Darwin's Blade (48 page)

Yes, you can tell that Edward Whymper was an absolute romantic, as were so many of the Golden Age climbers in the mid- and late 1800s. And his writing is flowery and old-fashioned by the lean, modern standards of 1924.

But as to the charge of being a hopeless romantic, I confess that I am as well. It's part of my nature. Perhaps it
is
my nature. And although I'd graduated from Harvard as an English major ready to write my own great travelogues and novels—all in the lean modern style, of course—I'm surprised to find that Edward Whymper's nineteenth-century wording—flowery prose and all—has once again moved me to tears.

So on this June day in 1924, my heart responds to the words written more than fifty years earlier, and my soul responds even more hopelessly to the view that prompted those words from the sentimental Edward Whymper. The great mountain climber was twenty-five years old when he first climbed the Matterhorn and saw this view; I've just celebrated my twenty-second birthday, two months before earning this view for myself. I feel very close to Whymper and to all the climbers—some of them hard-bitten cynics, but others romantics like myself—who have looked south at Italy from this very ridge, from this very throne of a low boulder.

During the autumn, winter, and spring months that I've been climbing in the Alps with Jean-Claude and the Deacon, there has been a question-and-answer session after each summiting, a catechism, as it were, for each mountain. The tone of the questioning has never been condescending, and I've actually enjoyed the process, since I've learned so much from the two alpinists. I'd been a good climber when I came to Europe from the United States; under Jean-Claude's and the Deacon's gentle, sometimes bantering, but never pedantic guidance, I know that I'm becoming an excellent climber. A
world-class
climber. Part of a very small fraternity indeed. More than that, the Deacon's and Jean-Claude's tutelage—including these summiting catechisms—have helped me learn how to
love
the mountain I've just climbed. Love it even though she may have been a treacherous bitch during my intimate time with her: rotten rock, avalanches, traverses without so much as a fingerhold, deadly rockfall, forced bivouacs on ledges too narrow to hold a book upright yet we were forced to cling there in freezing weather, hailstorms or thunderstorms, nights when the metal pick in my ice axe glowed blue with its anticipatory electrical discharge, hot days without so much as a sip of water and more bivouac nights when, without pitons to tie oneself in, you held a lit candle under your chin to keep from falling asleep and tumbling off into the void. Yet through all that, the Deacon and especially Jean-Claude were teaching me how to love the mountain, love her for what she truly was, while loving even the hardest times spent engaged with her.

The catechism for the Matterhorn is led by Jean-Claude and is briefer than most.

You must love something about every good mountain. Matterhorn is a good mountain. Did you love the faces of this mountain?

Non.
The faces of the Matterhorn, especially the North Face upon which we spent the most time, were not worth loving. They were rubble. They were constant rockfall and avalanche.

But you love the rock itself?

Non.
The rock is treacherous. Friable. It lies. Drive in a piton with a hammer and you never hear the proper ring of steel against iron, of iron against rock, and a minute later you can easily pull the useless piton out with two fingers. The rock on the faces of the Matterhorn is terrible. Mountaineers know that
all
mountains are in a constant state of collapse—their verticality being inescapably and inevitably worn down every moment by wind, water, weather, and gravity—but the Matterhorn is more of an unstable pile of constantly crumbling rubble than most peaks. Love the rock here? Nowhere. Never.

But you love the ridges?

Non.
The famous ridges of the Matterhorn—the Italian and the Swiss, the Furggen and the Zmutt—are either too dangerous, raked with rockfall and snow avalanche, or too tame, pocked with cables and fixed ropes for the lady climber and the seventy-year-old English gentleman. Love for this mountain's ridges? There is none. At least not since Edward Whymper's day, when all was new.

But you love the mountain. You know you do. What do you love?

Oui.
The Matterhorn is a mountain that gives the climber numerous problems to solve, but—unlike the unclimbed North Face of the Eiger and certain other peaks I've seen or heard about—the Matterhorn also gives a good climber a clean, clear solution to each problem.

The Matterhorn is a heap of tumbling rubble, but the faces and ridges are beautiful to look upon from a distance. She is like an aging actress who, beneath the sadly obvious and peeling makeup, still boasts the cheeks and bone structure of her younger self, and there are frequent glimpses of a once near-perfect beauty. The shape of the peak itself—standing alone, unconnected to other mountains—is perhaps the cleanest and most memorable in all the Alps. Ask a young child who has never seen mountains to draw a mountain, and she will use her crayon to draw the Matterhorn. It is that iconic. And with its upper north face actually bending out beyond the vertical, like a wave breaking, the mountain appears to be constantly in motion. And that sheer, overhanging face breeds its own weather, gives rise to its own masses of clouds. It is that serious a mountain.

And you love the ghosts.

Oui.
The ghosts are there to love and cannot be avoided. Edward Whymper's loyal guide Jean-Antoine Carrel's patriotic betrayal in choosing to lead Felice Giordano up the Italian Ridge for the glory of an all-Italian first summit on July 14 of 1865. The ghosts of 25-year-old Whymper's desperate dash to Zermatt—to try the opposing ridge—with his hastily assembled party of young Lord Francis Douglas, Reverend Charles Hudson, 19-year-old Douglas Hadow, the Chamonix Guide Michel Croz, and the two local guides, “Young Peter” and “Old Peter” Taugwalder.

The ghosts of the four dead men from that day speak the loudest from the stone to me, and any climber must learn to hear them and to love and respect climbing on the same stones they trod, sleeping on the same slabs where they slept, triumphing on the same narrow summit where Whymper's seven shouted in triumph, and focusing hard on descending safely down the still treacherous section where four of them fell thousands of feet to their deaths.

And,
mon ami,
you love the view from the top.

Oui.
I do love the view. It makes the aching muscles and bleeding hands all worthwhile. Better than worthwhile—forgotten. The view is all.

The Abominable

 

Darwin's Blade

 

The Crook Factory

 

Flashback

 

Black Hills

 

Drood

 

The Terror

 

Olympos

Hard as Nails

Ilium

Worlds Enough & Time

Hard Freeze

Hardcase

A Winter Haunting

The Rise of Endymion

Endymion

The Fires of Eden

Lovedeath

Summer Sketches

Children of The Night

The Hollow Man

Summer of Night

Prayers to Broken Stones

The Fall of Hyperion

Hyperion

Carrion Comfort

Phases of Gravity

Song of Kali