Authors: L.C. Tyler
I followed Kevin’s gaze and encountered Crispin Vynall’s grinning, party-ravaged face staring down at us from a television screen on the wall. It was an old photo taken at a book launch. He had his arms round two girls, who had, as far as possible, been excised from the shot. But you couldn’t excise the leer from Crispin’s face.
‘Can you turn the sound up?’ I asked.
He fiddled quickly with the remote and we just caught the following: ‘In a statement issued today West Sussex police have confirmed that a man is helping them with their enquiries. This is widely reported as being Mr Ethelred Tressider, who writes crime novels as (the announcer paused briefly to check his notes) Peter Fielding and (another quick pause) J. R. Elliott. Peter Fielding is noted for his widely praised police procedural novels set in the fictional town of Buckford. It is understood, however, that no charges have yet been made. And now I’ll hand you back to the studio.’
‘See,’ said the young man. ‘It’s on all the time.’
‘And do they say “widely praised” every time?’ I asked.
‘Yeah. I might go and buy one. I like crime. I just hadn’t heard of Peter Fielding before.’
‘And it’s on all of the channels?’
‘Pretty much.’
‘Twenty-four hours a day?’
‘That’s how it is now. So, what do you want me to do with the CCTV?’
‘Nothing at all for the moment,’ I said. Because I’d had an idea. ‘I’ll be in touch again when we need it.’
‘OK. What’s that warrant card number by the way – so I can check you on the Internet?’
‘B305CHB,’ I said without even blushing. It had, after all, been my first car and a nice little runner. ‘But I think the system’s down at the moment. You may not be able to find it this evening. Don’t worry, Kevin. I’ll be in touch again soon.’
‘And you’ll try not to get me into trouble?’
‘I’m sure we can just sneak the equipment away without anyone noticing, when the time comes.’ It wasn’t entirely untrue. I was sure the police could sneak it away quietly; it was just unlikely that they would.
‘Thanks,’ he said. He seemed genuinely grateful, though not as grateful as Ethelred was going to be. We’d have him sprung from the county gaol (if that was where he was) in two shakes of a lamb’s tail.
Or maybe, thinking about it, six or seven shakes. After all, he was getting a plug on one channel or another every half-hour or so. His books were being mentioned without the faintest hint of criticism. You couldn’t buy publicity like that. And prison was, when you thought about it, not such a bad place to write. Look at John Bunyon. Look at Oscar Wilde. Look at Cervantes. Look at Boethius. Look at Jeffrey Archer. In a day or two I’d tip the police off that the recording was still there. They’d drive down and pick it up. Kevin would get a mild ticking off, but into every life a little rain must fall.
No rush, then. No rush at all.
From the journal of Elsie Thirkettle
My final visit, on the way home, was to the pub in Didling Green. I bought myself a lemonade and had a quick chat with the landlord.
Yes, he said, he thought that one of the photos of New Year’s Eve might have been taken from the board by a customer. It happened. You could never tell what customers would do. He looked at me the way I look at people when discussing the many foibles of writers. Well then, could he check his camera and see if he still had it? He shook his head in response to my question. It had not been one of his own pictures. Customers sometimes nicked photos from the board but more often they stuck up pictures of their own. He had no idea who had taken that one. There were dozens of people in. I asked him if he could find out who it was. I’d like a copy myself, I said.
He looked at me very oddly. ‘You’ve never seen the picture?’
‘No,’ I said.
‘And the only person you know in it is, you believe, a bit blurred and in the background, with his mouth hanging open?’
‘Yes,’ I said.
‘And you actually want a copy for yourself?’
‘Yes,’ I said. ‘If possible.’
‘I’ll let you know if I track it down, in that case,’ he said.
I left my business card with him, but somehow I wasn’t expecting to hear from him any time soon.
I spent the following day phoning up journalists that I knew and feeding them information on Ethelred’s books. There were a couple of good reviews I wanted re-quoted (including Henry’s – why not?) and I shamelessly made up details of his work in progress, saying that it would draw on his experience of being arrested for murder. It was true that, inevitably, one or two people came out of the woodwork and expressed the view on camera that Ethelred was a bit creepy and slightly wet, but on balance opinion was still very much in his favour. The overall impression was of a talented but slightly neglected author, who was well liked by his fellow crime writers. And Internet data suggested that sales were soaring. Obviously Ethelred was in a dungeon eating gruel with a wooden spoon or something, but he’d be dead chuffed once I let his lawyer know that the CCTV footage was safe and that I’d saved the day and so on and so forth. So, there was scarcely a
cloud in the sky, you might say, until the second day after my visit to Sussex. My phone rang and it was Ethelred’s lawyer, slightly troubled.
