Complete Works of Robert Louis Stevenson (Illustrated) (853 page)

The following passage from this speech speaks for itself and its author:

“Hereafter I will not talk with flesh and blood, nor think on the world’s consolations. Farewell to all my friends, whose company hath been refreshful to me in my pilgrimage. I have done with the light of the sun and the moon; welcome eternal light, eternal life, everlasting love, everlasting praise, everlasting glory. Praise to Him that sits upon the throne, and to the Lamb for ever! Bless the Lord, O my soul, that hath pardoned all my iniquities in the blood of His Son, and healed all my diseases. Bless Him, O all ye His angels that excel in strength, ye ministers of His that do His pleasure. Bless the Lord, O my soul!”

After having ascended the gallows ladder he again broke forth in the following words of touching eloquence:

“And now I leave off to speak any more to creatures, and begin my intercourse with God, which shall never be 20 broken off. Farewell father and mother, friends and relations! Farewell the world and all delights! Farewell meat and drink! Farewell sun, moon, and stars! — Welcome God and Father! Welcome sweet Jesus Christ, the Mediator of the new covenant! Welcome blessed Spirit of grace and God of all consolation! Welcome glory! Welcome eternal life! Welcome Death!”

At Glasgow too, where some were executed, they caused the soldiers to beat the drums and blow the trumpets on their closing ears. Hideous refinement of revenge! Even the last words which drop from the lips of a dying man — words surely the most sincere and the most unbiassed which mortal mouth can utter — even these were looked upon as poisoned and as poisonous. “Drown their last accents,” was the cry, “lest they should lead the crowd to take their part, or at the least to mourn their doom!” But, after all, perhaps it was more merciful than one would think — unintentionally so, of course; perhaps the storm of harsh and fiercely jubilant noises, the clanging of trumpets, the rattling of drums, and the hootings and jeerings of an unfeeling mob, which were the last they heard on earth, might, when the mortal fight was over, when the river of death was passed, add tenfold sweetness to the hymning of the angels, tenfold peacefulness to the shores which they had reached.

Not content with the cruelty of these executions, some even of the peasantry, though these were confined to the shire of Mid-Lothian, pursued, captured, plundered, and murdered the miserable fugitives who fell in their way. One strange story have we of these times of blood and persecution: Kirkton the historian and popular tradition tell us alike of a flame which often would arise from the grave, in a moss near Carnwath, of some of those poor rebels: of how it crept along the ground; of how it covered the house of their murderer; and of how it scared him with its lurid glare.

Hear Daniel Defoe:

“If the poor people were by these insupportable violences made desperate, and driven to all the extremities of a wild despair, who can justly reflect on them when they read in the Word of God ‘That oppression makes a wise man mad’? And therefore were there no other original of the insurrection known by the name of the Rising of Pentland, it was nothing but what the intolerable oppressions of those times might have justified to all the world, nature having dictated to all people a right of defence when illegally and arbitrarily attacked in a manner not justifiable either by laws of nature, the laws of God, or the laws of the country.”

Bear this remonstrance of Defoe’s in mind, and though it is the fashion of the day to jeer and to mock, to execrate and to contemn, the noble band of Covenanters, — though the bitter laugh at their old-world religious views, the curl of the lip at their merits, and the chilling silence on their bravery and their determination, are but too rife through all society, — be charitable to what was evil and honest to what was good about the Pentland insurgents, who fought for life and liberty, for country and religion, on the 28th of November 1666, now just two hundred years ago.

Edinburgh, 28
th November
1866.

 “Cloud of Witnesses,” ; Edin. 1765.

 Kirkton, .

 Kirkton, .

 
Ibid.
.

 
Ibid.
p, 248.

 
Ibid.
.

 Kirkton, .

 “Naphtali,” ; Glasgow, 1721.

 Wodrow, .

 Kirkton, .

 Defoe’s “History of the Church of Scotland.” 

