Daniel Silva GABRIEL ALLON Novels 1-4 (130 page)
Read Daniel Silva GABRIEL ALLON Novels 1-4 Online
Authors: Daniel Silva
Tags: #Thriller, #Mystery; Thriller & Suspense
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The Raleigh News & Observer
“
A Death in Vienna
completes Silva’s increasingly powerful trilogy about the unfinished business of the Holocaust…. The ending is haunting.”
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The Orlando Sentinel
“Silva’s writing is perfect: just enough description to be precise and an undercurrent of tension that drives the action. As always, Allon’s cause is justice, regardless of the means, and we can’t help but rally behind him.”
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Chattanooga Times–Free Press
“Silva keeps the pot from boiling over with cool brilliance.”
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Chicago Tribune
“Complex, compelling international espionage in the John le Carré vein.”
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The News-Press
(Fort Myers, FL)
“Silva’s intricate plot takes Allon across much of the globe, from Argentina to Poland, from Vienna to the Vatican…. Silva writes with care and skill. He has a knack for local color, and Allon, his main character, is refreshingly human—world-weary, given to self-doubt, and seemingly always wrestling with an inner demon of some sort.”
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St. Louis Post-Dispatch
“An exciting and complex novel.”
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Library Journal
“[A] superbly crafted narrative of espionage and foreign intrigue…. Those seeking cheap thrills should look elsewhere. Action and suspense abound, but this is serious fiction with a serious purpose. Silva keeps the pressure on the reader as well as his characters as there are important lessons to be learned and vital history to be remembered.”
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Publishers Weekly
“Chilling.”
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Kirkus Reviews
“Silva writes le Carré–style spy novels in which the action, despite careening across cities and continents, retains knife-edge-sharp suspense, as one man confronts a host of ingenious enemies…. Scrupulously avoiding the whiplash that comes from too much action in too many places in too short a time (an endemic condition in lesser spy novels), this finely wrought thriller reads like an exquisitely suspenseful chess game.”
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Booklist
Praise for Daniel Silva and His Previous Thrillers
“A writer who brings new life to the international thriller.”
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Newsday
“Silva builds tension with breathtaking double and triple turns of plot.”
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People
“Each plot-twisting segment is marked by almost unbearable tension…. Silva’s unsmiling prose urges you on like a silencer poking at the small of your back.”
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Entertainment Weekly
“A master writer of espionage.”
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The Cincinnati Enquirer
“In the style of authors like Frederick Forsyth and Ken Follett.”
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New York Law Journal
“At the forefront of his generation of foreign intrigue specialists.”
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Publishers Weekly
(starred review)
“A terrific thriller…one of the best-drawn fictional assassins since
The Day of the Jackal.
”
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The San Francisco Examiner
“A strong, driving pace…. Its two main characters cannot be denied.”
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Chicago Tribune
“[A] fast-moving bang-bang thriller.”
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Los Angeles Daily News
“A thrill-a-minute surefire bestseller…[that] rips Middle East strife from the headlines.”
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Kirkus Reviews
A DEATH IN VIENNA
Daniel Silva
A SIGNET BOOK
SIGNET
Published by New American Library, a division of Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd., 80 Strand, London WC2R 0RL, England Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)
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Penguin Books Ltd., Registered Offices:
80 Strand, London WC2R 0RL, England
Published by Signet, an imprint of New American Library, a division of Penguin Group (USA) Inc. Previously published in a G. P. Putnam’s Sons edition.
ISBN: 978-1-101-21010-9
Copyright © Daniel Silva, 2004
All rights reserved
REGISTERED TRADEMARK-MARCA REGISTRADA
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
PUBLISHER’S NOTE
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.
The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.
Dedicated to those who give the murderers
and their accomplices no peace,
To my friend and editor, Neil Nyren,
And, as always, to my wife, Jamie, and
my children, Lily and Nicholas
In a place where wood is chopped, splinters must fall, and there is no avoiding this.
—SS-GRUPPENFÜHRER HEINRICH MÜLLER HEAD OF THE GESTAPO
We’re not in the Boy Scouts. If we’d wanted to be in the Boy Scouts, we would have joined the Boy Scouts.
—RICHARD HELMS FORMER CIA DIRECTOR
Contents
PART ONE
The Man from Café Central
16
THE TESTIMONY OF IRENE ALLON: MARCH 19, 1957
25
BUENOS AIRES • ROME • VIENNA
PART FOUR
The Prisoner of Abu Kabir
PART ONE
The Man from Café Central
1
VIENNA
T
HE OFFICE IS hard to find, and intentionally so. Located near the end of a narrow, curving lane, in a quarter of Vienna more renowned for its nightlife than its tragic past, the entrance is marked only by a small brass plaque bearing the inscription WARTIME CLAIMS AND INQUIRIES. The security system, installed by an obscure firm based in Tel Aviv, is formidable and highly visible. A camera glowers menacingly from above the door. No one is admitted without an appointment and a letter of introduction. Visitors must pass through a finely tuned magnetometer. Purses and briefcases are inspected with unsmiling efficiency by one of two disarmingly pretty girls. One is called Reveka, the other Sarah.
Once inside, the visitor is escorted along a claustrophobic corridor lined with gunmetal gray filing cabinets, then into a large typically Viennese chamber with pale floors, a high ceiling, and bookshelves bowed beneath the weight of countless volumes and file folders. The donnish clutter is appealing, though some are unnerved by the green-tinted bulletproof windows overlooking the melancholy courtyard.
