Dead River

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Authors: Fredric M. Ham

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Dead River

 

 

A Novel

 

 

Fredric M. Ham

 

 

 

iUniverse, Inc.

New York Bloomington

Dead River

A Novel

 

Copyright © 2010 Fredric M. Ham

 

All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews.

 

This book is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

 

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Because of the dynamic nature of the Internet, any Web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

 

ISBN: 978-1-4502-0271-8 (pbk)

ISBN: 978-1-4502-0273-2 (cloth)

ISBN: 978-1-4502-0272-5 (ebook)

 

 

Library of Congress Control Number: 2010903735

 

 

Printed in the United States of America

 

iUniverse rev. date: 3/24/10

For my wife, Emily,

                      who is always there …

Contents

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-one

Twenty-two

Twenty-three

Twenty-four

Twenty-five

Twenty-six

Twenty-seven

Twenty-eight

Twenty-nine

Thirty

Thirty-one

Thirty-two

Thirty-three

Thirty-four

Thirty-five

Thirty-six

Thirty-seven

Thirty-eight

Thirty-nine

Forty

Forty-one

Forty-two

Forty-three

Forty-four

Forty-five

Forty-six

Forty-seven

Forty-eight

Forty-nine

Fifty

Fifty-one

Fifty-two

Fifty-three

Fifty-four

Fifty-five

Fifty-six

Fifty-seven

Fifty-eight

Fifty-nine

Sixty

Sixty-one

Sixty-two

Sixty-three

Sixty-four

Sixty-five

Sixty-six

Sixty-seven

Sixty-eight

Sixty-nine

Seventy

Seventy-one

Seventy-two

Seventy-three

Seventy-four

Seventy-five

Seventy-six

Seventy-seven

Seventy-eight

Seventy-nine

Eighty

Eighty-one

Eighty-two

Eighty-three

Eighty-four

Eighty-five

Eighty-six

Eighty-seven

Eighty-eight

Eighty-nine

Ninety

Ninety-one

Ninety-two

Ninety-three

Ninety-four

Ninety-five

Ninety-six

Ninety-seven

Ninety-eight

Ninety-nine

One hundred

One hundred one

One hundred two

One hundred three

One hundred four

One hundred five

One hundred six

One hundred seven

One hundred eight

One hundred nine

One hundred ten

One hundred eleven

One hundred twelve

Author’s Note

 1 

NEVER BEFORE HAD Magee, Mississippi, seen such an event. It was 1989, the city’s centennial, and the city fathers decided to celebrate with a full weekend of festivities. There would be a children’s carnival on Saturday and Sunday after church, a pie-eating contest Saturday afternoon, a rock-and-roll band from Jackson Saturday night, and a dunk-the-mayor booth both Saturday and Sunday.

All of the activities would take place at Prichard Park. The park was tucked away on the north side of town in a small forest of large trees covered with kudzu. Behind the park the crystal-clear water of Cherry Creek trickled over loose rocks nestled in the creek bed and moistened the moss that covered the gently sloping banks on both sides.

The band and their roadies had made their appearance in town early Saturday afternoon and began setting up their equipment. Jebavy Hardware and Lumber had donated the wood and labor for the stage and built it on the knoll at the back of the park. Guitar amplifiers were arranged on the stage, microphone stands planted, and the PA system checked several times. Most of the local teenagers ignored the children’s carnival and gathered around the stage area. None of them had ever seen such a sight: men with earrings and women dressed like men. The teens laughed and poked at each other, occasionally glancing toward the stage at the strange but alluring people weaving various cords and cables, sometimes mouthing a check and a test over the PA system.

Night fell and the band moaned and wailed. They blared out a rendition of Guns N’ Roses’ “Move to the City,” and the crowd waggled and rocked. Some danced, some clapped to keep beat, and others just watched, mesmerized by the bright lights, the cry of the guitars, and the pounding of the drums. The clamor filled the heavy, humid air and could be heard miles away. There was bedlam in Magee, and no way to hear the cries of one young girl.

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