Complete Works of Thomas Hardy (Illustrated) (504 page)

BOOK: Complete Works of Thomas Hardy (Illustrated)
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“Only think of that!” said several.

Winterborne had turned away, and said vehemently to himself, “Then let her pull ‘em down, and be d — d to her!”

Creedle looked at him with a face of seven sorrows, saying, “Ah, ‘twas that sperrit that lost ‘em for ye, maister!”

Winterborne subdued his feelings, and from that hour, whatever they were, kept them entirely to himself. There could be no doubt that, up to this last moment, he had nourished a feeble hope of regaining Grace in the event of this negotiation turning out a success. Not being aware of the fact that her father could have settled upon her a fortune sufficient to enable both to live in comfort, he deemed it now an absurdity to dream any longer of such a vanity as making her his wife, and sank into silence forthwith.

Yet whatever the value of taciturnity to a man among strangers, it is apt to express more than talkativeness when he dwells among friends. The countryman who is obliged to judge the time of day from changes in external nature sees a thousand successive tints and traits in the landscape which are never discerned by him who hears the regular chime of a clock, because they are never in request. In like manner do we use our eyes on our taciturn comrade. The infinitesimal movement of muscle, curve, hair, and wrinkle, which when accompanied by a voice goes unregarded, is watched and translated in the lack of it, till virtually the whole surrounding circle of familiars is charged with the reserved one’s moods and meanings.

This was the condition of affairs between Winterborne and his neighbours after his stroke of ill-luck. He held his tongue; and they observed him, and knew that he was discomposed.

Mr. Melbury, in his compunction, thought more of the matter than any one else, except his daughter. Had Winterborne been going on in the old fashion, Grace’s father could have alluded to his disapproval of the alliance every day with the greatest frankness; but to speak any further on the subject he could not find it in his heart to do now. He hoped that Giles would of his own accord make some final announcement that he entirely withdrew his pretensions to Grace, and so get the thing past and done with. For though Giles had in a measure acquiesced in the wish of her family, he could make matters unpleasant if he chose to work upon Grace; and hence, when Melbury saw the young man approaching along the road one day, he kept friendliness and frigidity exactly balanced in his eye till he could see whether Giles’s manner was presumptive or not.

His manner was that of a man who abandoned all claims. “I am glad to meet ye, Mr. Melbury,” he said, in a low voice, whose quality he endeavored to make as practical as possible. “I am afraid I shall not be able to keep that mare I bought, and as I don’t care to sell her, I should like — if you don’t object — to give her to Miss Melbury. The horse is very quiet, and would be quite safe for her.”

Mr. Melbury was rather affected at this. “You sha’n’t hurt your pocket like that on our account, Giles. Grace shall have the horse, but I’ll pay you what you gave for her, and any expense you may have been put to for her keep.”

He would not hear of any other terms, and thus it was arranged. They were now opposite Melbury’s house, and the timber-merchant pressed Winterborne to enter, Grace being out of the way.

“Pull round the settle, Giles,” said the timber-merchant, as soon as they were within. “I should like to have a serious talk with you.”

Thereupon he put the case to Winterborne frankly, and in quite a friendly way. He declared that he did not like to be hard on a man when he was in difficulty; but he really did not see how Winterborne could marry his daughter now, without even a house to take her to.

Giles quite acquiesced in the awkwardness of his situation. But from a momentary feeling that he would like to know Grace’s mind from her own lips, he did not speak out positively there and then. He accordingly departed somewhat abruptly, and went home to consider whether he would seek to bring about a meeting with her.

In the evening, while he sat quietly pondering, he fancied that he heard a scraping on the wall outside his house. The boughs of a monthly rose which grew there made such a noise sometimes, but as no wind was stirring he knew that it could not be the rose-tree. He took up the candle and went out. Nobody was near. As he turned, the light flickered on the whitewashed rough case of the front, and he saw words written thereon in charcoal, which he read as follows:

“O Giles, you’ve lost your dwelling-place,

And therefore, Giles, you’ll lose your Grace.”

