Complete Works of Thomas Hardy (Illustrated) (354 page)

‘Pottery — how very practical she must be!’

‘O no! no!’ replied Miss De Stancy, in tones showing how supremely ignorant he must be of Miss Power’s nature if he characterized her in those terms. ‘It is GREEK pottery she means — Hellenic pottery she tells me to call it, only I forget. There is beautiful clay at the place, her father told her: he found it in making the railway tunnel. She has visited the British Museum, continental museums, and Greece, and Spain: and hopes to imitate the old fictile work in time, especially the Greek of the best period, four hundred years after Christ, or before Christ — I forget which it was Paula said.... O no, she is not practical in the sense you mean, at all.’

‘A mixed young lady, rather.’

Miss De Stancy appeared unable to settle whether this new definition of her dear friend should be accepted as kindly, or disallowed as decidedly sarcastic. ‘You would like her if you knew her,’ she insisted, in half tones of pique; after which she walked on a few steps.

‘I think very highly of her,’ said Somerset.

‘And I! And yet at one time I could never have believed that I should have been her friend. One is prejudiced at first against people who are reported to have such differences in feeling, associations, and habit, as she seemed to have from mine. But it has not stood in the least in the way of our liking each other. I believe the difference makes us the more united.’

‘It says a great deal for the liberality of both,’ answered Somerset warmly. ‘Heaven send us more of the same sort of people! They are not too numerous at present.’

As this remark called for no reply from Miss De Stancy, she took advantage of an opportunity to leave him alone, first repeating her permission to him to wander where he would. He walked about for some time, sketch-book in hand, but was conscious that his interest did not lie much in the architecture. In passing along the corridor of an upper floor he observed an open door, through which was visible a room containing one of the finest Renaissance cabinets he had ever seen. It was impossible, on close examination, to do justice to it in a hasty sketch; it would be necessary to measure every line if he would bring away anything of utility to him as a designer. Deciding to reserve this gem for another opportunity he cast his eyes round the room and blushed a little. Without knowing it he had intruded into the absent Miss Paula’s own particular set of chambers, including a boudoir and sleeping apartment. On the tables of the sitting-room were most of the popular papers and periodicals that he knew, not only English, but from Paris, Italy, and America. Satirical prints, though they did not unduly preponderate, were not wanting. Besides these there were books from a London circulating library, paper-covered light literature in French and choice Italian, and the latest monthly reviews; while between the two windows stood the telegraph apparatus whose wire had been the means of bringing him hither.

These things, ensconced amid so much of the old and hoary, were as if a stray hour from the nineteenth century had wandered like a butterfly into the thirteenth, and lost itself there.

The door between this ante-chamber and the sleeping-room stood open. Without venturing to cross the threshold, for he felt that he would be abusing hospitality to go so far, Somerset looked in for a moment. It was a pretty place, and seemed to have been hastily fitted up. In a corner, overhung by a blue and white canopy of silk, was a little cot, hardly large enough to impress the character of bedroom upon the old place. Upon a counterpane lay a parasol and a silk neckerchief. On the other side of the room was a tall mirror of startling newness, draped like the bedstead, in blue and white. Thrown at random upon the floor was a pair of satin slippers that would have fitted Cinderella. A dressing-gown lay across a settee; and opposite, upon a small easy-chair in the same blue and white livery, were a Bible, the Baptist Magazine, Wardlaw on Infant Baptism, Walford’s County Families, and the Court Journal. On and over the mantelpiece were nicknacks of various descriptions, and photographic portraits of the artistic, scientific, and literary celebrities of the day.

A dressing-room lay beyond; but, becoming conscious that his study of ancient architecture would hardly bear stretching further in that direction, Mr. Somerset retreated to the outside, obliviously passing by the gem of Renaissance that had led him in.

‘She affects blue,’ he was thinking. ‘Then she is fair.’

