Authors: Michael Frayn
Michael Frayn
Michael Frayn has written plays, novels, and screenplays, in addition to being a journalist, documentary filmmaker, and translator of Chekhov. His thirteen plays include the classic comedy
Noises Off.
His latest play,
Copenhagen
, was awarded the Tony Award for Best Play, as well as the Outer Critics Circle and Drama Desk awards and, in the United Kingdom, the Olivier and
Evening Standard
awards. The most recent of his nine novels,
Headlong
, was shortlisted for the Booker Prize. Born in London in 1933 and educated at Cambridge, he is married to the biographer and critic Claire Tomalin; they live in London.
I should like to record my gratitude to Professor Balázs L. Gyorffy, Professor of Physics at Bristol University, for his kindness in reading the text of the play and making a number of corrections and suggestions.
Michael Frayn
Copenhagen
was first previewed at the Cottesloe Theatre, Royal National Theatre, London, on May 21, 1998, and opened on May 28, 1998, with the following cast:
MARGRETHE | Sara Kestelman |
BOHR | David Burke |
HEISENBERG | Matthew Marsh |
Directed by Michael Blakemore
Designed by Peter J. Davison
Lighting by Mark Henderson
Sound by Simon Baker
This production moved to the Duchess Theatre, London, where it was presented by Michael Codron and Lee Dean, and opened on February 5, 1999.
It previewed at the Royale Theatre, New York, on March 23, 2000, and opened on April 11, 2000, with the following cast:
MARGRETHE | Blair Brown |
BOHR | Philip Bosco |
HEISENBERG | Michael Cumpsty |
Directed by Michael Blakemore
Designed by Peter J. Davison
Lighting by Mark Henderson and Michael Lincoln
Sound by Tony Meola
Margrethe
But why?
Bohr
You’re still thinking about it?
Margrethe
Why did he come to Copenhagen?
Bohr
Does it matter, my love, now we’re all three of us dead and gone?
Margrethe
Some questions remain long after their owners have died. Lingering like ghosts. Looking for the answers they never found in life.
Bohr
Some questions have no answers to find.
Margrethe
Why did he come? What was he trying to tell you?
Bohr
He did explain later.
Margrethe
He explained over and over again. Each time he explained it became more obscure.
Bohr
It was probably very simple, when you come right down to it: he wanted to have a talk.
Margrethe
A talk? To the enemy? In the middle of a war?
Bohr
Margrethe, my love, we were scarcely the enemy.
Margrethe
It was 1941!
Bohr
Heisenberg was one of our oldest friends.
Margrethe
Heisenberg was German. We were Danes. We were under German occupation.
Bohr
It put us in a difficult position, certainly.
Margrethe
I’ve never seen you as angry with anyone as you were with Heisenberg that night.
Bohr
Not to disagree, but I believe I remained
remarkably calm.
Margrethe
I know when you’re angry.
Bohr
It was as difficult for him as it was for us.
Margrethe
So why did he do it? Now no one can be hurt, now no one can be betrayed.
Bohr
I doubt if he ever really knew himself.
Margrethe
And he wasn’t a friend. Not after that visit. That was the end of the famous friendship between Niels Bohr and Werner Heisenberg.
Heisenberg
Now we’re all dead and gone, yes, and there are only two things the world remembers about me. One is the uncertainty principle, and the other is my mysterious visit to Niels Bohr in Copenhagen in 1941. Everyone understands uncertainty. Or thinks he does. No one understands my trip to Copenhagen. Time and time again I’ve explained it. To Bohr himself, and Margrethe. To interrogators and intelligence officers, to journalists and historians. The more I’ve explained, the deeper the uncertainty has become. Well, I shall be happy to make one more attempt. Now we’re all dead and gone. Now no one can be hurt, now no one can be betrayed.
Margrethe
I never entirely liked him, you know. Perhaps I can say that to you now.
Bohr
Yes, you did. When he was first here in the twenties? Of course you did. On the beach at Tisvilde with us and the boys? He was one of the family.
Margrethe
Something alien about him, even then.
Bohr
So quick and eager.
Margrethe
Too quick. Too eager.
Bohr
Those bright watchful eyes.
Margrethe
Too bright. Too watchful.
Bohr
Well, he was a very great physicist. I never
changed my mind about that.
Margrethe
They were all good, all the people who came to Copenhagen to work with you. You had most of the great pioneers in atomic theory here at one time or another.
Bohr
And the more I look back on it, the more I think Heisenberg was the greatest of them all.
