Cross Channel (12 page)

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Authors: Julian Barnes

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On the other side, their mother’s name - Mrs Moss, with a grand M and a short stabbing line beneath the
rs
- then
the address. Another warning down the edge, this time in smaller letters. ‘The address only to be written on this side. If anything else is added, the postcard will be destroyed.’ But across the top of her second card, Sammy had written something, and it had not been destroyed. A neat line of ink without the rough loopiness of his pencilled signature: ‘
50 yds
from the Germans. Posted from Trench.’ In fifty years, one for each underlined yard, she had not come up with the answer. Why had he written it, why in ink, why had they allowed it? Sam was a cautious and responsible boy, especially towards their mother, and he would not have risked a worrying silence. But he had undeniably written these words. And in ink, too. Was it code for something else? A premonition of death? Except that Sam was not the sort to have premonitions. Perhaps it was simply excitement, a desire to impress. Look how close we are.
50 yds
from the Germans. Posted from Trench.

She was glad he was at Cabaret Rouge, with his own headstone. Found and identified. Given known and honoured burial. She had a horror of Thiepval, one which failed to diminish in spite of her dutiful yearly visits. Thiepval’s lost souls. You had to make the right preparation for them, for their lostness. So she always began elsewhere, at Caterpillar Valley, Thistle Dump, Quarry, Blighty Valley, Ulster Tower, Herbécourt.

No Morning Dawns
No Night Returns
But What We Think Of Thee

That was at Herbécourt, a walled enclosure in the middle of fields, room for a couple of hundred, most of them Australian, but this was a British lad, the one who owned this inscription.
Was it a vice to have become such a connoisseur of grief? Yet it was true, she had her favourite cemeteries. Like Blighty Valley and Thistle Dump, both half-hidden from the road in a fold of valley; or Quarry, a graveyard looking as if it had been abandoned by its village; or Devonshire, that tiny, private patch for the Devonshires who died on the first day of the Somme, who fought to hold that ridge and held it still. You followed signposts in British racing green, then walked across fields guarded by wooden martyred Christs to these sanctuaries of orderliness, where everything was accounted for. Headstones were lined up like dominoes on edge; beneath them, their owners were present and correct, listed, tended. Creamy altars proclaimed that THEIR NAME LIVETH FOR EVERMORE. And so it did, on the graves, in the books, in hearts, in memories.

Each year she wondered if this would be her last visit. Her life no longer offered up to her the confident plausibility of two decades more, one decade, five years. Instead, it was now renewed on an annual basis, like her driving licence. Every April Dr Holling had to certify her fit for another twelve months behind the wheel. Perhaps she and the Morris would go kaput on the same day.

Before, it had been the boat train, the express to Amiens, a local stopper, a bus or two. Since she had acquired the Morris, she had in theory become freer; and yet her routine remained almost immutable. She would drive to Dover and take a night ferry, riding the Channel in the blackout alongside burly lorry-drivers. It saved money, and meant she was always in France for daybreak. No Morning Dawns … He must have seen each daybreak and wondered if that was the date they would put on his stone … Then she would follow the N43 to St-Omer, to Aire and Lillers, where she usually
took a croissant and
thé à l’anglaise
. From Lillers the N43 continued to Béthune, but she flinched from it: south of Béthune was the D937 to Arras, and there, on a straight stretch where the road did a reminding elbow, was Brigadier Sir Frank Higginson’s domed portico. You should not drive past it, even if you intended to return. She had done that once, early in her ownership of the Morris, skirted Cabaret Rouge in second gear, and it had seemed the grossest discourtesy to Sammy and those who lay beside him: no, it’s not your turn yet, just you wait and we’ll be along. No, that was what the other motorists did.

So instead she would cut south from Lillers and come into Arras with the D341. From there, in that thinned triangle whose southern points were Albert and Péronne, she would begin her solemn and necessary tour of the woods and fields in which, so many decades before, the British Army had counter-attacked to relieve the pressure on the French at Verdun. That had been the start of it, anyway. No doubt scholars were by now having second thoughts, but that was what they were for; she herself no longer had arguments to deploy or positions to hold. She valued only what she had experienced at the time: an outline of strategy, the conviction of gallantry, and the facts of mourning.