 

Giles went in-doors. He had his suspicions as to the scrawler of those lines, but he could not be sure. What suddenly filled his heart far more than curiosity about their authorship was a terrible belief that they were turning out to be true, try to see Grace as he might. They decided the question for him. He sat down and wrote a formal note to Melbury, in which he briefly stated that he was placed in such a position as to make him share to the full Melbury’s view of his own and his daughter’s promise, made some years before; to wish that it should be considered as cancelled, and they themselves quite released from any obligation on account of it.

Having fastened up this their plenary absolution, he determined to get it out of his hands and have done with it; to which end he went off to Melbury’s at once. It was now so late that the family had all retired; he crept up to the house, thrust the note under the door, and stole away as silently as he had come.

Melbury himself was the first to rise the next morning, and when he had read the letter his relief was great. “Very honourable of Giles, very honourable,” he kept saying to himself. “I shall not forget him. Now to keep her up to her own true level.”

It happened that Grace went out for an early ramble that morning, passing through the door and gate while her father was in the spar-house. To go in her customary direction she could not avoid passing Winterborne’s house. The morning sun was shining flat upon its white surface, and the words, which still remained, were immediately visible to her. She read them. Her face flushed to crimson. She could see Giles and Creedle talking together at the back; the charred spar-gad with which the lines had been written lay on the ground beneath the wall. Feeling pretty sure that Winterborne would observe her action, she quickly went up to the wall, rubbed out “lose” and inserted “keep” in its stead. Then she made the best of her way home without looking behind her. Giles could draw an inference now if he chose.

There could not be the least doubt that gentle Grace was warming to more sympathy with, and interest in, Giles Winterborne than ever she had done while he was her promised lover; that since his misfortune those social shortcomings of his, which contrasted so awkwardly with her later experiences of life, had become obscured by the generous revival of an old romantic attachment to him. Though mentally trained and tilled into foreignness of view, as compared with her youthful time, Grace was not an ambitious girl, and might, if left to herself, have declined Winterborne without much discontent or unhappiness. Her feelings just now were so far from latent that the writing on the wall had thus quickened her to an unusual rashness.

Having returned from her walk she sat at breakfast silently. When her step-mother had left the room she said to her father, “I have made up my mind that I should like my engagement to Giles to continue, for the present at any rate, till I can see further what I ought to do.”

Melbury looked much surprised.

“Nonsense,” he said, sharply. “You don’t know what you are talking about. Look here.”

He handed across to her the letter received from Giles.

She read it, and said no more. Could he have seen her write on the wall? She did not know. Fate, it seemed, would have it this way, and there was nothing to do but to acquiesce.

It was a few hours after this that Winterborne, who, curiously enough, had NOT perceived Grace writing, was clearing away the tree from the front of South’s late dwelling. He saw Marty standing in her door-way, a slim figure in meagre black, almost without womanly contours as yet. He went up to her and said, “Marty, why did you write that on my wall last night? It WAS you, you know.”

“Because it was the truth. I didn’t mean to let it stay, Mr. Winterborne; but when I was going to rub it out you came, and I was obliged to run off.”

“Having prophesied one thing, why did you alter it to another? Your predictions can’t be worth much.”

“I have not altered it.”

“But you have.”

“No.”

“It is altered. Go and see.”

She went, and read that, in spite of losing his dwelling-place, he would KEEP his Grace. Marty came back surprised.

“Well, I never,” she said. “Who can have made such nonsense of it?”

“Who, indeed?” said he.

“I have rubbed it all out, as the point of it is quite gone.”

“You’d no business to rub it out. I didn’t tell you to. I meant to let it stay a little longer.”

“Some idle boy did it, no doubt,” she murmured.

As this seemed very probable, and the actual perpetrator was unsuspected, Winterborne said no more, and dismissed the matter from his mind.

From this day of his life onward for a considerable time, Winterborne, though not absolutely out of his house as yet, retired into the background of human life and action thereabout — a feat not particularly difficult of performance anywhere when the doer has the assistance of a lost prestige. Grace, thinking that Winterborne saw her write, made no further sign, and the frail bark of fidelity that she had thus timidly launched was stranded and lost.

