Complete Works of Thomas Hardy (Illustrated) (926 page)
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Authors: Thomas Hardy
Thomas Hardy was one of the few writers to distinguish himself as a novelist and a poet with equal merit. In 1895, having received severe criticism for the pessimistic tone of his novel
Jude the Obscure
, Hardy vowed never again to write a novel. Instead, he turned to poetry and three years later he published this book of 51 poems, which he had composed over a period of 30 years.
Hardy claimed poetry as his first love and dedicated the rest of his literary life to the writing of poems. Although his poetic works were not initially as well received as his novels were, Hardy would later be recognised as one of the greatest poets of the twentieth century, as demonstrated by the profound influence his poetry had on later writers, such as Philip Larkin, W.B. Yeats and D.H. Lawrence.
The first edition
CONTENTS
A CONFESSION TO A FRIEND IN TROUBLE
THE CASTERBRIDGE CAPTAINS (KHYBER PASS, 1842)
THOUGHTS OF PHENA AT NEWS OF HER DEATH
TO A LADY OFFENDED BY A BOOK OF THE WRITER’S
THE IMPERCIPIENT (AT A CATHEDRAL SERVICE)
THE SLOW NATURE (AN INCIDENT OF FROOM VALLEY)
IN A EWELEAZE NEAR WEATHERBURY
THE FIRE AT TRANTER SWEATLEY’S
HEIRESS AND ARCHITECT FOR A. W. B.
PREFACE
Of the miscellaneous collection of verse that follows, only four pieces have been published, though many were written long ago, and other partly written. In some few cases the verses were turned into prose and printed as such, it having been unanticipated at that time that they might see the light.
Whenever an ancient and legitimate word of the district, for which there was no equivalent in received English, suggested itself as the most natural, nearest, and often only expression of a thought, it has been made use of, on what seemed good grounds.
The pieces are in a large degree dramatic or personative in conception; and this even where they are not obviously so.
The dates attached to some of the poems do not apply to the rough sketches given in illustration, which have been recently made, and, as may be surmised, are inserted for personal and local reasons rather than for their intrinsic qualities.
T. H.
September 1898.
THE TEMPORARY THE ALL
Change and chancefulness in my flowering youthtime,
Set me sun by sun near to one unchosen;
Wrought us fellow-like, and despite divergence,
Friends interlinked us.
“Cherish him can I while the true one forthcome -
Come the rich fulfiller of my prevision;
Life is roomy yet, and the odds unbounded.”
So self-communed I.
Thwart my wistful way did a damsel saunter,
Fair, the while unformed to be all-eclipsing;
“Maiden meet,” held I, “till arise my forefelt
Wonder of women.”
Long a visioned hermitage deep desiring,
Tenements uncouth I was fain to house in;
“Let such lodging be for a breath-while,” thought I,
”Soon a more seemly.
“Then, high handiwork will I make my life-deed,
Truth and Light outshow; but the ripe time pending,
Intermissive aim at the thing sufficeth.”
Thus I . . . But lo, me!
Mistress, friend, place, aims to be bettered straightway,
Bettered not has Fate or my hand’s achieving;
Sole the showance those of my onward earth-track -
Never transcended!
AMABEL
I marked her ruined hues,
Her custom-straitened views,
And asked, “Can there indwell
My Amabel?”
I looked upon her gown,
Once rose, now earthen brown;
The change was like the knell
Of Amabel.
Her step’s mechanic ways
Had lost the life of May’s;
Her laugh, once sweet in swell,
Spoilt Amabel.
I mused: “Who sings the strain
I sang ere warmth did wane?
Who thinks its numbers spell
His Amabel?” -
Knowing that, though Love cease,
Love’s race shows undecrease;
All find in dorp or dell
An Amabel.
- I felt that I could creep
To some housetop, and weep,
That Time the tyrant fell
Ruled Amabel!
I said (the while I sighed
That love like ours had died),
“Fond things I’ll no more tell
To Amabel,
“But leave her to her fate,
And fling across the gate,
‘Till the Last Trump, farewell,
O Amabel!’“
1865.
HAP
If but some vengeful god would call to me
From up the sky, and laugh: “Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love’s loss is my hate’s profiting!”
Then would I bear, and clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.
But not so. How arrives it joy lies slain,
And why unblooms the best hope ever sown?
- Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan . . .
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.
1866.
IN VISION I ROAMED TO -
In vision I roamed the flashing Firmament,
So fierce in blazon that the Night waxed wan,
As though with an awed sense of such ostent;
And as I thought my spirit ranged on and on
In footless traverse through ghast heights of sky,
To the last chambers of the monstrous Dome,
Where stars the brightest here to darkness die:
Then, any spot on our own Earth seemed Home!