At first, back then, the commonality of grief had helped: wives, mothers, comrades, an array of brass hats, and a bugler amid gassy morning mist which the feeble November sun had failed to burn away. Later, remembering Sam had changed: it became work, continuity; instead of anguish and glory, there was fierce unreasonableness, both about his death and her commemoration of it. During this period, she was hungry for the solitude and the voluptuous selfishness of grief: her Sam, her loss, her mourning, and nobody else’s similar. She
admitted as much: there was no shame to it. But now, after half a century, her feelings had simply become part of her. Her grief was a calliper, necessary and supporting; she could not imagine walking without it.

When she had finished with Herbéourt and Devonshire, Thistle Dump and Caterpillar Valley, she would come, always with trepidation, to the great red-brick memorial at Thiepval. An arch of triumph, yes, but of what kind, she wondered: the triumph over death, or the triumph
of
death? ‘Here are recorded names of officers and men of the British armies who fell on the Somme battlefields July 1915–February 1918 but to whom the fortune of war denied the known and honoured burial given to their comrades in death.’ Thiepval Ridge, Pozières Wood, Albert, Morval, Ginchy, Guillemont, Ancre, Ancre Heights, High Wood, Delville Wood, Bapaume, Bazentin Ridge, Miraumont, Transloy Ridges, Flers-Courcelette. Battle after battle, each accorded its stone laurel wreath, its section of wall: name after name after name, the Missing of the Somme, the official graffiti of death. This monument by Sir Edwin Lutyens revolted her, it always had. She could not bear the thought of these lost men, exploded into unrecognisable pieces, engulfed in the mud-fields, one moment fully there with pack and gaiters, baccy and rations, with their memories and their hopes, their past and their future, crammed into them, and the next moment only a shred of khaki or a sliver of shin-bone to prove they had ever existed. Or worse: some of these names had first been given known and honoured burial, their allotment of ground with their name above it, only for some new battle with its heedless artillery to tear up the temporary graveyard and bring a second, final extermination. Yet each of those scraps of uniform and flesh - whether newly killed or richly decomposed -
had been brought back here and reorganised, conscripted into the eternal regiment of the missing, kitted out and made to dress by the right. Something about the way they had vanished and the way they were now reclaimed was more than she could bear: as if an army which had thrown them away so lightly now chose to own them again so gravely. She was not sure whether this was the case. She claimed no understanding of military matters. All she claimed was an understanding of grief.

Her wariness of Thiepval always made her read it with a sceptical, a proof-reader’s eye. She noticed, for instance, that the French translation of the English inscription listed - as the English one did not - the exact number of the Missing. 73,367. That was another reason she did not care to be here, standing in the middle of the arch looking down over the puny Anglo-French cemetery (French crosses to the left, British stones to the right) while the wind drew tears from an averting eye. 73,367: beyond a certain point, the numbers became uncountable and diminishing in effect. The more dead, the less proportionate the pain. 73,367: even she, with all her expertise in grief, could not imagine that.

Perhaps the British realised that the number of the Missing might continue to grow through the years, that no fixed total could be true; perhaps it was not shame, but a kind of sensible poetry which made them decline to specify a figure. And they were right: the numbers had indeed changed. The arch was inaugurated in 1932 by the Prince of Wales, and all the names of all the Missing had been carved upon its surfaces, but still, here and there, out of their proper place, hauled back tardily from oblivion, were a few soldiers enlisted only under the heading of Addenda. She knew all their names by now: Dodds T., Northumberland Fusiliers; Malcolm H. W.,
The Cameronians; Lennox F. J., Royal Irish Rifles; Lovell F. H. B., Royal Warwickshire Regiment; Orr R., Royal Inniskillins; Forbes R., Cameron Highlanders; Roberts J., Middlesex Regiment; Moxham A., Wiltshire Regiment; Humphries F. J., Middlesex Regiment; Hughes H. W., Worcestershire Regiment; Bateman W. T., Northamptonshire Regiment; Tarling E., The Cameronians; Richards W., Royal Field Artillery; Rollins S., East Lancashire Regiment; Byrne L., Royal Irish Rifles; Gale E. O., East Yorkshire Regiment; Walters J., Royal Fusiliers; Argar D., Royal Field Artillery. No Morning Dawns, No Night Returns …

