Crime (11 page)

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Authors: Irvine Welsh

BOOK: Crime
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They get into one of the three waiting taxis and Robyn coughs on her cigarette, rasping out an address to a suspicious-looking driver, an address which seems all numbers to Lennox sitting in the front passenger seat. A pendant flag hangs from the cabbie’s
mirror
, which Lennox takes to be Puerto Rico. The cop in him has quickly deduced that Miami’s most dangerous profession wouldn’t be police work or firefighting. Murder would be an occupational hazard for taxi drivers, most of them poor immigrants. The all-night gas stations would now be mainly self-service while convenience-store clerks would invariably be locked in bulletproof booths, the stores probably fitted with drop safes. But working these deserted streets with cold-callers, in cash transactions, seems a particularly risky enterprise.

They continue through what is a barren section of the town; there are no homes down here, everything seems to be cheap and tacky retail. Grubby steel-shuttered shops are in abundance, but Lennox has yet to see a bar or anywhere indicating the possibility of social life. Growing concerned, as he feels he’s come far enough, he senses the taxi driver’s edginess from behind the Perspex screen. By the shrillness in their voices, he’s aware that Robyn and Starry are arguing in the back seat. There is a mention of a dead child. Starry’s son. It burns him. He tunes it out in favour of the city surrounding him. Miami proper seems a very different beast to Miami Beach; the city comprising flyovers like the one they sweep on to, and for a while it appears as if they are going to the airport. Then they suddenly veer from the concrete artery, down a steep slip road and into a neighbourhood off 17th Street. It’s like falling from the edge of one world and landing in another. — Welcome to Little Havana, Starry says, raising a single curved brow, recovering the effervescence Lennox feels has deserted her since the incident with the strange guy earlier.

— This ain’t really far enough south for Little Havana, Robyn says, a little stridently. — It’s more like Riverside.

— Bullshit; you jus don want people to know you live in a Cuban neighbourhood, Starry challenges her, only half joking, her accent changing into Rosie Perez Latina.

— Newsflash, Robyn says. — This is Miami. Every neighbourhood here is Cuban.

Lennox cringes at Robyn’s bland epithet ‘Riverside’. The planners back home had attempted to redesignate Leith and the other river communites as ‘Edinburgh’s Waterfront’. As Leith
was
associated with Hibernian Football Club and he was a Hearts fan, he’d enjoyed referring to his new flat as being ‘in the Waterfront district’.

— See that, Starry says, looking to Lennox, — you gringos can’t see the difference between the Latino neighbourhoods!

Lennox has to concede that his eyes detect little divergence in the dimly lit streets they drive through, all of which are cut into uniform blocks. This area doesn’t seem hugely affluent, but it isn’t a ghetto either. Most of the homes on these blocks are low-rise dwellings of one storey. When they drive through the backstreets, interior and porch lights illuminate some houses showing him, on closer examination, that no two domiciles are alike. Some fronts and gardens are well kept, to the point of obsession. Others are dumping grounds. Lennox guesses a mix of owner occupancy and rented accommodation. Robyn’s place is different; it’s in a gated apartment block, the stucco-fronted building painted a pastel orange illuminated by uplit wall lamps with a driveway for parking. An aluminium panel of intercom buzzers announces twelve dwellings, confirmed by the number of mailboxes in a chaste, functional hallway navigated by low-level night lights.

He’s used to mounting steep Edinburgh tenement stairs, but chemical impatience and the slight gradient on these tiled platforms compel him to take two at once in long, loping strides. Robyn’s place is on the top floor, two up from ground level. Prospecting a key from the chaos in her bag, she whispers, — Shhh, as she opens the door. Lennox feels Starry’s hand nestling on his arse. He lets it hang for a bit, then moves off down the hallway, passing a table with a phone on it, above which sits a large whiteboard full of numbers and messages. Stung, Lennox quickly turns away, moving into a front room whose chattels suggest a furnished tenancy; the black leather sofa, with fawn-coloured throw and matching chairs belong to some ubiquitous 1980s warehouse that seems to supply rentals in every city he’s visited. These sit on oak hardwood floors, with a rug in the middle that looks more expensive than it probably is. A smoked-glass coffee table is stacked with magazines; the garish glint from the light above reflecting on to that cocaine accessory seems to be
issuing
a challenge to him. An alcove, fringed by Christmas fairy lights, leads through to a small terracotta-tiled kitchen.

