Cultural Cohesion (65 page)

Read Cultural Cohesion Online

Authors: Clive James

BOOK: Cultural Cohesion
9.05Mb size Format: txt, pdf, ePub

.    .    .

Eventually, of course, a small but significant segment of the German people did rise up, because they
were
heroes. About the various resistance groups of the pre-war years Goldhagen has little to say, and about the participants in the attempt on Hitler's life of July 20, 1944, he concludes that they were mostly anti-Semitic and that their rebellion against the Nazi regime was not motivated chiefly by its treatment of the Jews. But from Joachim Fest's 1994
Staatsstreich
(Coup d'État) we know that Axel von dem Bussche-Streithorst, who was twenty-four at the time of the plot, turned against Hitler after witnessing a mass shooting of thousands of Jews at the Dubno airfield, in the Ukraine, and that Ulrich-Wilhelm Graf Schwerin von Schwanenfeld was turned towards resistance after seeing what the
Einsatzgruppen
were up to in Poland. There are further such examples in the
Lexikon des Widerstandes 1933–1945
, an honour roll of those who rebelled, and in a 1986 collection of essays by various historians entitled
Der Widerstand Gegen den Nationalsozialismus
(The Resistance Against National Socialism). The latter volume includes a list of the twenty July plotters who, after the plot failed, told the Gestapo during their interrogation that the reason for their rebellion was the treatment of the Jews. There are several names you would expect: Julius Leber, Dietrich Bonhöffer, Adolf Reichwein and Carl Goerdeler—men who had been scheming to get rid of Hitler even during the years of his success. But then there are names that smack of the
Almanach de Gotha
: Alexander and Berthold Graf Schenk von Stauffenberg, Hans von Dohnanyi, Heinrich Graf von Lehndorff, Helmuth James Graf von Moltke. . . . There is no reason to think that these
Hochadel
sons were necessarily liberal. Some of them came from arch-conservative families, and no doubt a good number had grown up with anti-Semitism hanging around the house like heavy curtains. Most of them were career officers who had relished the chance to rebuild the German Army; some even nursed the hopelessly romantic idea that after Hitler was killed
Grossdeutschland
might remain intact to go on fighting beside the Western Allies against the Soviet Union. But about the sincerity of their disgust at what happened to the Jews there can be no doubt. Though it could scarcely have made things easier for them, they told the Gestapo about it, thereby testifying to the sacrificial element in an enterprise that may have failed as a plot but succeeded as a ceremony—the ceremony of innocence which the Nazis had always been so keen to drown.

The plot was already a ceremony before it was launched. The experienced Henning von Tresckow, who had been in on several attempts before, was well aware that it might fail but told his fellow conspirators that it should go ahead anyway,
coute que coute
. Claus Graf von Stauffenberg's famous last words
Es lebe das geheime Deutschland
have turned out to be not quite so romantically foolish as they sounded at the time. If there never was a secret Germany, the July plotters at least provided a sacred moment, and the Germans of today are right to cherish it. As for the aristocracy, though even the bravery of its flower could not offset the way that it helped to sabotage the Weimar Republic, at least it regained its honour, in preparation for its retirement from the political stage. Since then the aristocracy has served Germany well in all walks of life—the Gräfin Dornhoff, active proprietress of
Die Zeit
, one of the great newspapers of the world, would be an asset to any nation—but it has paid democracy the belated compliment of a decent reticence. Churchill, the instinctive opponent of Hitler and all his works, always thought that Prussia was the nerve centre of German bestiality. He was wrong about that. Hans Frank, outstanding even among Gauleiters for his epic savagery, was closer to the truth. Many of the July plotters had a background in the famously snobbish Prussian Ninth Infantry regiment, of which Frank himself was a reservist. Just before his own hanging at Nuremberg, Frank said that the Ninth's officers had never understood
Antisemitismus der spezifisches Nazi-Art
(anti-Semitism of the specific Nazi type). They had been unsound on the Jewish question.

