Dangerous Days: (17 page)

The closing week of the old year found the situation strained in the Klein house. Herman had had plenty of opportunities for situations, but all of them had to do directly or indirectly with the making of munitions for the Allies. Old firms in other lines were not taking on new men. It was the munition works that were increasing their personnel. And by that time the determination not to assist Germany’s enemies had become a fixed one.

The day after Christmas, in pursuit of this idea, he commanded Anna to leave the mill. But she had defied him, for the second time in her, life, her face pale to the lips.

“Not on your life,” she had said. “You may want to starve. I don’t.”

“There is plenty of other work.”

“Don’t you kid yourself. And, anyhow, I’m not looking for it. I don’t mind working so you can sit here and nurse a grouch, but I certainly don’t intend to start hunting another job.”

She had eyed him morosely. “If you ask me,” she continued, “you’re out of your mind. What’s Germany to you? You forgot it as fast as you could, until this war came along. You and Rudolph! You’re long distance patriots, you are.”

“I will not help my country’s enemies,” he had said doggedly.

“Your country s enemies. My word! Isn’t this your country? What’s the old Kaiser to you?”

He had ordered her out of the house, then, but she had laughed at him. She could always better him in an argument.

“Suppose I do go?” she had inquired. “What are you going to live on? I’m not crazy in the head, if you are.”

She rather thought he would strike her. He had done it before, with the idea of enforcing discipline. If he did, she would leave him. Let him shift for himself. He had taken her money for years, and he could live on that. But he had only glared at her.

“We would have done better to remain in Germany,” he said. “America has no respect for parents. It has no discipline. It is a country without law.”

She felt a weakening in him, and followed up her advantage.

“And another thing, while we’re at it,” she flung at him. “Don’t you go on trying to shove Rudolph down my throat. I’m off Rudolph for keeps.”

She flung out her arm, and old Herman saw the gleam of something gold on her wrist. He caught her hand in his iron grip and shoved up her sleeve. There was a tiny gold wrist-watch there, on a flexible chain. His amazement and rage gave her a moment to think, although she was terrified.

“Where did you get that?”

“The mill gave them to the stenographers for Christmas.”

“Why did you not tell me?”

“We’re not talking much these days, are we?”

He let her go then, and that night, in the little room behind Gustav Shroeder’s saloon, he put the question to Rudolph. Because he was excited and frightened he made slow work of his inquiry, and Rudolph had a moment to think.

“Sure,” he replied. “All the girls in the executive offices got them.”

But when the meeting was over, Rudolph did not go back to his boarding-house. He walked the streets and thought.

He had saved Anna from her father. But he was of no mind to save her from himself. She would have to account to him for that watch.

Anna herself lay awake until late. She saw already the difficulties before her. Herman was suspicious. He might inquire. There were other girls from the mill offices on the hill. And he might speak to Rudolph.

The next evening she found Rudolph waiting for her outside the mill gate. Together they started up what had been, when Herman bought the cottage, a green hill with a winding path. But the smoke and ore from the mill had long ago turned it to bareness, had killed the trees and shrubbery, and filled the little hollows where once the first arbutus had hidden with cinders and ore dust. The path had become a crooked street, lined with wooden houses, and paved with worn and broken bricks.

Where once Herman Klein had carried his pail and whistled bits of Shubert as he climbed along, a long line of blackened men made their evening way. Untidy children sat on the curb, dogs lay in the center of the road, and women in all stages of dishabille hung over the high railings of their porches and watched for their men.

Under protest of giving her a lift up the hill, Rudolph slipped his hand through Anna’s left arm.

Immediately she knew that the movement was a pretext. She could not free herself.

“Be good, now,” he cautioned her. “I’ve got you. I want to see that watch.”

“You let me alone.”

“I’m going to see that watch.”

With his free hand he felt under her sleeve and drew down the bracelet.

“So the mill gave it to you, eh? That’s a lie, and you know it.”

“I’ll tell you, Rudolph,” she temporized. “Only don’t tell father. All the girls have watches, and I wanted one. So I bought it.”