‘When are you going to bring it round?’
‘Bring what?’
‘The death threat letter. It’s the only concrete evidence we have.’
‘Oh that old thing. Don’t worry. It’s there on the table. Perfectly safe. No, it isn’t, it’s gone.’
‘Gone?’
‘Well, it was there in front of me the other night. It can’t have wandered very far. What did I do next? I needed food. I made a shopping list on a scrap of old paper …’
‘Elsie? Hello? Are you still there?’
So, the question was this. If Sainsbury’s found a shopping list on the floor of the biscuit aisle would they:
a) check whether it had a death threat on the other side of it and then take it to lost property to await reclaim by its proper owner
or
b) sweep it up and throw it away?
Then I noticed that Ethelred’s lawyer was just saying: ‘Hello? Hello?’
‘Sorry,’ I said. ‘I was thinking …’
‘But the death threat letter?’
‘I may have left it by the Jammy Dodgers in Sainsbury’s. Sorry about that. Easily done, as you will agree. I did copy it out in this notebook I have …’
‘We need the original for it to be any use at all. If we
just give them a copy you made … you could have just made it up this morning.’
‘Yes, I suppose I could. Like I say … I’m sorry about that. Still, the good news is that I do have a much better piece of evidence.’
‘Which is?’
‘The CCTV footage from the club in Chichester.’
‘It wasn’t wiped?’
‘No.’
‘And you have that safe with you?’
‘Well, strictly speaking it’s in Chichester. I’m going to let the police know … er … very shortly. But it’s absolutely safe in the meantime. I mean really, really safe – not like the letter.’
‘I hope so – but it’s better we see it first, before the police. Can you get hold of it and send it to us straight away?’
‘Yes, of course. No sooner said than done. I’ll give you a call tomorrow. Tell Ethelred I’m on the case.’
He rang off. OK, I’d been a bit of a disappointment up to now, but I was about to make up for that. Big time.
I had the number of the club, so I rang it and asked for Kevin.
‘Detective Inspector Elsie Thirkettle here,’ I said. ‘I’m going to drop in tomorrow morning and pick up the old CCTV equipment.’
‘But you did it today,’ he said.
‘No, I didn’t.’
‘Some guys turned up, just like you said. I wasn’t around at the time, but somebody told me they just took it all away.’
‘Your boss had said the machine was going to be scrapped?’
‘Yes.’
‘So there’s just a chance these guys had been sent by your boss to pick it up and take it to the tip?’
‘Wasn’t it the police, then?’
‘I’d say that that was somewhere between very unlikely and completely impossible.’
‘Was it important?’
‘Let’s hope it wasn’t as important as I thought it was,’ I said.
Of course, Cervantes was a galley slave for five years before his agent sprung him. With luck Ethelred wouldn’t have to wait quite as long as that.
It’s fortunate under the circumstances that I had a Plan C. It wasn’t quite as legal as Plans A and B, but it would do perfectly well. And my first step was to make contact with Henry’s mole at Francis and Nowak. I was pretty sure I knew who it was.
Extract from a tape recording. The two people whose voices feature on the tape would appear to be Elsie Thirkettle (ET) and Tuesday Lane-Smith (TL-S). The exact date is unclear but diary entries point to its being mid-January. The background noise and the opening conversation suggest a very cheap cafe just off Tottenham Court Road.
