Complete Works of Thomas Hardy (Illustrated) (400 page)

BOOK: Complete Works of Thomas Hardy (Illustrated)
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‘This is not all the old architecture of the town by far,’ she said to her aunt with an air of confidence. ‘Coachman, drive to St. Jacques’.’

He was not at St. Jacques’. Looking from the west end of that building the girl observed the end of a steep narrow street of antique character, which seemed a likely haunt. Beckoning to her aunt to follow in the fly Paula walked down the street.

She was transported to the Middle Ages. It contained the shops of tinkers, braziers, bellows-menders, hollow-turners, and other quaintest trades, their fronts open to the street beneath stories of timber overhanging so far on each side that a slit of sky was left at the top for the light to descend, and no more. A blue misty obscurity pervaded the atmosphere, into which the sun thrust oblique staves of light. It was a street for a mediaevalist to revel in, toss up his hat and shout hurrah in, send for his luggage, come and live in, die and be buried in. She had never supposed such a street to exist outside the imaginations of antiquarians. Smells direct from the sixteenth century hung in the air in all their original integrity and without a modern taint. The faces of the people in the doorways seemed those of individuals who habitually gazed on the great Francis, and spoke of Henry the Eighth as the king across the sea.

She inquired of a coppersmith if an English artist had been seen here lately. With a suddenness that almost discomfited her he announced that such a man had been seen, sketching a house just below — the ‘Vieux Manoir de Francois premier.’ Just turning to see that her aunt was following in the fly, Paula advanced to the house. The wood framework of the lower story was black and varnished; the upper story was brown and not varnished; carved figures of dragons, griffins, satyrs, and mermaids swarmed over the front; an ape stealing apples was the subject of this cantilever, a man undressing of that. These figures were cloaked with little cobwebs which waved in the breeze, so that each figure seemed alive.

She examined the woodwork closely; here and there she discerned pencil-marks which had no doubt been jotted thereon by Somerset as points of admeasurement, in the way she had seen him mark them at the castle. Some fragments of paper lay below: there were pencilled lines on them, and they bore a strong resemblance to a spoilt leaf of Somerset’s sketch-book. Paula glanced up, and from a window above protruded an old woman’s head, which, with the exception of the white handkerchief tied round it, was so nearly of the colour of the carvings that she might easily have passed as of a piece with them. The aged woman continued motionless, the remains of her eyes being bent upon Paula, who asked her in Englishwoman’s French where the sketcher had gone. Without replying, the crone produced a hand and extended finger from her side, and pointed towards the lower end of the street.

Paula went on, the carriage following with difficulty, on account of the obstructions in the thoroughfare. At bottom, the street abutted on a wide one with customary modern life flowing through it; and as she looked, Somerset crossed her front along this street, hurrying as if for a wager.

By the time that Paula had reached the bottom Somerset was a long way to the left, and she recognized to her dismay that the busy transverse street was one which led to the railway. She quickened her pace to a run; he did not see her; he even walked faster. She looked behind for the carriage. The driver in emerging from the sixteenth-century street to the nineteenth had apparently turned to the right, instead of to the left as she had done, so that her aunt had lost sight of her. However, she dare not mind it, if Somerset would but look back! He partly turned, but not far enough, and it was only to hail a passing omnibus upon which she discerned his luggage. Somerset jumped in, the omnibus drove on, and diminished up the long road. Paula stood hopelessly still, and in a few minutes puffs of steam showed her that the train had gone.

She turned and waited, the two or three children who had gathered round her looking up sympathizingly in her face. Her aunt, having now discovered the direction of her flight, drove up and beckoned to her.

‘What’s the matter?’ asked Mrs. Goodman in alarm.

‘Why?’

‘That you should run like that, and look so woebegone.’

‘Nothing: only I have decided not to stay in this town.’

‘What! he is gone, I suppose?’

‘Yes!’ exclaimed Paula, with tears of vexation in her eyes. ‘It isn’t every man who gets a woman of my position to run after him on foot, and alone, and he ought to have looked round! Drive to the station; I want to make an inquiry.’