— Nice place, Lennox observes.

Robyn tells him that she’s been here for a year. She’d come from south Alabama and moved over to Jacksonville with her daughter (it sounds like ‘daw-rah’ to his ears) in search of work. After that dried up she’d headed further south, first to Surfside where she’d briefly worked in a residential home, and then down here. She explains that the rent’s cheap and it was convenient for her job in a daycare centre. — But I had to stop working there, she says guiltily, — to spend more time with my daughter.

— How old is she?

— Ten. She flushes with pride, then departs to check on the kid.

Lennox catches Starry regarding her exiting friend with a primal malevolence so poisonous she’s briefly flustered that he’s noticed. Defensively, she tips back her head, pushing out her mouth with its lipstick gleam.

Robyn returns, closing the lounge door behind her. — Fast asleep, she announces with relief. She tells him there have been problems at the school with the daughter. Most of the kids talked Spanish at home and in the schoolyard, so Tianna, that’s the girl’s name, feels isolated. — She’s gotten so withdrawn lately, Robyn says sadly, then catches Starry’s disapproving scowl and quickly switches into breezy mode, — but hey, this is a party. Right?

— Right, Lennox acknowledges, slumping on to the couch, his eye falling on a dark stain on the hardwood floor spilling out from under the rug. About to comment, he hastily corrects himself. It
was
a party, and he was on holiday. Murder investigating, no. Wedding planning, no. Holiday, yes.

Starry shoots another contemptuous glance towards Robyn, who turns from Lennox to the CD player. He tracks her to avoid Starry’s rapacious gaze, but the thin, distressed back of Robyn’s neck perversely reminds him of his father’s on their last meeting. She inserts a disc and as cheesy pop sounds fill the air, stands up and pulls him to his feet. The music is bland, drenching the room in spineless reworkings of rock ’n’ roll classics, forcing Lennox to
think
of his old mate Robbo, a soft-rock aficionado, supermarkets, and what Americans call elevators.

Robyn steps into him, and as they dance close, he feels the sewer ebbing from her mind; him suffocating under the confining cloak of sleaze she’s draped around them. In an automated manner he responds to her tight mouth as it bites on his numb lips, the cocaine rendering the tobacco smoke from her breath just about bearable. Her eyes are as glassy and dead as Marjorie’s, his big sister Jackie’s favourite doll. Lennox recalls ‘loving’ and ‘wanting to marry’ Marjorie as a small child, coveting the toy at least as much as his bossy sibling did.

He’d told Trudi this story once. — You like women to be passive toys, she’d snorted uncharitably, before climbing on top of him and riding him raw.

Trudi. He can’t allow himself to be stupefied by Robyn’s kisses. Catching Starry’s eye and a nod to the coffee table, he breaks away and moves over to where some lines are racked up. She has set down the copy of
Perfect Bride
; it has melded into a pageant of women’s, television and celebrity magazines. Lennox picks up a thick glossy called
Ocean Drive
, which he suspects is a boutique-hotel freebie. A blonde woman who seemed to be famous for being an heiress and also for not really appearing to enjoy it much as her boyfriend fucked her on camera, was discussing her music, and how it was the thing she did best. Lennox recalls watching the commercially available video at a police stag do. It wasn’t up to much; he hoped the singing was better.

He rolls a note and fills his nostrils, using the generous cavity. The surf comes up inside his head. It’s good gear. He looks up at Robyn, who’s smiling at him. — How’s your voice? Can you carry a tune? he asks.

— Ah guess. She coyly cocks her head, provoking both attraction and nausea in him.

He heads to the bathroom, this time watching his urine, so thick you could stand a spoon in it, stain the water a deep orangey gold. Alone, his critical faculties replace his social ones. Now good intentions and weak wills are signalled everywhere: a dust-covered empty bottle of mouthwash has obviously lain there for months.
An
unopened tube of sealant sits next to a leaking shower trickling into a puddle of water on the terracotta floor tiles. A rusted gold-top battery hangs out the back of a broken electric ladyshave.

When he returns he sees Robyn seated and his eyes go up her thighs and between her legs. She catches his line of vision and settles back on the couch, smoothing short skirt to thigh in a parody of demure.

She’s a damage case: little-girl voice and vacuous flirtiness. A pathetic victim. Her kid will probably turn out the same way. But I have to watch myself on the gear: I’d fuck the hole in a dolphin’s heid
.

