Complete Works of Robert Louis Stevenson (Illustrated) (631 page)

Thus, in the course of a generation only, this city and its suburb have arisen. Men are alive by the score who have hunted all over the foundations in a dreary waste. I have dined, near the “punctual centre” of San Francisco, with a gentleman (then newly married), who told me of his former pleasures, wading with his fowling-piece  in sand and scrub, on the site of the house where we were dining. In this busy, moving generation, we have all known cities to cover our boyish playgrounds, we have all started for a country walk and stumbled on a new suburb; but I wonder what enchantment of the Arabian Nights can have equalled this evocation of a roaring city, in a few years of a man’s life, from the marshes and the blowing sand. Such swiftness of increase, as with an overgrown youth, suggests a corresponding swiftness of destruction. The sandy peninsula of San Francisco, mirroring itself on one side in the bay, beaten on the other by the surge of the Pacific, and shaken to the heart by frequent earthquakes, seems in itself no very durable foundation. According to Indian tales, perhaps older than the name of California, it once rose out of the sea in a moment, and sometime or other shall, in a moment, sink again. No Indian, they say, cares to linger on that doubtful land. “The earth hath bubbles as the water has, and this is of them.” Here, indeed, all is new, nature as well as towns. The very hills of California have an unfinished look; the rains and the streams have not yet carved them to their perfect shape. The forests spring like mushrooms from the unexhausted soil; and they are mown down yearly by the forest fires. We are in early geological epochs, changeful and insecure; and we feel, as with a sculptor’s model, that the author may yet grow weary of and shatter the rough sketch.

Fancy apart, San Francisco is a city beleaguered with alarms. The lower parts, along the bay side, sit on piles; old wrecks decaying, fish dwelling unsunned, beneath the populous houses; and a trifling subsidence might drown the business quarters in an hour. Earthquakes are not only common, they are sometimes threatening in their violence; the fear of them grows yearly on a resident; he begins with indifference, ends in sheer panic; and no one feels safe in any but a wooden house. Hence it comes that, in that rainless clime, the whole city is  built of timber — a woodyard of unusual extent and complication; that fires spring up readily, and served by the unwearying trade-wind, swiftly spread; that all over the city there are fire-signal boxes; that the sound of the bell, telling the number of the threatened ward, is soon familiar to the ear; and that nowhere else in the world is the art of the fireman carried to so nice a point.

Next, perhaps, in order of strangeness to the rapidity of its appearance, is the mingling of the races that combine to people it. The town is essentially not Anglo-Saxon; still more essentially not American. The Yankee and the Englishman find themselves alike in a strange country. There are none of these touches — not of nature, and I dare scarcely say of art — by which the Anglo-Saxon feels himself at home in so great a diversity of lands. Here, on the contrary, are airs of Marseilles and of Pekin. The shops along the street are like the consulates of different nations. The passers-by vary in feature like the slides of a magic-lantern. For we are here in that city of gold to which adventurers congregated out of all the winds of heaven; we are in a land that till the other day was ruled and peopled by the countrymen of Cortes; and the sea that laves the piers of San Francisco is the ocean of the East and of the isles of summer. There goes the Mexican, unmistakable; there the blue-clad Chinaman with his white slippers; there the soft-spoken, brown Kanaka, or perhaps a waif from far-away Malaya. You hear French, German, Italian, Spanish, and English indifferently. You taste the food of all nations in the various restaurants; passing from a French
prix-fixe
where every one is French, to a roaring German ordinary where every one is German; ending, perhaps, in a cool and silent Chinese tea-house. For every man, for every race and nation, that city is a foreign city; humming with foreign tongues and customs; and yet each and all have made themselves at home. The Germans have a German theatre and innumerable  beer-gardens. The French Fall of the Bastille is celebrated with squibs and banners, and marching patriots, as noisily as the American Fourth of July. The Italians have their dear domestic quarter, with Italian caricatures in the windows, Chianti and polenta in the taverns. The Chinese are settled as in China. The goods they offer for sale are as foreign as the lettering on the signboard of the shop: dried fish from the China seas; pale cakes and sweetmeats — the like, perhaps, once eaten by Badroubadour; nuts of unfriendly shape; ambiguous, outlandish vegetables, misshapen, lean, or bulbous — telling of a country where the trees are not as our trees, and the very back-garden is a cabinet of curiosities. The joss-house is hard by, heavy with incense, packed with quaint carvings and the paraphernalia of a foreign ceremonial. All these you behold, crowded together in the narrower arteries of the city, cool, sunless, a little mouldy, with the unfamiliar faces at your elbow, and the high, musical sing-song of that alien language in your ears. Yet the houses are of Occidental build; the lines of a hundred telegraphs pass, thick as a ship’s rigging, overhead, a kite hanging among them, perhaps, or perhaps two, one European, one Chinese, in shape and colour; mercantile Jack, the Italian fisher, the Dutch merchant, the Mexican vaquero, go hustling by; at the sunny end of the street, a thoroughfare roars with European traffic; and meanwhile, high and clear, out breaks perhaps the San Francisco fire-alarm, and people pause to count the strokes, and in the stations of the double fire-service you know that the electric bells are ringing, the traps opening, and clapping to, and the engine, manned and harnessed, being whisked into the street, before the sound of the alarm has ceased to vibrate on your ear. Of all romantic places for a boy to loiter in, that Chinese quarter is the most romantic. There, on a half-holiday, three doors from home, he may visit an actual foreign land, foreign in people, language, things, and customs. The very barber of the Arabian  Nights shall be at work before him, shaving heads; he shall see Aladdin playing on the streets; who knows but among those nameless vegetables the fruit of the nose-tree itself may be exposed for sale? And the interest is heightened with a chill of horror. Below, you hear, the cellars are alive with mystery; opium dens, where the smokers lie one above another, shelf above shelf, close-packed and grovelling in deadly stupor; the seats of unknown vices and cruelties, the prisons of unacknowledged slaves and the secret lazarettos of disease.

