Creole Belle (74 page)
It was grand to be there on the watery edge of my country, amid its colonial past and its ties to the tropical world of John James Audubon and Jean Lafitte and missionaries who had knelt in the sand in the belief that they had found paradise. I wanted to forget the violence of the past and the faces of the men we had slain. I wanted to forget the dissembling and prevarications that constituted the official world in which I made my living, and most of all, I wanted to forget the lies that I had told others about the events on the bayou.
They were lies of omission. The larger truth about the oil blowout on the Gulf of Mexico was not one that many people were interested in. Corporate villains are loathsome. Almost all of them avoid media exposure because they come across as corrupt, arrogant, and tone-deaf. We stare at their testimony before a congressional committee and ask ourselves how this or that gnome of a man was allowed to do so much damage to the rest of us. None of these men can function without sanction. Nations, like individuals, give up an addiction or a vice when they’re ready and not until then. In the meantime, you can join Candide in his garden or drive yourself crazy proselytizing
those who have no interest in your crusade, such as the street people in Mallory Square. These may not be the happiest alternatives in the world, but they’re the only ones that I’ve been able to come up with.
Helen Soileau returned to her job, and after fighting with insomnia and nightmares for two months, she began seeing a psychotherapist. She sought out crowds and enjoyed loud parties and sometimes stayed later than she should have and went home with people whose names she wasn’t sure of in the morning. She did not mind elevators, as long as there were not more than two or three people in them. Airplanes were more of a challenge. Her fear had nothing to do with heights or a loss of control. She was supposed to undergo an MRI in Lafayette, but at the last moment she could not force herself to enter the metal cylinder. She was filled with shame and depression and failure, and when she looked in the mirror, she saw a stranger created by the Duprees when they locked the woman named Helen Soileau inside the freezer.
For that reason, if for no other, I was glad the Duprees were dead and glad that Varina Leboeuf was awaiting trial in the Iberia Parish stockade. I was also glad that I could do a good deed by convincing Helen to take a leave of absence and get on the Sunset Limited and join us among the coconut palms and ficus trees on a stretch of warm beach not far from the home of Ernest Hemingway.
My face was scarred, and Clete had undergone two surgeries, one for the wound in his side and one to remove the lead fragments that had moved next to his heart. I suspect we made an odd group out on the beach, but I didn’t care. Is there any worse curse than approval? Have you ever learned anything new from people who accept the world as it is? The bravest individuals I have ever known appear out of nowhere and perform heroic deeds we normally associate with paratroopers, but they’re so nondescript that we can’t remember what they look like after they have left the room. Saint Paul said there may be angels living among us, and this may have been the bunch he was writing about. If so, I think I have known a few of them. Regardless, it’s a fine thing to belong to a private club based
on rejection and difference. I’ll go a step further. I believe excoriation is the true measure of our merit.
When Clete and I were with NOPD, we knew a black cross-dresser and male prostitute by the name of Antoine Ledoux who was raped repeatedly in Angola and came out a juicer and a junkie. But he got clean with the Work the Steps or Die, Motherfucker group and opened a shoeshine stand by the bus depot and freed himself of a predatory New Orleans subculture that only Tennessee Williams has written about honestly. All this happened before I was in A.A., so I asked Antoine one day how he managed to find a sanctuary from all the misery and pain that had constituted his daily life. Antoine replied, “Sometimes t’ings happen to you that ain’t your fault. When you come out on the other side, you ain’t never the same again. You paid your dues, and you got your own church wit’ your private pew. It’s the place where they cain’t hurt you no more. See? It’s simple.”
After our third week in the Keys, I received a postcard from Tee Jolie Melton forwarded from the department. She was living in West Hollywood, with guess who as a roommate? You’ve got it. None other than Gretchen Horowitz. The card read:
Dear Mr. Dave,
Gretchen has got a job at Warner Bros. and is taking classes at night at film school. We are so excited. WB is the studio where Daffy Duck and Bugs Bunny were invented. I’m singing in a club and am going to make a demo. Our neighborhood is all men. Gretchen says don’t worry, they’re real safe. Are you okay now, Mr. Dave? You was hurt so bad.
The card was signed with the initials TJM because she had no more room on which to write. The next day I received a second card with the abbreviation “Cont.” at the top rather than a salutation. It read:
I blame myself for what happened to Blue. I go out to the ocean in Santa Monica and think I see her in the waves. I never
figured out why they did that to her. I never figured out anything. I let them put junk in my arm and abort my baby. I don’t know why I let that happen. I think it’s all on me, though.
Your friend,
Tee Jolie
The third card arrived the following day. It read:
Dear Mr. Dave,
I haven’t give up. I’m going to make it out here. You’re going to see, you. Tell Mr. Clete Gretchen and me met John Goodman and he looks just like Mr. Clete.