She felt closest to Rollins S., since he was an East Lancashire; she would always smile at the initials inflicted upon Private Lovell; but it was Malcolm H. W. who used to intrigue her most. Malcolm H. W., or, to give him his full inscription: ‘Malcolm H. W. The Cameronians (Sco. Rif.) served as Wilson H.’ An addendum and a corrigendum all in one. When she had first discovered him, it had pleased her to imagine his story. Was he under age? Did he falsify his name to escape home, to run away from some girl? Was he wanted for a crime, like those fellows who joined the French Foreign Legion? She did not really want an answer, but she liked to dream a little about this man who had first been deprived of his identity and then of his life. These accumulations of loss seemed to exalt him; for a while, faceless and iconic, he had threatened to rival Sammy and Denis as an emblem of the war. In later years she turned against such fancifulness. There was no mystery really. Private H. W. Malcolm becomes H. Wilson. No doubt he was in truth H. Wilson Malcolm, and when he volunteered they wrote the wrong name in the wrong column; then they were unable to change it. That would make sense: man is only a clerical error corrected by death.

She had never cared for the main inscription over the central arch:

AUX ARMEES
FRANCAISE ET
BRITANNIQUE
L’EMPIRE
BRITANNIQUE
RECON-
NAISSANT

Each line was centred, which was correct, but there was altogether too much white space beneath the inscription. She would have inserted ‘less #’ on the galley-proof. And each year she disliked more and more the line-break in the word
reconnaissant
. There were different schools of thought about this - she had argued with her superiors over the years - but she insisted that breaking a word in the middle of a doubled consonant was a nonsense. You broke a word where the word itself was perforated. Look what this military, architectural or sculptural nincompoop had produced: a fracture which left a separate word,
naissant
, by mistake.
Naissant
had nothing to do with
reconnaissant
, nothing at all; worse, it introduced the notion of birth on to this monument to death. She had written to the War Graves Commission about it, many years ago, and had been assured that the proper procedures had been followed. They told
her
that!

Nor was she content with EVERMORE. Their name liveth for evermore: here at Thiepval, also at Cabaret Rouge, Caterpillar Valley, Combles Communal Cemetery Extension,
and all the larger memorials. It was of course the correct form, or at least the more regular form; but something in her preferred to see it as two words. EVER MORE: it seemed more weighty like this, with an equal bell-toll on each half. In any case, she had a quarrel with the Dictionary about
evermore
. ‘Always, at all times, constantly, continually’. Yes, it could mean this in the ubiquitous inscription. But she preferred sense 1: ‘For all future time’. Their name liveth for all future time. No morning dawns, no night returns, but what we think of thee. This is what the inscription meant. But the Dictionary had marked sense 1 as ‘
Obs.
exc.
arch.
’ Obsolete except archaic. No, oh certainly not, no. And not with a last quotation as recent as 1854. She would have spoken to Mr Rothwell about this, or at least pencilled a looping note on the galley-proof; but this entry was not being revised, and the letter E had passed over her desk without an opportunity to make the adjustment.

EVERMORE. She wondered if there was such a thing as collective memory, something more than the sum of individual memories. If so, was it merely coterminous, yet in some way richer; or did it last longer? She wondered if those too young to have original knowledge could be given memory, could have it grafted on. She thought of this especially at Thiepval. Though she hated the place, when she saw young families trailing across the grass towards the redbrick
arc-de-triomphe
it also roused in her a wary hopefulness. Christian cathedrals could inspire religious faith by their vast assertiveness; why then should not Lutyens’ memorial provoke some response equally beyond the rational? That reluctant child, whining about the strange food its mother produced from plastic boxes, might receive memory here. Such an edifice assured the newest eye of the pre-existence of the
profoundest emotions. Grief and awe lived here; they could be breathed, absorbed. And if so, then this child might in turn bring its child, and so on, from generation to generation, EVERMORE. Not just to count the Missing, but to understand what those from whom they had gone missing knew, and to feel her loss afresh.

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