Dark Secrets 2: No Time to Die; The Deep End of Fear (13 page)

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Authors: Elizabeth Chandler

Tags: #Murder, #Actors and Actresses, #Problem Families, #Family, #Dysfunctional Families, #Juvenile Fiction, #Family Problems, #Horror Tales; American, #Fiction, #Interpersonal Relations, #Death, #Actors, #Teenagers and Death, #Tutors and Tutoring, #Sisters, #Horror Stories, #Ghosts, #Camps, #Young Adult Fiction; American, #Mystery and Detective Stories

BOOK: Dark Secrets 2: No Time to Die; The Deep End of Fear
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Tomas looked puzzled. "Okay."

I hurried back to the theater and let myself in the back door. When I reached Maggie's office, both her door and Walker's were closed, but her light was still on.

"Just me," I said, tapping lightly on the glass.

She didn't respond to my voice or to a harder knock, so I opened the door. She was gone. I walked over to her desk to set down her food and saw a note lying on the seat of her chair. I picked it up to read.

I'm sorry, Brian. I can't go on.

I can't try anymore.

My will is with the lawyer.

Everything should be in order.

I stared at the short sentences, their meaning sinking in slowly. It was a suicide note.

"Maggie?" I called. "Maggie!"

I rushed out of her office, then stopped, not knowing which way to turn. There were too many rooms in this place for me to check them all quickly. And she might not even be in the building. Get Brian, I thought. No, call security to get people to search the building and send the police to her house.

I turned back to make the calls, then spotted her scarf on the floor, halfway down the hall. I noticed the door at the far end was open. The tower door! I ran toward it, hoping I wouldn't be too late.

Chapter 18

Maggie!" I shouted from the bottom of the iron stairs. "Maggie, I have to talk to you!"

I thought I heard movement far above me and hurried up the steps. "Maggie, listen to me. Things will get better. I'll help you. I'll find someone who knows how to help you."

I climbed as fast as I could, turning every five steps to rush up the next five, panicking that I wouldn't get there in time. I was out of breath from calling to her. It seemed as if I'd climbed a hundred stories. Just four, I told myself, the four stories of Stoddard. Then the walls began to narrow. I figured I was entering the top of the brick portion of the tower, the area with the shingled roof that was surmounted by the clock.

The stairs became a spiral here, worming their way up through the shrinking space, then on through an area with narrow platforms and square casements containing the clockworks, one facing each direction. The triangular steps were difficult to climb, so narrow on the inside, my feet slipped off. The spiral became a simple ladder to a trapdoor. It was dark, but I felt a splash of night air coming from above. I climbed through the open door and found myself in a space like a covered porch, enclosed by three-foot walls with a pillar at each corner and a roof.

Maggie was sitting sideways inside one of the four bays, her feet drawn up on the sill, her arms wrapped tightly around her knees. Her body shook. I was sure she heard me, but she kept her head turned away from me. If she rolled to the right, she would fall six stories.

"Maggie," I said softly, "I saw your note."

She turned her head jerkily. In the darkness the pupils of her eyes were large. Her mouth trembled.

The tower was no more than five feet across, but I was afraid to move toward her too quickly. If I reached for her suddenly, she might panic and fall.

"I can help you."

"You?" The laughter that spilled from her jangled out of tune.

"I'll find someone to help. Let's go down now."

"No one can help me," she said, her voice pitching high. "I can never get back what I've lost!"

"You mean Brian? You mean your trust in him?"

She laughed again, and this time it was my nerves that jangled. Something was terribly wrong.

"tell me what's going on," I persisted. "tell me and maybe I can figure a way—"

"There is no way out for you."

I replayed her disquieting words in my head, confused.

She lowered her feet to the floor and took two steps toward me, extending her arms, reaching to touch my hair. "Such a pretty girl," she said. "And a nice girl, not like your sister."

"Brian told you who I am."

"Such a shame."

She toyed with my hair, making me increasingly nervous. When she touched my cheek, I flinched.

"You shouldn't have come here, Jenny. Liza is gone. What were you looking for?"

"Peace."

Maggie stroked my face with a thumb that felt like cold sandpaper. "Don't you know, there is no peace for those who have lost someone too soon. I still hear Melanie calling me. In the middle of the night I awaken and hear her. Don't forget me,
Mommy. Don't forget,
she says, just as she did when I'd work long hours away from home. In the middle of the night I feel her soft breath on my cheek. Sometimes she tell s me what to do."

"What to do—like what?" I asked warily. Maggie was acting strange but not necessarily suicidal. I wondered if she had written the note to lure me up here.