TL-S : | Thank you so much for buying me lunch. I honestly didn’t think I’d done you that much of a favour. |
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ET : | Politeness costs nothing. Well (brief pause) twelve pounds fifteen pence, including VAT and service. |
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TL-S : | Do you want me to pay my half? |
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ET : | (long pause) No, no, no. (Long pause) Of course not. So, how are you enjoying life at Francis and Nowak? |
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TL-S : | Brill! I’d really, really like to be an agent. I’ve only got another couple of weeks there, though. It’s just an internship thingy. You know? |
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ET : | I might have a permanent post coming up at the Elsie Thirkettle Agency … |
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TL-S : | Really? |
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ET : | It’s technically possible. Do you like Janet Francis? |
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TL-S : | She’s a bit fierce. Except when she’s drunk, of course. So, she’s fine after lunch. I’ve never met the other partner. Nowak? |
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ET : | He’s gone. Janet ate him for breakfast in 1997. So, how did you get the internship thingy? |
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TL-S : | Oh, a cousin of mine … Henry Holiday… he’s a famous writer, you know? … He knows Janet Francis really, really well and he fixed it up. |
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ET : | And does he take any interest in how you’re getting on? |
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TL-S : | Oh, yes! He’s überinterested! Phones me every other day, you know? To ask about what’s happening and all the gossip? |
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ET : | And you tell him? |
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TL-S : | In strict confidence. I mean, the Karen Rockingham thingy, for example – wow! If that got out … |
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ET : | Karen Rockingham? She’s Janet’s biggest client, of course … |
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TL-S : | By miles! Sells millions! I mean, the film rights alone are worth gazillions. |
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ET : | As much as that? So the Karen Rockingham thingy is … |
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TL-S : | Oh, I couldn’t tell you that! I mean … wow!! It’s really, really confidential. You won’t get that out of me!!! Lips sealed!!!! |
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ET : | But you told Henry? |
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TL-S : | (long pause) Yes, I told Henry. But only because he got me the job and I’m certain he won’t breathe a word to a soul. I mean, he knows I’d get the boot straight away. He wouldn’t do that to me. |
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ET : | Wouldn’t he? |
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TL-S : | Henry? No!!! |
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ET : | Are you sure? |
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TL-S : | He’s really nice. A bit old-fashioned … but really nice. |
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ET : | Always? Nice, I mean. I know he doesn’t have any clothes designed after 1957. |
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TL-S : | Ha! |
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ET : | Ha! |
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TL-S : | (long pause) You know, I shouldn’t really say this … |
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ET : | Please do. |
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TL-S : | But I shouldn’t. |
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ET : | Yes, you said that and I said: ‘please do’. If you were to join my agency, I’d need you to be completely open with me. And to cut to the chase occasionally. |
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TL-S : | Is there a serious chance of that? Joining you … |
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ET : | Simply regard this as a sort of interview with a small hummus salad thrown in. |
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TL-S : | Well, it’s just that it was Henry who got Mary Devlin Jones dropped by Francis and Nowak. That wasn’t nice, was it? Janet told me one of the times she was really, really, really drunk? Henry told her how Mary had sort of copied somebody’s book? |
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ET : | Crispin Vynall. |
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TL-S : | That’s right! You knew about it! So it was true? |
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ET : | Just because things are generally known doesn’t make them true. But that’s certainly interesting. Very interesting. Now, tell me about Karen Rockingham. |
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TL-S : | I said, I can’t. That’s all there is to it. |
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ET : | But you’ve already leaked the information to Henry. Janet will find out. |
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TL-S : | She may not. |
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ET : | She will if I tell her. So you’ll be sacked and have no references. No agency will look at you. Ever. You’ll have to go out and find honest work. |
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TL-S : | But you wouldn’t … |
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ET : | Of course, if you join me, you won’t need a reference from Janet Francis. |
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TL-S : | So, you’re definitely offering me a job? |
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ET : | Tell me about Karen Rockingham. Then let’s have a look at the pudding menu. Mmm, look … lemon sponge and custard. |
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TL-S : | This is horrible! You invite me out for a nice lunch, then get me to tell you things I shouldn’t tell you, then you blackmail me into telling you more. Is publishing always like this? |
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ET : | No, there are bad days too. What’s Karen Rockingham done? |
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TL-S : | (very long pause) She’s written a detective novel. |
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ET : | OK. Well, that’s pretty shocking, but I’m not sure it will completely destroy her reputation … |
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TL-S : | No, no. She’s done it under an assumed name so nobody will know it’s her. She wants to see if she can make a success of it without her real name being on the cover. We’re all sworn to secrecy. She’ll be furious if it all gets out. |
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ET : | But Henry knows? |
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TL-S : | Yes. |
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ET : | And if he leaked it to the press, Karen would be annoyed? |
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TL-S : | Really, really, really mad. |
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ET : | And she’d leave Francis and Nowak? |
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TL-S : | If she knew we’d leaked it … She’d leave and then sue us for absolutely squillions. |
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ET : | Is a squillion more than a gazillion? |
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TL-S : | I think so. I’m not that good at maths. Oh my God! Is that what Henry’s planning to do? |
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ET : | He hates Janet Francis. |
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TL-S : | But Janet gave me the job … |
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ET : | She doesn’t know Henry hates her. It’s his little secret. |
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TL-S : | So, I’m going to get sacked? |
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ET : | Yes. |
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TL-S : | But you’d give me a job? |
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ET : | Quite possibly. |
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TL-S : | On what terms? |
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ET : | Well, without wishing to commit myself … Hold on a moment. I need to get something from my handbag. |
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TL-S : | Is that a tape recorder in there? |
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ET : | Only a little one. OK, that’s it … |
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RECORDING ENDS