On reaching the station she asked the booking-clerk some questions, and returned to her aunt with a cheerful countenance. ‘Mr. Somerset has only gone to Caen,’ she said. ‘He is the only Englishman who went by this train, so there is no mistake. There is no other train for two hours. We will go on then — shall we?’

‘I am indifferent,’ said Mrs. Goodman. ‘But, Paula, do you think this quite right? Perhaps he is not so anxious for your forgiveness as you think. Perhaps he saw you, and wouldn’t stay.’

A momentary dismay crossed her face, but it passed, and she answered, ‘Aunt, that’s nonsense. I know him well enough, and can assure you that if he had only known I was running after him, he would have looked round sharply enough, and would have given his little finger rather than have missed me! I don’t make myself so silly as to run after a gentleman without good grounds, for I know well that it is an undignified thing to do. Indeed, I could never have thought of doing it, if I had not been so miserably in the wrong!’

 

 

 

 

 

CHAPTER II.

 

That evening when the sun was dropping out of sight they started for the city of Somerset’s pilgrimage. Paula seated herself with her face toward the western sky, watching from her window the broad red horizon, across which moved thin poplars lopped to human shapes, like the walking forms in Nebuchadnezzar’s furnace. It was dark when the travellers drove into Caen.

She still persisted in her wish to casually encounter Somerset in some aisle, lady-chapel, or crypt to which he might have betaken himself to copy and learn the secret of the great artists who had erected those nooks. Mrs. Goodman was for discovering his inn, and calling upon him in a straightforward way; but Paula seemed afraid of it, and they went out in the morning on foot. First they searched the church of St. Sauveur; he was not there; next the church of St. Jean; then the church of St. Pierre; but he did not reveal himself, nor had any verger seen or heard of such a man. Outside the latter church was a public flower-garden, and she sat down to consider beside a round pool in which water-lilies grew and gold-fish swam, near beds of fiery geraniums, dahlias, and verbenas just past their bloom. Her enterprise had not been justified by its results so far; but meditation still urged her to listen to the little voice within and push on. She accordingly rejoined her aunt, and they drove up the hill to the Abbaye aux Dames, the day by this time having grown hot and oppressive.

The church seemed absolutely empty, the void being emphasized by its grateful coolness. But on going towards the east end they perceived a bald gentleman close to the screen, looking to the right and to the left as if much perplexed. Paula merely glanced over him, his back being toward her, and turning to her aunt said softly, ‘I wonder how we get into the choir?’

‘That’s just what I am wondering,’ said the old gentleman, abruptly facing round, and Paula discovered that the countenance was not unfamiliar to her eye. Since knowing Somerset she had added to her gallery of celebrities a photograph of his father, the Academician, and he it was now who confronted her.

For the moment embarrassment, due to complicated feelings, brought a slight blush to her cheek, but being well aware that he did not know her, she answered, coolly enough, ‘I suppose we must ask some one.’

‘And we certainly would if there were any one to ask,’ he said, still looking eastward, and not much at her. ‘I have been here a long time, but nobody comes. Not that I want to get in on my own account; for though it is thirty years since I last set foot in this place, I remember it as if it were but yesterday.’

‘Indeed. I have never been here before,’ said Paula.

‘Naturally. But I am looking for a young man who is making sketches in some of these buildings, and it is as likely as not that he is in the crypt under this choir, for it is just such out-of-the-way nooks that he prefers. It is very provoking that he should not have told me more distinctly in his letter where to find him.’

Mrs. Goodman, who had gone to make inquiries, now came back, and informed them that she had learnt that it was necessary to pass through the Hotel-Dieu to the choir, to do which they must go outside. Thereupon they walked on together, and Mr. Somerset, quite ignoring his troubles, made remarks upon the beauty of the architecture; and in absence of mind, by reason either of the subject, or of his listener, retained his hat in his hand after emerging from the church, while they walked all the way across the Place and into the Hospital gardens.

‘A very civil man,’ said Mrs. Goodman to Paula privately.

‘Yes,’ said Paula, who had not told her aunt that she recognized him.