She tilted her head and gazed at me solemnly. "It shouldn't surprise anyone, Jenny, that you became upset at camp. You kept hearing about Liza. You were having dreams about her. And someone was playing pranks, haunting the theater like the ghost of Liza. No wonder you became confused and depressed."

"I am not depressed."

"How unfortunate your parents chose this time to leave you alone." Her voice had shifted from high pitch to low and smooth as syrup. "I'll write a note explaining—in your handwriting, just like that on your application. I'll explain why you had to kill yourself."

I took a step back from her. The strange, sympathetic look on Maggie's face chilled me to the bone. I glanced at the stone sill, then beyond it. Below me the tower roof sloped far too steeply to stop a fall. I began edging toward the trapdoor.

Maggie saw the movement and lunged at me, shoving me back against the wall with such force I couldn't stay on my feet. I slid onto the sill. My head snapped back, as if someone had pulled a chair out from behind me sixty feet up. I reached out wildly for something—anything I could get my hands on—the stone sill, the pillar. My feet touched cement again and I dropped down in a crouch. As long as I was lower than the sill, she couldn't push me over it. I crawled toward the trapdoor.

"Get up! Get up!" Maggie shrieked and kicked at my stomach, bringing her foot up hard into my ribs. Breathless from, the blows, I scrambled through the door, dropping down so quickly my foot missed the rung. It caught two rungs down. I descended as fast as I dared. When I reached the spiral stairs, I turned so I could run down them face forward. I heard Maggie's footsteps above me.

At last I was on the regular-size treads. I raced downward. Too fast! My heel slipped over the edge of one. I went sliding down on my back, my left wrist bent behind me. I was stopped by the wall. Pain crippled my left wrist. With my right hand I quickly grasped the railing, pulled myself to my feet, and continued downward.

Reaching the hall, I rushed through it and around the corner toward the back door of the theater. I pushed hard against the double doors. They gave slightly, then stopped. I glanced down at the handle. A chain, someone had chained the doors!

I didn't know what to think. This was the entrance I had come through just a few minutes ago and now it was locked from the inside. Maggie had acted as if she alone was after me, but this door had been chained by someone else.

I heard Maggie's footsteps in the hall and hurried up the steps to the stage. The light above the staircase suddenly went off.

"Who's there?" Maggie called out.

I glanced over my shoulder. The lights in the hall below had also gone off. The uncertainty in Maggie's voice told me she hadn't been the one to cut the power. I tried to remember if I had seen an unmarked door downstairs. If I knew where the electrical room was, I'd have some idea where the other person was, perhaps the person who had chained the doors. But my mind was reeling with fear and the sudden darkness confused me. It must have confused Maggie, too, for I heard doors opening and closing below and soft cries of surprise.

Tiptoeing onto the back of the stage, I saw the emergency Exit signs glowing and the trail of tiny floor lights leading up to them. I wanted to make a run for it. But what if the lobby's outer doors had been chained, too? And what if the lights came back on? I'd be cornered with no place to hide.

I tried to recall what scenery and props were in the wings, to think of something that might conceal me. I remembered the extension ladder. I could climb to the catwalk, then kick aside the ladder. I doubted Maggie would be able to get up the wall rungs, and, as far as I knew, she had no weapon.

I thought we had placed the ladder close to the center of the catwalk. Using the Exit signs to center myself, I moved slowly downstage, putting both hands out in front of me. I touched the ladder. Placing my foot lightly on the first rung, I reached with my left hand to pull myself up and gasped with pain. I had been too panicked to notice how badly my wrist was hurt. It was useless to me. I took a deep breath and quietly began to climb the ladder using only my right hand.

I heard Maggie at the bottom of the stairs to the stage. I continued on in slow motion. I heard her at the top of the steps, flicking switches. No lights came on. I continued to climb stealthily.

"Stay where you are," Maggie said loudly, as if she were directing campers.

Objects were knocked over. It sounded as if she was looking for something. There was a long moment of silence and I was afraid to move, afraid that just a shift of weight on the metal ladder would give me away. I figured I was little more than halfway up the thirty-foot climb.

A bright light came on. She had found a flashlight.

The light swung slowly over the stage, the beam wavering as if her hand was shaking, touching the ladder, passing below me. Maggie walked toward the apron of the stage. I watched the play of the beam along the rows of seats. It became steadier, then the light spun around and streaked up the ladder, stopping at me.

I scrambled up two rungs.

"Stop!" she commanded, shining the light in my eyes.

I felt as I did under the glare of stage lights. My stomach grew queasy. I began to sweat. I pulled myself up a rung, but my legs felt unsteady.

