Deadlock (38 page)

'At Revin, only a few kilometres away.'

'And that, I'm sure,' said Tweed, 'is where Broucker had his throat cut by Klein while Haber navigated the barge through the tunnel. It puzzled me - that he would take a chance on killing a man in the open.'

'Who is this Klein? Haber would never stand by while that happened,' Sonnet objected.

'He might have to - if his family had been kidnapped.' He looked at Benoit and Lasalle. That is the second request. I want the chopper to fly me now as close as possible to this village, Celle - where Haber's family lives. And if Sonnet could accompany us - to guide the pilot?'

'Of course . . .'

'Agreed . . .'

Both men spoke at once. Sonnet excused himself while he ran to the car to radio through the instruction to check with all lock-keepers in the search for the
Erika
. Tweed looked at his watch, began to take short paces back and forth.

'You're worried we're going to be too late,' Paula said.

'Exactly. Oh, Lasalle, one more question. That CRS communications van which went missing. What equipment does it carry? What makes it so special?'

The normal radio stuff- as a mobile HQ for riot control. But it also has the most advanced transceiver and a transmitter just received from America. With that - it has a great variety of wave-lengths - the vehicle gives you a range over thirty miles.'

'A command vehicle,' Newman said grimly. 'Just what Klein needs to control the whole diabolical operation.'

'And what do you lot think you are doing?'

The voice, indignant, intimidating, a woman's, called out to them in French as they stood outside the front door of a small cottage on the edge of a hamlet near Celle. Tweed, Newman, Benoit, Sonnet and Paula swung round to stare at the owner of the strident voice standing by the open gate. Butler merely glanced over his shoulder and continued examining the outside of the building. He sensed it was empty.

It was Paula who stepped forward with a smile. The woman was large, in her fifties, had a hooked nose and a prominent jaw. She stood with her arms akimbo, her stance challenging.

'I am Madame Joris,' she went on, 'and I am looking after the cottage while the owner is away. Who are you people?'

'We are worried about Marline Haber and her son, Lucien. You say they are away? Where have they gone?' Paula enquired.

'None of your business . . .'

'Oh, yes it is.' Benoit walked past Paula, his mood anything but jovial. 'Police Judiciaire.' He waved his warrant card at her. 'Answer the young lady's question.'

'They've gone on holiday, haven't they? She phoned me just before they left, asked me to keep an eye on the place.'

'How did she sound? When she phoned you? They take a regular holiday?'

'Which question first? I'm not on a quiz show. No, they'd never taken a holiday before. Not away. She sounded peaky on the phone - as though she needed the holiday.'

'Peaky? Nervous, perhaps?' Benoit pressed.

'Come to think of it, yes. Short conversation. For her. In a rush to get off to Majorca. Two days ago that would be.'

'Have you a key? Did you
see
her before she left?'

'No! Told you, she phoned. When I came round they'd gone. And no key. What's this all about?'

'One good heave would open the front door,' Sonnet called out. 'Newman has been round the house, says it looks empty. The kitchen is a mess . . .'

'How dare you!' Madame Joris stormed up the path. 'Marline is a clean and neat housewife. I don't believe it.'

'Unwashed dishes piled up in the sink,' Newman whispered to Sonnet.

'One good heave. These locks are useless ..."

Sonnet pressed a shoulder against the lock side of the door and pushed. It held for a moment, there was a click, the door swung inward. Sonnet recovered his balance.

'You can't do that!' screamed Madame Joris.

'My impression,' Benoit told her amiably, 'is we have just done it . . .'

'I'm coming in . . .'

'I was about to ask you if you would be so kind as to do just that.'

Paula tiptoed in behind Sonnet, gestured to the rug in the small hall which was askew. Madame Joris pushed past them after Sonnet and followed him into the kitchen. She stared at the piled-up unwashed dishes.

'Something's wrong.' She sounded alarmed for the first time. 'Martine would never go out shopping leaving things like that. Let alone on holiday.'

'Could you check her clothes, please?' asked Benoit.

Madame Joris came hustling down the tiny staircase in less than a minute. She was agitated and held a pair of shoes in her hand.

'Her best shoes. Bought in a sale. She'd never leave those, her Sunday shoes. Something's terribly wrong. You do realize that, I hope?'

She made the statement as though she were the first to raise the alarm. Tweed stood watching her, hands thrust inside his raincoat pockets. His mind went back to his days as a detective, when he'd stood just like this, confronting a new witness, deciding the best way to handle the unknown quantity.

'Madame Joris,' he began, 'may I congratulate you on your excellent powers of observation?'

She seemed to grow even larger, her full breasts sagging inside her flowered dress. 'I don't miss much, I can tell you that.'

'I'm sure you don't. You know this house. Would you take me over it, see what else you can spot?'

'Of course.' She mellowed visibly under Tweed's flattery, so delighted to be the centre of attraction. 'Shall we start upstairs?'

Tweed followed her up the tiny staircase, just wide enough for Joris to squeeze her bulk between banisters and wall. They went into a small bedroom. Joris began opening drawers. She spoke over her crouched form. 'Wouldn't do this normally, of course . . .'

'I understand, but Martine may be in great danger.' Tweed understood only too well; Joris was revelling in the opportunity to poke among her neighbour's things.

Tweed noted the neatly arranged items on Marline's dressing-table, the few carefully placed pots on window ledges. He looked at the bed, which was made up but had a rumpled appearance.

'Is that the way Martine would make up the bed?' he asked.