SKETCHES

 I

THE SATIRIST

My companion enjoyed a cheap reputation for wit and insight. He was by habit and repute a satirist. If he did occasionally condemn anything or anybody who richly deserved it, and whose demerits had hitherto escaped, it was simply because he condemned everything and everybody. While I was with him he disposed of St. Paul with an epigram, shook my reverence for Shakespeare in a neat antithesis, and fell foul of the Almighty Himself, on the score of one or two out of the ten commandments. Nothing escaped his blighting censure. At every sentence he overthrew an idol, or lowered my estimation of a friend. I saw everything with new eyes, and could only marvel at my former blindness. How was it possible that I had not before observed A’s false hair, B’s selfishness, or C’s boorish manners? I and my companion, methought, walked the streets like a couple of gods among a swarm of vermin; for every one we saw seemed to bear openly upon his brow the mark of the apocalyptic beast. I half expected that these miserable beings, like the people of Lystra, would recognise their betters and force us to the altar; in which case, warned by the fate of Paul and Barnabas, I do not know that my modesty would have prevailed upon me to decline. But there was no need for such churlish virtue. More blinded than the Lycaonians, the people saw no divinity in our gait; and as our temporary godhead lay 26 more in the way of observing than healing their infirmities, we were content to pass them by in scorn.

I could not leave my companion, not from regard or even from interest, but from a very natural feeling, inseparable from the case. To understand it, let us take a simile. Suppose yourself walking down the street with a man who continues to sprinkle the crowd out of a flask of vitriol. You would be much diverted with the grimaces and contortions of his victims; and at the same time you would fear to leave his arm until his bottle was empty, knowing that, when once among the crowd, you would run a good chance yourself of baptism with his biting liquor. Now my companion’s vitriol was inexhaustible.

It was perhaps the consciousness of this, the knowledge that I was being anointed already out of the vials of his wrath, that made me fall to criticising the critic, whenever we had parted.

After all, I thought, our satirist has just gone far enough into his neighbours to find that the outside is false, without caring to go farther and discover what is really true. He is content to find that things are not what they seem, and broadly generalises from it that they do not exist at all. He sees our virtues are not what they pretend they are; and, on the strength of that, he denies us the possession of virtue altogether. He has learnt the first lesson, that no man is wholly good; but he has not even suspected that there is another equally true, to wit, that no man is wholly bad. Like the inmate of a coloured star, he has eyes for one colour alone. He has a keen scent after evil, but his nostrils are plugged against all good, as people plugged their nostrils before going about the streets of the plague-struck city.

Why does he do this? It is most unreasonable to flee the knowledge of good like the infection of a horrible disease, and batten and grow fat in the real atmosphere of a lazar-house. This was my first thought; but my second was not like unto it, and I saw that our satirist was wise, wise in 27 his generation, like the unjust steward. He does not want light, because the darkness is more pleasant. He does not wish to see the good, because he is happier without it. I recollect that when I walked with him, I was in a state of divine exaltation, such as Adam and Eve must have enjoyed when the savour of the fruit was still unfaded between their lips; and I recognise that this must be the man’s habitual state. He has the forbidden fruit in his waistcoat pocket, and can make himself a god as often and as long as he likes. He has raised himself upon a glorious pedestal above his fellows; he has touched the summit of ambition; and he envies neither King nor Kaiser, Prophet nor Priest, content in an elevation as high as theirs, and much more easily attained. Yes, certes, much more easily attained. He has not risen by climbing himself, but by pushing others down. He has grown great in his own estimation, not by blowing himself out, and risking the fate of Æsop’s frog, but simply by the habitual use of a diminishing glass on everybody else. And I think altogether that his is a better, a safer, and a surer recipe than most others.

After all, however, looking back on what I have written, I detect a spirit suspiciously like his own. All through, I have been comparing myself with our satirist, and all through, I have had the best of the comparison. Well, well, contagion is as often mental as physical; and I do not think my readers, who have all been under his lash, will blame me very much for giving the headsman a mouthful of his own sawdust.