And the sick grief that you were far away
Grew pleasant thankfulness that you were near?
Who might have been, set on some outstep sphere,
Less than a Want to me, as day by day
I lived unware, uncaring all that lay
Locked in that Universe taciturn and drear.
1866.
AT A BRIDAL TO -
When you paced forth, to wait maternity,
A dream of other offspring held my mind,
Compounded of us twain as Love designed;
Rare forms, that corporate now will never be!
Should I, too, wed as slave to Mode’s decree,
And each thus found apart, of false desire,
A stolid line, whom no high aims will fire
As had fired ours could ever have mingled we;
And, grieved that lives so matched should mis-compose,
Each mourn the double waste; and question dare
To the Great Dame whence incarnation flows.
Why those high-purposed children never were:
What will she answer? That she does not care
If the race all such sovereign types unknows.
1866.
POSTPONEMENT
Snow-bound in woodland, a mournful word,
Dropt now and then from the bill of a bird,
Reached me on wind-wafts; and thus I heard,
Wearily waiting:-
“I planned her a nest in a leafless tree,
But the passers eyed and twitted me,
And said: ‘How reckless a bird is he,
Cheerily mating!’
“Fear-filled, I stayed me till summer-tide,
In lewth of leaves to throne her bride;
But alas! her love for me waned and died,
Wearily waiting.
“Ah, had I been like some I see,
Born to an evergreen nesting-tree,
None had eyed and twitted me,
Cheerily mating!”
1866.
A CONFESSION TO A FRIEND IN TROUBLE
Your troubles shrink not, though I feel them less
Here, far away, than when I tarried near;
I even smile old smiles — with listlessness -
Yet smiles they are, not ghastly mockeries mere.
A thought too strange to house within my brain
Haunting its outer precincts I discern:
- That I will not show zeal again to learn
Your griefs, and sharing them, renew my pain . . .
It goes, like murky bird or buccaneer
That shapes its lawless figure on the main,
And each new impulse tends to make outflee
The unseemly instinct that had lodgment here;
Yet, comrade old, can bitterer knowledge be
Than that, though banned, such instinct was in me!
1866.
NEUTRAL TONES
We stood by a pond that winter day,
And the sun was white, as though chidden of God,
And a few leaves lay on the starving sod,
— They had fallen from an ash, and were gray.
Your eyes on me were as eyes that rove
Over tedious riddles solved years ago;
And some words played between us to and fro -
On which lost the more by our love.
The smile on your mouth was the deadest thing
Alive enough to have strength to die;
And a grin of bitterness swept thereby
Like an ominous bird a-wing . . .
Since then, keen lessons that love deceives,
And wrings with wrong, have shaped to me
Your face, and the God-curst sun, and a tree,
And a pond edged with grayish leaves.
1867.
SHE AT HIS FUNERAL
They bear him to his resting-place -
In slow procession sweeping by;
I follow at a stranger’s space;
His kindred they, his sweetheart I.
Unchanged my gown of garish dye,
Though sable-sad is their attire;
But they stand round with griefless eye,
Whilst my regret consumes like fire!
187-.
HER INITIALS
Upon a poet’s page I wrote
Of old two letters of her name;
Part seemed she of the effulgent thought
Whence that high singer’s rapture came.
- When now I turn the leaf the same
Immortal light illumes the lay,
But from the letters of her name
The radiance has died away!
1869.
HER DILEMMA (IN — - CHURCH)
The two were silent in a sunless church,
Whose mildewed walls, uneven paving-stones,
And wasted carvings passed antique research;
And nothing broke the clock’s dull monotones.
Leaning against a wormy poppy-head,
So wan and worn that he could scarcely stand,
- For he was soon to die, — he softly said,
“Tell me you love me!” — holding hard her hand.
She would have given a world to breathe “yes” truly,
So much his life seemed handing on her mind,
And hence she lied, her heart persuaded throughly
‘Twas worth her soul to be a moment kind.
But the sad need thereof, his nearing death,
So mocked humanity that she shamed to prize
A world conditioned thus, or care for breath
Where Nature such dilemmas could devise.
1866.
REVULSION
Though I waste watches framing words to fetter
Some spirit to mine own in clasp and kiss,
Out of the night there looms a sense ‘twere better
To fail obtaining whom one fails to miss.
For winning love we win the risk of losing,
And losing love is as one’s life were riven;
It cuts like contumely and keen ill-using
To cede what was superfluously given.
Let me then feel no more the fateful thrilling
That devastates the love-worn wooer’s frame,
The hot ado of fevered hopes, the chilling
That agonizes disappointed aim!
So may I live no junctive law fulfilling,
And my heart’s table bear no woman’s name.
1866.