'It is not! An apple pie mess, I call that. She was very tidy in her habits.'

Another signal the girl had left behind to alert the police if they caught on to her disappearance. A clever girl, this Martine. And she must have been scared stiff, knowing she and her son were being abducted. The counterpane draped to the floor. Tweed caught sight of a piece of white paper protruding from under the counterpane. He looked round, saw Joris' ample buttocks facing him as she burrowed in a lower drawer. He bent down, took hold of the paper and dragged out a coloured brochure.

Luxair
. The Luxembourg airline. The folder had three pages joined together. It had been folded back to a page headed
Cargolux
, the cargo-carrying branch of the airline. At the bottom, in black ink and scarcely legible script one word had been written.
Rio
. Tweed slipped the folder into his pocket.

'What about that wardrobe?' he suggested.

'Can't find anything in the drawers.' Joris marched over to the wardrobe, opened the double doors and stared inside as Tweed joined her. She stood with her arms akimbo, checking the hanging clothes.

'Didn't take her best dress, the one she also wears Sundays.' Her beady eyes dropped to the floor. 'And her travelling case is missing. Never used it. Never went anywhere. But she hoped to one day, when they were rich. That case was her hope for the future.'

Try the dressing-table,' Tweed suggested.

'If you say so. Mind you, I'm only doing this under police orders.' She looked up as Paula appeared in the doorway. 'Didn't know they were getting such good-looking Belgian policewomen these days. Brussels, I suppose?'

'That's right,' replied Paula.

She looked at Tweed as Joris bustled over to the dressing-table. Paula had a flair not only for languages; she had an acute ear for local pronunciation. With Tweed she now realized for the first time she could pass for a Belgian.

'More trouble.' Joris made her statement with a tinge of satisfaction. A touch of drama, even at a friend's expense, was livening up her dull life. 'She left her best undies,' Joris went on. 'What woman would go on holiday and do that. I've checked in there,' she said sharply as Paula separated the dresses inside the wardrobe, then went on checking the dressing-table drawers.

Paula beckoned behind her back to Tweed. He joined her and she pointed at the rear wall behind the dresses. 'She used lipstick,' she whispered. Scrawled hastily in thick red on the wall were two half-finished words.
Peug. Jaun
.

'He - or they - came for her in a yellow Peugeot,' Tweed whispered back. 'We simply must save this girl and her son.'

'If they're still alive,' Paula responded sombrely.

'What made you think of looking at the wall?'

'Because it's the place I'd have chosen if I was being kidnapped. She must have concealed the lipstick in her hand. While she was taking down a few dresses she scrawled that message.'

'Nothing else,' Joris called out to Tweed. 'Are you feeling all right?'

Tweed, glassy-eyed, had gone into a trance, thoughts flashing through his mind. He blinked, smiled at Joris. 'Lack of sleep, nothing more. Incidentally, shouldn't the boy, Lucien, be at school?'

'I asked that when she phoned. She said she'd phone to the school and tell them Lucien had the flu.'

It took them only a few minutes to check the rest of the upper floor and they descended the staircase. Joris burst out with her discoveries to Benoit with an air of triumph. He listened, lips pursed at her attitude. Tweed waited until she'd finished before he asked the question.

'Did you notice a car pass your house? You're further down the road, nearer the village from the direction you came. I'm referring to the day when Marline phoned you. Perhaps half an hour or so before the phone call?'

'I heard a car, yes. But I couldn't get to ..." Joris broke off, her eyes shifting round the kitchen ....
the window before it had gone up the hill
. Tweed mentally completed her sentence. She was the local busybody.

'Did you hear a car return past your house later - say within another half hour?' he pressed.

'No! There is very little traffic all day.'

'Excuse me a moment.' Tweed took the arm of Benoit, who was chatting in undertones with Paula, and led him to the front room, nodding for Paula to follow. 'Benoit, we're looking for a yellow Peugeot . . .'He described what Paula had found inside the wardrobe. 'And when the car took Martine and Lucien away it drove on uphill - away from the village. Otherwise Miss Nosey Parker would have seen it - she obviously keeps a close eye on what's going on. And she didn't even
hear
it coming back.'

'Makes sense.' Benoit peered out of the front window where a police car with three uniformed men had stopped. 'The locals have arrived. We can get them moving on the search.'

Paula had been standing with her right hand crooked, studying her fingernails. A mannerism Tweed had already become familiar with: an idea had struck her. Paula frowned as she recalled the
A
Vendre
estate agent's board outside another cottage in the village. She caught Tweed's eye. He nodded again.

'Excuse me,' Paula said, 'but I've been thinking of the sort of place they might be holding Martine and her son. Not too far away, I'd guess - the risk of being spotted by a local in a car would be too great.'

'Makes sense,' Benoit agreed. 'Do go on.'

'I've often thought the ideal place to hold a kidnapped person would be in a house for sale. The kidnapper could find a suitable empty house, call on the agent, say he agreed the price, pay a deposit, but it would take a while to get it surveyed. It's then completely at the kidnapper's disposal.'

'Ingenious. Very.' Benoit looked at Paula with admiration, turned to Tweed. 'If Miss Grey ever wants a job with us here in Belgium I'm sure I could oblige.'

'Thank you. There's something else,' Paula persisted. 'It has to be a suitable place, I said. By which I mean a property remote from the road - and preferably already equipped with facilities to turn a part of it into a prison. Maybe a room with a child's nursery - with bars already on the windows. Or perhaps something even more specialized - some property that's been on the market a while.'