Authors: Gordon Houghton
I stared at the mound and imagined her deep in the soil below. Her face stretched tight, turned blue; her mouth gaped wide as she gasped for air; her hands curled into claws, twitched. I didn't need to picture any more details: Death and Famine provided a running commentary.
âStruggling for breath,' said Famine, unemotionally. âChest heaving.'
âGood.'
âVeins swelling on neck. Starting to writhe. Should speed up the process.'
I couldn't move. I stared at them, flicking back and forth between the two. I had to do something. Do something now. Just
do something.
Move. At least move. Just an arm, or a hand. A finger. Some evidence that I lived and breathed and
could
move. My gaze froze, fixed on Death. I couldn't move. I couldn't decide what to do. Death looked mournful; Famine waited impassively. She was suffering a slow, suffocating end. And I couldn't move. She didn't deserve to die this way. She had no enemies, she'd done nothing wrong.
Move.
Could she believe what was happening? Or was everything drowned by the terrible, wheezing, wasted agony? I knew her agony. Just the tip of a finger. Her breath was being endlessly reprocessed. She was inhaling the past, exhaling the future. The more she wanted the less there was. And I couldn't move. The more she wanted the less â I
couldn't.
The more the less. I wanted to move, scream, move, shout, curse, move, move,
move.
You're useless,
Amy said.
You've never done anything right.
âKnocking on the coffin lid,' Famine observed nonchalantly. âUsing her knuckles. All classic signs.'
I listened. It was all I could do. I couldn't even watch. Through the pipe I heard a faint rapping sound, rapid at first, then rapping more softly, more slowly. The feel of her skin beneath my fingers. My mouth opened. The way she could make anyone laugh with a single word. My tongue sank to the base of my mouth, receded. Her eyes. I felt a tightening in my throat.
âCan't?' I gasped.
Death turned towards me, puzzled.
âCan't you help her?'
He removed his glasses and placed his hand over the pipe.
I wanted to free her from the terrible moments of dying. I knew her. I could still feel her. Some residual memory in my nerve endings. A distant pulse from a well-worn pathway. I wanted to scrape at the ground with my hands, scoop away the soil, dig her up.
You're useless.
But only my eyes responded.
Fucking sick.
âShe's bleeding,' Famine announced, indifferently. âOnly the fingernails â but a start. Scratching at the wood. Slapping it. Head rolling.'
I couldn't listen and couldn't act. I wanted to tear the bank apart. Whirl against it like a terrible storm. And dig down into the warm earth. Bring air, like a gift. But I was a zombie, still clinging to the corpse within me. The dead have no desire, and do nothing. And there was a terrible deadness inside me.
Useless.
âStopped pounding,' Famine said. âTearing at herself now. Typical behaviour. Clawing at her face ⦠Arms ⦠Stomach. Hitting herself on the chest.' He paused. âBiting has started. Chewing at the back of her hand.'
I shook my head involuntarily. I could move to shake my head, to deny. I was only capable of denial. Not one positive movement escaped me. I had to move, or I would break.
âThrashing now.' His speech quickened. âNot much air.'
I shook my head. I imagined her, flipping like a beached fish, straining for breath, finding none.
âBruises on her face. Cuts on her neck and arms.'
I shook my head.
âStopped breathing.'
I shook.
âUnconscious.'
*Â Â Â *Â Â Â *
Death knelt down next to the mound and pulled hard on the pipe until the entire length was removed. It looked like a scythe without the blade. He tossed it into the water, watched it float gently downstream, then spoke to me.
âIn seventy years the river will erode the last traces of soil on this part of the bank. What remains of the coffin and her body will be exposed. No-one will know that the man we saw on Tuesday buried her here, or why he did it. He will not be punished for his crime, or any others he commits. It's not our business to judge.' He turned towards Famine. âIs the heart still beating?'
âFor now.' Famine looked at me. âSuffering is over.'
âHow long?' I whispered.