On looking up, some time later, at the new clock that told the seconds, he found that the hours at his disposal for work had flown without his having transferred a single feature of the building or furniture to his sketch-book. Before leaving he sent in for permission to come again, and then walked across the fields to the inn at Sleeping-Green, reflecting less upon Miss De Stancy (so little force of presence had she possessed) than upon the modern flower in a mediaeval flower-pot whom Miss De Stancy’s information had brought before him, and upon the incongruities that were daily shaping themselves in the world under the great modern fluctuations of classes and creeds.

Somerset was still full of the subject when he arrived at the end of his walk, and he fancied that some loungers at the bar of the inn were discussing the heroine of the chapel-scene just at the moment of his entry. On this account, when the landlord came to clear away the dinner, Somerset was led to inquire of him, by way of opening a conversation, if there were many Baptists in the neighbourhood.

The landlord (who was a serious man on the surface, though he occasionally smiled beneath) replied that there were a great many — far more than the average in country parishes. ‘Even here, in my house, now,’ he added, ‘when volks get a drop of drink into ‘em, and their feelings rise to a zong, some man will strike up a hymn by preference. But I find no fault with that; for though ‘tis hardly human nature to be so calculating in yer cups, a feller may as well sing to gain something as sing to waste.’

‘How do you account for there being so many?’

‘Well, you zee, sir, some says one thing, and some another; I think they does it to save the expense of a Christian burial for ther children. Now there’s a poor family out in Long Lane — the husband used to smite for Jimmy More the blacksmith till ‘a hurt his arm — they’d have no less than eleven children if they’d not been lucky t’other way, and buried five when they were three or four months old. Now every one of them children was given to the sexton in a little box that any journeyman could nail together in a quarter of an hour, and he buried ‘em at night for a shilling a head; whereas ‘twould have cost a couple of pounds each if they’d been christened at church.... Of course there’s the new lady at the castle, she’s a chapel member, and that may make a little difference; but she’s not been here long enough to show whether ‘twill be worth while to join ‘em for the profit o’t or whether ‘twill not. No doubt if it turns out that she’s of a sort to relieve volks in trouble, more will join her set than belongs to it already. “Any port in a storm,” of course, as the saying is.’

‘As for yourself, you are a Churchman at present, I presume?’

‘Yes; not but I was a Methodist once — ay, for a length of time. ‘Twas owing to my taking a house next door to a chapel; so that what with hearing the organ bizz like a bee through the wall, and what with finding it saved umbrellas on wet Zundays, I went over to that faith for two years — though I believe I dropped money by it — I wouldn’t be the man to say so if I hadn’t. Howsomever, when I moved into this house I turned back again to my old religion. Faith, I don’t zee much difference: be you one, or be you t’other, you’ve got to get your living.’

‘The De Stancys, of course, have not much influence here now, for that, or any other thing?’

‘O no, no; not any at all. They be very low upon ground, and always will be now, I suppose. It was thoughted worthy of being recorded in history — you’ve read it, sir, no doubt?’

‘Not a word.’

‘O, then, you shall. I’ve got the history zomewhere. ‘Twas gay manners that did it. The only bit of luck they have had of late years is Miss Power’s taking to little Miss De Stancy, and making her her company-keeper. I hope ‘twill continue.’

That the two daughters of these antipodean families should be such intimate friends was a situation which pleased Somerset as much as it did the landlord. It was an engaging instance of that human progress on which he had expended many charming dreams in the years when poetry, theology, and the reorganization of society had seemed matters of more importance to him than a profession which should help him to a big house and income, a fair Deiopeia, and a lovely progeny. When he was alone he poured out a glass of wine, and silently drank the healths of the two generous-minded young women who, in this lonely district, had found sweet communion a necessity of life, and by pure and instinctive good sense had broken down a barrier which men thrice their age and repute would probably have felt it imperative to maintain. But perhaps this was premature: the omnipotent Miss Power’s character — practical or ideal, politic or impulsive — he as yet knew nothing of; and giving over reasoning from insufficient data he lapsed into mere conjecture.

CHAPTER V.

The next morning Somerset was again at the castle. He passed some interval on the walls before encountering Miss De Stancy, whom at last he observed going towards a pony-carriage that waited near the door.

