE BOOK published by Random House New Zealand
18 Poland Road, Glenfield, Auckland, New Zealand

For more information about our titles go to
www.randomhouse.co.nz

A catalogue record for this book is available from the National Library
of New Zealand

Random House New Zealand is part of the Random House Group
New York London Sydney Auckland Delhi Johannesburg

First published 2013

© 2013 Mandy Hager

The moral rights of the author have been asserted

ISBN 978 1 77553 327 6
eISBN 978 1 77553 328 3

This book is copyright. Except for the purposes of fair reviewing no part
of this publication may be reproduced or transmitted in any form or by
any means, electronic or mechanical, including photocopying, recording
or any information storage and retrieval system, without permission
in writing from the publisher.

Design: Carla Sy
Cover photograph: Getty EPL: 155372089

Gogh, Vincent van (1853-1890):
The Starry Night
, 1889. New York,
Museum of Modern Art (MoMA). Oil on canvas, 29x36 OE. (73,7x92,1 cm).
Acquired through the Lillie P. Bliss Bequest. Acc. n.:472.1941© 2013.
Digital image, The Museum of Modern Art, New York/Scala, Florence.

Printed in Australia by Griffin Press an Accredited ISO AS/NZS 14001:2004

Environmental Management System printer.

The paper this book is printed on is certified against the Forest Stewardship
Council® Standards. Griffin Press holds FSC chain of custody certification
SGS-COC-005088. FSC promotes environmentally responsible, socially
beneficial and economically viable management of the world’s forests.

 

 

Ash McCarthy thought he finally had it made: away from home and all its claustrophobic responsibilities, he’s revelling in the freedom of student hostel life.

But things take a devastating turn when two police officers knock on his door. Their life-changing news forces him to return home to his Down Syndrome brother Mikey, and impels him into a shady world of political intrigue, corruption, terrorism and lies … so many lies.

As if this isn’t bad enough, the whole country is imploding, as the world’s two greatest super-powers start a fight that leaves New Zealand ‘piggy-in-the-middle’ of their deadly games. While trying to protect Mikey, along with strangers Travis and Jiao, his fight to uncover the truth turns into a nightmare race to save their lives and stop the destruction of all the principles he holds dear.

The Nature of Ash
is a fast-paced thriller that also explores love and loss, assumptions and prejudices, truth and fiction, and the many faces of ‘family’.

The Nature of Ash
has been shortlisted for the 2013 New Zealand Post Children’s Book Awards.

 
 

 

The Crossing
is the first book in the stunning
Blood of the Lamb
young adult trilogy that follows the fate of Maryam and her unlikely companions — Joseph and Ruth. This is fast, suspenseful drama underpinned by a powerful and moving story about love and loss.

The people of Onewere, a small island in the Pacific, know that they are special — chosen to survive the deadly event that consumed the Earth. Now, from the rotting cruise ship
Star of the Sea
, the elite control the population — manipulating old texts to set themselves up as living ‘gods’. But what the people of Onewere don’t know is this: the leaders will stop at nothing to meet their own blood-thirsty needs …

When Maryam crosses from child to woman, she must leave everything she has ever known and make a crossing of another kind. But life inside the ship is not as she had dreamed, and she is faced with the unthinkable: obey the leaders and very likely die, or turn her back on every belief she once held dear.

‘Like
1984
for teenagers — direct, passionate and powerful’ — Margaret Mahy

Winner of the New Zealand Post Children’s Book Award for Young Adult Fiction 2010.

 
 

 

Into the Wilderness
is the fast-paced, thrilling second novel in
Blood of the Lamb
young adult trilogy.

Maryam, Ruth and Joseph have fled Onewere, reluctantly taking Joseph’s troublesome cousin, Lazarus, with them. They arrive at their destination, Marawa Island, filled with hope for rescue and reprieve. But at first glance the island appears to be solely populated by birds … Perhaps the Apostle’s dire warnings about the fall-out of the Tribulation were true after all?

As Maryam and Joseph experience all the
topsy-turvy
misunderstandings and sexual tension first love entails, the antagonism between Maryam and Lazarus reaches explosive proportions. But when disaster brings the crushing realisation that time is now against them, all four must decide just who they can risk turning to for help …

 
 

 

Resurrection
is the third gripping, futuristic novel in the bestselling
Blood of the Lamb
young adult trilogy.

‘This book had me on the edge of my seat every time I picked it up and constantly dreading turning the page but unable to stop. Maryam’s story once again captivated me. I’m going to recommend this to my friend who has also read the rest of the series and loves it as well.’ Danelle, 16

Maryam is fighting for her life, freedom and love in this stunning finale to the Blood of the Lamb series. Maryam and Lazarus arrive back at Onewere, and Maryam, is captured while trying to loosen the Apostles’ religious stranglehold by showing the people the miraculous remedy. The ruling elite decides to manipulate her return and Lazarus’s so-called ‘resurrection from the dead’ by setting in motion a highly orchestrated pretence of embracing her as the new Messiah — right down to planning her eventual sacrifice and death by crucifixion before a hysterical and brain-washed crowd.

In a sequence that mirrors Christ’s final hours, Maryam must somehow get the islanders to listen to her plea to start thinking for themselves — eventually managing to stir the independence in their hearts just as she is about to be put to death …

 
 

 

Smashed
tells the story of three teenage friends, and how their friendship, loyalties and values are thrown into confusion when the main character’s younger sister is raped by one of his best friends. His reaction sets in motion a ‘ripple effect’, which culminates in a violent act of revenge upon the rapist.

Has our hero done this? As he finds himself deep in trouble and confused about the truth, he is forced to the vital question: are we really just puppets controlled by our genes, or do we have the free will to rewrite our own destiny?

Smashed
is a cautionary tale about growing up — of the huge and complex challenges today’s young people face in their lives. It tackles gritty teenage issues such as alcohol, physical and sexual abuse, and anger but with a sense of humour and great sensitivity. A thoughtful, pacy read — one that’s hard to put down.

Winner of the Esther Glen Award for Fiction 2008.

 

 

For more information about our titles go to
www.randomhouse.co.nz

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