âVaries. Any time.' He studied the mound of earth. âHeart is ⦠slowing. Faltering.' He waited with an open mouth. âSlowing.' I heard birdsong in the trees, the soft slaps of the river against the bank. âStopped.'
âAre you sure?' Death asked, checking his watch.
Famine nodded.
*Â Â Â *Â Â Â *
I couldn't move. My eyes were hot, my throat tight. Something was irritating the skin on my face, on both sides of my nose.
Move.
I raised a hand to scratch the itch, then pulled it away, surprised. The tips of my fingers were wet.
I was crying.
The last thing I saw
Lying on the edge of the roof, I opened my eyes and squinted against the rain. I avoided the temptation to turn my head and look down, but tried to imagine the precise shape of everything around me. I was several yards below the skylight, on the rim of the round tower. Behind me, the wet, black tiles curved away until they joined the main roof of the apartment block â a steep, straight, sloping section of tiles incorporating the maintenance exit.
I moved my right arm further away from my body for greater balance and, using my feet, pushed myself a couple of inches towards the relative safety of the main building. My left arm was twitching erratically, but I managed to control it long enough to shift my elbow along the gutter, first sliding the raw, rough skin along the trough of slime, then pressing down hard to gain a hold. I arched my spine and slithered backwards with the rest of my body. I repeated the process â balancing and gripping with my right arm, pulling with my legs, sliding with my left arm and moving the bulk of my weight with my back â until, inch by terrifying inch, I was wedged in a small trough between the base of the main roof and the cone of the round tower.
âWell fuckin' done.'
I turned my head to the right and saw a dark shape against the brightness of the skylight. I couldn't distinguish his features clearly, but I had his picture in my jacket pocket â the photograph which Amy had given me seven weeks ago.
âLet's see how far you get.'
âHelp me,' I said.
âHelp your fuckin' self.'
I turned my head back slowly, and caught a glimpse of the fall that awaited â my first mistake. The rain guided my gaze downwards, every drop dragging me to the square below. I closed my eyes and waited for the weakness in my limbs to pass, waited for the spasmodic shivers to cease. It was a long time before I raised my head, forced my eyelids open again, and scanned the rest of my rooftop environment.
The gutter that had saved my life was a plastic half-pipe. Apart from a wedge of black slime, it contained the loose tile that had almost killed me. Behind me the main roof sloped upwards, gently at first then at a frighteningly steep angle, until it reached a raised maintenance exit below the ridge. In front of me I saw the nose cone of the tower, and the skylight from which I'd emerged a few minutes before. Even if I'd had the courage to make such a journey again, it would still have been a terrible mistake. Below me, to the left, the pale expanse of the square, luminous in the light of the moon and the storm, seemed tiny. And it was deserted.
âNowhere to goâ¦' He laughed. â'Cept down.'
âI can't move,' I said.
âBetter stay where you are, then.'
He disappeared from the skylight.
The rain lashed against my head and bounced off my wet clothes, driven by sporadic gusts of wind. The noise of the storm was echoed by shouting from within the walls of the tower itself: Amy's voice, somewhere between pleading and self-defence. I realized that I would have to do something.
The alternative was unthinkable.
I rolled onto my front and raised myself slowly into a squatting position. Then, without giving myself any time to ponder, I stood up quickly and ran a couple of yards up the greasy slope of the main roof. Almost immediately, I felt my grip slipping, and threw myself flat against the tiles. My heart was beating rapidly, and I could barely see through the driving rain. I couldn't do it. I would fall.
You're useless.
But I didn't want to die.
Slowly, and without once looking down, I inched upwards. When I raised my head I could clearly see the maintenance manhole, only five yards away. I clawed with my hands, pushed up with my knees, gripped with the sides of my shoes, trying not to breathe too hard in case the movement of my chest unbalanced me. But the closer I came, the harder the rain seemed to fall, and the more unreachable my goal seemed.
Three yards. I was a long way from the edge of the roof, but any slip, however slight, would be fatal. My clothes had saved me before, by slowing my descent from the skylight; but there wasn't a single dry spot on my body now. I felt as if I was holding onto the steep incline by my hands alone.