 

 

 

 

 

CHAPTER XVI.

 

Dr. Fitzpiers lived on the slope of the hill, in a house of much less pretension, both as to architecture and as to magnitude, than the timber-merchant’s. The latter had, without doubt, been once the manorial residence appertaining to the snug and modest domain of Little Hintock, of which the boundaries were now lost by its absorption with others of its kind into the adjoining estate of Mrs. Charmond. Though the Melburys themselves were unaware of the fact, there was every reason to believe — at least so the parson said that the owners of that little manor had been Melbury’s own ancestors, the family name occurring in numerous documents relating to transfers of land about the time of the civil wars.

Mr. Fitzpiers’s dwelling, on the contrary, was small, cottage-like, and comparatively modern. It had been occupied, and was in part occupied still, by a retired farmer and his wife, who, on the surgeon’s arrival in quest of a home, had accommodated him by receding from their front rooms into the kitchen quarter, whence they administered to his wants, and emerged at regular intervals to receive from him a not unwelcome addition to their income.

The cottage and its garden were so regular in their arrangement that they might have been laid out by a Dutch designer of the time of William and Mary. In a low, dense hedge, cut to wedge-shape, was a door over which the hedge formed an arch, and from the inside of the door a straight path, bordered with clipped box, ran up the slope of the garden to the porch, which was exactly in the middle of the house front, with two windows on each side. Right and left of the path were first a bed of gooseberry bushes; next of currant; next of raspberry; next of strawberry; next of old-fashioned flowers; at the corners opposite the porch being spheres of box resembling a pair of school globes. Over the roof of the house could be seen the orchard, on yet higher ground, and behind the orchard the forest-trees, reaching up to the crest of the hill.

Opposite the garden door and visible from the parlor window was a swing-gate leading into a field, across which there ran a footpath. The swing-gate had just been repainted, and on one fine afternoon, before the paint was dry, and while gnats were still dying thereon, the surgeon was standing in his sitting-room abstractedly looking out at the different pedestrians who passed and repassed along that route. Being of a philosophical stamp, he perceived that the character of each of these travellers exhibited itself in a somewhat amusing manner by his or her method of handling the gate.

As regarded the men, there was not much variety: they gave the gate a kick and passed through. The women were more contrasting. To them the sticky wood-work was a barricade, a disgust, a menace, a treachery, as the case might be.

The first that he noticed was a bouncing woman with her skirts tucked up and her hair uncombed. She grasped the gate without looking, giving it a supplementary push with her shoulder, when the white imprint drew from her an exclamation in language not too refined. She went to the green bank, sat down and rubbed herself in the grass, cursing the while.

“Ha! ha! ha!” laughed the doctor.

The next was a girl, with her hair cropped short, in whom the surgeon recognized the daughter of his late patient, the woodman South. Moreover, a black bonnet that she wore by way of mourning unpleasantly reminded him that he had ordered the felling of a tree which had caused her parent’s death and Winterborne’s losses. She walked and thought, and not recklessly; but her preoccupation led her to grasp unsuspectingly the bar of the gate, and touch it with her arm. Fitzpiers felt sorry that she should have soiled that new black frock, poor as it was, for it was probably her only one. She looked at her hand and arm, seemed but little surprised, wiped off the disfigurement with an almost unmoved face, and as if without abandoning her original thoughts. Thus she went on her way.

Then there came over the green quite a different sort of personage. She walked as delicately as if she had been bred in town, and as firmly as if she had been bred in the country; she seemed one who dimly knew her appearance to be attractive, but who retained some of the charm of being ignorant of that fact by forgetting it in a general pensiveness. She approached the gate. To let such a creature touch it even with a tip of her glove was to Fitzpiers almost like letting her proceed to tragical self-destruction. He jumped up and looked for his hat, but was unable to find the right one; glancing again out of the window he saw that he was too late. Having come up, she stopped, looked at the gate, picked up a little stick, and using it as a bayonet, pushed open the obstacle without touching it at all.

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