A smile gained strength upon her face at his approach, and she was the first to speak. ‘I am sorry Miss Power has not returned,’ she said, and accounted for that lady’s absence by her distress at the event of two evenings earlier.

‘But I have driven over to my father’s — Sir William De Stancy’s — house this morning,’ she went on. ‘And on mentioning your name to him, I found he knew it quite well. You will, will you not, forgive my ignorance in having no better knowledge of the elder Mr. Somerset’s works than a dim sense of his fame as a painter? But I was going to say that my father would much like to include you in his personal acquaintance, and wishes me to ask if you will give him the pleasure of lunching with him to-day. My cousin John, whom you once knew, was a great favourite of his, and used to speak of you sometimes. It will be so kind if you can come. My father is an old man, out of society, and he would be glad to hear the news of town.’

Somerset said he was glad to find himself among friends where he had only expected strangers; and promised to come that day, if she would tell him the way.

That she could easily do. The short way was across that glade he saw there — then over the stile into the wood, following the path till it came out upon the turnpike-road. He would then be almost close to the house. The distance was about two miles and a half. But if he thought it too far for a walk, she would drive on to the town, where she had been going when he came, and instead of returning straight to her father’s would come back and pick him up.

It was not at all necessary, he thought. He was a walker, and could find the path.

At this moment a servant came to tell Miss De Stancy that the telegraph was calling her.

‘Ah — it is lucky that I was not gone again!’ she exclaimed. ‘John seldom reads it right if I am away.’

It now seemed quite in the ordinary course that, as a friend of her father’s, he should accompany her to the instrument. So up they went together, and immediately on reaching it she applied her ear to the instrument, and began to gather the message. Somerset fancied himself like a person overlooking another’s letter, and moved aside.

‘It is no secret,’ she said, smiling. ‘“Paula to Charlotte,” it begins.’

‘That’s very pretty.’

‘O — and it is about — you,’ murmured Miss De Stancy.

‘Me?’ The architect blushed a little.

She made no answer, and the machine went on with its story. There was something curious in watching this utterance about himself, under his very nose, in language unintelligible to him. He conjectured whether it were inquiry, praise, or blame, with a sense that it might reasonably be the latter, as the result of his surreptitious look into that blue bedroom, possibly observed and reported by some servant of the house.

‘“Direct that every facility be given to Mr. Somerset to visit any part of the castle he may wish to see. On my return I shall be glad to welcome him as the acquaintance of your relatives. I have two of his father’s pictures.”‘

‘Dear me, the plot thickens,’ he said, as Miss De Stancy announced the words. ‘How could she know about me?’

‘I sent a message to her this morning when I saw you crossing the park on your way here — telling her that Mr. Somerset, son of the Academician, was making sketches of the castle, and that my father knew something of you. That’s her answer.’

‘Where are the pictures by my father that she has purchased?’

‘O, not here — at least, not unpacked.’

Miss de Stancy then left him to proceed on her journey to Markton (so the nearest little town was called), informing him that she would be at her father’s house to receive him at two o’clock. Just about one he closed his sketch-book, and set out in the direction she had indicated. At the entrance to the wood a man was at work pulling down a rotten gate that bore on its battered lock the initials ‘W. De S.’ and erecting a new one whose ironmongery exhibited the letters ‘P. P.’

The warmth of the summer noon did not inconveniently penetrate the dense masses of foliage which now began to overhang the path, except in spots where a ruthless timber-felling had taken place in previous years for the purpose of sale. It was that particular half-hour of the day in which the birds of the forest prefer walking to flying; and there being no wind, the hopping of the smallest songster over the dead leaves reached his ear from behind the undergrowth. The track had originally been a well-kept winding drive, but a deep carpet of moss and leaves overlaid it now, though the general outline still remained to show that its curves had been set out with as much care as those of a lawn walk, and the gradient made easy for carriages where the natural slopes were great. Felled trunks occasionally lay across it, and alongside were the hollow and fungous boles of trees sawn down in long past years.