"One step farther and I will knock over the ladder," Maggie threatened.

I turned my face away from the light. "Why are you doing this to me?"

Maggie circled the ladder, trying to keep the beam in my eyes.

"Please tell me why."

"You still don't remember?" Her voice quivered. "You must! Every day of my life I wake up remembering the fire."

"The one Melanie was in?"

"You were only three when it occurred," she said, "the same age as Melanie, and your parents were careful not to talk about it. But the memory is with you. You're standing in the third-floor window with Liza. The lights of fire trucks and emergency vehicles are shining up at you. A crowd has gathered below."

As she spoke, a wave of sickness washed over me.

I gritted my teeth and took a step up. My hands were slippery with sweat.

"Every time you stand on a stage with lights shining up at you, darkened faces in the audience watching you, the memory and the fear come back."

I climbed another rung. My heart pounded in my ears.

I could feel the heat at my back. I saw strange faces three stories below me, people looking up from a dark New York street. There were lights in my eyes, a dizzying pattern of red, yellow, and blue lights on the street below.

"Jenny, come on! Jenny, please!" Liza begged. She reached for my hand, then grasped my fingers. The metal ladder that had inched toward us finally rested against the windowsill, but I didn't want to get on it. It clanked and moved with each step of the firefighter climbing toward us. "Don't be afraid. I'll help you."

"It's coming back, isn't it?" Maggie observed, her voice breaking through the memory.

There was no blue gleam in these images and no blue gleam in those I had seen at Maggie's house. I should have noticed that before. When I'd gazed at Melanie's picture, I had seen the fragments of buried memory, not the images of a psychic vision.

"Brian recognized you the first day of camp from a photo Liza had shown him," Maggie went on, "but he didn't tell me until this morning. He pretended interest in you so he could find out why you were here. It was stupid of him. I know why, and you, remembering as you must now, will understand why I had to kill Liza."

"I will never understand!"

"You will!" she shouted back. "And you'll remember every horrible detail and suffer as I have every day since the fire.

"We were neighbors in New York, all of us working long hours, raising small children. Your parents let Brian and Melanie stay with you, even when they hired a sitter. My husband was glad—it saved money—but I should have known better. Liza was a wild child. One February night, when I had Brian with me and had left Melanie with your baby-sitter, Liza played with matches."

I sagged against the ladder, guessing what came next.

"Liza set the fire. Liza killed Melanie!"

Now I understood what my sister had been referring to in her final e-mail, the terrible thing she had done but didn't mean to. "And when Liza saw you and Brian, she remembered it," I said.

"She remembered the fire, but she didn't recognize Brian or me. In New York she knew me as Mrs. Jones. When I divorced, I took back my maiden name. The name Brian Jones is common enough, and Brian is a man now, not a five-year-old boy. I didn't tell her who we were until the day before she died.

"For the first three weeks of camp I quietly watched her shine, dark-haired, blue-eyed, and pretty as my daughter would have been, a bright future ahead of her, the future my daughter should have had." Maggie's voice grew breathless. "Liza talked endlessly about her experiences—experiences that should have been Melanie's—about all her successes—successes my child deserved! "

Maggie turned suddenly. The beam of her flashlight dodged around the stage. "What's that? Who's there?"

"I didn't hear anything."

I figured that someone else was in the building, but if it was someone who wanted to hurt me, I was no worse off. And if it was someone who would help, then better to pretend I'd heard nothing. Maggie wasn't thinking clearly enough to question the cut in electric power; perhaps she thought I had done it.

The beam of her flashlight paused at a table of tools. Maggie walked over to it, and I took two more steps up.

"At the end of the third week someone set a fire in Drama House," Maggie continued as she fingered the sharp tools. "Liza could brag about her experience with fire, too—how she and her sister had escaped with their baby-sitter through a third-floor window, but a playmate had hidden in a closet and died."

Maggie's face looked distorted, her jaw and the deep sockets of her eyes illuminated by the light she held over the table.

"How your parents showed you the fire exits at every theater and every place you stayed, how they taught you what to do. Like I was a bad parent!"

The beam of her flashlight bobbed and glittered off the knives on the table.

"Like it was my fault that Melanie died!"

She picked up a wood chisel, a four-inch point with a sturdy handle. I glanced upward. There were six more rungs to the catwalk, but just one more would allow me to reach up and grasp it.

"Your parents told Liza it was Melanie's fault for hiding when the baby-sitter called her." Maggie's voice kept rising. "They should have told Liza how wicked she was, how she killed someone, how she murdered my daughter!"

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