One of the Sisters now preceded them towards the choir and crypt, Mr. Somerset asking her if a young Englishman was or had been sketching there. On receiving a reply in the negative, Paula nearly betrayed herself by turning, as if her business there, too, ended with the information. However, she went on again, and made a pretence of looking round, Mr. Somerset also staying in a spirit of friendly attention to his countrywomen. They did not part from him till they had come out from the crypt, and again reached the west front, on their way to which he additionally explained that it was his son he was looking for, who had arranged to meet him here, but had mentioned no inn at which he might be expected.

When he had left them, Paula informed her aunt whose company they had been sharing. Her aunt began expostulating with Paula for not telling Mr. Somerset what they had seen of his son’s movements. ‘It would have eased his mind at least,’ she said.

‘I was not bound to ease his mind at the expense of showing what I would rather conceal. I am continually hampered in such generosity as that by the circumstance of being a woman!’

‘Well, it is getting too late to search further tonight.’

It was indeed almost evening twilight in the streets, though the graceful freestone spires to a depth of about twenty feet from their summits were still dyed with the orange tints of a vanishing sun. The two relatives dined privately as usual, after which Paula looked out of the window of her room, and reflected upon the events of the day. A tower rising into the sky quite near at hand showed her that some church or other stood within a few steps of the hotel archway, and saying nothing to Mrs. Goodman, she quietly cloaked herself, and went out towards it, apparently with the view of disposing of a portion of a dull dispiriting evening. The church was open, and on entering she found that it was only lighted by seven candles burning before the altar of a chapel on the south side, the mass of the building being in deep shade. Motionless outlines, which resolved themselves into the forms of kneeling women, were darkly visible among the chairs, and in the triforium above the arcades there was one hitherto unnoticed radiance, dim as that of a glow-worm in the grass. It was seemingly the effect of a solitary tallow-candle behind the masonry.

A priest came in, unlocked the door of a confessional with a click which sounded in the silence, and entered it; a woman followed, disappeared within the curtain of the same, emerging again in about five minutes, followed by the priest, who locked up his door with another loud click, like a tradesman full of business, and came down the aisle to go out. In the lobby he spoke to another woman, who replied, ‘Ah, oui, Monsieur l’Abbe!’

Two women having spoken to him, there could be no harm in a third doing likewise. ‘Monsieur l’Abbe,’ said Paula in French, ‘could you indicate to me the stairs of the triforium?’ and she signified her reason for wishing to know by pointing to the glimmering light above.

‘Ah, he is a friend of yours, the Englishman?’ pleasantly said the priest, recognizing her nationality; and taking her to a little door he conducted her up a stone staircase, at the top of which he showed her the long blind story over the aisle arches which led round to where the light was. Cautioning her not to stumble over the uneven floor, he left her and descended. His words had signified that Somerset was here.

It was a gloomy place enough that she found herself in, but the seven candles below on the opposite altar, and a faint sky light from the clerestory, lent enough rays to guide her. Paula walked on to the bend of the apse: here were a few chairs, and the origin of the light.

This was a candle stuck at the end of a sharpened stick, the latter entering a joint in the stones. A young man was sketching by the glimmer. But there was no need for the blush which had prepared itself beforehand; the young man was Mr. Cockton, Somerset’s youngest draughtsman.

Paula could have cried aloud with disappointment. Cockton recognized Miss Power, and appearing much surprised, rose from his seat with a bow, and said hastily, ‘Mr. Somerset left to-day.’

‘I did not ask for him,’ said Paula.

‘No, Miss Power: but I thought — ’

‘Yes, yes — you know, of course, that he has been my architect. Well, it happens that I should like to see him, if he can call on me. Which way did he go?’

‘He’s gone to Etretat.’

‘What for? There are no abbeys to sketch at Etretat.’

Cockton looked at the point of his pencil, and with a hesitating motion of his lip answered, ‘Mr. Somerset said he was tired.’

‘Of what?’

‘He said he was sick and tired of holy places, and would go to some wicked spot or other, to get that consolation which holiness could not give. But he only said it casually to Knowles, and perhaps he did not mean it.’

‘Knowles is here too?’

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