Complete Works of Thomas Hardy (Illustrated) (722 page)

BOOK: Complete Works of Thomas Hardy (Illustrated)
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‘Yes, yes — so am I.  But — wait a moment — ’

‘But, Joshua!’

‘Her life and happiness, you know — Cornelius — and your reputation and mine — and our chance of rising together, all three — ’

He clutched his brother’s arm to the bone; and as they stood breathless the splashing and floundering in the weir continued; over it they saw the hopeful lights from the manor-house conservatory winking through the trees as their bare branches waved to and fro.

The floundering and splashing grew weaker, and they could hear gurgling words: ‘Help — I’m drownded!  Rosie — Rosie!’

‘We’ll go — we must save him.  O Joshua!’

‘Yes, yes! we must!’

Still they did not move, but waited, holding each other, each thinking the same thought.  Weights of lead seemed to be affixed to their feet, which would no longer obey their wills.  The mead became silent.  Over it they fancied they could see figures moving in the conservatory.  The air up there seemed to emit gentle kisses.

Cornelius started forward at last, and Joshua almost simultaneously.  Two or three minutes brought them to the brink of the stream.  At first they could see nothing in the water, though it was not so deep nor the night so dark but that their father’s light kerseymere coat would have been visible if he had lain at the bottom.  Joshua looked this way and that.

‘He has drifted into the culvert,’ he said.

Below the foot-bridge of the weir the stream suddenly narrowed to half its width, to pass under a barrel arch or culvert constructed for waggons to cross into the middle of the mead in haymaking time.  It being at present the season of high water the arch was full to the crown, against which the ripples clucked every now and then.  At this point he had just caught sight of a pale object slipping under.  In a moment it was gone.

They went to the lower end, but nothing emerged.  For a long time they tried at both ends to effect some communication with the interior, but to no purpose.

‘We ought to have come sooner!’ said the conscience-stricken Cornelius, when they were quite exhausted, and dripping wet.

‘I suppose we ought,’ replied Joshua heavily.  He perceived his father’s walking-stick on the bank; hastily picking it up he stuck it into the mud among the sedge.  Then they went on.

‘Shall we — say anything about this accident?’ whispered Cornelius as they approached the door of Joshua’s house.

‘What’s the use?  It can do no good.  We must wait until he is found.’

They went indoors and changed their clothes; after which they started for the manor-house, reaching it about ten o’clock.  Besides their sister there were only three guests; an adjoining landowner and his wife, and the infirm old rector.

Rosa, although she had parted from them so recently, grasped their hands in an ecstatic, brimming, joyful manner, as if she had not seen them for years.  ‘You look pale,’ she said.

The brothers answered that they had had a long walk, and were somewhat tired.  Everybody in the room seemed charged full with some sort of interesting knowledge: the squire’s neighbour and his wife looked wisely around; and Fellmer himself played the part of host with a preoccupied bearing which approached fervour.  They left at eleven, not accepting the carriage offered, the distance being so short and the roads dry.  The squire came rather farther into the dark with them than he need have done, and wished Rosa good-night in a mysterious manner, slightly apart from the rest.

When they were walking along Joshua said, with desperate attempt at joviality, ‘Rosa, what’s going on?’

‘O, I — ’ she began between a gasp and a bound.  ‘He — ’

‘Never mind — if it disturbs you.’

She was so excited that she could not speak connectedly at first, the practised air which she had brought home with her having disappeared.  Calming herself she added, ‘I am not disturbed, and nothing has happened.  Only he said he wanted to ask me
something
, some day; and I said never mind that now.  He hasn’t asked yet, and is coining to speak to you about it.  He would have done so to-night, only I asked him not to be in a hurry.  But he will come to-morrow, I am sure!’

CHAPTER V

It was summer-time, six months later, and mowers and haymakers were at work in the meads.  The manor-house, being opposite them, frequently formed a peg for conversation during these operations; and the doings of the squire, and the squire’s young wife, the curate’s sister — who was at present the admired of most of them, and the interest of all — met with their due amount of criticism.