Heisenberg
So what was Bohr? He was the first of us all, the father of us all. Modern atomic physics began when Bohr realised that quantum theory applied to matter as well as to energy. 1913. Everything we did was based on that great insight of his.
Bohr
When you think that he first came here to work with me in 1924 …
Heisenberg
I’d only just finished my doctorate, and Bohr was the most famous atomic physicist in the world.
Bohr
… and in just over a year he’d invented quantum mechanics.
Margrethe
It came out of his work with you.
Bohr
Mostly out of what he’d been doing with Max Born and Pascual Jordan at Göttingen. Another year or so and he’d got uncertainty.
Margrethe
And you’d done complementarity.
Bohr
We argued them both out together.
Heisenberg
We did most of our best work together.
Bohr
Heisenberg usually led the way.
Heisenberg
Bohr made sense of it all.
Bohr
We operated like a business.
Heisenberg
Chairman and managing director.
Margrethe
Father and son.
Heisenberg
A family business.
Margrethe
Even though we had sons of our own.
Bohr
And we went on working together long after he ceased to be my assistant.
Heisenberg
Long after I’d left Copenhagen in 1927 and gone back to Germany. Long after I had a chair and a family of my own.
Margrethe
Then the Nazis came to power .…
Bohr
And it got more and more difficult. When the war broke out—impossible. Until that day in 1941.
Margrethe
When it finished forever.
Bohr
Yes, why did he do it?
Heisenberg
September, 1941. For years I had it down in my memory as October.
Margrethe
September. The end of September.
Bohr
A curious sort of diary memory is.
Heisenberg
You open the pages, and all the neat headings and tidy jottings dissolve around you.
Bohr
You step through the pages into the months and days themselves.
Margrethe
The past becomes the present inside your head.
Heisenberg
September, 1941, Copenhagen .… And at once—here I am, getting off the night train from Berlin with my colleague Carl von Weizsäcker. Two plain civilian suits and raincoats among all the field-grey Wehrmacht uniforms arriving with us, all the naval gold braid, all the well-tailored black of the SS. In my bag I have the text of the lecture I’m giving. In my head is another communication that has to be delivered. The lecture is on astrophysics. The text inside my head is a more difficult one.
Bohr
We obviously can’t go to the lecture.
Margrethe
Not if he’s giving it at the German Cultural Institute—it’s a Nazi propaganda organisation.
Bohr
He must know what we feel about that.
Heisenberg
Weizsäcker has been my John the Baptist, and written to warn Bohr of my arrival.
Margrethe
He wants to see you?
Bohr
I assume that’s why he’s come.
Heisenberg
But how can the actual meeting with Bohr be arranged?
Margrethe
He must have something remarkably important to say.
Heisenberg
It has to seem natural. It has to be private.
Margrethe
You’re not really thinking of inviting him to the house?
Bohr
That’s obviously what he’s hoping.
Margrethe
Niels! They’ve occupied our country!
Bohr
He is not they.
Margrethe
He’s one of them.
Heisenberg
First of all there’s an official visit to Bohr’s workplace, the Institute for Theoretical Physics, with an awkward lunch in the old familiar canteen. No chance to talk to Bohr, of course. Is he even present? There’s Rozental … Petersen, I think … Christian Moller, almost certainly .… It’s like being in a dream. You can never quite focus the precise details of the scene around you. At the head of the table—is that Bohr? I turn to look, and it’s Bohr, it’s Rozental, it’s Moller, it’s whoever I appoint to be there .… A difficult occasion, though—I remember that clearly enough.
Bohr
It was a disaster. He made a very bad impression. Occupation of Denmark unfortunate. Occupation of Poland, however, perfectly acceptable. Germany now certain to win
the war.
Heisenberg
Our tanks are almost at Moscow. What can stop us? Well, one thing, perhaps. One thing.
Bohr
He knows he’s being watched, of course. One must remember that. He has to be careful about what he says.
Margrethe
Or he won’t be allowed to travel abroad again.
Bohr
My love, the Gestapo planted microphones in his house. He told Goudsmit when he was in America. The SS brought him in for interrogation in the basement at the Prinz-Albrecht-Strasse.
Margrethe
And then they let him go again.
Heisenberg
I wonder if they suspect for one moment how painful it was to get permission for this trip. The humiliating appeals to the Party, the demeaning efforts to have strings pulled by our friends in the Foreign Office.
Margrethe
How did he seem? Is he greatly changed?