“That’s a lie, too.”

“On the installment plan,” she insisted. “A dollar a week, that’s straight. I’ve paid five on it already.”

He was almost convinced, not quite. He unfastened it awkwardly and took it off her wrist. It was a plain little octagonal watch, and on the back was a monogram. The monogram made him suspicious again.

“It’s only gold filled, Rudolph.”

“Pretty classy monogram for a cheap watch.” He held it close; on the dial was the jeweler’s name, a famous one. He said nothing more, put it back on Anna’s arm and released her. At the next corner he left her, with a civil enough good-bye, but with rage in his heart.

The New-year, destined to be so crucial, came in cheerfully enough. There was, to be sure, a trifle less ostentation in the public celebrations, but the usual amount of champagne brought in the most vital year in the history of the nation. The customary number of men, warmed by that champagne, made reckless love to the women who happened to be near them and forgot it by morning. And the women themselves presented pictures of splendor of a peculiar gorgeousness.

The fact that almost coincident with the war there had come into prominence an entirely new school of color formed one of the curious contrasts of the period. Into a drab world there flamed strange and bizarre theatrical effects, in scenery and costume. Some of it was beautiful, most of it merely fantastic. But it was immediately reflected in the clothing of fashionable women. Europe, which had originated it, could use it but little; but great opulent America adopted it and made it her own.

So, while the rest of the world was gray, America flamed, and Natalie Spencer, spending her days between dressmakers and decorators, flamed with the rest.

On New-year’s Eve Clayton Spencer always preceded the annual ball of the City Club, of which he was president, by a dinner to the board of governors and their wives. It was his dinner. He, and not Natalie, arranged the seating, ordered the flowers, and planned the menu. He took considerable pride in it; he liked to think that it was both beautiful and dignified. His father had been president before him, and he liked to think that he was carrying on his father’s custom with the punctilious dignity that had so characterized him.

He was dressed early. Natalie had been closeted with Madeleine, her maid, and a hair-dresser, for hours. As he went downstairs he could hear her voice raised in querulous protest about something.

When he went into the library Buckham was there stooping over the fire, his austere old face serious and intent.

“Well, another year almost gone, Buckham!” he said.

“Yes, Mr. Spencer.”

“It would be interesting to know what the New-year holds.”

“I hope it will bring you peace and happiness, sir.”

“Thank you.”

And after Buckham had gone he thought that rather a curious New-year’s wish. Peace and happiness! Well, God knows he wanted both. A vague comprehension of the understanding the upper servants of a household acquire as to the inner life of the family stirred in him; how much they knew and concealed under their impassive service.

When Natalie came down the staircase a few minutes later she was swathed in her chinchilla evening wrap, and she watched his face, after her custom when she expected to annoy him, with the furtive look that he had grown to associate with some unpleasantness.

“I hate dressing for a ball at this hour,” she said, rather breathlessly. “I don’t feel half-dressed by midnight.”

Madeleine, in street costume, was behind her with a great box.

“She has something for my hair,” she explained. Her tone was nervous, but he was entirely unsuspicious.

“You don’t mind if I don’t go on to Page’s, do you? I’m rather tired, and I ought to stay at the club as late as I can.”

“Of course not. I shall probably pick up some people, anyhow. Everybody is going on.”

In the car she chattered feverishly and he listened, lapsing into one of the silences which her talkative spells always enforced.

“What flowers are you having?” she asked, finally.

“White lilacs and pussy-willow. Did your orchids come?”

“Thanks, yes. But I’m not wearing them. My gown is flame color. They simply shrieked.”

“Flame color?”

“A sort of orange,” she explained. And, in a slightly defiant tone: “Rodney’s is a costume dance, you know.”

“Do you mean you are in fancy dress?”

“I am, indeed.”

He was rather startled. The annual dinner of the board of governors of the City Club and their wives was a most dignified function always. He was the youngest by far of the men; the women were all frankly dowagers. They represented the conservative element of the city’s social life, that element which frowned on smartness and did not even recognize the bizarre. It was old-fashioned, secure in its position, influential, and slightly tedious.