Rosa was happy, if ever woman could be said to be so.  She had not learnt the fate of her father, and sometimes wondered — perhaps with a sense of relief — why he did not write to her from his supposed home in Canada.  Her brother Joshua had been presented to a living in a small town, shortly after her marriage, and Cornelius had thereupon succeeded to the vacant curacy of Narrobourne.

These two had awaited in deep suspense the discovery of their father’s body; and yet the discovery had not been made.  Every day they expected a man or a boy to run up from the meads with the intelligence; but he had never come.  Days had accumulated to weeks and months; the wedding had come and gone: Joshua had tolled and read himself in at his new parish; and never a shout of amazement over the millwright’s remains.

But now, in June, when they were mowing the meads, the hatches had to be drawn and the water let out of its channels for the convenience of the mowers.  It was thus that the discovery was made.  A man, stooping low with his scythe, caught a view of the culvert lengthwise, and saw something entangled in the recently bared weeds of its bed.  A day or two after there was an inquest; but the body was unrecognizable.  Fish and flood had been busy with the millwright; he had no watch or marked article which could be identified; and a verdict of the accidental drowning of a person unknown settled the matter.

As the body was found in Narrobourne parish, there it had to be buried.  Cornelius wrote to Joshua, begging him to come and read the service, or to send some one; he himself could not do it.  Rather than let in a stranger Joshua came, and silently scanned the coroner’s order handed him by the undertaker: —

‘I, Henry Giles, Coroner for the Mid-Division of Outer Wessex, do hereby order the Burial of the Body now shown to the Inquest Jury as the Body of an Adult Male Person Unknown . . . ,’ etc.

Joshua Halborough got through the service in some way, and rejoined his brother Cornelius at his house.  Neither accepted an invitation to lunch at their sister’s; they wished to discuss parish matters together.  In the afternoon she came down, though they had already called on her, and had not expected to see her again.  Her bright eyes, brown hair, flowery bonnet, lemon-coloured gloves, and flush beauty, were like an irradiation into the apartment, which they in their gloom could hardly bear.

‘I forgot to tell you,’ she said, ‘of a curious thing which happened to me a month or two before my marriage — something which I have thought may have had a connection with the accident to the poor man you have buried to-day.  It was on that evening I was at the manor-house waiting for you to fetch me; I was in the winter-garden with Albert, and we were sitting silent together, when we fancied we heard a cry.  We opened the door, and while Albert ran to fetch his hat, leaving me standing there, the cry was repeated, and my excited senses made me think I heard my own name.  When Albert came back all was silent, and we decided that it was only a drunken shout, and not a cry for help.  We both forgot the incident, and it never has occurred to me till since the funeral to-day that it might have been this stranger’s cry.  The name of course was only fancy, or he might have had a wife or child with a name something like mine, poor man!’

When she was gone the brothers were silent till Cornelius said, ‘Now mark this, Joshua.  Sooner or later she’ll know.’

‘How?’

‘From one of us.  Do you think human hearts are iron-cased safes, that you suppose we can keep this secret for ever?’

‘Yes, I think they are, sometimes,’ said Joshua.

‘No.  It will out.  We shall tell.’

‘What, and ruin her — kill her?  Disgrace her children, and pull down the whole auspicious house of Fellmer about our ears?  No!  May I — drown where he was drowned before I do it!  Never, never.  Surely you can say the same, Cornelius!’

Cornelius seemed fortified, and no more was said.  For a long time after that day he did not see Joshua, and before the next year was out a son and heir was born to the Fellmers.  The villagers rang the three bells every evening for a week and more, and were made merry by Mr. Fellmer’s ale; and when the christening came on Joshua paid Narrobourne another visit.

Among all the people who assembled on that day the brother clergymen were the least interested.  Their minds were haunted by a spirit in kerseymere in the evening they walked together in the fields.

‘She’s all right,’ said Joshua.  ‘But here are you doing journey-work, Cornelius, and likely to continue at it till the end of the day, as far as I can see.  I, too, with my petty living — what am I after all? . . . To tell the truth, the Church is a poor forlorn hope for people without influence, particularly when their enthusiasm begins to flag.  A social regenerator has a better chance outside, where he is unhampered by dogma and tradition.  As for me, I would rather have gone on mending mills, with my crust of bread and liberty.’