Good-bye until I write again,
Tee Jolie
The early mornings were grand. We ate breakfast at a buffet on the terrace and watched the pinkness of the dawn dissolve into a hard blue sky and a seascape flecked with foam. Throughout the day, the view from the terrace was wonderful, the coconut palms bending in the wind, the edge of the surf etched by starfish and conch shells, while seagulls wheeled overhead and the clouds sometimes creaked with thunder. As I looked at the turquoise brilliance of the water and the channels of hot blue that were like rivers within the ocean, I wondered if we had failed to give nature credit for its restorative powers. Those moments were short-lived. The truth was my thoughts about nature’s resilience were self-serving, because I did not wish to spoil the mood for everyone else by dwelling upon the sludge from the blowout that had fouled the Gulf of Mexico from one end to the other. Regardless of what either our government or the captains of industry had to say, I believed the oil was out there, meshed inextricably with chemical dispersants, hanging like carpet on coral reefs and on oyster beds and at depths that seldom experience sunlight. I started to raise the subject with Clete on one occasion, then let it drop. Clete was still Clete, but since the second shootout on the bayou, he had been unduly burdened and had become more insular and detached than any of us, gazing at images that perhaps no one else saw.
One morning after breakfast, I realized what was on his mind, and it was not the horrific death of Alexis Dupree. Clete had made friends with three Vietnamese children whose mother worked at the motel, and rather than go out on the charter boat with me, he had bought cane poles and bobbers and hooks and lead sinkers and a carton of shrimp and had taken the children fishing in the surf. He waded out with them and baited their hooks and showed them how to cast their lines above a cresting wave into the swell where schools of baitfish flickered across the surface like a spray of raindrops. To give the children better access, he carried them one by one onto a sandbar where they could throw their lines into water that was deeper and a darker blue and held bigger and more exciting fish.
He was bare-chested and wearing his Budweiser shorts that extended almost to his knees, his love handles hanging over the elastic band, his porkpie hat tilted forward on his forehead, his chest and shoulders and back tanned and scarred and hard-looking and shiny with lotion, gold curlicues of hair pasted on his skin. He was carrying an iPod, the headphones clamped on his neck, “Help Me, Rhonda” by the Beach Boys blaring from the foam-rubber earpieces.
I was looking straight at him from the deck of the motel, but I knew that in reality, Clete was no longer in Key West, Florida. Inside the driving rhythm of the Beach Boys’ music and the glaze of light on the ocean, I knew he had taken flight to a place on the opposite side of the world, where a young Eurasian woman was broiling fish for him on a charcoal blazer, aboard a sampan silhouetted against a red sun as big as China.
Unfortunately, his reverie and the tranquil moment he was enjoying would not last. The day had grown much warmer, and there was a smell like brass and electricity in the air, and to the south you could see a squall line moving toward the Keys. On top of the water, I could see the pink and blue air sacs of jellyfish, and triangular rust-colored shapes that at first I thought were remnants of the sludge that had floated east from the Louisiana coast. In actuality, I was looking at the leathery backs of stingrays that had been kicked toward the shore by the storm building on the southern horizon.
Within seconds, the waves had washed the jellyfish past the sandbar,
encircling it, their poisonous tentacles floating like translucent string on the surface.
I wasn’t sure whether Clete knew the danger he and the children were in. I should have known better. Clete was cavalier about his own safety but never about the safety and well-being of anyone else. He picked up all three children, holding them high up on his chest, clear of the water, and waded through the jellyfish like Proteus rising from the surf with his wreathed horn, “Help Me, Rhonda” still blaring from the headphones. After he set them down on the sand, he told them all to hold hands as he led them out on the street where the ice-cream wagon had just stopped.
And that’s the way we dealt with the great issues of our time. Clete protected the innocent and tried to do good deeds for people who had no voice, and I tried to care for my family and not brood upon the evil that men do. We didn’t change the world, but neither were we changed by it. As the writer in Ecclesiastes says, one generation passeth away, and another generation cometh: but the earth abideth forever. For me, the acceptance of those words and the fact that I can spend my days among the people I love are victory enough.
Born in Houston, Texas, in 1936, James Lee Burke grew up on the Texas-Louisiana Gulf Coast. He attended Southwestern Louisiana Institute and later received a BA and an MA in English from the University of Missouri in 1958 and 1960, respectively. Over the years, he worked as a landman for the Sinclair Oil Company, pipeliner, land surveyor, newspaper reporter, college English professor, social worker on skid row in Los Angeles, clerk for the Louisiana Employment Service, and instructor in the U.S. Job Corps. He and his wife, Pearl, met in graduate school and have been married fifty-two years; they have four children.
Burke is the author of thirty-one novels, including nineteen in the Dave Robicheaux series, and two collections of short stories. His work has twice been awarded an Edgar for Best Crime Novel of the Year; in 2009 the Mystery Writers of America named him a Grand Master. He has also been a recipient of Bread Loaf and Guggenheim fellowships and an NEA grant. Three of his novels (
Heaven’s Prisoners, Two for Texas
, and
In the Electric Mist with Confederate Dead
) have been made into motion pictures. His short stories have been published in
The Atlantic Monthly, New Stories from the South, Best American Short Stories, The Antioch Review, The Southern Review
, and
The Kenyon Review
. His novel
The Lost Get-Back Boogie
was rejected 111 times over a period of nine years and, upon its publication by Louisiana State University Press in 1986, was nominated for a Pulitzer Prize.
He and Pearl live in Missoula, Montana.
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