II

NUITS BLANCHES

If any one should know the pleasure and pain of a sleepless night, it should be I. I remember, so long ago, the sickly 28 child that woke from his few hours’ slumber with the sweat of a nightmare on his brow, to lie awake and listen and long for the first signs of life among the silent streets. These nights of pain and weariness are graven on my mind; and so when the same thing happened to me again, everything that I heard or saw was rather a recollection than a discovery.

Weighed upon by the opaque and almost sensible darkness, I listened eagerly for anything to break the sepulchral quiet. But nothing came, save, perhaps, an emphatic crack from the old cabinet that was made by Deacon Brodie, or the dry rustle of the coals on the extinguished fire. It was a calm; or I know that I should have heard in the roar and clatter of the storm, as I have not heard it for so many years, the wild career of a horseman, always scouring up from the distance and passing swiftly below the window; yet always returning again from the place whence first he came, as though, baffled by some higher power, he had retraced his steps to gain impetus for another and another attempt.

As I lay there, there arose out of the utter stillness the rumbling of a carriage a very great way off, that drew near, and passed within a few streets of the house, and died away as gradually as it had arisen. This, too, was as a reminiscence.

I rose and lifted a corner of the blind. Over the black belt of the garden I saw the long line of Queen Street, with here and there a lighted window. How often before had my nurse lifted me out of bed and pointed them out to me, while we wondered together if, there also, there were children that could not sleep, and if these lighted oblongs were signs of those that waited like us for the morning.

I went out into the lobby, and looked down into the great deep well of the staircase. For what cause I know not, just as it used to be in the old days that the feverish child might be the better served, a peep of gas illuminated a narrow circle far below me. But where I was, all was darkness 29 and silence, save the dry monotonous ticking of the clock that came ceaselessly up to my ear.

The final crown of it all, however, the last touch of reproduction on the pictures of my memory, was the arrival of that time for which, all night through, I waited and longed of old. It was my custom, as the hours dragged on, to repeat the question, “When will the carts come in?” and repeat it again and again until at last those sounds arose in the street that I have heard once more this morning. The road before our house is a great thoroughfare for early carts. I know not, and I never have known, what they carry, whence they come, or whither they go. But I know that, long ere dawn, and for hours together, they stream continuously past, with the same rolling and jerking of wheels and the same clink of horses’ feet. It was not for nothing that they made the burthen of my wishes all night through. They are really the first throbbings of life, the harbingers of day; and it pleases you as much to hear them as it must please a shipwrecked seaman once again to grasp a hand of flesh and blood after years of miserable solitude. They have the freshness of the daylight life about them. You can hear the carters cracking their whips and crying hoarsely to their horses or to one another; and sometimes even a peal of healthy, harsh horse-laughter comes up to you through the darkness. There is now an end of mystery and fear. Like the knocking at the door in
Macbeth
, or the cry of the watchman in the
Tour de Nesle
, they show that the horrible cæsura is over and the nightmares have fled away, because the day is breaking and the ordinary life of men is beginning to bestir itself among the streets.

In the middle of it all I fell asleep, to be wakened by the officious knocking at my door, and I find myself twelve years older than I had dreamed myself all night.

 See a short essay of De Quincey’s.

III

THE WREATH OF IMMORTELLES

It is all very well to talk of death as “a pleasant potion of immortality”; but the most of us, I suspect, are of “queasy stomachs,” and find it none of the sweetest. The graveyard may be cloak-room to Heaven; but we must admit that it is a very ugly and offensive vestibule in itself, however fair may be the life to which it leads. And though Enoch and Elias went into the temple through a gate which certainly may be called Beautiful, the rest of us have to find our way to it through Ezekiel’s low-bowed door and the vault full of creeping things and all manner of abominable beasts. Nevertheless, there is a certain frame of mind to which a cemetery is, if not an antidote, at least an alleviation. If you are in a fit of the blues, go nowhere else. It was in obedience to this wise regulation that the other morning found me lighting my pipe at the entrance to Old Greyfriars’, thoroughly sick of the town, the country, and myself.