“There will be plenty in fancy dress.”

“Not at the dinner.”

“Stodgy old frumps!” was Natalie’s comment. “I believe you would rather break one of the ten commandments than one of the conventions,” she added.

It was when he saw her coming down the staircase in the still empty clubhouse that he realized the reason for her defiant attitude when she acknowledged to fancy dress. For she wore a peacock costume of the most daring sort. Over an orange foundation, eccentric in itself and very short, was a vivid tunic covered with peacock feathers on gold tissue, with a sweeping tail behind, and on her head was the towering chest of a peacock on a gold bandeau. She waved a great peacock fan, also, and half-way down the stairs she paused and looked down at him, with half-frightened eyes.

“Do you like it?”

“It is very wonderful,” he said, gravely.

He could not hurt her. Her pleasure in it was too naive. It dawned on him then that Natalie was really a child, a spoiled and wilful child. And always afterward he tried to remember that, and to judge her accordingly.

She came down, the upturned wired points of the tunic trembling as she stepped. When she came closer he saw that she was made up for the costume ball also, her face frankly rouged, fine lines under her eyes, her lashes blackened. She looked very lovely and quite unfamiliar. But he had determined not to spoil her evening, and he continued gravely smiling.

“You’d better like it, Clay,” she said, and took a calculating advantage of what she considered a softened mood. “It cost a thousand dollars.”

She went on past him, toward the room where the florist was still putting the finishing touches to the flowers on the table. When the first guests arrived, she came back and took her place near him, and he was uncomfortably aware of the little start of surprise with which she burst upon each new arrival, In the old and rather staid surroundings of the club she looked out of place - oriental, extravagant, absurd.

And Clayton Spencer suffered. To draw him as he stood in the club that last year of our peace, 1916, is to draw him not only with his virtues but with his faults; his over emphasis on small things; his jealousy for his dignity; his hatred of the conspicuous and the unusual.

When, after the informal manner of clubs, the party went in to dinner, he was having one of the bad hours of his life to that time. And when, as was inevitable, the talk of the rather serious table turned to the war, it seemed to him that Natalie, gorgeous and painted, represented the very worst of the country he loved, indifference, extravagance, and ostentatious display.

But Natalie was not America. Thank God, Natalie was not America.

Already with the men she was having a triumph. The women, soberly clad, glanced at each other with raised eyebrows and cynical smiles. Above the band, already playing in the ballroom, Clayton could hear old Terry Mackenzie paying Natalie extravagant, flagrant compliments.

“You should be sitting in the sun, or on a balcony,” he was saying, his eyes twinkling. “And pretty gentlemen with long curls and their hats tucked under their arms should be feeding you nightingale tongues, or whatever it is you eat.”

“Bugs,” said Natalie.

“But - tell me,” Terry bent toward her, and Mrs. Terry kept fascinated eyes on him. “Tell me, lovely creature - aren’t peacocks unlucky?”

“Are they? What bad luck can happen to me because I dress like this?”

“Frightfully bad luck,” said Terry, jovially. “Some one will undoubtedly carry you away, in the course of the evening, and go madly through the world hunting a marble balustrade to set you on. I’ll do it myself if you’ll give me any encouragement.”

Perhaps, had Clayton Spencer been entirely honest with himself that night, he would have acknowledged that he had had a vague hope of seeing Audrey at the club. Cars came up, discharged their muffled occupants under the awning and drove away again. Delight and Mrs. Haverford arrived and he danced with Delight, to her great anxiety lest she might not dance well. Graham came very late, in the wake of Marion Hayden.

But Audrey did not appear.

He waited until the New-year came in. The cotillion was on then, and the favors for the midnight figure were gilt cornucopias filled with loose flowers. The lights went out for a moment on the hour, the twelve strokes were rung on a triangle in the orchestra, and there was a moment’s quiet. Then the light blazed again, flowers and confetti were thrown, and club servants in livery carried round trays of champagne.