With all this mass of nationalities, crime is common. There are rough quarters where it is dangerous o’ nights; cellars of public entertainment which the wary pleasure-seeker chooses to avoid. Concealed weapons are unlawful, but the law is continually broken. One editor was shot dead while I was there; another walked the streets accompanied by a bravo, his guardian angel. I have been quietly eating a dish of oysters in a restaurant, where, not more than ten minutes after I had left, shots were exchanged and took effect; and one night about ten o’clock, I saw a man standing watchfully at a street-corner with a long Smith-and-Wesson glittering in his hand behind his back. Somebody had done something he should not, and was being looked for with a vengeance. It is odd, too, that the seat of the last vigilance committee I know of — a mediæval
Vehmgericht
— was none other than the Palace Hotel, the world’s greatest caravanserai, served by lifts and lit with electricity; where, in the great glazed court, a band nightly discourses music from a grove of palms. So do extremes meet in this city of contrasts: extremes of wealth and poverty, apathy and excitement, the conveniences of civilisation and the red justice of Judge Lynch.

The streets lie straight up and down the hills, and straight across at right angles, these in sun, those in shadow, a trenchant pattern of gloom and glare; and what with the crisp illumination, the sea-air singing in  your ears, the chill and glitter, the changing aspects both of things and people, the fresh sights at every corner of your walk — sights of the bay, of Tamalpais, of steep, descending streets, of the outspread city — whiffs of alien speech, sailors singing on shipboard, Chinese coolies toiling on the shore, crowds brawling all day in the street before the Stock Exchange — one brief impression follows and obliterates another, and the city leaves upon the mind no general and stable picture, but a profusion of airy and incongruous images, of the sea and shore, the east and west, the summer and the winter.

In the better parts of the most interesting city there is apt to be a touch of the commonplace. It is in the slums and suburbs that the city dilettante finds his game. And there is nothing more characteristic and original than the outlying quarters of San Francisco. The Chinese district is the most famous; but it is far from the only truffle in the pie. There is many another dingy corner, many a young antiquity, many a
terrain vague
with that stamp of quaintness that the city lover seeks and dwells on; and the indefinite prolongation of its streets, up hill and down dale, makes San Francisco a place apart. The same street in its career visits and unites so many different classes of society, here echoing with drays, there lying decorously silent between the mansions of Bonanza millionaires, to founder at last among the drifting sands beside Lone Mountain cemetery, or die out among the sheds and lumber of the north. Thus you may be struck with a spot, set it down for the most romantic of the city, and, glancing at the name-plate, find it is in the same street that you yourself inhabit in another quarter of the town.

The great net of straight thoroughfares lying at right angles, east and west and north and south, over the shoulders of Nob Hill, the hill of palaces, must certainly be counted the best part of San Francisco. It is there that the millionaires are gathered together vying with each other in display. From thence, looking down over the  business wards of the city, we can descry a building with a little belfry, and that is the Stock Exchange, the heart of San Francisco: a great pump we might call it, continually pumping up the savings of the lower quarters into the pockets of the millionaires upon the hill. But these same thoroughfares that enjoy for awhile so elegant a destiny have their lines prolonged into more unpleasant places. Some meet their fate in the sands; some must take a cruise in the ill-famed China quarters; some run into the sea; some perish unwept among pig-sties and rubbish-heaps.

Nob Hill comes, of right, in the place of honour; but the two other hills of San Francisco are more entertaining to explore. On both there are a world of old wooden houses snoozing together all forgotten. Some are of the quaintest design, others only romantic by neglect and age. Some have been almost undermined by new thoroughfares, and sit high up on the margin of the sandy cutting, only to be reached by stairs. Some are curiously painted, and I have seen one at least with ancient carvings panelled in its wall. Surely they are not of Californian building, but far voyagers from round the stormy Horn, like those who sent for them and dwelt in them at first. Brought to be the favourites of the wealthy, they have sunk into these poor, forgotten districts, where, like old town toasts, they keep each other silently in countenance. Telegraph Hill and Rincon Hill, these are the two dozing quarters that I recommend to the city dilettante. There stand these forgotten houses, enjoying the unbroken sun and quiet. There, if there were such an author, would the San Francisco Fortuné de Boisgobey pitch the first chapter of his mystery. But the first is the quainter of the two, and commands, moreover, a noble view. As it stands at the turn of the bay, its skirts are all waterside, and round from North Reach to the Bay Front you can follow doubtful paths from one quaint corner to another. Everywhere the same tumble-down decay and sloppy progress, new  things yet unmade, old things tottering to their fall; everywhere the same out-at-elbows, many-nationed loungers at dim, irregular grog-shops; everywhere the same sea-air and isleted sea-prospect; and for a last and more romantic note, you have on the one hand Tamalpais standing high in the blue air, and on the other the tail of that long alignment of three-masted, full-rigged, deep-sea ships that make a forest of spars along the eastern front of San Francisco. In no other port is such a navy congregated. For the coast trade is so trifling, and the ocean trade from round the Horn so large, that the smaller ships are swallowed up, and can do nothing to confuse the majestic order of these merchant princes. In an age when the ship-of-the-line is already a thing of the past, and we can never again hope to go coasting in a cock-boat between the “wooden walls” of a squadron at anchor, there is perhaps no place on earth where the power and beauty of sea architecture can be so perfectly enjoyed as in this bay.

The Non-Fiction

VIRGINIBUS PUERISQUE AND OTHER PAPERS