Almost automatically they had bent their steps along the margin of the river; they now paused.  They were standing on the brink of the well-known weir.  There were the hatches, there was the culvert; they could see the pebbly bed of the stream through the pellucid water.  The notes of the church-bells were audible, still jangled by the enthusiastic villagers.

‘Why see — it was there I hid his walking-stick!’ said Joshua, looking towards the sedge.  The next moment, during a passing breeze, something flashed white on the spot to which the attention of Cornelius was drawn.

From the sedge rose a straight little silver-poplar, and it was the leaves of this sapling which caused the flicker of whiteness.

‘His walking-stick has grown!’ Joshua added.  ‘It was a rough one — cut from the hedge, I remember.’

At every puff of wind the tree turned white, till they could not bear to look at it; and they walked away.

‘I see him every night,’ Cornelius murmured . . . ‘Ah, we read our
Hebrews
to little account, Jos!  ¥À¼µ¹½µ ÃıÅÁ¿½, ±¹ÃÇŽ·Â º±Ä±ÆÁ¿½·Ã±Â.  To have endured the cross, despising the shame — there lay greatness!  But now I often feel that I should like to put an end to trouble here in this self-same spot.’

‘I have thought of it myself,’ said Joshua.

‘Perhaps we shall, some day,’ murmured his brother.  ‘Perhaps,’ said Joshua moodily.

With that contingency to consider in the silence of their nights and days they bent their steps homewards.

December
1888.

 

ON THE WESTERN CIRCUIT

 

CHAPTER I

 

The man who played the disturbing part in the two quiet lives hereafter depicted — no great man, in any sense, by the way — first had knowledge of them on an October evening, in the city of Melchester.  He had been standing in the Close, vainly endeavouring to gain amid the darkness a glimpse of the most homogeneous pile of mediæval architecture in England, which towered and tapered from the damp and level sward in front of him.  While he stood the presence of the Cathedral walls was revealed rather by the ear than by the eyes; he could not see them, but they reflected sharply a roar of sound which entered the Close by a street leading from the city square, and, falling upon the building, was flung back upon him.

He postponed till the morrow his attempt to examine the deserted edifice, and turned his attention to the noise.  It was compounded of steam barrel-organs, the clanging of gongs, the ringing of hand-bells, the clack of rattles, and the undistinguishable shouts of men.  A lurid light hung in the air in the direction of the tumult.  Thitherward he went, passing under the arched gateway, along a straight street, and into the square.

He might have searched Europe over for a greater contrast between juxtaposed scenes.  The spectacle was that of the eighth chasm of the Inferno as to colour and flame, and, as to mirth, a development of the Homeric heaven.  A smoky glare, of the complexion of brass-filings, ascended from the fiery tongues of innumerable naphtha lamps affixed to booths, stalls, and other temporary erections which crowded the spacious market-square.  In front of this irradiation scores of human figures, more or less in profile, were darting athwart and across, up, down, and around, like gnats against a sunset.

Their motions were so rhythmical that they seemed to be moved by machinery.  And it presently appeared that they were moved by machinery indeed; the figures being those of the patrons of swings, see-saws, flying-leaps, above all of the three steam roundabouts which occupied the centre of the position.  It was from the latter that the din of steam-organs came.

Throbbing humanity in full light was, on second thoughts, better than architecture in the dark.  The young man, lighting a short pipe, and putting his hat on one side and one hand in his pocket, to throw himself into harmony with his new environment, drew near to the largest and most patronized of the steam circuses, as the roundabouts were called by their owners.  This was one of brilliant finish, and it was now in full revolution.  The musical instrument around which and to whose tones the riders revolved, directed its trumpet-mouths of brass upon the young man, and the long plate-glass mirrors set at angles, which revolved with the machine, flashed the gyrating personages and hobby horses kaleidoscopically into his eyes.

It could now be seen that he was unlike the majority of the crowd.  A gentlemanly young fellow, one of the species found in large towns only, and London particularly, built on delicate lines, well, though not fashionably dressed, he appeared to belong to the professional class; he had nothing square or practical about his look, much that was curvilinear and sensuous.  Indeed, some would have called him a man not altogether typical of the middle-class male of a century wherein sordid ambition is the master-passion that seems to be taking the time-honoured place of love.

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