How many of the German population were unsound on the Jewish question we can never now know. Probably there were fewer than we would like to think, but almost certainly there were more than Goldhagen allows. However many there were, there was not a lot they could do if they didn't want to get hurt. After the Nazis finally came to absolute power, the build-up to the annihilation of the Jews moved stage by stage, always with the occasional lull that allowed people to think the madness might be over. Certainly there were a lot of Jews who wanted to think that, and who can blame them? Seizing the chance to emigrate meant leaving behind everything they had. Some of them—especially the baptized and those who no longer practised their faith—never stopped thinking of themselves as Germans, believing, correctly, that the regime which criminalized them was a criminal regime. They thought Germany would get its senses back. They would scarcely have done so if they had thought that there were no non-Jewish Germans who thought the same.

From the year the Nazis took power right up until
Kristallnacht
in November 1938, the legal deprivations and persecutions looked selective, as if there might be some viable limit beyond which they would not go. After
Kristallnacht
, it became clearer that an all-inclusive, no-holds-barred pogrom was under way, but by then it was too late. It was too late for everyone, non-Jewish Germans included. But really it had always been too late, ever since the Nazis rewrote the laws so that their full apparatus of terror could be legally directed against anyone who disagreed with them. Is it any wonder that so many of those who retained their citizenship turned their backs on the pariahs from whom it had been stripped? When one Communist shot a storm trooper, eleven Communists were immediately decapitated in reprisal. Everyone knew things like that. Those were the first things that every German in the Nazi era ever knew—a fact worth remembering when we confidently assume that they all must have known about the last thing, the Holocaust. It can be remarkable what you don't find out when you are afraid for just yourself, let alone for your family. All you have to do is look away. And the Nazis made very sure, even when Hitler was tumultuously popular in the flush of his diplomatic and military successes, that failure to join in the exultant unanimity would not pass unnoticed. Even if you lay low, you still had to stick your right hand in the air. Max Weber defined the state as that organization holding the monopoly of legalized violence. The Nazi state overfulfilled his definition by finding new forms of violence to make legal. Probably Goldhagen realizes all that. But he doesn't say much about it, because he has a bigger, better idea that leaves the Nazis looking like last-minute walk-ons in the closing scene of
Götterdämmerung
: spear carriers in Valhalla.

Here we have to turn to his account of the growth of German anti-Semitism, which means that we have to turn back to the beginning of the book. His thesis would have gone better at the end, as a speculative afterthought, but he puts it at the front because it contains the premise that for him explains everything. Since most of it is written in the brain-­curdling jargon which he later partly lets drop when he gets to the Holocaust itself, this glutinous treatise would make for a slow start even if it were consistent. But the reader is continually stymied by what is left out or glossed over. An artist in the firm grip of his own brush, Goldhagen slap-happily paints a picture of anti-Semitism pervading all levels of society, without explaining how it failed to pervade the members of the political class who contrived to grant citizenship to the Jews. Beginning early in the nineteenth century, the process of emancipation moved through the German States, culminating, in 1869, with citizenship for every Jew in the North German Confederation. (The laws were carried over into the
Kaiserreich
after German unification, in 1871.) Even in the tolerant Austria-Hungary of Emperor Franz Josef, citizenship for Jews had some strings attached, whereas in Germany civil rights for Jews remained on the books until the Nazis rewrote them. Not even in the reign of Kaiser Wilhelm II, a choleric anti-Semite by the end, were people of Jewish background deprived of their rights. They undoubtedly had trouble exercising them—prejudice was indeed everywhere, in varying degrees—but that doesn't alter the fact that they were granted them.

Perhaps those nineteenth-century politicians were thorough anti-Semites, and merely stopped short of trying to put their prejudice into law. President Truman freely used the word “nigger” among his Southern friends, but when some returning black GIs were beaten up he made the first move in the chain of legislation that eventually led (under President Johnson, who was not without prejudice, either) to voter registration by blacks in the South. There have always been people with prejudice who have nevertheless served justice, whether out of a supervening idealism, out of expediency or out of a simple wish not to be thought provincial by more sophisticated peers. In other words, there is prejudice and there is prejudice. But Goldhagen wants all the grades of anti-Semitism, from the enthusiasm of nutty pamphleteers down to the stultifying, self-protective distaste of the
Kleinbürgertum
at their pokey dinner tables, to add up to just one thing: the eliminationist fervour that led to extermination as soon as it got its chance.