Starry has set up the drinks; Millers all round with vodkas and Pepsi, and she’s racking out more lines of cocaine on the coffee table. More is good: first law of consumer capitalism. Second law: immediate is all. Lennox feels a binge coming on. Starry catches the hunger in his eyes. — Go on, Scattie, her manner is coquettish. He thinks of Braveheart the dog, and is about to test the more constricted vent, when a young girl wearing a nightdress appears in the doorway of the room.

Her skin is a tawny contrast to the paleness of her mother, yet the girl still cuts an almost spectral figure. Brown hair hangs down the sides of a longish face on to her shoulders. She rubs sleep from her eyes in a very obvious, theatrical manner. Shamed, Lennox immediately ceases his activity, and stands up. — Hi. I’m Ray, he says, getting between the kid and the stuff on the table.

— Tianna Marie Hinton … you get back to bed, young lady, this is grown-up time, Robyn declares in a panicky voice he can envisage one of the women on the South Beach real-estate commercials privately deploying, perhaps after hearing of a market slump. All the time she looks at Lennox with a stupidity teetering between sheepish and bovine. The kid briefly glances at him for the first time. It’s a cold look. Appraising rather than judging, but referencing that he’s something she’s seen before. Something not good.

It dawns on Lennox that she’s been alone while they were cavorting at the Club Deuce and Myopia over in Miami Beach. It wasn’t right.
Kids shouldn’t be left alone like that. Britney Hamil should never have walked to school alone
. He feels anger rise in him
and
fights to swallow it down with a gulp of his beer. All the time he keeps his frame between the girl and the table. As she’s distracted by her mother’s ministrations, Lennox places the copy of
Perfect Bride
over the white stripes. Catches Starry sneering at Robyn again.

— I couldn’t sleep, the girl says, — I heard you guys comin in. She looks at Lennox again and nudges her mother, seeking confirmation.

— This here’s Ray, honey. Ray’s a friend from Skatlin.

— Where men wear skirts, Starry laughs, — right, Ray?

— Right. Lennox practically ignores her, focusing again on the young girl. Her arms and legs are too long for her body. Her hair is a scraggy mop and she seems all angles. A kind of ungainly ugly duckling. But her eyes … he catches the brief glimpse of a terrible knowledge in her eyes. For a second Lennox has a sinking sense that they are asking the world for help. Then it’s gone, and she’s another tired kid, short-changed on affection, security and sleep.

— Y’all get yourself off to bed now, y’hear, honey, Robyn says.

The girl lopes away mumbling and waving a cursory goodbye without turning round. As she leaves the room, Starry changes the CD and turns up the volume as Cuban music fills the air. Lennox’s knowledge of this genre starts and stops at the
Buena Vista Social Club
, which he’d seen with Trudi, who had bought him the CD. He’d liked it, though he had been embarrassed when Ally Notman, the energetic young cop on his team with a penchant for womanising, had spied it and slagged him off for being a
Guardian
-reading liberal. Some of the boys had come back to his place for a late drink. He recollects the cold-eyed presence of Dougie Gillman, his sour and troubling nemesis, who’d tagged along all night. But this music is nothing like that. With its poignant beats, sweeping strings and muted brass, it’s the saddest he’s ever heard. Although with Spanish vocals and purporting to be Cuban, it somehow feels as if it’s been made locally, in this Miami neighbourhood. He stifles the temptation to enquire about the artist; he would be relieved never to hear its terrible beauty again.

Fitfully he wonders about Trudi. What will she be doing now? In the hotel room. Indulging in one of her two bathetic responses: ‘
worried
sick’ or ‘not giving a fuck’. Perhaps occupying both states simultaneously.

— This is fucked, Lennox whispers, bouncing down on the couch in melancholy laughter before Starry shimmies over and drags him back to his feet. They dance together a little, before Robyn moves in. The women are being sexy. Lennox thinks speculatively about threesomes. Isn’t that what he needs to feel his masculinity again:
extremis
? It worked last time job and drug had combined to cauterise his body and soul. But a nasty current now hangs between Starry and Robyn. They are harshly and nakedly competing for him. Grinding closer, suggestive eyes expanding with need, their mouths tight with aggression. He thinks about yesterday at the Torpedo. He feels Robyn move into him, her arms reaching up around his neck. Hanging from him like a charity-shop suit in a reckless bid to shut Starry out.

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