One yard. The angle of the roof was greater than forty-five degrees; the rain and the wind tried to prise me off the slope; the tiles seemed to be covered in a thin, black film of oil. I couldn't move any further. I wouldn't make it. I reached out briefly to grab the metal handle of the manhole, but pulled back when I felt myself beginning to overbalance. I couldn't do it. But I crept upwards, more slowly than before, shifting in eighths of an inch, realizing that I had no choice but to try and survive. I saw only the wall of slate in front of me; imagined nothing but the final slip, and the fall that would follow.
I almost made it. My head was level with the exit. I was clinging to the roof with the tips of my fingers and the weight of my body. I had one chance to grab the handle and pull myself upwards. I wasn't sure if I had the strength to do anything other than hang there, delaying my fall â but I knew I had to try. How could I die so young? It seemed so random, so stupid, so unlucky.
And I wouldn't let it happen.
I felt sick with fear. The borderline between life and death was so fragile. It depended on the tiniest adjustment, the most minor coordination skills, the speed of movement of a hand. It depended on the people around you, on the impulsive decisions you made, on a sequence of circumstances so commonplace that no-one could predict the outcome. It depended on the stupid games my father played when I was a child, and on the career he had chosen. It depended on an old love affair, and a chance encounter. It depended on the weather.
I tried to imagine reaching for the handle, grabbing it, pulling myself up.
But the manhole opened before I could make the attempt.
*Â Â Â *Â Â Â *
It was the first time I'd seen Ralph face-to-face. His photograph had flattered him, the video had smoothed out his rough edges: a thick neck red with rage, square jaw tightly clamped, slick black hair spotted with rain. The scar running from his left ear to the corner of his mouth was pink and gruesome. His broken nose was bent at an unbelievable angle, as if he'd been struck sideways with a mallet. And in his small, deep-set eyes I saw nothing but hatred and triumph.
He grinned, flashing me a gold front tooth.
âGoin' somewhere?' he said.
And I fell.
I slipped down the slope, kicked against the tiles, rolled sideways. I screamed with terror, lashed out with my arms for one last hand-hold ⦠But nothing could stop me falling. I experienced an instant of bliss when the roof ended and there was only air beneath me: a powerful and liberating sensation that I could fly. But it was only fleeting â and the last thing I saw before my death was the green-and-white striped awning of the bus station café, rising rapidly to meet me.
The magic potion
I sat at Skirmish's writing desk, staring through the window at the street below. There were no houses on the opposite side â just a brick wall and a towpath running along the canal. Every organic and inorganic surface reflected the yellow glare of the street lamps. I stretched forwards and peered to the right, where the road crossed a long bridge over the canal and railway line, before petering out into the dry, stony track which spanned the meadow. It was the same route I had often followed with Amy â and presumably the same one Hades had taken on a bright Sunday morning seven weeks ago.
I had wept uncontrollably on the walk back to the car. I hadn't cried for so many years. Not since my mother had found me at the restaurant, two years before my death. And the misery had returned in short spurts and sobs throughout the return journey, until my face felt like a swollen water bomb, ready to burst at any moment. I could still taste the salt on my face, feel the heat and wetness. The experience had left me drained.
Death had escorted me back to the room, but hadn't locked the door; as if he'd sensed my new mood. I wasn't going anywhere, of course â but I no longer felt the corpse's need for confinement.
I'd been staring through this window ever since, observing the darkening of the sky, watching the lamps fizz and glow, following idle passers-by with my gaze. In truth, I saw very little of what was happening outside. I was too busy contemplating my future.
I knew that death by premature burial would not be my preferred exit tomorrow evening. It's true that in the corpse community it's one of the most highly regarded ways to end your life. A cadaver who claims to have been buried before his time â especially if he still occupies the coffin in which he was originally interred â commands respect from everyone. It's almost as if he's been chosen. But for me, it was deeply unattractive. In fact, I could think of few worse ways to die.