Until recent times, one of Germany's recurring troubles was that it was more integrated culturally than it was politically. A case can be made for the Jews not having been integrated at all into the political structure, although you would have to eliminate a towering figure like Walther Rathenau—which is exactly what some of the Nazi Party's forerunners did. But from the time of Goethe up until the Anschluss the Jews were, at least in part, integrated into the culture; they made a contribution whose like had not been seen in Europe since Alfonso IX founded the University of Salamanca. Though they often aroused envy and spite among non-Jewish rivals, they aroused admiration in at least equal measure. Kant said that if the Muse of Philosophy could choose an ideal language, it would choose the language of Moses Mendelssohn. Goethe said that the Jewish contribution was vital. Nietzsche ranked the Jew Heine as the most important German poet after Goethe. The novelist Theodor Fontane, who started out as an anti-Semite, gave up on the idea when he realized that the Jewish bourgeoisie was a more cultivated audience than the aristocracy, which he had tried in vain to enlighten. Even the dreadful Wagner was ambivalent on the subject: when Thomas Mann's Jewish father-in-law left Germany after the Nazis came to power, all he took with him were Wagner's letters of thanks for his having helped to build the
Festspielhaus
in Bayreuth.

Which brings us to Thomas Mann. Here one is forced to wonder if whoever gave Goldhagen high marks for his thesis ever showed it to a literary colleague. As evidence of the all-pervading nature of eliminationist anti-Semitism, Goldhagen has the audacity to rope in, without qualification or explanation, a remark by Thomas Mann. Well, there is a grain of truth in it. In 1933, when Mann had already begun his long exile, he did indeed confide to his diary that it was a pity the new regime should include him along with some of the undesirable Jewish elements it was dealing with. But against this grain of truth there is a whole silo of contrary evidence. Thomas Mann had always disliked what he saw as the rootless Jewish cosmopolitanism (shades of his beloved Wagner there) that criticized because it couldn't create, and thus gave rise to a bugbear like Alfred Kerr. Mann, the Nobel Prize–winning eminence, the new Goethe, the walking cultural icon, had a bad tendency, quite normal among writers even at their most successful, to take praise as his due and anything less as sabotage. He thought, with some justification, that the annoyingly clever Kerr was on his case. But for Jews who, in his opinion,
did
create, Mann had nothing but admiration. He had it in the first years of the century, when his conservatism was still as hidebound as the snobbery he was never to overcome: his two early encomiums for Arthur Schnitzler are models of generosity. He had scores of friendships among the Jewish cultural figures of the emigration and maintained them throughout the Nazi era, often at the expense of his time, effort and exchequer. For Bruno Walter, it was always open house
chez
Mann, because Mann honoured Walter as the incarnation of the Germany that mattered, just as he despised Hitler as its exterminating angel. Even to allow the possibility of our inferring that Mann might have thought otherwise is to perpetrate a truly stunning libel, and one can only hope that the excuse for it is ignorance.

Nowadays it has become fashionable to mock Mann's supposed equivocation
vis-à-vis
the Nazi regime in its first years, because of the time that passed before he publicly condemned it. At the time, his own children were angry with him for the same reason. We have to remember that his prestige, worldly goods and most appreciative reading public were all locked up in Germany; that he was deeply rooted in its complex society; and that at his age he did not fancy leading the very kind of rootless cosmopolitan life for which he had condemned men like Kerr. But his 1933–34 diaries (which one can safely recommend Goldhagen to read whole so that he will not in future run the risk of quoting a misleading fragment from a secondary source) reveal unmistakably, and over and over, that he loathed the bestiality of the new regime from its first hour. All Mann's
Tagebüche
through the 1930s and the war years—and hurry the day when the whole fascinating corpus is properly translated—show that he never wavered in his utter disgust at what the Nazis had done to his country. As for his opinion of what they were doing to the most defenceless people in it, he went public about that in his 1936 essay on anti-Semitism, in which he definitively penetrated, and devastatingly parodied, the unconscious logic of the Nazi mentality: “I might be nothing, but at least I'm not a Jew.”

Other books

It's a Wolf Thing by Mina Carter & Chance Masters
Wolf Protector by Milly Taiden
As Shadows Fade by Colleen Gleason
Obsessed by Devon Scott
Love's Long Shadow by Ciara Knight
Hungry Eyes by Celeste Anwar